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Articles 511 - 519 of 519

Full-Text Articles in Composition

South African Suite - Sab | 21-20400, Henry Leck Jan 1991

South African Suite - Sab | 21-20400, Henry Leck

Music Faculty Scores

South African Suite
I. Tshotsholoza, II. Siyahamba, III. Gabi, Gabi

Part Number:
21-20400

Previous Part Number:
HL-400

Price:
$1.85

Voicing:
SAB

Arranged By:
Henry Leck a cappella

Featured at:
2014 CA-MEA Annual Workshop


Unity | 21-20107, Daniel M. Cason Ii Jan 1989

Unity | 21-20107, Daniel M. Cason Ii

Music Faculty Scores

Unity

Part Number:
21-20107

Previous Part Number:
HL-107

Price:
$1.75

Voicing:
SATB

Lyrics By:
Glorraine B. Moone

Music By:
G. Moone/Rev. F. Washington

Arranged By:
Daniel M. Cason II


Cantemus! | 21-20255, Lajos Bardos Jan 1978

Cantemus! | 21-20255, Lajos Bardos

Music Faculty Scores

Cantemus!
(Just Sing!)

Part Number:
21-20255

Previous Part Number:
HL-255

Price:
$1.85

Voicing:
SSA

Music By:
Lajos Bardos

a cappella


Elements Of Preparation Requisite For Performance Of The Brahms Cycle, Vier Ernste Gesange, Opus 121, Donald L. Ricks Jan 1972

Elements Of Preparation Requisite For Performance Of The Brahms Cycle, Vier Ernste Gesange, Opus 121, Donald L. Ricks

All Master's Theses

This paper examines the text, the harmonic, tonal, melodic and stylistic characteristics of the cycle Vier ernst Gesange, op. 121 by Johanne Brahms as they relate to preparation for authoritative interpretation in formal concert performance. The study includes reference to particular events in the composer's life which directly influenced his decision to compose this final vocal work. In addition specific problems to be met in vocal technique, interpretative insight and German diction are discussed.


J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose Dec 1961

J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose

Graduate Student Research Papers

In view of some misconceptions concerning the reading of these ornamental symbols, a study of how to interpret them accurately seems of value. Stenographic signs of later periods are superficially similar to Baroque ornaments and are frequently used mistakenly in performing music of the Baroque. Bach's embellishments should obviously be treated according to Baroque practice.


When I Fall In Love | 11-20300, James Q. Mulholland Jan 1952

When I Fall In Love | 11-20300, James Q. Mulholland

Music Faculty Scores

When I Fall In Love

Part Number:
11-20300

Previous Part Number:
JM-300

Price:
$1.85

Voicing:
TTBB

Lyrics By:
Edward Heyman

Music By:
Victor Young

Arranged By:
James Q. Mulholland

with Horn (part included)

Commissioned By the Indianapolis Men's Chorus
Featured in the motion picture "Sleepless in Seattle"


Now's The Time | 21-20254, Norma Jean Luckey Jan 1945

Now's The Time | 21-20254, Norma Jean Luckey

Music Faculty Scores

Now's The Time

Part Number:
21-20254

Previous Part Number:
HL-254

Price:
$1.90

Voicing:
SSA

Music By:
Charlie Parker

Arranged By:
Norma Jean Luckey


Volume 62, Number 04 (April 1944), James Francis Cooke Apr 1944

Volume 62, Number 04 (April 1944), James Francis Cooke

The Etude Magazine: 1883-1957

De Gustibus non est Disputandum

Great Mr. Handel Enters the Films

Gloria in Excelsis Deo!

Piano Practice Game That Is Fun

Great Pipe Organs in American Mansions (interview with Archer Gibson)

Great Mr. Handel Now in the Films: Scenes from the English Technicolor Success, Courtesy of Midfilm, Inc.

Building Musicianship (interview with David and Clara Damrosch Mannes)

Rolling Her Way to Triumph: How a Girl with a Gift Arrived by the Wheel-Chair Route (interview with Ethelwynne Kingsbury)

Reaching Fame the Hard Way (interview with Jan Peerce)

Music Should be Fun for Children: How Music Parties Made Practicing a Joy

So …


Volume 58, Number 03 (March 1940), James Francis Cooke Mar 1940

Volume 58, Number 03 (March 1940), James Francis Cooke

The Etude Magazine: 1883-1957

Cultural Olympics

Relief Through Change

Down to Mexico: The Picturesque Music of Our Sister Republic on the South

Heart of the Blues (interview with W.C. Handy)

Accompanists are Born, Not Made (interview with Coenrad V. Bos)

Irishman the Grandfather of Russian Music: The Singular Story of John Field, Pianist and Composer

Family Musical Museum: A Remarkable Swiss Group Which Has Attracted Wide Attention

How Much Musical Talent Has My Child? A Musical Intelligence Test for Children Which Any Musical Mother May Give at Home

Music—An Avocation for Men: A Soldier Talks to Boys About Men and Music

How the Oratorio …