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Articles 61 - 78 of 78
Full-Text Articles in Composition
Machito And His Afro-Cubans: Selected Transcriptions, Paul Austerlitz, Jere Laukkanen
Machito And His Afro-Cubans: Selected Transcriptions, Paul Austerlitz, Jere Laukkanen
Gettysburg College Faculty Books
Machito (Francisco Raúl Grillo, 1909–1984) was born into a musical family in Havana, Cuba, and was already an experienced vocalist when he arrived in New York City in 1937. In 1940 he teamed up with his brother-in-law, the Cuban trumpeter Mario Bauzá (1911–1993), who had already made a name for himself with top African American swing bands such as those of Chick Webb and Cab Calloway. Together, Machito and Bauzá formed Machito and his Afro-Cubans. With Bauzá as musical director, the band forged vital pan-African connections by fusing Afro-Cuban rhythms with modern jazz and by collaborating with major figures in …
Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, Anna Paparcone Bronner
Matteo Garrone's Reality:The Big Brother Spectacle And Its Rupture, Anna Paparcone Bronner
Faculty Journal Articles
In Garrone’s film, Reality, the protagonist Luciano Ciotola becomes obsessed with his participation in the reality TV show Big Brother to the point that his whole life turns into a spectacle. In Italian cinema studies no other scholar had yet analyzed this film, despite its success and the very engaging and up-to-date topic. In my article, at the diegetic level, I show that the spectator experiences an overlap and a (con)fusion between Luciano’s everyday reality and his life as a member of the reality TV show. However, keeping in mind Guy Debord’s seminal work The Society of the Spectacle and …
Silence For Orchestra: Incorporating Silence In Musical Language Through Theories Of Expectation, Kari Darby
Silence For Orchestra: Incorporating Silence In Musical Language Through Theories Of Expectation, Kari Darby
Masters Theses
The purpose of Silence: for Orchestra is to incorporate silence as a captivating source of musical language. Silence's goal is to encourage the audience to appreciate silence as musch as music. David Huron's research in musical expectations served as a guide to create a piece that develops, contradicts, and conforms to a listener's expectations. Elizabeth Hellmuth Margulis's work describes five functions of silence found in music. These functions can be applied to the silences used in my piece in order to further conform to the listener's expectations.
Psalms On The Shannon: A Collection Of Choral Pieces In The Irish Celtic Style, Greta E. Hanks
Psalms On The Shannon: A Collection Of Choral Pieces In The Irish Celtic Style, Greta E. Hanks
Senior Honors Theses
The Irish music tradition has a rich heritage ranging from ancient ballads to nineteenth-century dances. One area of Irish music, a subset of Celtic music in general, that has been somewhat underrepresented in modern times is Irish choral music. Scripturally-based choral singing has been part of the Irish tradition ever since medieval monks began Christianizing the Celts. Today, several choral groups in Ireland are working to revive the art of Celtic choral singing. This collection, presenting psalms set to choral music in the Irish style, is one modern composer’s endeavor to join the Irish choral genre, incorporating traditional harmonic elements …
One Thousand North, Amber Beams
Composing/Arranging Familiar Songs In Choir With Garageband, Brent C. Talbot
Composing/Arranging Familiar Songs In Choir With Garageband, Brent C. Talbot
Sunderman Conservatory of Music Faculty Publications
This practical multi-stage project description demonstrates to teachers how they can engage students in arranging and composing music related to the choral curriculum by using Digital Audio Workstations (DAW) like GarageBand.
Creating And Performing A Composition For Tuba And Piano, Joel A. Ragona
Creating And Performing A Composition For Tuba And Piano, Joel A. Ragona
Undergraduate Honors Theses
In this creative thesis, I compose and perform a six movement art composition for tuba and piano. The reason for this performance and composition is two-fold. First, I am able to express myself in a way that other methods do not allow. Second, I reinforce important skills that will be vital in my future teaching career. To create the composition, I use various compositional methods, but I mainly adjust the composition by listening to it using piano and online compositional software. Preparing the composition for performance requires that I practice for multiple hours and find an accompanist who will perform …
Eight Ten, Delaney Walsh
Eight Ten, Delaney Walsh
A with Honors Projects
For this honors project, the student composed an original piece for piano accompanied with a reflection paper on the composition process.
Theseus And The Minotaur, Ben Lutterbach
Theseus And The Minotaur, Ben Lutterbach
Graduate Thesis Collection
Theseus and the Minotaur is a four movement, through-composed chamber work for flute, clarinet, violin, viola, cello, and double bass. The work explores elements of fear, chaos, love, and aggression.
Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson
Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson
Theses and Dissertations--Music
Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period.
The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 1960s. Also during this time, a new genre …
Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin
Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin
Theses and Dissertations--Music
Born in 1972, Luis Serrano Alarcón has in a very short period of time, established himself as one of Spain’s most prominent composers. His works are constantly being performed, not only in his home country, but throughout the world. While some of his compositions tend to retain the rhythmic, harmonic, and melodic style typical to Spanish music, many of the works sound as if they were borne more from the Viennese symphonic tradition, both during the time of Haydn and Beethoven, but also during the time of Arnold Schoenberg.
As a young boy Alarcón took up piano lessons with a …
Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio
Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio
Theses and Dissertations--Music
My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor.
The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in …
Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins
Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins
Theses and Dissertations--Music
An original composition in five movements for string quartet, percussion and electric guitar. Majority of the electric guitar parts are marked “quasi-improvisation”, with the intent of allowing the player freedom to explore their own creativity and expand upon the notated guitar parts as desired. The percussion parts, also marked “quasi-improvisation”, allow the player to expand upon the notated rhythms and choose their own combination of muted wood blocks as desired.
The name of this piece and its individual movements pay homage to the author Steven King and his series of books known as the The Dark Tower. Much of …
Master's Recital In Jazz Pedagogy: A Performance-Demonstration Of Rhythm Section Instruments, Compositions And Arrangements By Josh Hakanson, Josh Hakanson
Dissertations and Theses @ UNI
This recital is presented to demonstrate skills and competencies on the rhythm section instruments piano, bass, and drums, as well as showcase compositions and arrangements by the recitalist. The study of the rhythm section instruments has been a valuable asset to my teaching and allowed me to expand my knowledge of how these instruments are used in a functional jazz context. The study of jazz composition and arranging techniques has also supplemented my teaching skills and given me the satisfaction of both writing and performing my own works. Though this recital is not a comprehensive overview of my study at …
Music Composition, Spencer Snyder
Uisce: Compositional Explorations For Various Ensembles, James May
Uisce: Compositional Explorations For Various Ensembles, James May
Senior Independent Study Theses
No abstract provided.
Music As A Means Of Connecting, Understanding, And Being Understood, Michael Chase Dickerson
Music As A Means Of Connecting, Understanding, And Being Understood, Michael Chase Dickerson
Dissertations and Theses @ UNI
The recital described in this abstract is the result of an active engagement with friends and acquaintances in artistic fields—students and teachers, performers, composers, and audience members, authors, poets, and painters. Some of the pieces included are abstract, in that they are neither programmatic nor texted, but every piece is, in another sense, concrete, because my music is a representation of the creative intelligences of a community, which together produce something real and embodied. My music is intended to be a centerpiece for interaction, a means of connecting with and understanding one another in a way that is perhaps unique …
Factororacle: An Extensible Max External For Investigating Applications Of The Factor Oracle Automaton In Real-Time Music Improvisation, Adam James Wilson
Factororacle: An Extensible Max External For Investigating Applications Of The Factor Oracle Automaton In Real-Time Music Improvisation, Adam James Wilson
Publications and Research
There are several extant software systems designed to generate music in real-time using a factor oracle automaton constructed from the musical input of a human improvisor. The impetus for the design of the factorOracle external is neither a desire to supersede these systems nor introduce novel algorithms for traversing the oracle, but rather to provide a fast, canonical interface for the automaton in Cycling74’s Max and, in future iterations, the Pure Data programming environment. Technical features of the factorOracle software are introduced here.