Composition Commons^™

2014-2015 New Music Festival, David Noon, Lisa Leonard

New Music Festival

Ninth Annual New Music Festival

• David Noon, Composer-in-Residence
• Lisa Leonard, Director

Tuesday, April 14, 2015 at 7:30 pm

• Spotlight I: Young Composers

Wednesday, April 15, 2015 at 7:30 pm

• Master Class with David Noon

Thursday, April 16, 2015 at 7:30 pm

• Spotlight II: The Music of David Noon

Commissioned Work

Divertimenti for Winds, op. 255 by David Noon. The full score is displayed in the Creative Works collection.

Illinois (Honors), Luke J. Mcloughlin

Compositions

This work was abstractly inspired by the landscape of my home state. I composed its building blocks while just north of Normal, Illinois, specifically while at various points along the square formed by Main Street, E 1800 North Road, N 1300 East Road, and W Ziebarth Road. During multiple sessions, I visited these locations and wrote down, on staff and loose leaf paper, what came to mind. The goal was that, during the composition process, I would focus more on the development of the music—in and of itself. The resultant piece was to avoid relying on some sort of outside …

Biophily: Five Musical Episodes For The Revolutionary Educator, Edward J. Holmes

Student Publications

"Biophily: Five Musical Episodes for the Revolutionary Educator" is a composition meant to reflect, through music, some of the key concepts and ideas of authors like Paulo Freire, William Ayers, Neil Postman, and Charles Weingartner in their works that we covered in Social Foundations. Each piece aims to deconstruct poor teaching habits and practices, and musically express a better way to go about education.

Clarada, For B♭ Clarinet And Electronics, Jeffrey Funderburk, Amanda Mccandless

UNIversitas: Journal of Research, Scholarship, and Creative Activity

Clarada’ was composed between November 2012 and August 2013. It is one of a number of electro-acoustic works I have written to allow a performer not particularly familiar with the medium to explore. The composition is intended to appeal to an equally inexperienced audience.

Sixth Annual Festival Of New Music February 27 - March 1, 2015, Mark Zanter

All Performances

No abstract provided.

Bach's Christmas Oratorio, Bwv 248, And The Jews, Daniel R. Melamed

Yale Journal of Music & Religion

It has been recognized since the nineteenth century that most of the poetic arias and choruses in J. S. Bach’s Christmas Oratorio BWV 248 are parodies of music composed to other texts. In the early twentieth century it was claimed that at least one gospel narrative chorus was also derived from extant music, a hypothesis subsequently expanded to include several such movements said to be parodies as well. The claims are flimsily argued and are unlikely on source-critical grounds, but they have stuck, persisting in scholarly writings, reference works, and popular literature.

The origin of this idea is a 1916 …

Empyreal Radiance: An Application Of Sonification In The Field Of Astrophysics, Ryan Loth

Undergraduate Distinction Papers

Broadly, this paper discusses the application of sonification and its potential for increasing knowledge. The paper is broken up into three sections: the theory of sonification, sonification for artistic purposes, and lastly an extensive look at one process of sonification dealing with solar winds in space. Concerning the theory of sonification, the paper will divulge into the process of sonification and ask questions about the limitations of it as well. The second section discusses how sonification is a way to build the curiosity of not just scientists, but also the general public. The final section addresses my composition Empyreal Radiance …

La Vie Dans Les Plis, Andre Rene Bregegere

Dissertations, Theses, and Capstone Projects

La vie dans les plis was premiered at The Firehouse Space (Brooklyn, NY) on June 9, 2014, by violinist Karen Rostron and pianist Mirna Lekić. The piece's title is a reference to an eponimous collection of texts by Belgian author Henri Michaux. There is no direct connection between Michaux's text and the structure of the piece. This choice of title, in addition to its great poetic beauty, is meant as an acknowledgement of my indebtedness to Henri Michaux's writings, and, more generally, to Surrealist - and Surrealist-influenced - poetry, for revealing to me the artistic value of a bold exploration …

Identity Performance In Roleplaying Games, Danielle Nielsen

Faculty & Staff Research and Creative Activity

This article argues that roleplaying games have the potential to challenge, encourage, and subsume the privilege of the stereotypical gamer, one who is white, male, and heterosexual. Though roleplaying games as they are currently designed are neither ideal nor perfect, the article contends they embrace feminist programming strategies and offer those who do not want to play a straight male avatar the opportunity to develop and explore identities through characters in ways that other genres do not. Roleplaying games extend the privilege of representation to other gaming demographics, giving players the opportunity to “play who they are” in the digital …

Introduction And Acknowledgements, Pamela Dennis

The Etude Magazine: 1883-1957

No abstract provided.

Sunrise At Roanoke, Roger Lowe

Original Compositions

Music for flute and harp

This piece was inspired by the beautiful sunrises over Albemarle sound at Roanoke Island off the coast of North Carolina. This music, in the timeless style of the Impressionist composers makes a wonderful concert or recital piece. If no harp is available, the accompaniment may be played on the piano.

Purchase the full score on SheetMusicPlus.

May Peace Be With You: Alleluia | 10-96030, James Q. Mulholland

Music Faculty Scores

May Peace Be With You: Alleluia, for SSAA Voices with Violincello and Piano

Part Number:
10-96030

Price:
$1.85

Voicing:
SSAA

Lyrics By:
Paraphrased from Phillipians 4:8,9

Music By:
James Q. Mulholland

with Optional Violincello (part included)

Commissioned by colleagues and students of Nancy Leisl, choral director at Connor High School
To honor all of the things she has taught us.

Sleep, My Loved One | 16-96750, Christopher Matthews

Music Faculty Scores

Sleep, My Loved One (Sleep and Dream of Me)

Part Number:
16-96750

Price:
$1.80

Voicing:
SATB

Lyrics By:
Nixon Waterman (1859-1944)

Music By:
Christopher Matthews

a cappella

Featured at:
2015 National ACDA Convention
2015 Atlanta Summer Conducting Institute
2015 Rodney Eichenberger Summer Conductor's Clinic
2015 ICDA Summer Conference

Softness Of My Mother's Hands, The - Satb | 20-96235, John Starr Alexander, Henry Leck

Music Faculty Scores

The Softness of My Mother's Hands

Part Number:
20-96235

Price:
$1.90

Voicing:
SATB

Lyrics By:
John Starr Alexander

Music By:
John Starr Alexander

Edited By:
Henry Leck

Featured at:
2015 Atlanta Summer Conducting Institute

Snowflakes Fantasy | 20-95760, Hyun Kook, Henry Leck

Music Faculty Scores

Snowflakes Fantasy

Part Number:
20-95760

Price:
$1.90

Voicing:
SATB

Lyrics By:
Linda Marcus & Julie I. Myers

Music By:
Hyun Kook

Edited By:
Henry Leck

with Optional Triangle and Bell Tree

In Ténarèze Country: Clarinet, Violoncello And Piano Trio In Two Tableaus, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 44 : 1 score (ii + 32 pages) ; includes table of contents ; parts for Clarinet , Violoncello and Piano.

Movements:

1. First tableau: Intimacy of winter
2. Second tableau: Song of summer

Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Reduction), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 45 : 2 parts (vi + 46 pages) ; includes table of contents, pencil drawing of Ballerina by E. M. Dubois (1982), foreword, addendum to the foreword, text of lyrics and poems ; parts for soprano and piano.

1. As he whispers
2. Happiness
3. Hold me so tight!
4. To sweeten our lips
5. Those were happy times
6. Yulia
7. Woman's first true love

Snowflakes Fantasy Percussion Part | 20-95761, Hyun Kook, Henry Leck

Music Faculty Scores

Snowflakes Fantasy

Part Number:
20-95760

Price:
$5.50

Voicing:
Percussion Parts

Music By:
Hyun Kook

Edited By:
Henry Leck Triangle and Bell Tree

Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Score), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 45 : 1 score (ii + 61 pages)

Movements:

1. As he whispers
2. Happiness
3. Hold me so tight!
4. To sweeten our lips
5. Those were happy times
6. Yulia
7. Woman's first true love

The Truth: Melody For Soprano And Piano, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 46 : 1 score (ii + 6 pages) ; includes poem "The Truth" by E.M. Dubois (August 2015)

Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Score And Reduction), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 45 : 1 score + 3 parts (ii + 182 pages) ; includes full score ; parts (rehearsal practice score, extraction) for Soprano and Violin I ; Violin II with Soprano ; Violoncello with Soprano.

Movements:

1. As he whispers
2. Happiness
3. Hold me so tight!
4. To sweeten our lips
5. Those were happy times
6. Yulia
7. Woman's first true love

Counterpoint Applied In The Invention, Fugue, Canon And Other Polyphonic Forms: An Exhaustive Treatise On The Structural And Formal Details Of The Polyphonic Or Contrapuntal Forms Of Music, For The Use Of General And Special Students Of Music, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.

Exercises In Elementary Counterpoint, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.

Trends In Chamber Music Composed By European Composers Who Became Deaf In The Romantic Era, Vinh Dao

UROP Posters

This study attempts to discover if there are trends among the composition style of composers from the Romantic Era who went deaf. To ascertain the true nature of deaf composition, 10 scores were analyzed –5 scores from composers who were hearing or were not deaf yet and 5 scores from composers who were completely deaf. The scores were examined rather than recordings of these pieces as modern string quartets, piano trios, violin and piano duet players would not be able to replicate the sound and style of music from the Romantic Era. In particular, this study found that deaf composers …

Alma Mater To Umass Boston, David Patterson

Compositions of David Patterson

The music for the alma mater was composed in 2016 by Professor of Music David Patterson of the Performing Arts Department. The musical setting has the flavor of a 19th century anthem as heard through modern ears. The lyrics were adapted from those of a State Teachers College at Boston class song by a committee of the university’s Faculty Council. In both music and text, "To UMass Boston" evokes images of an ongoing, uplifting pursuit of knowledge and truth.

Characteristics Of A Modern Ballet: The Adoption Of Sonic Vocabulary And Textual Treatment In The Earth Without Water (2014), Mark Luke Rheaume

Masters Theses

The modern ballet, as an orchestral genre, owes much of its status and value to composers of the early 20th century. Claude Debussy and Igor Stravinsky’s groundbreaking works, Prélude à l'apres-midi d'un faune and Le Sacre du Printemps respectively, revolutionized the sonic landscape of ballet and expanded the ideas of interaction with texts and scenarios. This paper demonstrates the continued use of these innovations in the author's composition, The Earth Without Water. This analysis identifies three categories—harmonic vocabulary, rhythmic/formal organization, and textual treatment—by which The Earth derives content or technique from Prélude and Le Sacre.

We Live In Waves, William S. Trachsel

Graduate Thesis Collection

Composition for orchestra.

Inferno, Stephen Kachenovich

Graduate Thesis Collection

Composition for piano.

Rift, Luke Flynn

Graduate Thesis Collection

Composition for orchestra.

Gestalt Principles In Ligeti’S Piano Etude “Desordre”, David William Batchelor

Theses and Dissertations

This document is a study of how Gestalt principles of organization are at work in “Désordre” (1985), the first etude in the first book of piano etudes by György Ligeti (1923–2006). After explaining how Gestalt principles can be applied to the analysis of music, the study presents an analysis of the etude in four main parts. The first part identifies elements of the composition that help the listener define boundaries between phrases, phrase groups, and sections. The second part discusses how foreground and background layers are articulated. The third part discusses the polytempo illusion. The fourth and final part identifies …