Composition Commons^™

How Do I Love Thee Ttbb | 13-96885, James Q. Mulholland

Music Faculty Scores

How Do I Love Thee, For TTBB Chorus, Tenor Solo, Piano, and Opt. Horn

Part Number:
13-96885

Previous Part Number:
AMP0149

Price:
$2.40

Voicing:
TTBB

Lyrics By:
Elizabeth Barrett Browning (1806-1861)
Sonnets XLIII XLIV

Music By:
James Q. Mulholland

with Horn (part included)

She Walks In Beauty | 10-96230, James Q. Mulholland

Music Faculty Scores

She Walks In Beauty

Part Number:
10-96230

Price:
$1.75

Voicing:
SATB

Lyrics By:
Lord Byron

Music By:
James Q. Mulholland

a cappella

Commissioned by the Central Bucks High School-West Chamber Choir
Dr. Jospeh Ohrt, conductor

Shake The Papaya Down | 21-20406, Ruth Dwyer, Judith Waller

Music Faculty Scores

Shake The Papaya Down
Calypso Song

Part Number:
21-20406

Price:
$1.85

Voicing:
SAB

Arranged By:
Ruth Dwyer & Judith Waller

Ua94/6/1 Student / Alumni Personal Papers Western Kentucky University Small Collections, Wku Archives

WKU Archives Collection Inventories

Small collections of personal papers and oral histories relating to the Western Kentucky University.

Flocking In The Time-Dissonance Plane, Adam James Wilson

Publications and Research

This paper describes a technique for the sonification of an idealized model of the flocking behavior of birds, fish, and insects. Flocking agents are represented by pitches that move through time to produce chords of variable dissonance. The objective of each agent is to move toward more consonant chord formations with other agents. The output of the sonification is intended to provide material for use in musical composition.

Benediction (Score), Gary Smart

Music Faculty Research and Scholarship

“Benediction” for solo violin (2009) was written for violinist Piotr Szlewczyk and his recording project “Violin Futura”. This short set of variations is based on the old southern hymn, “Part in Peace”.

A Symbolic Sonification Of L-Systems, Adam James Wilson

Publications and Research

This paper describes a simple technique for the sonification of branching structures in plants. The example is intended to illustrate a qualitative definition of best practices for sonification aimed at the production of musical material. Visually manifest results of tree growth are modelled and subsequently mapped to pitch, time, and amplitude. Sample results are provided in symbolic music notation.

Se Tu Mi Lassi (If You Leave Me) For Choir, Katherine Spencer

Compositions

No abstract provided.

Kenny Wheeler: Melody, Harmony And Structure : An Analysis Of The Melodic, Harmonic And Structural Techniques In The Compositions Of Kenny Wheeler, And The Implementation Of Those Techniques Into The Authors Own Creative Process, Alice Humphries

Theses : Honours

Kenny Wheeler is a Canadian born trumpeter and composer who has gained the respect and admiration of musicians and critics alike for his distinct and beautiful compositions. Despite this acclaim, am extensive search of relevant literature has revealed very little academic study of his compositional technique. Through an analysis of the melodic, harmonic and structural techniques evident in selected compositions by Kenny Wheeler, this dissertation offers insight into what gives Wheeler's music its distinct sound. The influence of these techniques on the author's own creative work is discussed through an exegesis. The dissertation consists of three chapters. The first chapter …

“Etc. Etc.” Reliquias Y Fragmentos De Una Sonata De Schubert, Antoni Pizà

Publications and Research

Resumen:

Tomando como ejemplo el caso de Reliquie, Sonata para piano en do mayor D. 840 de Schubert, este ensayo explora los entresijos que generan las obras musicales incompletas. ¿Qué diferencia hay entre un fragmento amputado y uno inacabado? ¿Qué autoridad tienen las reconstrucciones de obras incompletas? ¿Qué opciones tiene el intérprete a la hora de ejecutar esta obra? ¿Por qué nos atraen los fragmentos? La Sonata para piano en do mayor consiste en dos movimientos completos y otros dos inconclusos. Si bien algunos pianistas como Paul Badura-Skoda han grabado esta obra con su propia compleción, Sviatoslav Richter interrumpe su …