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Composition Commons™

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2006

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Articles 31 - 49 of 49

Full-Text Articles in Composition

Psalm 98 | 10-96330, James Q. Mulholland Jan 2006

Psalm 98 | 10-96330, James Q. Mulholland

Music Faculty Scores

Psalm 98 (O Sing Unto The Lord)

Part Number:
10-96330

Price:
$2.40

Voicing:
SATB

Music By:
James Q. Mulholland

for SATB Voices with Piano and Optional Horn


This Little Light Of Mine | 16-96820, Christopher Matthews Jan 2006

This Little Light Of Mine | 16-96820, Christopher Matthews

Music Faculty Scores

This Little Light Of Mine

Part Number:
16-96820

Price:
$1.80

Voicing:
SATB

Lyrics and Music:
Traditional Spiritual

Arranged By:
Christopher Matthews


Aweigh, Santy Ano | 20-96360, Cyndee B. Giebler Jan 2006

Aweigh, Santy Ano | 20-96360, Cyndee B. Giebler

Music Faculty Scores

Aweigh, Santy Ano
Sea Chantey

Part Number:
20-96360

Price:
$1.90

Voicing:
Three-Part Treble

Lyrics By:
Traditional

Arranged By:
Cyndee Giebler

with Recorder (part included)


Aweigh, Santy Ano Ttbb | 20-96365, Cyndee B. Giebler Jan 2006

Aweigh, Santy Ano Ttbb | 20-96365, Cyndee B. Giebler

Music Faculty Scores

Aweigh, Santy Ano
Sea Chantey

Part Number:
20-96365

Price:
$1.90

Voicing:
TTBB

Lyrics By:
Traditional

Arranged By:
Cyndee Giebler

with Recorder (part included)


Kris Kringle | 20-96150, Cyndee Giebler Jan 2006

Kris Kringle | 20-96150, Cyndee Giebler

Music Faculty Scores

Kris Kringle

Part Number:
20-96150

Price:
$1.90

Voicing:
SA

Arranged By:
Cyndee Giebler

with Glockenspiel and Optional Auxiliary Percussion


Magnificat And Nunc Dimittis | 20-96045, Philip Moore Jan 2006

Magnificat And Nunc Dimittis | 20-96045, Philip Moore

Music Faculty Scores

Magnificat and Nunc Dimittis

Part Number:
20-96045

Price:
$2.20

Voicing:
SATB

Music By:
Philip Moore

with Organ


Magnificat And Nunc Dimittis | 20-96040, Philip Moore Jan 2006

Magnificat And Nunc Dimittis | 20-96040, Philip Moore

Music Faculty Scores

Magnificat and Nunc Dimittis

Part Number:
20-96040

Price:
$2.20

Voicing:
SSS

Music By:
Philip Moore

with Organ


Mardi Gras Mambo | 20-96090, Susan Brumfield, Jon Autin Jan 2006

Mardi Gras Mambo | 20-96090, Susan Brumfield, Jon Autin

Music Faculty Scores

Mardi Gras Mambo

Part Number:
20-96090

Price:
$1.90

Voicing:
SSA

Arranged By:
Susan Brumfield & Jon Autin


My Lord What A Morning - Ssa | 20-96050, Robert I. Hugh Jan 2006

My Lord What A Morning - Ssa | 20-96050, Robert I. Hugh

Music Faculty Scores

My Lord What A Morning
African-American Spiritual

Part Number:
20-96050

Price:
$1.85

Voicing:
SSA

Arranged By:
Robert I. Hugh

Featured at:
2014 Michigan State VMA Summer Conference


See Amid The Winter Snow - Sa | 20-96060, Susan Brumfield Jan 2006

See Amid The Winter Snow - Sa | 20-96060, Susan Brumfield

Music Faculty Scores

See Amid The Winter Snow

Part Number:
20-96060

Price:
$1.85

Voicing:
SA

Arranged By:
Susan Brumfield

Featured at:
2013 Midwest Kodály Music Educators


Caprices, Emmanuel M. Dubois Jan 2006

Caprices, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 23: 1 score (ii + 15 pages) ; includes table of contents

Piano Pieces:

  1. Aurore - At Dawn
  2. Papillons - Butterflies
  3. Le joyeux promeneur - The Merry Wanderer
  4. Le voile de la danceuse - The Dancer's Veil
  5. Le charivari - The Charivari


Seis Vícios De Garlândia, Bruno Ruviaro Jan 2006

Seis Vícios De Garlândia, Bruno Ruviaro

Music

“There are six vices of composition (…): the mixing of comedy and tragedy in the same part of the work; unsuitable digressions; obscure brevity; unsuitable mixing of styles; improper mixing of subjects; and the use of endings not suitable to the type of writing.” [De Arte prosayca, metrica, et rithmica (13th century treatise), by John of Garland]


The Letter, Benjamin Johnson Jan 2006

The Letter, Benjamin Johnson

Compositions

No abstract provided.


Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson Jan 2006

Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson

Music Faculty Publications

In a brief but perspicacious study of Mennin' s music in 1954, Walter Hendl describes the composer as "a consummate craftsman who devotes great attention to the organization of materials." Although Hendl may not have known Canzona, which had been premiered in 1951 but not published until the year of his essay, the author's statement could well have been written with Mennin's sole piece for band specifically in mind. Not only is every aspect of Canzona integrally related to every other, but the relationships are deployed with a remarkable economy of means.


Beatbox (Score), Gary Smart Jan 2006

Beatbox (Score), Gary Smart

Music Faculty Research and Scholarship

This group of short pieces for two pianists playing one piano was composed for a tour of central Japan in the summer of 2006. At a concert in Kyoto I premiered this collection, as secundo pianist, with six of my former Japanese piano students, each playing one movement with me. Each movement is dedicated to that individual and I like to think that these movements reflect, to some extent, each pianists’ personality.

The title “Beatbox” refers to the repetitive rhythmic motives which serve as the basis for each movement. This music features energetic ostinati, and thick, bopish textures. Movement five …


Solo For Vibraphone, Eric Malmquist Jan 2006

Solo For Vibraphone, Eric Malmquist

Compositions

No abstract provided.


Four Preludes For Piano, Luke Gullickson Jan 2006

Four Preludes For Piano, Luke Gullickson

Compositions

No abstract provided.


Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers Jan 2006

Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers

Theses : Honours

The music of Olivier Messiaen is a unique and interesting contribution to the canon of 20th Century art music, but one that has received little attention from the jazz world. Through a detailed study of his music, this dissertation aims to gain a deeper understanding of Messiaen's musical language and investigate the possibilities of applying that language within the jazz idiom. In addition to a discussion of Messiaen and his music, a detailed analysis of the author's own composition for pipe organ and jazz orchestra, Auguries of Innocence, will explore the results of this application. The complete scores and …


Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis Jan 2006

Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis

Theses : Honours

Before my California stay (1968-1978) I considered myself a player first and a writer second, although I did a lot of writing, from Ray Charles to Thad [Jones] and Mel [Lewis].1 Since 1979 I have come to view myself as a composer who also plays trombone; add conducting and teaching and that gives me 4 hats to wear. I do not have a swollen head, so they all fit nicely. (Brookmeyer, 1997, n.p.)

Although acknowledged as one of the pivotal figures in twentieth-century jazz, the career and the music of Bob Brookmeyer has received scant attention in secondary literature. This …