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Articles 31 - 49 of 49
Full-Text Articles in Composition
Psalm 98 | 10-96330, James Q. Mulholland
Psalm 98 | 10-96330, James Q. Mulholland
Music Faculty Scores
Psalm 98 (O Sing Unto The Lord)
Part Number: 10-96330
Price: $2.40
Voicing: SATB
Music By: James Q. Mulholland
for SATB Voices with Piano and Optional Horn
This Little Light Of Mine | 16-96820, Christopher Matthews
This Little Light Of Mine | 16-96820, Christopher Matthews
Music Faculty Scores
This Little Light Of Mine
Part Number: 16-96820
Price: $1.80
Voicing: SATB
Lyrics and Music: Traditional Spiritual
Arranged By: Christopher Matthews
Aweigh, Santy Ano | 20-96360, Cyndee B. Giebler
Aweigh, Santy Ano | 20-96360, Cyndee B. Giebler
Music Faculty Scores
Aweigh, Santy AnoSea Chantey
Part Number: 20-96360
Price: $1.90
Voicing: Three-Part Treble
Lyrics By: Traditional
Arranged By: Cyndee Giebler
with Recorder (part included)
Aweigh, Santy Ano Ttbb | 20-96365, Cyndee B. Giebler
Aweigh, Santy Ano Ttbb | 20-96365, Cyndee B. Giebler
Music Faculty Scores
Aweigh, Santy AnoSea Chantey
Part Number: 20-96365
Price: $1.90
Voicing: TTBB
Lyrics By: Traditional
Arranged By: Cyndee Giebler
with Recorder (part included)
Kris Kringle | 20-96150, Cyndee Giebler
Kris Kringle | 20-96150, Cyndee Giebler
Music Faculty Scores
Kris Kringle
Part Number: 20-96150
Price: $1.90
Voicing: SA
Arranged By: Cyndee Giebler
with Glockenspiel and Optional Auxiliary Percussion
Magnificat And Nunc Dimittis | 20-96045, Philip Moore
Magnificat And Nunc Dimittis | 20-96045, Philip Moore
Music Faculty Scores
Magnificat and Nunc Dimittis
Part Number: 20-96045
Price: $2.20
Voicing: SATB
Music By: Philip Moore
with Organ
Magnificat And Nunc Dimittis | 20-96040, Philip Moore
Magnificat And Nunc Dimittis | 20-96040, Philip Moore
Music Faculty Scores
Magnificat and Nunc Dimittis
Part Number: 20-96040
Price: $2.20
Voicing: SSS
Music By: Philip Moore
with Organ
Mardi Gras Mambo | 20-96090, Susan Brumfield, Jon Autin
Mardi Gras Mambo | 20-96090, Susan Brumfield, Jon Autin
Music Faculty Scores
Mardi Gras Mambo
Part Number: 20-96090
Price: $1.90
Voicing: SSA
Arranged By: Susan Brumfield & Jon Autin
My Lord What A Morning - Ssa | 20-96050, Robert I. Hugh
My Lord What A Morning - Ssa | 20-96050, Robert I. Hugh
Music Faculty Scores
My Lord What A MorningAfrican-American Spiritual
Part Number: 20-96050
Price: $1.85
Voicing: SSA
Arranged By: Robert I. Hugh
Featured at: 2014 Michigan State VMA Summer Conference
See Amid The Winter Snow - Sa | 20-96060, Susan Brumfield
See Amid The Winter Snow - Sa | 20-96060, Susan Brumfield
Music Faculty Scores
See Amid The Winter Snow
Part Number: 20-96060
Price: $1.85
Voicing: SA
Arranged By: Susan Brumfield
Featured at: 2013 Midwest Kodály Music Educators
Caprices, Emmanuel M. Dubois
Caprices, Emmanuel M. Dubois
Emmanuel Dubois Compositions
Op. 23: 1 score (ii + 15 pages) ; includes table of contents
Piano Pieces:
- Aurore - At Dawn
- Papillons - Butterflies
- Le joyeux promeneur - The Merry Wanderer
- Le voile de la danceuse - The Dancer's Veil
- Le charivari - The Charivari
Seis Vícios De Garlândia, Bruno Ruviaro
Seis Vícios De Garlândia, Bruno Ruviaro
Music
“There are six vices of composition (…): the mixing of comedy and tragedy in the same part of the work; unsuitable digressions; obscure brevity; unsuitable mixing of styles; improper mixing of subjects; and the use of endings not suitable to the type of writing.” [De Arte prosayca, metrica, et rithmica (13th century treatise), by John of Garland]
The Letter, Benjamin Johnson
Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson
Convergence And Divergence In Peter Mennin's Canzona, Gene H. Anderson
Music Faculty Publications
In a brief but perspicacious study of Mennin' s music in 1954, Walter Hendl describes the composer as "a consummate craftsman who devotes great attention to the organization of materials." Although Hendl may not have known Canzona, which had been premiered in 1951 but not published until the year of his essay, the author's statement could well have been written with Mennin's sole piece for band specifically in mind. Not only is every aspect of Canzona integrally related to every other, but the relationships are deployed with a remarkable economy of means.
Beatbox (Score), Gary Smart
Beatbox (Score), Gary Smart
Music Faculty Research and Scholarship
This group of short pieces for two pianists playing one piano was composed for a tour of central Japan in the summer of 2006. At a concert in Kyoto I premiered this collection, as secundo pianist, with six of my former Japanese piano students, each playing one movement with me. Each movement is dedicated to that individual and I like to think that these movements reflect, to some extent, each pianists’ personality.
The title “Beatbox” refers to the repetitive rhythmic motives which serve as the basis for each movement. This music features energetic ostinati, and thick, bopish textures. Movement five …
Solo For Vibraphone, Eric Malmquist
Four Preludes For Piano, Luke Gullickson
Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers
Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers
Theses : Honours
The music of Olivier Messiaen is a unique and interesting contribution to the canon of 20th Century art music, but one that has received little attention from the jazz world. Through a detailed study of his music, this dissertation aims to gain a deeper understanding of Messiaen's musical language and investigate the possibilities of applying that language within the jazz idiom. In addition to a discussion of Messiaen and his music, a detailed analysis of the author's own composition for pipe organ and jazz orchestra, Auguries of Innocence, will explore the results of this application. The complete scores and …
Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis
Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis
Theses : Honours
Before my California stay (1968-1978) I considered myself a player first and a writer second, although I did a lot of writing, from Ray Charles to Thad [Jones] and Mel [Lewis].1 Since 1979 I have come to view myself as a composer who also plays trombone; add conducting and teaching and that gives me 4 hats to wear. I do not have a swollen head, so they all fit nicely. (Brookmeyer, 1997, n.p.)
Although acknowledged as one of the pivotal figures in twentieth-century jazz, the career and the music of Bob Brookmeyer has received scant attention in secondary literature. This …