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Articles 61 - 71 of 71
Full-Text Articles in Composition
Aia Ke Kanaka-Inst. Parts | 20-96161, John Starr Alexander
Aia Ke Kanaka-Inst. Parts | 20-96161, John Starr Alexander
Music Faculty Scores
Aia Ke Kanaka (I Know A Great Man)Instrumental Parts
Part Number: 20-96161
Price: $16.50
Music By: John Starr Alexander
vlc;cb;pahu
Revelation | 20-96200, Mark Hierholzer
Revelation | 20-96200, Mark Hierholzer
Music Faculty Scores
Revelation
Part Number: 20-96200
Price: $1.85
Voicing: Unison
Music By: Mark Hierholzer
Transformation | 20-96110, Mark Hierholzer
Transformation | 20-96110, Mark Hierholzer
Music Faculty Scores
Transformation
Part Number: 20-96110
Price: $1.85
Voicing: Unison
Music By: Mark Hierholzer
Pseudo-Classical Sonatina For Piano, Emmanuel M. Dubois
Pseudo-Classical Sonatina For Piano, Emmanuel M. Dubois
Emmanuel Dubois Compositions
Op. 18a: 1 score (ii + 8 pages)
Movements:
- Giocoso
- Religioso
- A la sicialana
Piano Rag, Emmanuel M. Dubois
Piano Rag, Emmanuel M. Dubois
Emmanuel Dubois Compositions
Op. 22: 1 score (iv + 11 pages) ; includes the Story Behind the Rag … in English and French.
In Other Words, Bruno Ruviaro
In Other Words, Bruno Ruviaro
Music
The point of departure of this piece was an improvisation recorded two years earlier with Justin Yang and Grace Leslie. Although the piece ended up developing its very own compositional processes, mainly in terms of algorithmic manipulation of rhythm, the model offered by the recorded improvisation was always present to suggest important musical solutions throughout the compositional process.
New Method Of Rhythmic Improvisation For The Jazz Bassist : An Interdisciplinary Study Of Dave Holland's Rhythmic Approach To Bass Improvisation And North Indian Rhythmic Patterns, Linda M. Oh
Theses : Honours
The focus of this honours dissertation is rhythm in jazz-bass improvisation. It is an exploration of the rhythmic devices employed by cutting-edge bassist, Dave Holland (b. 1946). Through transcription and analysis of Holland's improvisation over a selection of compositions recorded by the award-winning Dave Holland Quintet, this study isolates the key rhythmic tools he uses to create engaging solos. Furthermore this study examines rhythmic concepts from North Indian Classical music (a primary influence on Holland) through transcription and analysis of rhythm in certain tabla compositions. Consequently, a synthesis of the explored rhythmic devices is presented in the form of an …
What A Beast Art Thou!, Eric Malmquist
What A Beast Art Thou!, Eric Malmquist
Compositions
"What a Beast Art Thou! - Three Shakespeare Songs," for bass voice and piano, explores the depths of the darker side of human nature. Using texts from Titus Andronicus Act 5, Timon of Athens Act 4, and Titus Andronicus Act 5 respectively, the three songs intend to express emotions of hate and anger, while conveying the drama unfolding during each particular scene. "What a Beast Art Thou!" was commissioned by William Roberts III and premiered by him in December 2005. Duration: approximately 10 minutes.
Wabi Sabi (Score), Gary Smart
Wabi Sabi (Score), Gary Smart
Music Faculty Research and Scholarship
Wabi Sabi is a fantasy for eight instruments: flute, oboe, clarinet, bassoon, violin, viola, cello and bass. The title, a Japanese phrase, refers to a love and nostalgia for ancient times, for old things - antiques - things which evoke feelings of purity, nobility, hard won wisdom, an essential spirituality, true worth. A tea ceremony in a Kyoto garden is “wabi sabi”. The piece was formed intuitively as a kind of drama, perhaps a Japanese folk tale. The expansion of “time perception”, the savoring of sound colors and the evocation of mood is central to the aesthetic of this music.
"Everything I'Ve Listened To With Love" : A Study Of Guitarist Wolfgang Muthspiel And His Integration Of Classical Music Elements Into Jazz, Johanne Druitt
"Everything I'Ve Listened To With Love" : A Study Of Guitarist Wolfgang Muthspiel And His Integration Of Classical Music Elements Into Jazz, Johanne Druitt
Theses : Honours
No abstract provided.
Piano Concerto "Pacific", Luke Gullickson
Piano Concerto "Pacific", Luke Gullickson
Compositions
"Pacific" is built in three main sections. Each of the main sections has a signature theme....The themes are placed throughout to suggest a journey from the Midwest to the Pacific: the geographical changes as well as the personal reflections that accompany travel. The epigraph, from historian Frederick Jackson Turner, is a question regarding the fale of American democratic values after the closing of the frontier, a question that we have yet to answer.