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Composition Commons™

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2005

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Articles 61 - 71 of 71

Full-Text Articles in Composition

Aia Ke Kanaka-Inst. Parts | 20-96161, John Starr Alexander Jan 2005

Aia Ke Kanaka-Inst. Parts | 20-96161, John Starr Alexander

Music Faculty Scores

Aia Ke Kanaka (I Know A Great Man)
Instrumental Parts

Part Number:
20-96161

Price:
$16.50

Music By:
John Starr Alexander

vlc;cb;pahu


Revelation | 20-96200, Mark Hierholzer Jan 2005

Revelation | 20-96200, Mark Hierholzer

Music Faculty Scores

Revelation

Part Number:
20-96200

Price:
$1.85

Voicing:
Unison

Music By:
Mark Hierholzer


Transformation | 20-96110, Mark Hierholzer Jan 2005

Transformation | 20-96110, Mark Hierholzer

Music Faculty Scores

Transformation

Part Number:
20-96110

Price:
$1.85

Voicing:
Unison

Music By:
Mark Hierholzer


Pseudo-Classical Sonatina For Piano, Emmanuel M. Dubois Jan 2005

Pseudo-Classical Sonatina For Piano, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 18a: 1 score (ii + 8 pages)

Movements:

  1. Giocoso
  2. Religioso
  3. A la sicialana


Piano Rag, Emmanuel M. Dubois Jan 2005

Piano Rag, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 22: 1 score (iv + 11 pages) ; includes the Story Behind the Rag … in English and French.


In Other Words, Bruno Ruviaro Jan 2005

In Other Words, Bruno Ruviaro

Music

The point of departure of this piece was an improvisation recorded two years earlier with Justin Yang and Grace Leslie. Although the piece ended up developing its very own compositional processes, mainly in terms of algorithmic manipulation of rhythm, the model offered by the recorded improvisation was always present to suggest important musical solutions throughout the compositional process.


New Method Of Rhythmic Improvisation For The Jazz Bassist : An Interdisciplinary Study Of Dave Holland's Rhythmic Approach To Bass Improvisation And North Indian Rhythmic Patterns, Linda M. Oh Jan 2005

New Method Of Rhythmic Improvisation For The Jazz Bassist : An Interdisciplinary Study Of Dave Holland's Rhythmic Approach To Bass Improvisation And North Indian Rhythmic Patterns, Linda M. Oh

Theses : Honours

The focus of this honours dissertation is rhythm in jazz-bass improvisation. It is an exploration of the rhythmic devices employed by cutting-edge bassist, Dave Holland (b. 1946). Through transcription and analysis of Holland's improvisation over a selection of compositions recorded by the award-winning Dave Holland Quintet, this study isolates the key rhythmic tools he uses to create engaging solos. Furthermore this study examines rhythmic concepts from North Indian Classical music (a primary influence on Holland) through transcription and analysis of rhythm in certain tabla compositions. Consequently, a synthesis of the explored rhythmic devices is presented in the form of an …


What A Beast Art Thou!, Eric Malmquist Jan 2005

What A Beast Art Thou!, Eric Malmquist

Compositions

"What a Beast Art Thou! - Three Shakespeare Songs," for bass voice and piano, explores the depths of the darker side of human nature. Using texts from Titus Andronicus Act 5, Timon of Athens Act 4, and Titus Andronicus Act 5 respectively, the three songs intend to express emotions of hate and anger, while conveying the drama unfolding during each particular scene. "What a Beast Art Thou!" was commissioned by William Roberts III and premiered by him in December 2005. Duration: approximately 10 minutes.


Wabi Sabi (Score), Gary Smart Jan 2005

Wabi Sabi (Score), Gary Smart

Music Faculty Research and Scholarship

Wabi Sabi is a fantasy for eight instruments: flute, oboe, clarinet, bassoon, violin, viola, cello and bass. The title, a Japanese phrase, refers to a love and nostalgia for ancient times, for old 
things - antiques - things which evoke feelings of purity, nobility, hard won wisdom, an essential spirituality, true worth. A tea ceremony in a Kyoto garden is “wabi sabi”. The piece was formed intuitively as a kind of drama, perhaps a Japanese folk tale. The expansion of “time perception”, the savoring of sound colors and the evocation of mood is central to the aesthetic of this music.


"Everything I'Ve Listened To With Love" : A Study Of Guitarist Wolfgang Muthspiel And His Integration Of Classical Music Elements Into Jazz, Johanne Druitt Jan 2005

"Everything I'Ve Listened To With Love" : A Study Of Guitarist Wolfgang Muthspiel And His Integration Of Classical Music Elements Into Jazz, Johanne Druitt

Theses : Honours

No abstract provided.


Piano Concerto "Pacific", Luke Gullickson Jan 2005

Piano Concerto "Pacific", Luke Gullickson

Compositions

"Pacific" is built in three main sections. Each of the main sections has a signature theme....The themes are placed throughout to suggest a journey from the Midwest to the Pacific: the geographical changes as well as the personal reflections that accompany travel. The epigraph, from historian Frederick Jackson Turner, is a question regarding the fale of American democratic values after the closing of the frontier, a question that we have yet to answer.