Composition Commons^™

Psaropoula | 21-20532, Laura Kakis, Arkadi Serper

Music Faculty Scores

Psaropoula
Song of the Fishermen from Hydra

Part Number:
21-20532

Previous Part Number:
HL-532

Price:
$1.90

Voicing:
SA

Arranged By:
Laura Kakis and Arkadi Serper

with Clarinet

Qui Sedes Ad Dexteram | 21-20531, Henry Leck

Music Faculty Scores

Qui Sedes Ad Dexteram
from "Gloria in D"

Part Number:
21-20531

Previous Part Number:
HL-531

Price:
$1.85

Voicing:
SA

Music By:
Antonio Vivaldi

Arranged By:
Henry Leck

Sourwood Mountain | 21-20240, Shirley W. Mcrae

Music Faculty Scores

Sourwood Mountain
Southern Folk Song

Part Number:
21-20240

Previous Part Number:
HL-240

Price:
$1.90

Voicing:
SSA

Arranged By:
Shirley W. McRae

Un Flambeau, Jeannette, Isabella | 21-20238, Richard Osborne

Music Faculty Scores

Un Flambeau, Jeannette, Isabella
(Bring a Torch, Jeannette, Isabella)

Part Number:
21-20238

Previous Part Number:
HL-238

Price:
$1.90

Voicing:
SSA

Arranged By:
Richard Osborne

Featured at:
2014 CoACDA Summer Conference

Vus Vet Zayn | 21-20231, Stephen Hatfield

Music Faculty Scores

Vus Vet Zayn
Yiddish Song

Part Number:
21-20231

Previous Part Number:
HL-231

Price:
$1.85

Voicing:
SSA

Arranged By:
Stephen Hatfield a cappella

Wandering | 21-20235, Benjamin Suchoff

Music Faculty Scores

Wandering
Bolyongas

Part Number:
21-20235

Previous Part Number:
HL-235

Price:
$1.90

Voicing:
SSA

Music By:
Bela Bartok (1881-1945)

Arranged By:
Benjamin Suchoff a cappella

So, We'll Go No More A-Roving | 11-20115, James Q. Mulholland

Music Faculty Scores

So, We'll Go No More A-Roving

Part Number:
11-20115

Price:
$1.75

Voicing:
SATB

Lyrics By:
Lord Byron

Music By:
James Q. Mulholland

for this setting a cappella, see 10-96100

Widmung | 20-96880, James Q. Mulholland

Music Faculty Scores

Widmung (Dedication)

Part Number: 20-96880

Price: $1.75

Voicing: SA

Music By: Robert Schumann

Arranged By: James Q. Mulholland

Winter Is Past,The | 10-96940, James Q. Mulholland

Music Faculty Scores

The Winter is Past, From "More Burns Ballads"

Part Number:
10-96940

Price:
$1.80

Voicing:
SATB

Lyrics By:
Robert Burns

Music By:
James Q. Mulholland

Commissioned by the Camerata Singers of West Michigan
For their 20th Anniversary Season

Overture To Die Zauberflöte | 21-20239, Arkadi Serper

Music Faculty Scores

From "The Magic Flute

Part Number:
21-20239

Previous Part Number:
HL-239

Price:
$1.90

Music By:
W.A. Mozart

Arranged By:
Arkadi Serper

Voicing:
SSAA

a cappella

The Divine Madness: A Comedic Theater Piece For Six Players In Five Scenes, Randall Snyder

Randall Snyder Compositions

The Players (in order of appearance)

a middle-aged composer, dressed in 19th century costume
an impresario, speaks with W.C.Fields accent, dressed in a Dickensian style
the cast (chorus) of the Willy-Nilly Traveling Opera-Circus Troupe:
a flamboyant soprano, an aging diva, colorfully dressed
an alto, a timid musicologist, dressed as a college co-ed
a tenor, a jazzer, dressed in a pin-striped zoot suit, wearing sun-glasses
a bass, a bitter old man, speaks with a German accent, wearing shabby clothes
stage audience including a critic, and crew

Place

Five days in the present sets a garret and the backstage of a theater …

The Triumph Of Timelessness Over Time In Hindemith's "Turandot Scherzo" From The Symphonic Metamorphosis Of Themes By Carl Maria Von Weber, Gene H. Anderson

Music Faculty Publications

Hindemith's title of his four-movement von Weber suite of 1943 poses a problem. The composer's characteristic reticence about his sources delayed their documentation for some twenty years, whereupon it was found that the Symphonic Metamorphosis was based, not only on themes, but on complete pieces. Rather than "thematic transformation," the "metamorphosis" of the title would thus be more accurately regarded as "recomposition," in which changes of tone system, timbre, harmony, rhythm, and form, in addition to the melody itself, transform every level and component of the original composition's structure. This study attempts to demonstrate how Hindemith achieves such a metamorphosis …