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Articles 31 - 39 of 39
Full-Text Articles in Composition
Electronic Music Compositional Techniques In Instrumental Music: A Study Of Effect In Helmut Lachenmann's 'Pression', Lisa James
Theses : Honours
The ability of new technologies of the early twentieth century to record, copy and manipulate music has permanently changed many of the basic conceptions of musical structure that have held true for centuries. With the development of musique concrete in France (1948) and elektronische musik in Germany (1951), traditional compositional elements of classical music such as melody, harmony and rhythm, which had survived even the drastic revolutions of the serial composers, began to take a secondary role to new structural and developmental techniques. Although there have been many technological and musical advances in the field of electronic music since these …
Redefining Electro-Acoustic: Applying Techniques From Electronic Music To The Composition Of Pivot, An Acoustic Work For Percussion Quartet, Joe Stawarz
Theses : Honours
There are a number of characteristics that distinguish acoustic and electronic music. The most apparent difference is the nature of their sound sources, but there is also substantial variation in the compositional process and in the techniques available to composers of each medium. The history electronic music extends from two traditions: Western Ali Music and popular music. During the 20th Century, composers and popular musicians alike took advantage of the many advances in electronic equipment technology to create new styles of music. The development of electronic instruments and recording equipment offered new sounds and provided new methods for the creation …
Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers
Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers
Theses : Honours
The music of Olivier Messiaen is a unique and interesting contribution to the canon of 20th Century art music, but one that has received little attention from the jazz world. Through a detailed study of his music, this dissertation aims to gain a deeper understanding of Messiaen's musical language and investigate the possibilities of applying that language within the jazz idiom. In addition to a discussion of Messiaen and his music, a detailed analysis of the author's own composition for pipe organ and jazz orchestra, Auguries of Innocence, will explore the results of this application. The complete scores and …
Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis
Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis
Theses : Honours
Before my California stay (1968-1978) I considered myself a player first and a writer second, although I did a lot of writing, from Ray Charles to Thad [Jones] and Mel [Lewis].1 Since 1979 I have come to view myself as a composer who also plays trombone; add conducting and teaching and that gives me 4 hats to wear. I do not have a swollen head, so they all fit nicely. (Brookmeyer, 1997, n.p.)
Although acknowledged as one of the pivotal figures in twentieth-century jazz, the career and the music of Bob Brookmeyer has received scant attention in secondary literature. This …
Voyeurages, Cat Hope
Voyeurages, Cat Hope
Western Australian Academy of Performing Arts. Creative works and performances
Voyeurages is a live performance installation featuring 10 participants, 10 video projectors and 10 mp3 players. As it currently stands, 10 separate 30 minute DVD and audio tracks were created by the artist, using material collected over the last ten years of travel. This is then projected onto each participants naked back, and the sound is produced from a small mp3 player connected to a speaker in each participant's mouth, The audience may move among the participants who are 2 m apart in a arrow formation, the point of which directs to the artist's home.
New Method Of Rhythmic Improvisation For The Jazz Bassist : An Interdisciplinary Study Of Dave Holland's Rhythmic Approach To Bass Improvisation And North Indian Rhythmic Patterns, Linda M. Oh
Theses : Honours
The focus of this honours dissertation is rhythm in jazz-bass improvisation. It is an exploration of the rhythmic devices employed by cutting-edge bassist, Dave Holland (b. 1946). Through transcription and analysis of Holland's improvisation over a selection of compositions recorded by the award-winning Dave Holland Quintet, this study isolates the key rhythmic tools he uses to create engaging solos. Furthermore this study examines rhythmic concepts from North Indian Classical music (a primary influence on Holland) through transcription and analysis of rhythm in certain tabla compositions. Consequently, a synthesis of the explored rhythmic devices is presented in the form of an …
"Everything I'Ve Listened To With Love" : A Study Of Guitarist Wolfgang Muthspiel And His Integration Of Classical Music Elements Into Jazz, Johanne Druitt
"Everything I'Ve Listened To With Love" : A Study Of Guitarist Wolfgang Muthspiel And His Integration Of Classical Music Elements Into Jazz, Johanne Druitt
Theses : Honours
No abstract provided.
Balkan As A Metaphor In The Film Composition Of Goran Bregovic, Nela Trifkovic
Balkan As A Metaphor In The Film Composition Of Goran Bregovic, Nela Trifkovic
Theses: Doctorates and Masters
The focus of this paper is the film composition of composer Goran Bregovic (born 1950) and the country of his birth Yugoslavia. Yugoslavia has undergone many major political changes over the past century and its ethno-political history over the past fifteen years could be considered as one of the most turbulent of our time. The aim of this thesis is to uncover the conceptual principles behind Bregovic’s unique approach to soundtrack music in order to create appropriate musical analogies in film composition. Bregovic’s musical career in the iconic Yugoslav rock band Bijelo dugme (White Button), his interest in the traditional …
Algorithmic Composition In Contrasting Musical Styles, Tristan Mcauley
Algorithmic Composition In Contrasting Musical Styles, Tristan Mcauley
Theses : Honours
The aim of this project is to create software that will give non-musical people the ability to compose convincingly 'real' music in specific musical genres. By 'real' music we mean music which is not obviously "machine generated", recognisable as being of the selected genre, of an aesthetically pleasing quality (a very subjective concept) and usable in a commercial context. To achieve this goal various computational techniques are used including genetic algorithms and finite state automata. The process involves an original, top down approach and a bottom up approach based on previous studies. A novel, skeletal structure is formed to depict …