Music Commons^™

A Survey To Investigate The Participation Of Female Jazz-Trained Instrumentalists At Waapa And In Perth’S Professional Music Scene, Talya Valenti

Theses : Honours

Traditionally, men have dominated jazz music in terms of participation and professional acknowledgement, but even in present times, female instrumentalists remain under-represented in jazz performance and education. Various studies such as Kathleen M. McKeage’s Gender and Participation in Undergraduate Jazz Ensembles: A National Survey and Erin L. Wehr’s Understanding the Experiences of Women in Jazz: A Suggested Model, have produced statistics that illustrate the low participation of female instrumentalists in jazz, and have also provided social-psychological theories to explain why these patterns continue to prevail.

As a working jazz-trained female instrumentalist myself, I have noticed the under-representation of female jazz …

Creating Multicultural Music Opportunities In Teacher Education: Sharing Diversity Through Songs, Dawn Joseph, Rohan Nethsinghe, Alberto Cabedo Mas

Australian Journal of Teacher Education

This paper contributes to the knowledge base for preparing pre-service teachers (PSTs) for contemporary multicultural classrooms. To do so, we refer to our ongoing project “See, Listen and Share: Exploring intercultural music education in a transnational experience” across three Higher Education sites (Australia and Spain). Drawing on our narrative, and PSTs’ questionnaire data, using Interpretative Phenomenological Analysis to analyze and code the PST data, we report on our initial experience and findings across the three sites and cultural contexts. Generalisations to other institutions cannot be made. We discuss what was taught and how it was taught in our three settings, …

Music Activities Delivered By Primary School Generalist Teachers In Victoria: Informing Teaching Practice, Fiona King

Australian Journal of Teacher Education

The purpose of this paper is to share teacher practice in the inclusion and delivery of music education experiences for children, to inform teacher education and to guide professional learning. It draws on a larger investigation into the music activities delivered by three primary school classroom (generalist) teachers in Victoria, Australia. There is a gap in the literature regarding the music activities and experiences facilitated by teachers in day-to-day classroom learning. The case study investigation inquired into the content, pedagogy, planning and the place of music activities provided to children aged six to eleven. Teacher education is addressed in this …

Sight-Singing Pedagogy : A Survey Of High School Choral Directors., Marissa Lee Pollock

Electronic Theses and Dissertations

The purpose of this study was to highlight effective sight-singing techniques used by successful choral directors in the state of Kentucky. The method used for this study was a non-experimental survey sent to thirty-four high school choral directors. Directors were selected to participate based on distinguished assessment scores received over the last five years (2011-2015). They were asked questions about their techniques, background in education, and placement of sight-singing in the curriculum. With a response rate of 65% the results indicated that the majority of directors had received or earned at least a master’s degree, had taught for at least …

The Best Of Both Worlds: A Comparison Of Experiences As A Multi-Musician, Lynnea Iverson

Honors Capstones

Capstone submitted as a graduation requirement from the BSU Honors Program.

As a music major, I am required to complete a degree recital on my primary instrument. As an honor's student, I am required to complete a thesis of my choice. Since both of these tasks are large projects to complete before graduation, I decided to combine the two. Combining the projects allowed me to created a recital that had more organization and thought put into it, and allowed me to work on a thesis that included more than a long paper. I liked the idea of linking the Honors …

Senior Recital - Beth Foley, Beth Foley, Mayumi Matzen, Jessica Scott

All Music Department Programs

Presented in partial fulfillment of the requirements for the Bachelor of Music degree in Music Education

Examining Equity In Tenure Processes At Higher Education Music Programs: An Institutional Ethnography, Deborah Bradley, Deanna Yerichuk, Lori-Anne Dolloff, Kiera Galway, Kathy M. Robinson, Jody Stark, Elizabeth Gould

Music Faculty Publications

As part of a larger mixed-methods study, this article presents findings from research on processes of tenure in Canadian higher education music faculties. The Principle Investigator and three teams of two researchers analyzed the process of tenure at three Canadian institutions to gain insight into how tenure decisions are made in relation to gender and race/ethnicity. The researchers used institutional ethnography, developed by sociologist Dorothy Smith, to examine institutional documents that organize tenure, as well as how documents organize people’s actions, studied through interviews with key stakeholders, such as directors, tenure applicants, and union representatives. The findings from the three …

Philosophy Of Music Education, Mary Elizabeth Barba

Honors Theses and Capstones

A philosophy of music education refers to the value of music, the value of teaching music, and how to practically utilize those values in the music classroom. This thesis explores the philosophies of Emile Jacques-Dalcroze, Carl Orff, Zoltan Kodaly, Bennett Reimer, and David Elliott, and suggests practical applications or their philosophies in the orchestral classroom, especially in the context of ear training and improvisation. From these philosophies, the author develops their own personal philosophy of music education, most broadly defined by the claim that music is key to experiencing and understanding feelingful experiences.

Pre-Service Primary Teachers' Experiences And Self-Efficacy To Teach Music: Are They Ready?, Geoffrey M. Lowe, Geoff W. Lummis, Julia Morris

Research outputs 2014 to 2021

Music is essential in developing the young brain, particularly skills relating to concentration, filtering, information retrieval, verbal competencies, mental visualisation, problem solving, empathy and personal expression. With the introduction of the Australian National Curriculum and its adoption as the basis of the Western Australian P-10 music syllabus, there is cause to reflect on the effectiveness of music provision within teacher education courses and pre-service generalist teachers' abilities to deliver the new music syllabus. Accordingly, a mixed method study was conducted with first and fourth year Bachelor of Education primary students at a Western Australian university, to investigate students' music experiences …

Examining Relationships Between Basic Emotion Perception And Musical Training In The Prosodic, Facial, And Lexical Channels Of Communication And In Music, Jamie Twaite

Dissertations, Theses, and Capstone Projects

Research has suggested that intensive musical training may result in transfer effects from musical to non-musical domains. There is considerable research on perceptual and cognitive transfer effects associated with music, but, comparatively, fewer studies examined relationships between musical training and emotion processing. Preliminary findings, though equivocal, suggested that musical training is associated with enhanced perception of emotional prosody, consistent with a growing body of research demonstrating relationships between music and speech. In addition, few studies directly examined the relationship between musical training and the perception of emotions expressed in music, and no studies directly evaluated this relationship in the facial …

Revitalizing Music Teacher Preparation With Selected “Essential Conditions”, Danni Gilbert

Glenn Korff School of Music: Faculty Publications

The widespread adoption of technology makes it necessary to extend technological resources to the classroom to best prepare students for long-term success. While technology can improve many facets of learning and teaching, music educators have generally been hesitant to incorporate technology to its full potential. Partnerships with professional organizations, such as the International Society for Technology in Education (ISTE), can help music educators best reach students and achieve cultural relevancy in the digital age. Restructuring music education to integrate what ISTE calls “Essential Conditions” of learning with technology, such as student-centered learning, equitable access, and engaged communities, begins with undergraduate …

High School Music Program Participation And Subsequent Strength Of The Local Music Economy., Andrew Segal

College of Arts & Sciences Senior Theses

No abstract provided.

A Quantitative Analysis Of The Relationship Between K–12 Music Educators And Collegiate Music Education Researchers And Instructors: Is There A Disconnect?, Meghan Kilpatrick Sheehy

Dissertations

Many researchers in a variety of fields have reported on disconnect between researcher and practitioner (Barry, Taylor, & Hair, 2001; Buysse, Sparkman, & Wesley, 2003; Fox, 1992; Fuchs et. al., 1996; Graham et. al., 2006; Hattie & Marsh, 1996; Lang, Wyer, & Haynes, 2007; Rynes, Bartunek, & Daft, 2001). In music education, this topic is frequently discussed (Brand, 1984, 2006; Byo, 1991; Flowers, Gallant, & Single, 1995; Hedden, 1979; Nelson, 2011; Paney, 2004; Radocy, 1983) but evidence is still primarily anecdotal (Nelson, 2011). The purpose of this quantitative study was to measure the relationship between K–12 music educators and collegiate …

Student Perspectives On The Music-Learning Culture In A Competitive High School Music Program In The United States, Jeremy Scott Kellett

Dissertations

“Interactions between the musical lives of adolescents’ and school music-learning culture may be enhanced by acknowledging students’ musical engagement outside of school, accepting their personal musical knowledge and tastes, and allowing them to help develop music-learning models based on their personal relationships with music” (Snead, 2010). Further understanding of the music-learning culture within high school programs may aid researchers in better determining the factors that persuade or alienate student populations from in-school musicking (Small, 1998).

The purpose of this case study was to determine possible factors that may have contributed to student perceptions of the music-learning culture within a musically …

Why We Love Music : A Case Study Of High School Principals., D. Benjamin Williams

Electronic Theses and Dissertations

The purpose of this qualitative study was to explore the viewpoints and value of music in the public schools from the perspective of high school principals. Principals from five high schools in an urban school district in a southern metropolitan area were interviewed. All schools that were a part of this study varied geographically and socioeconomically. Each school had a curricular program for band, choir, and orchestra and a highly-qualified teacher directing the programs. Interview questions ranged from their own participation in band, choir, or orchestra when they were in any level of school, what roles they see music as …

Factors That Lead Students To Study Music Education : A Descriptive Study., Alexander T. Hamilton Ii

Electronic Theses and Dissertations

The purpose of this study was to survey music education students in their first year of undergraduate studies to learn what influences and/or musical experiences affected their choice in selecting music education as their major. Participants (N = 28) were enrolled in an Introduction to Music Education course at a mid-sized metropolitan university. Subjects were asked to complete a survey and rate perceived degree of influences on the selection of the music education major. Participants were also asked to provide written responses on personal influences that led them to select music education as a major. Survey results indicated that …

Noteworthy News - Spring 2016, Conservatory Of Music

Noteworthy News

No abstract provided.

From The Margins: The Underrepresentation Of Black And Latino Students/Teachers In Music Education, Lisa C. Delorenzo, Marissa Silverman

John J. Cali School of Music Scholarship and Creative Works

There is an alarming gap between rising numbers of minority students and a shrinking minority teaching force. The purpose of this research was to explore the question: Why are so few students of color preparing to teach music in the public schools? Black and Latino music students and teachers who graduated from urban high schools in northern New Jersey were interviewed about their race/ethnic related experiences in college along with their ideas about the scarcity of music students of color in music teacher education. Data, presented in narrative form, indicated a complex web of factors that discourage high school students …

The Framework For 21st Century Learning: A First-Rate Foundation For Music Education Assessment And Teacher Evaluation, Ashley Danielle Gilbert

Glenn Korff School of Music: Faculty Publications

Federal laws and funding initiatives, such as the No Child Left Behind Act and the Race to the Top campaign, have created an increasing incentive for schools nationwide to document student progress, standardize assessment practices, and evaluate teachers according to student success. In response, the Common Core State Standards, a popular yet controversial policy, has emerged. Implemented at the state level, these standards focus heavily on the areas of English language arts and mathematics, subjects not traditionally incorporated to a great extent in music classrooms. In order for music to maintain a role as an essential subject in the school …

Extending Invitations, Becoming Messmates, Alison M. Reynolds, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

As music educators we can model proactive advocacy among community members to prevent individuals' reactive violence in response to intolerance for differences. We can offer music-learning tables as safe spaces in which community members openly and collaboratively learn to know each other as individuals with diverse identities and interests. As messmates around the table, we can identify ways that researching, questioning, and being musical together can eradicate fears and the damaging effects of homophobia.

Discourse Analysis, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

This chapter (a) presents discourse analysis as both epistemology and methodology; (b) suggests a sociolinguistic toolkit that could be used as one type of approach to conducting discourse analysis; (c) reviews and points to literature in music education and music therapy that have used such epistemological and methodological tools; and (d) suggests that, by engaging with discourse analysis, we can begin to ask questions about participants and their interactions within environments where music therapists operate and analyze prevailing discourses within structures and systems of music therapy. [excerpt]

A Critical Examination Of The Rehearsal Frame Model, Allison Elise Carroll

LSU Master's Theses

The purpose of this study was to evaluate the practical adequacy of Duke’s (1994) rehearsal frame model as a “middle ground” perspective sequential outline of rehearsal events that lead to positive musical change. Observation and video recording of three accomplished high school band directors’ rehearsals generated data that allowed for a comparison between the model and actual practice. Results suggested that all parts of the original model need not be present, nor must they occur in the originally stated order for rehearsal frames to take place and direct students toward positive musical change. An amended model of the rehearsal frame …

Effects Of A Music Literacy Integration Intervention On Teachers’ Self-Efficacy And Proactive Attitudes Toward Music Integration In Classroom Instruction, Mary Louise Keyloun Cruz

Theses and Dissertations

With the adoption of the common core state standards, pressure to raise the achievement of young learners was intense. Classroom teachers were scrutinized to teach lessons with high levels of thinking and rigor. Teachers were inclined to eliminate or ignore artsenriched lessons that would benefit students. The reason for this action was associated with the efficacy of the classroom teacher toward music integration in literacy curriculum. The purpose of the study was to examine the effects of the Music Literacy Integration Intervention (MLII) on the self-efficacy and proactiveness of teachers at a small elementary school in Florida toward integration of …

Beginning Flute Pedagogy, Sabrina Simone

Williams Honors College, Honors Research Projects

This paper explores materials from four published and recommended books, experienced flute educators, and reputable music collections to create a basic guideline for the private flute lesson teacher. The topics and materials presented will be the outline for guiding a beginning flute player to success as they increase in ability through secondary education. This includes instructions on playing position, tone production, and techniques for helping develop a proficient player. Common problems with solutions will also be suggested along with teaching materials. The focus will be mainly on beginning instruction because creating a solid foundation is imperative for success. An important …

Impact Of A Music Program On Students' Standardized Test Scores, Joan Murray

Walden Dissertations and Doctoral Studies

Administrators at the focus school had not determined if participation in a music program has influenced students' academic achievement, thereby ushering doubt about the utility of this program. The purpose of this causal-comparative study was to determine the impact of the music program on students' English language arts (ELA) and math Measure of Academic Progress (MAP) scores. The theoretical foundation for this study was Miendlarzweska and Trost's model of musical training, which indicates the impact of musical training on academic, social, and cognitive outcomes and identifies factors that mediate that impact. Archival data were retrieved on 74 Grade 5-8 students …

An Historical Ethnography Of A Rural School Music Program: A Case Study, Robert C. Lacey

Theses and Dissertations

Every school music program has a history and a culture. This thesis was a study synthesizing those two elements, seeking to explore the past culture of a rural school music program primarily through interviews with former members of this culture. Throughout are examples of how music teachers, music students, administrators, and community members interacted over the course of approximately 30 years. From these interactions, the researcher drew insights about patterns of teacher behavior that could improve or hinder progress in a music program, including the quality of interpersonal relationships, the value of a teacher trying to integrate in a community …

Physiological Response To Dissonance In Musicians And Nonmusicians, Angela Beth Biehl

Masters Theses

Knowing the human response to musical dissonance could have important therapeutic implications in the music therapy setting. The listener’s musical experience could significantly impact their response and subsequently its effect in a therapeutic setting. Thus, this study aimed to examine both the psychophysiological and subjective responses to dissonance and the difference in these responses between those with high experience and those with low experience. Participating groups, categorized as high experience (HE) and low experience (LE) in terms of musical knowledge, listened to consonant and dissonant musical excerpts, and rated each excerpt on its pleasantness; their physiologic responses were measured to …

The Experiences Of Music Therapists Developing Music Therapy Programs In New York State Public Schools, Michelle Kovacs

Theses & Dissertations

This qualitative study explored the experiences of music therapists who have developed music therapy programs in New York State public schools. Participants included three board-certified music therapists currently working as music therapists in public schools in New York. Open-ended questioning interviewing techniques were employed to address three research questions: (1) What are the experiences of music therapists developing music therapy programs in New York State public schools? (2) What challenges do they face? (3) What recommendations do they have for others who are looking to build music therapy programs in public schools? Six themes emerged: (a) beginning in public schools …

Educational Psychology In Undergraduate Music Education Degree Programs In Nasm-Accredited Institutions: Topics Covered And The Emphases Of Those Topics In Music Methods Courses, Ben E. Light

Student Theses and Dissertations

The purposes of this study were to (1) describe educational psychology course offerings within undergraduate music teacher training programs at National Association of Schools of Music (NASM) accredited institutions and (2) to examine the emphasis of common educational psychology topics in music methods courses. The study was guided by three research questions: (1) How are educational psychology courses situated (i.e. credit weight, course level) in the undergraduate music education degree program; (2) What are the demographics for the institutions and the music methods instructors sampled; and (3) How do music methods instructors emphasize educational psychology topics commonly cited in the …

Playing Together: A Chamber Music Guide, Nicholas Scott Matherne

Senior Honors Projects, 2010-2019

Chamber Music, as purported by numerous academic and non-academic music education sources, is a valuable for developing the essential skills for musical development. The guide is designed to serve as scaffolding for young musicians to play chamber music together without the structure of a formal teacher. To facilitate this process for a variety of students, the music is designed using diverse instrumentation scoring so that any group of 5 musicians can play together the music arranged for this book. By examining all of the exercises in this guide, young musicians will complete self-driven content lessons in all of the nine …