Music Commons^™

The Passion Of Doctor Voke, Luke W. Reese

Graduate Thesis Collection

Score of tragic opera

The Darius Milhaud Society Newsletter, Vol. 8, Spring/Summer/Fall 1992, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Winter 1992-1993, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide Winter 1992-1993

Philadelphia All The Time: Sound Of The Quaker City, 1896-1947, Charles Hardy

History Faculty Publications

No abstract provided.

An Organizational Model For A Coordinated Program Of Music Ministry For The Seventh-Day Adventist Church In North American And Europe, Raimo J. Lehtinen

Dissertations

Problem. Initiating work in the coordination of church music activities has been undertaken in the North American and European portions of the world-wide organization of the Seventh-day Adventist Church. There was a need to develop a comprehensive model of music ministry which the Church could utilize when further steps in the advancement of organized music programs will be taken.

Method. In the process of creating the philosophical rationale for the model a descriptive method was used. Adventist literature on music ministry was reviewed, analyzed, and compared with the basic themes of Johansson's contrapuntal design (1984). In thedevelopment of the rest …

The Darius Milhaud Society Newsletter, Vol. 7, Summer/Fall 1991, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Kíla: Éacht!!! Ag Féile Gormacha Tuaithe An Chlocháin '91, Máirtín Mac Con Iomaire .

Articles

Léarmheas ar an mbanna ceoil Kíla agus ar Féile gormacha agus tuaithe an Chlocháin '91.

O God, Our Help In Ages Past: A Festival Of Hymns For Epiphany, Calvin Symposium On Worship Planning Committee

Symposium on Worship Archive

Program for a hymn festival for the first week of Epiphany–the season of the Church Year in which we celebrate Christ's manifestation to the entire world. But the incarnation of Christ is only one of several manifestations of God to us, and this services proclaims the epiphanies of our God throughout all of redemptive history, as described in the book of Isaiah. For our God is a God of time, our help in all ages.

The Darius Milhaud Society Newsletter, Vol. 6, Spring/Summer 1990, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

A Gourmet Dessert Concert (December 1, 1989), Lindenwood College

Student Music Performance Programs

Event program for A Gourmet Dessert Concert (December 1, 1989).

The Darius Milhaud Society Newsletter, Vol. 5, Spring 1989, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

The Darius Milhaud Society Newsletter, Vol. 5, Summer/Fall 1989, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

The Literary Aspect Of Thumrī Compositions, Peter L. Manuel

Publications and Research

No abstract provided.

The Effects Of Music And Metronomic Beat On Heart Rate, Ratings Of Perceived Exertion, And Physical Endurance Prior To A Heart Rate Cut-Off, Cheryl Ann Louie

University of the Pacific Theses and Dissertations

This study examined the effects of music and metronomic beat on heart rate (HR). ratings of perceived exertion (RPE). and physical endurance in healthy females ages 18 to 30. Volunteers were screened via a health questionnaire and the Astrand Work Test on a Monark bicycle ergometer. yielding a predicted aerobic working capacity (V02) of 28 mililiters or more. The 30 subjects were then randomly assigned to one of two experimental conditions (music or metronome group) for a cycling test at 75% capacity. HR and Borg RPE were measured repeatedly, with a posttest measure of physical endurance (kilometers travelled). No significant …

Parents Day Concert, Illinois Mathematics And Science Academy

Choral

No abstract provided.

Interview With Richard Rochester Bell, B. 1921 (Fa 373), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Richard Rochester Bell conducted by Carol Alice (Wanich) Bell on 13 September 1988. From folk studies student project concerning his involvement with conducting traditional jazz festivals.

An Evening Of Classics (April 10, 1988), Lindenwood College

Student Music Performance Programs

No abstract provided.

Poetry: Toward Speaking For, Charles Hartman

English Faculty Publications

The article presents an essay that finds the relation among jazz, song and poetry. In 1985 Larry Coryell and Emily Remler released an album of guitar duets. Coryell pioneered the "fusion" of jazz and rock styles in the mid-sixties, and has developed that border area ever since. Remler, a more recently risen star, has more closely followed a jazz line of development. The differentiation of the voice of the poem, its discovery of its own potential multiplicity, is a point arrived at, not begun from.

The Darius Milhaud Society Newsletter, Vol. 4, Summer 1988, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

The Darius Milhaud Society Newsletter, Vol. 4, Spring 1988, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Brochure 1988, 90.9 Wmpg Fm

WMPG Program Guides

Promotional brochure, 1988.

Summer 1988, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1988.

The Effect Of Headphone Music On Exercise Compliance, Gayle Ann Laszewski

University of the Pacific Theses and Dissertations

A study was designed to assess the effect of headphone music on running performance and enjoyment with its implications for increasing exercise compliance. A counterbalanced split-plot design was used with 18 University of the Pacific undergraduates receiving both treatment conditions: running with music and running without music. Measures included: (a) perceived enjoyment questionnaire scores; (b) running time; and (c) heart rate. It was expected that music would increase participants' rated running enjoyment, amount of time spent running, and also running intensity or heart rate, in comparison to running without music. Music significantly increased participants' rated enjoyment scores but not running …

Interview With Zilpha Amanda Hume (Fa 39), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Zilpha Amanda Hume conducted by Teresa L. Hollingsworth on 17 November 1987. From folk studies student oral history project concerning experiences with trance channeling.

Giovanni Maria Artusi's L'Artusi Overo Delle Imperfettioni Della Moderna Musica (1600): A Translation And Commentary, Malcolm Litchfield

Faculty Publications

Giovanni Maria Artusi is well known for his conservative role in the debate between advocates of the prima and seconda pratiche. Contemporary authors marvel at Artusi's audacity in criticizing the genius of Monteverdi. Though often viewed as a pedant, Artusi was a significant Italian theorist who understood ancient Greek theory and had innovative ideas for applying this ancient knowledge to modern practice.

L' Artusi, overo Delle imperfettioni deIla moderna musica was written to illuminate and correct errors Artusi found in contemporary scholarship (chiefly in Bottrigari's work) and composition (specifically, certain liberties in Monteverdi's madrigals). Artusi effectively argues for a universal …

The Darius Milhaud Society Newsletter, Vol. 3, Fall 1987, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

The Darius Milhaud Society Newsletter, Vol. 3, Spring 1987, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

The Darius Milhaud Society Newsletter, Vol. 3, Summer 1987, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Summer 1987, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1987

A History Of The Clarinet To 1820, Albert R. Rice

CGU Theses & Dissertations

This study presents a detailed history of the clarinet from its ancient origins to 1820. It is divided into three parts: 1) origins, 2) the baroque clarinet, and 3) the classical clarinet. In the first part the ancestor of the modern instrument is traces to the memet of Ancient Egypt (2700 B.C.), and evidence is reviewed for the existence of a wind instrument having a single reed during the sixteenth century. Three chapters are then devoted to the Mock Trumpet and the seventeenth- and eighteenth-century chalumeau. The baroque clarinet is discussed in the second part. This part consists of four …