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Articles 1081 - 1110 of 3772
Full-Text Articles in Music
Building A Recording-Specific Amplifier Cabinet, John Livingston
Building A Recording-Specific Amplifier Cabinet, John Livingston
Capstone Projects and Master's Theses
Recording electric guitar has become a major component of any professional recording environment over the last 50 years, and recognizing the parameters that generate a quality recording is essential in getting the desired tonality and sound. The author examines the characteristics of amplifier cabinets desirable in studio use, and documents the process of building one from scratch for recording purposes based off of research parameters- as well as personal studio experience. This project compares the build of a custom amplifier cabinet against that of a store-bought cabinet from a reputable manufacturer (Fender) with emphasis on build materials, power handling, and …
The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn
The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn
Masters Theses
Throughout the Word of God, we are called to worship our Creator through music. "Shout for joy to the Lord, all the earth, burst into jubilant song with music; make music to the Lord with the harp and the sound of singing, with trumpets and the blast of the ram's horn--shout for joy before the Lord, the King" (Psalm 98: 4-6 [NIV]). It has been said that music is a universal language: but all cultures use it differently and therefore it is not a universal language but a universal phenomenon. What about the individual who cannot hear the music or …
Field Experiences In Elementary Music Education Mus 376, Jim Kinnie
Field Experiences In Elementary Music Education Mus 376, Jim Kinnie
Library Impact Statements
No abstract provided.
Black Music Since 1965: History Of Hip Hop Mus 207, Jim Kinnie
Black Music Since 1965: History Of Hip Hop Mus 207, Jim Kinnie
Library Impact Statements
No abstract provided.
Black Music Since 1965: History Of Hip Hop Aaf 207, Jim Kinnie
Black Music Since 1965: History Of Hip Hop Aaf 207, Jim Kinnie
Library Impact Statements
No abstract provided.
Fall Music Series (November 12-13, 15-18, 2018), Lindenwood University
Fall Music Series (November 12-13, 15-18, 2018), Lindenwood University
Student Music Performance Programs
No abstract provided.
Bill Evans Senior Honors Project, Reese Lyon Rehkopf
Bill Evans Senior Honors Project, Reese Lyon Rehkopf
Honors Projects
A paper on the life and music of Bill Evans and his influence on jazz music. This project consists of three transcriptions of Evans' jazz improvisations and a paper.
The Effects Of Music On Student Step Counts And Time In Activity In College Basketball Activity Classes, David C. Barney, Keven A. Prusak, Lindsey Brewer
The Effects Of Music On Student Step Counts And Time In Activity In College Basketball Activity Classes, David C. Barney, Keven A. Prusak, Lindsey Brewer
Faculty Publications
Music is a powerful influence in life. We hear music at work, in the car, at the mall, and in our homes. Music has also been found to have an affect during physical activity. The purpose of this study was to examine the effects of music on physical activity rates, via pedometers, of college-aged students in basketball class. For this study 106 college-aged students participated in this study. Two classes played basketball with no music playing during game play. Two other classes played basketball with music playing during game play. It was found that the two classes that played basketball …
Music Generated Narratives: Elaborating The Da Capo Interview Technique, Martin Cortazzi, Nick Pilcher, Lixian Jin
Music Generated Narratives: Elaborating The Da Capo Interview Technique, Martin Cortazzi, Nick Pilcher, Lixian Jin
The Qualitative Report
This paper shows how we played researcher-selected extracts of music to participants in “the Da Capo technique,” to elicit narratives of their learning experiences. Previously, we used music alongside other techniques in an interview about learning; here we explore the Da Capo technique as a standalone technique to study its potential for narrative recall. To do this, we played 10 one-minute long extracts of classical music (five “Western” and five “Chinese”) to 20 participants (10 “Western” and 10 “Chinese”). After hearing each piece, participants were asked if the music recalled for them any experiences of learning. When it did so, …
About National Trends In Music Of Composers Of Uzbekistan, Farkhod Abdullaev
About National Trends In Music Of Composers Of Uzbekistan, Farkhod Abdullaev
Eurasian music science journal
The current state of national traditions has its own specific differences and this is due to the peculiarities of the nation's formation, its socio-economic and cultural development, the way of life, the preservation and development of musical traditions, etc. Poetry and music have always stood and guard the human soul, carefully guarding its moral health. And it is in the sphere of synthesis of two kinds of arts (words and music) national tendencies are increasingly manifesting themselves. An example is the "Hamsa" of Alisher Navoi, which was embodied in the work of composers of Uzbekistan.
World Percussion Traditions Mus 334, Jim Kinnie
World Percussion Traditions Mus 334, Jim Kinnie
Library Impact Statements
No abstract provided.
Voice Methods Ii Mus 183, Jim Kinnie
Clinical Musicianship Mus 435, Jim Kinnie
Clinical Musicianship Mus 435, Jim Kinnie
Library Impact Statements
No abstract provided.
Guitar Methods Ii Mus 180, Jim Kinnie
Destruction Du Monde, Alex Shawver
Destruction Du Monde, Alex Shawver
Music Theses and Dissertations
Destruction du monde is composed for a small orchestra comprised of piccolo doubling flute, flute doubling alto flute, oboe, clarinet, bass clarinet, bassoon doubling contrabassoon, two horns, two trumpets, trombone, bass trombone, tuba, piano, timpani, three percussionists, and chamber strings. The piece duration is 26 minutes. The title of the work is a play on Darius Milhaud’s ballet La Creation du monde. The instrumentation is similar to the Milhaud, the only additions being one horn, one trombone, tuba, viola in place of alto saxophone, and strings in threes rather than one per part. The form is similar only in that …
Aural Skills I-Iv (Ksu), Jeffrey Yunek, Benjamin Wadsworth
Aural Skills I-Iv (Ksu), Jeffrey Yunek, Benjamin Wadsworth
Fine Arts Grants Collections
This Grants Collection for Aural Skills I-IV was created under a Round Ten ALG Textbook Transformation Grant. The course transformation included the creation and revision of materials on the instructors' Free Music Dictations website.
Affordable Learning Georgia Grants Collections are intended to provide faculty with the frameworks to quickly implement or revise the same materials as a Textbook Transformation Grants team, along with the aims and lessons learned from project teams during the implementation process.
Documents are in .pdf format, with a separate .docx (Word) version available for download. Each collection contains the following materials:
- Linked Syllabus
- Initial …
The Sequential Method: An Analysis Of Robert Jesselson’S Cello Pedagogy, Kalim D. Alvarez Campos
The Sequential Method: An Analysis Of Robert Jesselson’S Cello Pedagogy, Kalim D. Alvarez Campos
Theses and Dissertations
Dr. Robert Jesselson has made significant professional contributions as a cello performer and music educator. His pedagogical approaches are innovative in helping students overcome technical problems, building good work habits, instilling self- discipline, addressing kinesthetic issues, and improving practice techniques. His Sequential Method involves a systematic and logical progression of technical exercises, scale systems, etudes and repertoire. It is unique in its applications for teaching and learning left and right hand techniques, building a progression of etudes which address technical and musical issues and working through the cello repertoire in an organized and meaningful manner that is appropriate to the …
Acrl Framework Assignments For Music Information Literacy, Taylor Greene
Acrl Framework Assignments For Music Information Literacy, Taylor Greene
Library Presentations, Posters, and Audiovisual Materials
Though the ACRL Framework was adopted two and a half years ago, music librarians continue to wonder how to integrate the six frames described by this guiding document into our information literacy instruction while also covering the necessities of music information literacy. In this presentation, I will discuss the approach that I used to incorporate the six frames into my instruction for the Music Information Literacy course I teach at Chapman University while still retaining essential music instruction, such as searching for music, navigating particular resources like Grove Music Online, and citation formatting. Specifically, I will focus on the in-class …
Musicianship Lab Iv Mus 227, Jim Kinnie
Musicianship Lab Iv Mus 227, Jim Kinnie
Library Impact Statements
No abstract provided.
Music Theory Iii Mus 226, Jim Kinnie
Music Theory Ii Mus 128, Jim Kinnie
Musicianship Lab Ii Mus 127, Jim Kinnie
Musicianship Lab Ii Mus 127, Jim Kinnie
Library Impact Statements
No abstract provided.
Music Theory I Mus 126, Jim Kinnie
Music, Gesture And Sound Mus 239, Jim Kinnie
Music, Gesture And Sound Mus 239, Jim Kinnie
Library Impact Statements
No abstract provided.
Musicianship Lab I Mus 125, Jim Kinnie
Musicianship Lab I Mus 125, Jim Kinnie
Library Impact Statements
No abstract provided.
Music Theory Iv Mus 228, Jim Kinnie
Musicianship Lab Iii Mus 225, Jim Kinnie
Musicianship Lab Iii Mus 225, Jim Kinnie
Library Impact Statements
No abstract provided.
Bachelor Of Music In Music Therapy, Joanna Burkhardt
Bachelor Of Music In Music Therapy, Joanna Burkhardt
Library Impact Statements
No abstract provided.
Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess
Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess
Dissertations, Theses, and Capstone Projects
Resonant Texts: the Politics of Nineteenth-Century African American Music and Print Culture, investigates musical sound as a discursive tool African American writers and activists deployed to contest enslavement before the Civil War and claim citizenship after Emancipation. Traditionally, scholars have debated the degree to which nineteenth-century African American music constituted evidence of black culture and marked a persistent African orality that still abides within African American textual production. While these trends inform this project, my inquiry focuses on the ways that writers placed elements of musical sound—such as rhythm, melody, choral singing, and harmony—at the center of their …
Fragments D'Un Diari Musical, Antoni Pizà
Fragments D'Un Diari Musical, Antoni Pizà
Publications and Research
Vetllada musical al pis d'Ursula Oppens. A pesar de les connotacions vuitcentistes que pugui tenir qualsevol saló musical, Ursula no és ni una Guermantes ni una Verdurin, sinó una defensora tenaç dels segles XX i XXI. Elliott Carter, John Adams, Lutoslawski, Ligetic, etc., tots els grans compositors des segles XX i XXI li han dedicat obres, i ella, amb els seus enregistraments, alguns amb nominacions als Grammys, ha estat la gran advocada del pianisme contemporani als EUA.