Music Commons^™

Senior Recital: March 29, 2025, Elli Ji, Lu Witzig, Gina Russell, Holly Peters, Daniel Ota, Kendra Chaney, Dr. Jillian Kouzel, Mrs. Kristine Mertens

School of Music Programs

Kemp Recital Hall

March 29, 2025

Saturday Afternoon

5:00 p.m.

Senior Clarinet Recital, Canon Cochran

Honors Theses

My honors thesis was presented in the form of my senior clarinet recital. My recital was performed on Saturday, March 29th at 6:00 pm. The program of music consisted of the following: Introduction et Rondo Opus 72 by Charles-Marie Widor for Clarinet and Piano, Phoenix Rising by Stacy Garrop for solo Clarinet/Bass Clarinet, Zwei Concerstücke Opus 114, Number 2 by Felix Mendelssohn for Clarinet, Basset Horn, and Piano, and then the first and third movements from Concerto for Clarinet K.622 by Wolfgang Amadeus Mozart for Clarinet and Piano. This recital contains music from different centuries such as the 18th, 19th, …

Graduate Recital: March 29, 2025, Julia Stowell, Zach Tarcak

School of Music Programs

Kemp Recital Hall

March 29, 2025

Saturday Evening

8:30 p.m.

Songs For Dead Sailors [Audio], Toby Wren

Staff Scholarship - Australia & Dubai

Songs for Dead Sailors is a psychological exploration of love and loss in the era of tall ships; a song cycle about leaving a home and loved ones, to journey with no promise of a return. The work was scored for a sextet of improvising musicians and reflects my interest in the creative process and my experiences teaching creative practice research. It was written for the specific group of jazz musicians that you hear on this recording, with their particular instrumental talents and styles very much in mind. The work provides challenges to the players, drawing as it does on …

A Comprehensive Guide To A Trumpet Embouchure Change, Megan E. George

LSU Doctoral Dissertations

Abstract

The purpose of this project is to expand the literature related to the subject of trumpet embouchure change and provide a comprehensive resource that will assist both student and teacher in navigating a trumpet embouchure change. This resource will not only help them determine whether to go through with the process but will present them with multiple options regarding embouchure change starting methods. It can be used for a variety of ages but primarily intended for use with students high school age or older.

In current method books, one trumpet embouchure is usually presented and is often a “one-size-fits-all” …

2024-2025 Master Of Music Recital - Giah Bush (Violin), Giah Bush, Sheng Yuan Kuan, Brenda Lorenzo

Master of Music Recitals

No abstract provided.

Black Sonicism: Cultural Maintenance And Evolution Through New Orleans Bounce Music, Leandrea L. Clay

Senior Honors Papers / Undergraduate Theses

As a form of regional hip-hop, Bounce music operates as an expressive culture native to New Orleans with generational lineages of artists. Black sonicism is a regionally and digitally-sensitive theoretical framework that seeks to conceptualize how Black soundmakers and their audiences create a dialogic relationship through three components: responsive participation, spatial relatability, and expressed ratchetry. I catalog each of these components through three audience formations—origin, scope, and reception—to understand the tensions between Black music, regional identity, and technology. From this project, I propose a theoretical development to consider how Black artists continually pass down communal histories through their music while …

Bastille Brass Quintet: March 28, 2025, Maddie Mueller-Howell, Kyterra Waters, Daniel Ota, Trevor Schaefer, Micah Crouse

School of Music Programs

Kemp Recital Hall

March 28, 2025

Friday Evening

6:00 p.m.

Sophomore Trombone Quintet Recital: March 28, 2025, Alyssa Greer, Elton Gund, Graham Miller, Connor Franke, Riley Hobart

School of Music Programs

Kemp Recital Hall

March 28, 2025

Friday Evening

7:30 p.m.

Msh 115 World Music Syllabus, Smee Wang

Open Educational Resources

This course is designed to explore various musical culture in the world. I will introduce ethnic instruments and the distinguishing features, as well as the history and development. This course will cover traditional music and popular music of each region. It offers a general knowledge of non-western music, people and their unique culture. Students will gain a better understanding and appreciation of world music.

Voices Of Heritage And Resilience: A Performance Guide To Soprano Arias Celebrating The Black Experience In Opera, Imani S. Francis

LSU Doctoral Dissertations

Voices of Heritage and Resilience: A Performance Guide for Soprano Arias Celebrating the Black Experience explores a selection of soprano arias that illuminate the depth, complexity, and resilience of Black identity through opera. This study provides historical context, musical style, and vocal performance strategies for works that center around the African American experience, spanning both traditional and contemporary repertoire.

By examining the relations between text, music, and historical significance, this dissertation highlights how these arias convey themes of struggle, conflict, oppression, love, and perseverance. It also supplies guidance to the singer through the use of vocal methods, interpretation, and stylistic …

2024-2025 Performance Forum - March 28, 2025, Michael Shipps, Gabrielle Siena, Elisabeth Thomashoff, Hanting Peng, Mable Lecrone, Gabrielle Malaniak, Maria Savelyeva, Aneliya Novikova, Ay Kawasaki, Ethan Thompson

Performance Forum

No abstract provided.

The Interaction Between The Dagda’S Harp And Celtic-Inspired Music, Sixie Chen, Jeanne Sumrall

SACAD: Scholarly Activities

The purpose of this study is to find out the relationship between one of the Irish mythological symbols---The Dagda’s Harp and Celtic-Inspired Music. In Irish mythology, the god Dagda is able to use his harp to cause grief, joy, and sleep to people. The Dagda and his kin escape with the harp in battle against the Fomorians, which gave birth to these three strains of music, which would be played throughout Ireland as well as to the seasons, which sprang from his songs.

Charles W. Bolen Faculty Recital: March 27, 2025, Micah Crouse, Tim Schachtschneider, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 27, 2025

Thursday Evening

6:00 p.m.

Exploring Pedagogical Approaches And Discussion For Young Beginner Double Bass Players, Jiaying Zhang

LSU Doctoral Dissertations

In recent years, early childhood education for the double bass has gained increasing attention and plays a crucial role in shaping the future development of the instrument. However, compared to other instruments, research on early childhood education for the double bass remains relatively underdeveloped, with a lack of written materials on the subject. This thesis introduces the formation of early childhood teaching concepts and explains why parents play an irreplaceable role in a child’s initial exposure to music learning. By collecting and analyzing traditional double bass teaching methods and integrating common principles from other string instrument teaching approaches, this study …

Sean Kiefer, Trumpet, March 27, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Patrick Mooney & Jd Deninger, Horns, March 26, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

“San Antonio, ¡De Cabeza!”: An Opera By Marcelo Beltrán Using A Fusion Of Ecuadorian Musical Traditions And Various Musical Genres, Lucía Berenice Carrera Troya

LSU Doctoral Dissertations

This study explores the opera San Antonio, ¡de cabeza! (Saint Anthony, upside down!), examining its cultural and musical significance in Ecuadorian folklore and its integration of traditional Ecuadorian genres to create a nationalist opera that is also grounded in operatic traditions. The figure of Saint Anthony of Padua is explored, tracing the origins of his legend and its influence on Ecuadorian folklore, with a focus on how these elements are represented in the opera. The life and career of the composer are discussed, emphasizing academic background, and the development of San Antonio, ¡de cabeza! within the context of his broader …

Randall Kinner & Sean Middleton, Percussion, In A Junior Recital, March 25, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

"Come Tempesta In Mar": Awe And Terror In Haydn’S Sacred Music, Clive Mcclelland

HAYDN: Online Journal of the Haydn Society of North America

Haydn’s so-called Sturm und Drang symphonies are renowned for exhibiting a range of disruptive features. While some commentators have attempted to link this with a personal crisis in Haydn’s life, there is no evidence to support the idea. Furthermore, it is misleading to make an association here between stormy musical writing in general and the German literary Sturm und Drang. The principal musical topos that Haydn employs is one that I have termed tempesta, and its origins lie in the storm scenes of Baroque opera. Here there was often a supernatural association involving a deity either as instigator …

Justin Weber & Jesse Sheehan, In A Shared Senior/Junior Percussion Recital, March 24, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Junior Recital: March 23, 2025, Melanie Parker, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

3:30 p.m.

Sophomore Recital: March 23, 2025, Alexandra Adrowski, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

2:00 p.m.

The Elephant Brain In The Room: A Lecture Recital On Neurodivergent Advocacy, Koda Moss

Honors Theses

This is a lecture recital; an event where live, performed art music is combined with lecture, with both parts being related. In this case, my lecture was on neurodivergent advocacy and accommodations, and the selected musical pieces were composed by neurodivergent composers.

Senior Recital: March 23, 2025, Emma Edwards, Lu Witzig, Sam Fortuna, Breanna German, Emma Turner, Ryan Daimad

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

1:00 p.m.

Junior Recital: March 23, 2025, Chelsea Davis, Lu Witzig

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Afternoon

5:00 p.m.

Graduate Recital: March 23, 2025, Ender Loya, Aerim Kim

School of Music Programs

Kemp Recital Hall

March 23, 2025

Sunday Evening

6:30 p.m.

Celebrating Women In Music: March 23, 2025, School Of Music,

School of Music Programs

Sigma Alpha Iota

Kemp Recital Hall

March 23, 2025

Sunday Evening

8:00 p.m.

Senior Recital: Russell Drowota, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Guest Artist Recital: March 22, 2025, Pei-I Wang

School of Music Programs

Kemp Recital Hall

March 22, 2025

Saturday Evening

4:00 p.m.