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Articles 511 - 540 of 2042
Full-Text Articles in Music
Guest Artist Recital Series, November 3, 2021, David Cook, Momoko Gresham
Guest Artist Recital Series, November 3, 2021, David Cook, Momoko Gresham
School of Music Programs
Kemp Recital Hall
November 3, 2021
Wednesday Evening
7:30 p.m.
2021-2022 Master Class - Elmar Oliveira (Violin), Gioia Gedicks, Yue Yang, Mingyue Fei, Yu Xie, Ava Figliuzzi, Sergei Skobin
2021-2022 Master Class - Elmar Oliveira (Violin), Gioia Gedicks, Yue Yang, Mingyue Fei, Yu Xie, Ava Figliuzzi, Sergei Skobin
Master Classes
No abstract provided.
Senior Recital, November 2, 2021, Allyson Miller, Grace Eom, Somlee Lee
Senior Recital, November 2, 2021, Allyson Miller, Grace Eom, Somlee Lee
School of Music Programs
Kemp Recital Hall
November 2, 2021
Tuesday Evening
7:00 p.m.
Pmb Live!, November 2, 2021 [Program], University Of Northern Iowa. School Of Music.
Pmb Live!, November 2, 2021 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Convocation Recital, November 2, 2021, Illinois State University School Of Music
Convocation Recital, November 2, 2021, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
November 2, 2021
Tuesday Morning
11:00 a.m.
A Systematic Review Of Scientific Studies And Case Reports On Music And Obsessive-Compulsive Disorder, Thanh Phuong Anh Truong, Briana Applewhite, Annie Heiderscheit, Hubertus Himmerich
A Systematic Review Of Scientific Studies And Case Reports On Music And Obsessive-Compulsive Disorder, Thanh Phuong Anh Truong, Briana Applewhite, Annie Heiderscheit, Hubertus Himmerich
Faculty Authored Articles
Obsessive-compulsive disorder (OCD) is a severe psychiatric disorder, which can be associated with music-related symptoms. Music may also be used as an adjunct treatment for OCD. Following the PRISMA guidelines, we performed a systematic literature review exploring the relationship between music and OCD by using three online databases: PubMed, the Web of Science, and PsycINFO. The search terms were “obsessive compulsive disorder”, “OCD”, “music”, and “music therapy”. A total of 27 articles were utilised (n = 650 patients/study participants) and grouped into three categories. The first category comprised case reports of patients with musical obsessions in patients with OCD. Most …
An Analysis Of The Gradual Archetypal Transformation In The Operatic Travesti Role, Mandalay Martin
An Analysis Of The Gradual Archetypal Transformation In The Operatic Travesti Role, Mandalay Martin
Honors Capstones
No abstract provided.
School Of Music Faculty/Staff Newsletter, November 2021, School Of Music
School Of Music Faculty/Staff Newsletter, November 2021, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
Chamber Music Concert, November 1, 2021, Illinois State University School Of Music
Chamber Music Concert, November 1, 2021, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
November 1, 2021
Monday Evening
7:30 p.m.
Music Review: Deep Peace Songs / God Be In My Head, Angela Gorman
Music Review: Deep Peace Songs / God Be In My Head, Angela Gorman
Pastoral Liturgy
No abstract provided.
The Vocal Point: Honoring A Legacy: The Final Conversation With Arthur Woodley, Justin John Moniz, Minnita Daniel-Cox
The Vocal Point: Honoring A Legacy: The Final Conversation With Arthur Woodley, Justin John Moniz, Minnita Daniel-Cox
Department of Music Faculty Publications
AMERICAN BASS ARTHUR WOODLEY APPEARED with prestigious opera companies around the U.S. and abroad, including the Metropolitan Opera, San Francisco Opera, Washington National Opera, Seattle Opera, L'Opera de Montreal, Opera Philadelphia, Dallas Opera, Cincinnati Opera, Pittsburgh, Opera, New Orleans Opera, and Opera Theatre of St. Louis. His many roles included Varlaam in Boris Godunov, Bartolo in Le nozze di Figaro, the Four Villains in Les contes d'Hoffman, Kuno in Der Freischütz, Banquo in Macbeth, Nick Shadow in The Rake's Progress, Sulpice in La fille du régiment, Leporello in Don Giovanni, Rocco in …
Introduction To Special Issue, Music In World Religions: A Response To Isabel Laack, Heather Maclachlan
Introduction To Special Issue, Music In World Religions: A Response To Isabel Laack, Heather Maclachlan
Department of Music Faculty Publications
This article serves to introduce a special issue of Religions, titled Music in World Religions. A 2015 article by religion scholar Isabel Laack claimed that the study of music and religion has been neglected by Laack’s peers in the field of religions. Responding to Laack, I argue that scholars of music have been making important contributions to the study of music and religion and, indeed, have been addressing the twelve specific topics she highlights for decades. After summarizing academic works which respond to Laack’s twelve categories of inquiry, I introduce each of the articles in this special issue, showing that …
Lmu Jazz Band & Concert Band Fall 2021 Performance, Benjamin Bruflat, Dma
Lmu Jazz Band & Concert Band Fall 2021 Performance, Benjamin Bruflat, Dma
Band Programs
No abstract provided.
Generating Music With Sentiments, Chunhui Bao
Generating Music With Sentiments, Chunhui Bao
Dissertations and Theses Collection (Open Access)
In this thesis, I focus on the music generation conditional on human sentiments such as positive and negative. As there are no existing large-scale music datasets annotated with sentiment labels, generating high-quality music conditioned on sentiments is hard. I thus build a new dataset consisting of the triplets of lyric, melody and sentiment, without requiring any manual annotations. I utilize an automated sentiment recognition model (based on the BERT trained on Edmonds Dance dataset) to "label'' the music according to the sentiments recognized from its lyrics. I then train the model of generating sentimental music and call the method Sentimental …
Equipping The Wearer Of Many Hats: Considerations For A Classroom Choir Teacher And Theatrical Music Director, Joshua Burfeind
Equipping The Wearer Of Many Hats: Considerations For A Classroom Choir Teacher And Theatrical Music Director, Joshua Burfeind
Senior Honors Theses
A high school choir teacher also serving as the theater music director is faced with the challenge of facilitating the learning process for a similar group of students at two different times of day in two different types of performance. One general key to success is to keep the aim in mind. For classroom choirs, the goal is to perform an intricately refined set of songs, calling for a long-term plan supplemented by learning moments. By contrast, the vocal rehearsal for theater must focus on efficiency because of the limited amount of rehearsal time considering the various other aspects of …
Program: Through The Looking Glass, And What You Found There, University Of Dayton, Teejai Dorsey
Program: Through The Looking Glass, And What You Found There, University Of Dayton, Teejai Dorsey
Dance and Theater Programs
Co-produced by the Theatre, Dance, and Performance Technology program and the Department of Music
What do you see when you look in the mirror? If you were on the other side looking back, in a land of opposites, how would your perception of reality be altered? Lewis Carroll’s Through the Looking Glass, and What Alice Found There reflect the larger truths that underscore our social experience in this constantly changing nonsensical world. Journey with us through a wonderland of mystery and delight while exploring who we were, who we are, and who we are yet to become in this dramatic …
‘Jesus Is Not A Foreign God’: Baptist Music Making In Burma/Myanmar, Heather Maclachlan
‘Jesus Is Not A Foreign God’: Baptist Music Making In Burma/Myanmar, Heather Maclachlan
Yale Journal of Music & Religion
Christians in the Southeast Asian country of Burma, also known as Myanmar, make up approximately five percent of the national population. The Christian community of Burma includes both Catholics and Protestants, and Baptists predominate among the Protestants. In this article I argue that twenty-first century Protestant Burmese Christians fulfill both aspects of a “twofold legacy” bequeathed to them by Adoniram Judson, the first Baptist missionary to Burma, and that their fulfillment of this legacy is manifest in their musical practices. I further argue that it has been, and continues to be, to Burmese Christians’ advantage to emphasize both aspects of …
Vatican Ii, Liberation Theology, And Vernacular Masses For The Family Of God In Central America, Bernard J. Gordillo
Vatican Ii, Liberation Theology, And Vernacular Masses For The Family Of God In Central America, Bernard J. Gordillo
Yale Journal of Music & Religion
The Second Vatican Council (1962–65) instituted reforms in the Catholic Church that included changes in language and music employed in the liturgy, inspiring a proliferation of sung vernacular masses throughout Latin America. Drawing on archival and ethnographic research undertaken in Nicaragua and the United States, this article examines three Central American vernacular masses—Misa típica panameña de San Miguelito (1967), Misa popular nicaragüense (1969), and Misa campesina nicaragüense (1975). Each mass emanated from communities founded as part of the transnational Familia de Dios (Family of God) movement, which established programs of religious education, leadership training, and community building among impoverished …
Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan
Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan
Yale Journal of Music & Religion
The early 20th century was a period in which understandings of music, religion, and the nation-state underwent rapid change in Japan. In this article I examine Japanese cultural discourse from the first decades of the 20th century in which the shakuhachi, a Japanese bamboo flute, was frequently portrayed as a religious instrument. In some cases, this discourse referenced pre-20th century historical affiliations of the shakuhachi with the Fuke-sect, an organization that was loosely affiliated to Rinzai Zen Buddhism. But the article also explores how religio-musical discourse surrounding the shakuhachi intersected with developments in modern Japanese religious life, …
Early Modern Scottish Metrical Psalmody: Origins And Practice, Timothy Duguid
Early Modern Scottish Metrical Psalmody: Origins And Practice, Timothy Duguid
Yale Journal of Music & Religion
Non-literate societies are often dependent on music for transmitting news and ideas because of music’s ability to enhance memory. Sixteenth-century reformers were aware of this, but they had to compete with secular and Roman Catholic music that often contradicted Reformed doctrine. Highly influenced by the Strasbourg-based Martin Bucer and the writings of Saint Augustine, John Calvin insisted that Biblical Psalms, set in vernacular poetry, were most appropriate for both corporate worship and private devotion. The result was a series of metrical psalters that were intended to be performable by everyone. Some editions had explicitly liturgical designs, but most were intended …
Chapman University Singers, Chapman University Singers, David York
Chapman University Singers, Chapman University Singers, David York
Printed Performance Programs (PDF Format)
No abstract provided.
Mus 124: Life Soundtracks, Adriana Ponce
Mus 124: Life Soundtracks, Adriana Ponce
Departmental Initiatives
No abstract provided.
Joint Recital, October 31, 2021, Allison Hoffman, Ryan Burns, Grace Eom (Ye Eun), Tiffany Ogdon Smith
Joint Recital, October 31, 2021, Allison Hoffman, Ryan Burns, Grace Eom (Ye Eun), Tiffany Ogdon Smith
School of Music Programs
Kemp Recital Hall
October 31, 2021
1:30 p.m.
Ensemble Concerts: Treble Choir, Men’S Glee, And Belle Voix, October 31, 2021, Illinois State University School Of Music
Ensemble Concerts: Treble Choir, Men’S Glee, And Belle Voix, October 31, 2021, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
October 31, 2021
Sunday Afternoon
3:00 p.m.
Senior Recital, October 30, 2021, Angel Lopez, Lu Witzig
Senior Recital, October 30, 2021, Angel Lopez, Lu Witzig
School of Music Programs
Kemp Recital Hall
October 30, 2021
Saturday Afternoon
2:00 p.m.
Senior Recital, October 30, 2021, Ty Bloomfield, Lu Witzig
Senior Recital, October 30, 2021, Ty Bloomfield, Lu Witzig
School of Music Programs
Kemp Recital Hall
October 30, 2021
Saturday Afternoon
3:00 p.m.
Senior Recital, October 29, 2021, Justin Lindsey, Jameel Stephens, John St. Cyr, Noah Berkshier, Riley Erskine
Senior Recital, October 29, 2021, Justin Lindsey, Jameel Stephens, John St. Cyr, Noah Berkshier, Riley Erskine
School of Music Programs
Kemp Recital Hall
October 29, 2021
Friday Evening
6:00 p.m.
Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University
Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University
School of Music: News & Publications (2017-2023)
- FACULTY & STAFF NEWS
- STUDENT NEWS
- COMING EVENTS
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SUPPORT THE GRETSCH SCHOOL OF MUSIC
Northern Iowa Symphony Orchestra, October 29, 2021 [Program], University Of Northern Iowa. School Of Music.
Northern Iowa Symphony Orchestra, October 29, 2021 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
2021-2022 Performance Forum - October 29, 2021, Luke Benedict, Collin Holoway, David Mersereau, Sheng Yuan Kuan, Carlos Medina Romero, Kari Jenks, Olivia Oakland, Nataniel Farrar, Taylor Overholt, Fabiola Hoyo, Rosie Rogers, Jeffrey Chapman, Maria Paula Mora
2021-2022 Performance Forum - October 29, 2021, Luke Benedict, Collin Holoway, David Mersereau, Sheng Yuan Kuan, Carlos Medina Romero, Kari Jenks, Olivia Oakland, Nataniel Farrar, Taylor Overholt, Fabiola Hoyo, Rosie Rogers, Jeffrey Chapman, Maria Paula Mora
Performance Forum
No abstract provided.