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Articles 91 - 120 of 1097
Full-Text Articles in Music
First-Generation College Students' Lived Experiences In An Undergraduate Music Education Program: A Transcendental Phenomenological Study, Joseph Benjamin Earp
First-Generation College Students' Lived Experiences In An Undergraduate Music Education Program: A Transcendental Phenomenological Study, Joseph Benjamin Earp
Doctoral Dissertations and Projects
The purpose of this transcendental phenomenological study is to describe the lived experiences of first-generation college students (FGCSs) majoring in music education at a small, private university in the southeastern United States. Through understanding FGCSs’ experiences, university faculty and administrators can make informed decisions that can help this important sub-population of students. The self-determination theory (SDT) and the relationships motivation theory (SDT mini-theory) have guided this study exploring the central research question: How do FGCSs describe their lived experiences while majoring in music education? Sub-questions include (1) how do FGCSs majoring in music education describe challenges relating to self-determination while …
Methods And Motivations Of Multigenerational Churches In Selecting A Worship Music Identity, Joshua Charles Morton
Methods And Motivations Of Multigenerational Churches In Selecting A Worship Music Identity, Joshua Charles Morton
Masters Theses
Churches in the twenty-first century come in all types, shapes, and sizes. The church plant movement is bringing many new churches into existence. With many of these church plants, the assumption is that a contemporary worship style comes with it. This could be viewed this way, because of the high population of younger people that attend these churches. Churches like Elevation Church, North Point Church, Passion City Church, and Saddleback Community Church are all church plants. These churches are magnets for newly established Christians and those seeking to answer questions about God for the first time. They are magnets for …
Be Still: A Pedagogical Analysis Of Mindfulness-Based Practices In Vocal Music Education, Hattie Hannah Elder
Be Still: A Pedagogical Analysis Of Mindfulness-Based Practices In Vocal Music Education, Hattie Hannah Elder
Masters Theses
Mindfulness and mindfulness-based practices improve productivity in general education and vocal settings and have the potential to revolutionize choral music education. The purpose of this research is to improve vocal music education, vocal pedagogy, and voice practice, through the study of mindfulness-based practices and their relevance in vocal practices. The essential question answered as part of this research is, how do mindfulness and mindfulness-based practices increase productivity in the choral classroom? Sub questions addressed in this research include: 1) What is mindfulness meditation?, 2) How is mindfulness already utilized in vocal settings?, and 3) How can mindfulness best be included …
Reflections Of Female Band Directors: The Perceived Effect Of Sex, Gender, And Race On Career Experiences And Professional Practices, Robyn M. Olichwier Lawrence
Reflections Of Female Band Directors: The Perceived Effect Of Sex, Gender, And Race On Career Experiences And Professional Practices, Robyn M. Olichwier Lawrence
Masters Theses, 2020-current
The purpose of this study was to examine the introspections of female band directors, and their perceived beliefs about the effect of sex, gender, and race on their own personal career experiences and professional practices. Participants (N=82) were all current members of Women Band Directors International. After contact through the organization’s website, participants were invited to complete an online survey that consisted of 39 multiple choice, Likert-scale based questions. An optional short answer question was included in the survey (totaling 40 questions), to offer participants the opportunity to share information about personal experiences if they felt comfortable. …
Developing The Young Dramatic Soprano Voice Ages 15-22, Monica Ariane Williams
Developing The Young Dramatic Soprano Voice Ages 15-22, Monica Ariane Williams
UNLV Theses, Dissertations, Professional Papers, and Capstones
This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young …
Rusalka And The Snow Maiden: A Comparative Study Of Two Fairytale Operas, Olivera Gjorgoska
Rusalka And The Snow Maiden: A Comparative Study Of Two Fairytale Operas, Olivera Gjorgoska
UNLV Theses, Dissertations, Professional Papers, and Capstones
The two late-romantic operas Rusalka by Antonín Dvořák and The Snow Maiden by Nikolai Rimsky-Korsakov are based on fairy tales, and combine romance, fantasy, and drama. Their plots develop in parallel universes and have astonishing similarities. However, the music and drama develop following different goals. In Rusalka, leitmotifs and dramatic harmonies shape the plot into a tragedy. In The Snow Maiden motives and melodies exist to describe the character rather than lead the story and the drama; the focus is on Russian folk elements, choruses, and people.
The main character in both operas is a naïve, beautiful, fairy-like female character …
Covid-19 With Congruent Affect, Mitchell Thomas
Covid-19 With Congruent Affect, Mitchell Thomas
HCA Healthcare Journal of Medicine
Music is a vehicle of capturing an individual’s experiences: a new beginning, a broken heart, complete joy, and even catharsis. Before deciding to embark on my path in medicine, music was my interest. Creating music is my therapeutic method of relieving stress, providing a productive outlet when coping with my stressors, and allowing me to focus on becoming a better student doctor. It has carried me through tough times and continues to do so. This instrumental song I wrote represents how I felt as a second-year medical student going through the COVID-19 pandemic; from being isolated in a state away …
Jazz Research Mus 423, Jim Kinnie
Arts Education: Benefits, Disparities, And Reaching For Equal Access, Madelaine Shreeman
Arts Education: Benefits, Disparities, And Reaching For Equal Access, Madelaine Shreeman
Senior Honors Theses
Arts education is a unique way to engage students. The arts include, but are not limited to, music, theatre, visual/studio arts, poetry, and dance; they are powerful bridges for students to knowledge and classroom contribution. They assist students with lower academic achievement, problematic behavior, or those who have a likelihood of dropping out of school. While there are plenty of resources displaying the student benefits, there remain inequalities in access to arts education among students across America. Often, areas and schools that generally receive fewer opportunities or less arts funding are ones with more at-risk youth. Disproportionate arts access negatively …
Old Dominion University Jazz Choir & Jazz Ensemble, Old Dominion University Jazz Choir, John Toomey (Director), Keith Philbrick (Director)
Old Dominion University Jazz Choir & Jazz Ensemble, Old Dominion University Jazz Choir, John Toomey (Director), Keith Philbrick (Director)
Ensemble Performances
No abstract provided.
Antisemitism In Classical Music: From Wagner To Shostakovich, Christopher Clarke
Antisemitism In Classical Music: From Wagner To Shostakovich, Christopher Clarke
Consensus
No abstract provided.
Shout To The Lord: Making Worship Music In Evangelical America, Andrew Mall
Shout To The Lord: Making Worship Music In Evangelical America, Andrew Mall
Yale Journal of Music & Religion
In this review of Ari Y. Kelman's Shout to the Lord: Making Worship Music in Evangelical America, I describe the strengths and challenges of examining the cultural production of worship music thematically, as Kelman has chosen to focus on songwriting, worship leading, and the music industry in sequence.
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker, Sonja G. Wermager
“That Hart May Sing In Corde:” Defense Of Church Music In The Psalm Paraphrases Of Matthew Parker, Sonja G. Wermager
Yale Journal of Music & Religion
Translation of sacred texts is always a dangerous act. In the sixteenth century, translators of the Bible into vernacular languages faced persecution and even execution for their perceived heresy. Nevertheless, when Archbishop of Canterbury Matthew Parker (1504-1575) published his poetic paraphrases of the biblical psalms, for which Thomas Tallis wrote the corresponding psalm tunes, Parker joined a growing number of scholars and clerics risking the translation of scripture under the aegis of the Protestant Reformation. In his paraphrases Parker carefully negotiated between strict translation and poetic interpretation of the text, particularly in regards to musical themes. I argue that in …
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey
Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey
Yale Journal of Music & Religion
While much ink has been spilled by musicologists on the legal standing of music in Islamic jurisprudential scholarship, few scholars have offered as comprehensive a view as Lois Ibsen Al-Faruqi. Thirty-five years after her major works on this issue, this article seeks to reassess her model of musical legitimacy within Muslim scholarship. Al-Faruqi places Qur’ānic recitation at the apex of a unidirectional continuum of sound art, with genres less similar to the recitation of the Qur’ān located progressively further away from it. Based on fieldwork in the Sultanate of Oman in 2015-17 and engaging with recent reinvigorations on the anthropological …
Metta, Mudita, And Metal: Dhamma Instruments In Burmese Buddhism, Gavin D. Douglas
Metta, Mudita, And Metal: Dhamma Instruments In Burmese Buddhism, Gavin D. Douglas
Yale Journal of Music & Religion
Bells, gongs, and other dhamma instruments offer valuable insights into the role of sound in Buddhist practice. Participation in musical events in the Theravada Buddhist world is deemed inappropriate for devote laity and for those who have taken monastic vows. The seventh Buddhist precept implores monks “to abstain from dancing, singing, and music,” yet Buddhist monasteries and pagodas are sonically vibrant places that contain a wide variety of layered bells, gongs, chants, and prayers sculpting the sonic environment. This study examines the soundscape of Burmese Buddhist social space and argues that these sounds are essential to understanding the lived practice …
Hooked On A Feeling: Influence Of Brief Exposure To Familiar Music On Feelings Of Emotion In Individuals With Alzheimer's Disease, Alaine E. Reschke-Hernández, Amy M. Belfi, Edmarie Guzmán-Vélez, Daniel Tranel
Hooked On A Feeling: Influence Of Brief Exposure To Familiar Music On Feelings Of Emotion In Individuals With Alzheimer's Disease, Alaine E. Reschke-Hernández, Amy M. Belfi, Edmarie Guzmán-Vélez, Daniel Tranel
Music Faculty Publications
BACKGROUND: Research has indicated that individuals with Alzheimer's-type dementia (AD) can experience prolonged emotions, even when they cannot recall the eliciting event. Less is known about whether music can modify the emotional state of individuals with AD and whether emotions evoked by music linger in the absence of a declarative memory for the eliciting event.
OBJECTIVE: We examined the effects of participant-selected recorded music on self-reported feelings of emotion in individuals with AD, and whether these feelings persisted irrespective of declarative memory for the emotion-inducing stimuli.
METHODS: Twenty participants with AD and 19 healthy comparisons (HCs) listened to two 4.5-minute …
Holy Cross Choirs (Fall 2020), Choir, College Of The Holy Cross
Holy Cross Choirs (Fall 2020), Choir, College Of The Holy Cross
Holy Cross Choirs Newsletter
No abstract provided.
Virtual Ur Orchestra Concert, Department Of Music, University Of Richmond
Virtual Ur Orchestra Concert, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Virtual Ur Orchestra Concert, Department Of Music, University Of Richmond
Virtual Ur Orchestra Concert, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Uni Opera: The Monteverdi Project, November 24, 2020 [Program], University Of Northern Iowa. School Of Music.
Uni Opera: The Monteverdi Project, November 24, 2020 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
A Lyrical Comparison Of Suzanne And Its Translation, Natalie Sadler
A Lyrical Comparison Of Suzanne And Its Translation, Natalie Sadler
The Corinthian
This paper compares Leonard Cohen’s song Suzanne and its French translation by Graeme Allwright. It takes translation principles into account, by relying on translator Antoine Berman’s “Twelve Deforming Tendencies of Translation.” In his reliance on the instrumental model, which tries to find equivalence and treat the translation as a reproduction of the original, Allwright’s translation misinterprets several important elements in the original, namely the relationship between the speaker and the Suzanne character. In Cohen’s original, the character Suzanne is expected to follow the speaker and is changed by his “superior” intellect, while in Allwright’s version Suzanne is likened to a …
Examining The Relationship Between Perfect Pitch, Auditory Processing Disorders, And Autism Spectrum Disorder, Sarah G. Clegg
Examining The Relationship Between Perfect Pitch, Auditory Processing Disorders, And Autism Spectrum Disorder, Sarah G. Clegg
The Corinthian
In this paper, I will examine the relationship between perfect pitch, auditory processing disorders, and autism spectrum disorders and how this potential relationship affects the music education of students living with these conditions. Thorough and analytical perspectives are presented on one or more of these diagnoses, providing the opportunity to make thoughtful and relevant connections to students inside and outside of the classroom. Dohn, Garza-Villareal, Heaton, and Vust (2012) and Jiang, Liu, Wan, and Jiang (2015) discuss their research on the heightened presence of autism traits in musicians with perfect pitch and the idea of pitch processing and intonation in …
Accommodations For Underserved Students In Music Education, William M. Refuss
Accommodations For Underserved Students In Music Education, William M. Refuss
The Corinthian
This research examines socioeconomic status and its relation to accommodating students with special needs where access to specific technologies and equipment is limited. For students who need costly accommodations where socioeconomic status affects access, other methods of accommodation need to be found. This paper focuses on the specific goals in a music education classroom and how students with disabilities struggle to achieve such goals without accommodations, as well as examining different personnel and technologies in which access is limited when examining the financial impact. Such accommodations include music therapists assigned to the school, inclusion classrooms, modified instruments, and other technologies …
Virtual Chamber Ensembles Concert, Department Of Music, University Of Richmond
Virtual Chamber Ensembles Concert, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Language Learning From The Developmental And Neurocognitive Perspective: An Examination Of The Impact Of Music On Second Language Acquisition, Shelby Grimm
Honors College Theses
This literature review aims to analyze the influence of music as a learning tool throughout the process of second language acquisition. Through the compilation and analysis of recent research conducted on the academic, cultural, and linguistic impacts of music on the four modes of language, which include reading, speaking, writing, and listening, this thesis will demonstrate the effects of incorporating music into the second language learning curriculum. Definitions of both music and language, as well as a description of the components of both areas will be included. An examination of the neurocognitive relationship between music and language, as well as …
Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams
Exploring The Gospel Fusion Arrangements Of The Recording Collective, Tyler Williams
Composition/Recording Projects
Exploring the Gospel Fusion Arrangements of The Recording Collective
A Musical Analysis Of Donald Byrd's Electric Byrd, Eric Snyder
A Musical Analysis Of Donald Byrd's Electric Byrd, Eric Snyder
Recital Papers
A Musical Analysis of Donald Byrd's Electric Byrd
The Language Of Music, Music Theory For Non-Majors, Danny Beard
The Language Of Music, Music Theory For Non-Majors, Danny Beard
Open Textbooks
The Language of Music, Music Theory for Non-Majors, is a textbook written to share the fundamentals of music notation with students outside of schools of music. Topics covered include rhythmic notation, meter and time signatures, pitch notation, scales, key signatures, intervals, triads and Roman numeral and lead sheet notation.
Collaborative Piano Recital, November 19, 2020, Illinois State University School Of Music
Collaborative Piano Recital, November 19, 2020, Illinois State University School Of Music
School of Music Programs
Kemp Recital Hall
November 19, 2020
Thursday Evening
7:00 p.m.
Syracuse University Contemporary Ensemble: Dr. Alina Plourde, Director, Syracuse University Contemporary Ensemble, Setnor School Of Music, Alina Plourde
Syracuse University Contemporary Ensemble: Dr. Alina Plourde, Director, Syracuse University Contemporary Ensemble, Setnor School Of Music, Alina Plourde
Setnor School of Music - Performance Programs
No abstract provided.