Music Commons^™

Concert Recording 2017-11-19a, Laura Frederickson, Yoko Fukuda

Concert Recordings & Programs

[00:00]. Neun Deutsche Arien. IV. Süße Stille, sanfte Quelle HWV 206 ; VIII. In den angenehmen Büschen HMV 210 / George Frideric Handel -- [08:01]. Six Elizabethan songs. I. Spring ; IV. Dirge; V. Diaphenia / Dominick Argento -- [12:08]. Liederkreis, op. 39. I. In der Fremde ; IV. Die Stille ; V. Mondnacht ; XII. Frülingsnacht / Robert Schumann -- [19:34]. Abendempfindung an Laura K. 523. Chi sà, chi sà, qual sia, K. 582 / Wolfgang Amadeus Mozart -- [27:17]. Les Roses D'Ispahan / Gabriel Fauré -- [30:19]. Si mes vers avaient des ailes / Reynaldo Hahn -- [38:18]. …

Concert Recording 2017-11-21, Fernando Valencia, University Of Arkansas, Fayetteville. Latin American Ensemble

Concert Recordings & Programs

[00:00]. Besame Mama / Poncho Sanchez -- [05:56]. Calle loca / Rick Davies -- [10:32]. Mambo diablo / Tito Puente -- [16:42]. Good vibes / Oscar Hernandez -- [22:14]. Bien sabroso / Poncho Sanchez -- [28:45]. Como me duele / Gusy & Beto -- [32:45]. Contigo en la distancia / Cesar Portillo de La Luz -- [36:29]. Rico vacilon / Rosendo Ruiz -- [41:03]. Todo tiene su final / Hector Lavoe -- [46:21]. Afro-blue / Mongo Santamaria.

Concert Recording 2017-12-06, Jordan Alimena, Alexandria Holcomb, Tomoko Kashiwagi, Samantha Ellis, Rosabelle Zhou, Ethan Anderson, Erick Amaya, Yoko Fukuda

Concert Recordings & Programs

[00:00]. Allegro barbaro, BB63 / Béla Bartok -- [02:46]. Etude in A♭ major, op. 25, no. 1 / Frédéric Chopin -- [05:27]. Solo de concours, op. 10 / Henri Rabaud -- [11:12]. Concerto no. 2 in F minor, op. 5. III. Rondo: Allegretto / Bernard Crusell -- [18:13]. Premiere rhapsodie / Claude Debussy -- [26:30]. Sonata for clarinet and piano. IV. Mässig bewegt / Paul Hindemith -- [32:07]. Sonata for trumpet in B♭ major / Paul Hindemith

Concert Recording 2017-03-02, Eva Martin, Yoko Fukuda

Concert Recordings & Programs

Tenebrae factae sunt / G.P. Palestrina -- Crucifixus from B-minor mass / J.S. Bach -- Missa brevis in D, K. 194. I. Kyrie ; II. Gloria / W.A. Mozart -- Ave verum corpus, K. 618 / W.A. Mozart -- Waldesnacht, op. 62, no.3 / Johannes Brahms -- Cantique de Jean Racine, op. 11 / Gabriel Fauré -- Just as the tide was flowing / R.V. Williams -- Ain'a that good news! / William Dawson.

The First Three Guitar Sonatas Of David Del Puerto, Jeremy Andrew Bass

Theses and Dissertations--Music

David del Puerto’s first three sonatas for solo guitar are large-scale, multi-movement works in a style that is at once strongly guitaristic, and highly refined with regard to harmony, melody, rhythm, and form. Del Puerto completed all three sonatas in 2015, a considerable milestone for a composer who had never before published works in this form for solo guitar. The sonatas represent a consolidation of the composer's recent style: the synthesis of modal, pandiatonic, and twelve-tone harmony; references to folkloric, popular, and classical musics; and a lucid, immediate approach to both surface rhythm and larger formal structures.

Since the development …

Music Therapists’ Self-Compassion, Compassion For Others, And Professional Quality Of Life, Jamie E. Rushing

Theses and Dissertations--Music

As helping professionals, music therapists show compassion to their clients but may lack necessary self-care skills to prevent burnout and promote well-being. Due to a lack of research in this area, this study investigated reported levels of compassion for others, self-compassion, burnout, secondary traumatic stress, and compassion satisfaction among music therapists in relation to age, gender, and years of professional experience. A survey of 575 board certified music therapists in the USA revealed higher levels of compassion for others than self-compassion, low levels of burnout and secondary traumatic stress, and high levels of compassion satisfaction. Burnout strongly negatively correlated with …

A Performer's Guide To Works For Trumpet And Synthesizer By Meg Bowles, Steven Siegel

Theses and Dissertations--Music

The trumpet and electronics genre of music has been in existence since 1965. While various dissertations have discussed other composers and their works in this field, there is still a need for a treatise exploring appropriate performance practice for the electroacoustic trumpet music of Meg Bowles. There has been no study of the compositional process nor trumpet techniques required for performance of these works and other electronic compositions.

This dissertation will study the compositions for trumpet and electronics by Bowles, develop strategies for performing these works, and explore compositional techniques used to create them. Interviews have been conducted between the …

Anders Åstrand: A Paragon Of The Modern Musical Aesthetic, Matthew Geiger

Theses and Dissertations--Music

Swedish musician Anders Åstrand sustains a career as a performing soloist and chamber musician, composer for small and large chamber ensembles, and improviser in a vast variety of styles. His career represents the future within the musical world as it shifts from the orchestras and concert halls to a society more interested social media outlets such as YouTube and Facebook Live. His compositions integrate elements of improvisation in concept and execution.

The primary aim of this study examines the life and career of Anders Åstrand and the correlation of those influences with his compositional aesthetic. The secondary objective connects the …

A Study Of Acculturation In Chinese-Mongolian Er’Rentai Folk Opera, Luyin Shao

Theses and Dissertations--Music

Er’rentai, or Mongolian dance and song duets, is a genre of folk opera in the Inner Mongolian Autonomous Region. Er’rentai performances can be categorized into two styles—the “western-style” and the “eastern-style.” The aim of this thesis is to explore the acculturation in Chinese-Mongolian er’rentai genre in the following ways. First, I address the historical background of the western-style er’rentai. Then, I draw on fieldwork with Huo Banzhu, a famous er’rentai musician, to introduce contemporary state of er’rentai's development. Finally, I employ musical analysis to demonstrate the borrowings of Mongolian music and culture in the formation and transmission …

Earl Kim 12 Caprices For Solo Violin: Survey Of His Innovative Solo Violin Writing Via His Twelve Love Letters, Chi Young Song

Theses and Dissertations--Music

The purpose of this project is to bring Kim’s caprices into the mainstream violin literature through a three-prong approach by examining each caprice via musical analysis, technical analysis, and by investigating its pedagogical merit. After inspecting each caprice through three different lenses mentioned above, the paper will organize the twelve caprices around a tripartite structure; serial, atonal, and free tonal.

The work opens with a six-measure Motto. While the relationship between the Motto and the rest of the work is not immediately clear, thorough musical and formal analysis will provide insight into the work’s cohesion.

This project will also …

The Relationship Between Lowell Mason And The Boston Handel And Haydn Society, 1815-1827, Todd R. Jones

Theses and Dissertations--Music

The relationship between Lowell Mason (1792–1872) and the Boston Handel and Haydn Society (est. 1815) has long been recognized as a crucial development in the history of American music. In 1821, Mason and the HHS contracted to publish a collection of church music that Mason had edited. While living in Savannah, GA, Mason had imported several recent British collections that adapted for church tunes works by Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Ignaz Pleyel. His study with German émigré Frederick L. Abel allowed him to harmonize older tunes in standard counterpoint. In the historiography of American …

Harvest Festival By Yann-Jong Hwang: A Piano Duet Inspired By Taiwanese Folk Tunes, Wei-Sian Chen

Theses and Dissertations--Music

The purpose of this study is to provide an introduction and analysis of Harvest Festival, a work for piano four hands by Taiwanese composer Yann-Jong Hwang. This work incorporates elements of traditional Taiwanese music that is largely unfamiliar to performers and listeners beyond the border of Taiwan.

With the exception of Professor Hwang’s own journal article on this piece, this project is the only study of Harvest Festival available in the United States or Taiwan. This research will be meaningful to both performers and piano teachers as an encouragement to include Yann-Jong Hwang’s work within their concert repertory.

This …

Duende: Four Preludes For Symphonic Wind Ensemble By Luis Serrano Alarcón: Conductor’S Guide, Spanish Historical Background And Influence, Kenneth Javier Iyescas

Theses and Dissertations--Music

Luis Serrano Alarcón is one of the most important and relevant composers of our time. He is sought after as a composer, lecturer, and conductor throughout the world. His works have been performed in over 30 countries worldwide by some of the leading musical ensembles in the United States, Europe, and Asia, as well as being highly decorated by winning many prestigious composition contests including the International Band Competition Contest of Corciano, Italy.

Born in Valencia, Spain, Alarcón is relatively self-taught in composition, which is a testament to his natural-born gift for composition. His compositional output ranges from the traditional …

Redefining The Performance Degree Curriculum For The Crossover Saxophonist, Ian M. Cruz

Theses and Dissertations--Music

Many collegiate saxophone performance degree programs are overwhelmingly classical, adopting from other performance programs in the Western music tradition. However, there is a growing number of saxophone compositions that are “crossover” in nature. Crossover is a term used to describe the fusion of popular music styles in a classical setting. There is also evidence that collegiate music education as a whole is moving towards a more diverse curriculum, which emphasizes ethnomusicology. Due to this trend in composition and education, it is becoming increasingly important that saxophonists have the training of both classical and jazz disciplines.

The problem is that while …

A Conductor’S Analysis Of Veljo Tormis’ Looduspildid, John David Frizzell

Theses and Dissertations--Music

Estonian composer Veljo Tormis (1930-2017) is one of the most prolific in his country’s history. A significant portion of his writing has been for choirs. Tormis composed most of his works under Soviet rule. During this communist reign of Estonia, Tormis turned to using traditional music. The source material for a large portion of Tormis’ choral output is regilaul, a type of ancient Estonian folk song. In 1991, Estonia gained their independence, thereby allowing Tormis’ compositions to be more easily seen, heard, and performed around the world.

This dissertation presents a conductor’s analysis of a set of choral cycles …

The Search For Consistent Intonation: An Exploration And Guide For Violoncellists, Daniel Hoppe

Theses and Dissertations--Music

This paper provides a system that helps diagnose and address the specific challenge to cellists of intonation in any passage. Learning to play consistently in tune is essential for every cellist. In the over three hundred years of cello history, teachers have tried approaching the topic from a variety of perspectives. While each technique is useful in its own right, there is scant attention to how they work together. Viewing intonation through its component sub-skills is the first step toward integrating existing exercises and paving the way for further advances in pedagogy. The following paper categorizes training techniques according to …

A History, Analysis, And Performance Guide To Samuel Barber’S Canzonetta For Oboe And String Orchestra, Angela C. Sallas

Theses and Dissertations--Music

This dissertation examines Samuel Barber’s Canzonetta for Oboe and String Orchestra, which was intended to be the central movement of an oboe concerto commissioned by the New York Philharmonic. The Canzonetta for Oboe and String Orchestra is representative of Barber’s tendency towards vocal lyricism and neo-romantic tonality, serving as a representation of his compositional style. This document will explore the technical and expressive demands found in Barber’s writing for the oboe and will offer solutions for any problematic elements—including those specific to the oboe itself. It will also suggest practice techniques for the execution of these difficulties. This dissertation …

Singing Portuguese Nasal Vowels: Practical Strategies For Managing Nasality In Brazilian Art Songs, André Campelo

Theses and Dissertations--Music

The articulation of Portuguese nasalized vowels poses some articulatory problems accompanied by negative acoustic effects for the performance of Brazilian art songs. The main objective was to find strategies that permit the singer to conciliate an idiomatic pronunciation of these vowels with a well-balanced resonance, a desirable quality in classical singing. In order to devise these strategies, the author examined sources dealing with nasalized vowels from varied perspectives: acoustic properties of vowel nasalization, phonetic and phonological aspects ofBrazilian Portuguese (BP), historical views on nasality in singing, and recent vocal pedagogy research. In addition to the overall loss of sonority, the …

The Cadenzas Of The First Modern Guitar Concertos, Carlos Ricardo Saeb Valenzuela

Theses and Dissertations--Music

This research project explores the resources employed in the cadenzas of the first four distinguished guitar concertos of the twentieth-century. The purpose of this research is to establish the influence and impact of these works in the development of a new idiomatic guitar language. Although the first known twentieth-century guitar concerto is Rafael Adame’s Concierto Clásico (1930), it has been largely ignored and has had no significant influence on subsequent generations. Therefore, the focus of this study is on the following concertos: Mario Castelnuovo-Tedesco’s Concerto in Re for Guitar and Orchestra Op. 99 (1939), Joaquin Rodrigo’s Concierto de Aranjuez (1939), …

When Unexpected Beauty Burns Like Sunlight On The Sea: Songs Of Wintter Watts, Composer And Sara Teasdale, Poet, Casey A. Huggins

Theses and Dissertations--Music

This document is an overview of Wintter Watts’ song settings of Sara Teasdale poems. Watts set 15 Teasdale poems as a part of his repertoire of approximately 200 art songs, both published and unpublished. Included are a thorough investigation of the culture of the period of American history of which Watts and Teasdale emerged as artists, biographies of each artist, with particular emphasis placed on Watts’ life and work, and theoretical and poetic analyses of each piece. Additionally, teachers of singing will find the appendix useful to explore options for student repertoire.

A Beginning Percussion Curriculum Based On The National Core Music Standards, Joseph Quinnelly

Honors Theses

The following thesis presents a curriculum for beginning percussion as a part of a beginning band program that incorporates the guidelines and recommendations found in the National Core Music Standards. The presentation of this curriculum is divided into three chapters, each of which of contains practical information for music educators charged with the instruction of beginning percussionists. The first of these chapters describes how the standards for music education were developed and outlines the information contained within the National Core Music Standards as well as the additional standards that accompany this information. In the second chapter, the information from Chapter …

Misbehaving Minuets: A Preliminary Theory Of Humor And Dance Form In Haydn's Opp. 76 And 77, Jennifer L. Salamone

Theses and Dissertations--Music

It is nearly impossible to read scholarship on Franz Joseph Haydn and escape the mention of musical humor. Scholars have long recognized the presence of humorous elements within Haydn’s compositions. Current literature delves into various aspects of humor in the composer’s works; in this project I focus specifically on humorous aspects of the minuet and trio movements from the late string quartets, Opp. 76 and 77.

I begin by exploring and defining humor itself. Centuries of literature on the topic are generally parsed into three fundamental categories: Superiority Theory, Relief Theory, and Incongruity Theory. More contemporary approaches combine elements of …

The Wind Music Of Steve Danyew: A Discussion And Analysis Of Three Significant Wind Compositions, Michael C. Black

Theses and Dissertations--Music

Despite being active as a composer for a little less than a decade, Steve Danyew has established himself as a successful composer of wind music. Danyew has produced a surprisingly large amount of significant works for various music ensembles in a relatively short span of time. Danyew’s compositions for winds are some of his most frequently performed for any medium.

Three of Danyew’s compositions for winds stand out as artistically significant, namely Lauda, Alcott Songs, and Magnolia Star. One of his first compositions for wind band, Lauda, is an award-winning work that has been performed by …

March Performance Practices Of Henry Fillmore With Style Guides And Historical Editions Of Selected Works, James Robert Daughters

Theses and Dissertations--Music

With a career spanning over four decades, Henry Fillmore earned wide recognition as an important and prolific composer of marches and trombone smears in the wind band medium. While he contributed significantly to chamber music, solo literature, vocal settings, and arrangements for band, his compositions for wind band have arguably provided his most universal acclaim. Fillmore’s published marches are unique in that scores rarely had performance markings and contained little more than notes and repeat signs. Fillmore conducted most of his marches and altered march strains, changed orchestration, and added stylistic markings that were not indicated in the original printed …

Accretion And Acrylics: Composition Portfolio With Commentary, Patrick Egan

Doctoral

This portfolio consists of nine compositions and an accompanying commentary on each of the pieces. The earlier compositions represent the exploration of preoccupations with canon, counterpoint, and rhythmically-charged, pulsating mobiles. This led to the further research elements incorporating the development of rhythmic motifs and their proliferation, culminating in static sonic canvases, slowing the rate of harmonic change. Investigative research into the various gradations applied to amplitude levels, first explored in my electronic music and then applied in the form of dynamics in my acoustic writing, represents another highly-featured process in this thesis. The opening chapters chart the processes of the …

Concert Recording 2017-04-03, Alisa Coffey

Concert Recordings & Programs

[00:00]. Fugue from Violin Sonata No. 1 / J.S. Bach ; translated by Marcel Grandjany -- [06:26]. La source / Alphonse Hasselmans --[10:39]. The Moldau. Vltava / Bedrich Smetana -- [21:12]. Tango / Jean-Michel Damase -- [24:39]. Traipsin' thru Arkansaw / Carlos Salzedo.

Concert Recording 2017-12-03a, Alaina Tuberville, Jane Heinrichs

Concert Recordings & Programs

[00:00]. Sonata in E minor, BWV 1034. I. Adagio ma non tanto ; II. Allegro ; III. Andante ; IV. Allegro / J.S. Bach -- [13:52]. Entr'acte / Jacques Ibert -- [13:43]. Orange dawn / Ian Clarke -- [23:45]. Trois pièces pour flûte seule. I. Bergère captive ; II. Jade ; III. Toan-Yan, la Fête du Double Cinq / Pierre-Octave Ferroud -- [33:01]. Sonate pour flûte et piano. I. Allegro malinconico ; II. Cantilena: Assez lent ; III. Presto giocoso / Francis Poulenc.

A Case Study Of The Cellists And Treatise Authors: Johann Georg Christoph Schetky (1737-1824), Joseph Reinagle (1752-1825) And John Gunn (C.1765-1823): The Development Of The Cello In Provincial Britain, Margaret Doris

Doctoral

This dissertation provides an investigation of British provincial cello playing in the lateeighteenth and early-nineteenth centuries through a comprehensive examination of the biographical histories and the pedagogical outputs of the cellists and cello treatise authors, Johann Georg Christoph Schetky (1737–1824), Joseph Reinagle (1752–1825) and John Gunn (c.1765–1823). Through re-evaluation and analysis of the biographical profiles of Schetky, Reinagle and Gunn, in combination with a contextual review of their cello treatises, a provincial trend in British cello treatise authorship has been revealed. Schetky was principal cellist with the Edinburgh Musical Society [EMS], whilst Reinagle was principal cellist of the Oxford Musical …

Pre-Service Primary Teachers' Experiences And Self-Efficacy To Teach Music: Are They Ready?, Geoffrey M. Lowe, Geoff W. Lummis, Julia Morris

Research outputs 2014 to 2021

Music is essential in developing the young brain, particularly skills relating to concentration, filtering, information retrieval, verbal competencies, mental visualisation, problem solving, empathy and personal expression. With the introduction of the Australian National Curriculum and its adoption as the basis of the Western Australian P-10 music syllabus, there is cause to reflect on the effectiveness of music provision within teacher education courses and pre-service generalist teachers' abilities to deliver the new music syllabus. Accordingly, a mixed method study was conducted with first and fourth year Bachelor of Education primary students at a Western Australian university, to investigate students' music experiences …

Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos

Scripps Senior Theses

Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.