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Articles 991 - 1020 of 1349
Full-Text Articles in Music
Marshall University Music Department Presents A Concert Of Soloists Competition, February 5, 2012, Henning Vauth
Marshall University Music Department Presents A Concert Of Soloists Competition, February 5, 2012, Henning Vauth
All Performances
No abstract provided.
Richard Becker, Piano, Department Of Music, University Of Richmond
Richard Becker, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Junior Recital: Nathan Seals, Euphonium; February 4, 2012, Nathan Seals
Junior Recital: Nathan Seals, Euphonium; February 4, 2012, Nathan Seals
School of Music Programs
Kemp Recital Hall
February 4, 2012
Saturday Evening
6:00 p.m.
2011-2012 Elmar Oliveira In Recital, Elmar Oliveira, Tao Lin
2011-2012 Elmar Oliveira In Recital, Elmar Oliveira, Tao Lin
Faculty Recitals
No abstract provided.
Philip Brisson, Organ, February 3, 2012 [Program], University Of Northern Iowa. School Of Music.
Philip Brisson, Organ, February 3, 2012 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
2011-2012 Concert And Friendship Tea, Friends Of The Consevatory, Svetlana Kosakovskaya, Delcho Tenev, Matthew Davies, Aziz Sapaev, Anastasiya Timofeeva, Marina Lenau, Darren Matias, Dotan Nitzberg, Ann Fontanella, Jesse Yukimura, Jenna Mccreery
2011-2012 Concert And Friendship Tea, Friends Of The Consevatory, Svetlana Kosakovskaya, Delcho Tenev, Matthew Davies, Aziz Sapaev, Anastasiya Timofeeva, Marina Lenau, Darren Matias, Dotan Nitzberg, Ann Fontanella, Jesse Yukimura, Jenna Mccreery
Friends of the Conservatory Events
No abstract provided.
Marshall University Music Department Presents The 43rd Annual Jazz Fesitval, February 2-4, 2012, Ed Bingham
Marshall University Music Department Presents The 43rd Annual Jazz Fesitval, February 2-4, 2012, Ed Bingham
All Performances
No abstract provided.
Cox, Linda Walker (Fa 63), Manuscripts & Folklife Archives
Cox, Linda Walker (Fa 63), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 63. “Is This A Playback?” A project documenting bluegrass, country, and gospel music being performed at Ray Walker’s Allen County home. Music was collected during a session with several participating musicians. The items were collected by Linda Cox for a folk studies class at Western Kentucky University.
Artist In Residence, Kumaran Arul
Artist In Residence, Kumaran Arul
Faculty Recitals
Program listing performers and works performed
Illinois State University Concerto-Aria Finals Competition, February 2, 2012, School Of Music
Illinois State University Concerto-Aria Finals Competition, February 2, 2012, School Of Music
School of Music Programs
Center for the Performing Arts
February 2, 2012
Tuesday Evening
7:00 p.m.
School Of Music Faculty/Staff Newsletter, February 2012, School Of Music
School Of Music Faculty/Staff Newsletter, February 2012, School Of Music
School of Music Faculty/Staff Newsletter
Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.
2011-2012 Scholarship Fund Concert At Royal Palm Yacht & Club, Friends Of The Consevatory, Andrew Angelin, Delcho Tenev, Anastasiya Timofeeva, Darren Matias, Marina Lenau, Matthew Davies, Daniel Leon, Raul Rodriguez, Jenna Mccreery
2011-2012 Scholarship Fund Concert At Royal Palm Yacht & Club, Friends Of The Consevatory, Andrew Angelin, Delcho Tenev, Anastasiya Timofeeva, Darren Matias, Marina Lenau, Matthew Davies, Daniel Leon, Raul Rodriguez, Jenna Mccreery
Friends of the Conservatory Events
No abstract provided.
The Bristol Sessions: A Memorable Marriage Of Tradition And Technology, Ted Olson
The Bristol Sessions: A Memorable Marriage Of Tradition And Technology, Ted Olson
ETSU Faculty Works
Excerpt: Transcribed from a time-less song recorded in August 1927 by the Carter Family, the above lyrics (and their accompanying, memorably lilting melody) have moved millions of people worldwide.
2011-2012 Performance Forum - February 1, 2012, Roman Yearian, Wynton Grant, Roberto Henriquez, Natalie Ardasevova, Jie Ren, Maria Lyapkova, Claire Chiu
2011-2012 Performance Forum - February 1, 2012, Roman Yearian, Wynton Grant, Roberto Henriquez, Natalie Ardasevova, Jie Ren, Maria Lyapkova, Claire Chiu
Performance Forum
No abstract provided.
Las Vegas Academy Jazz Band Iii: A Celebration Of Black History Month, Patrick Bowen, Marlena Shaw, The Cunninghams, Carmen Woodruff, David L. Loeb, Nathan Tanouye
Las Vegas Academy Jazz Band Iii: A Celebration Of Black History Month, Patrick Bowen, Marlena Shaw, The Cunninghams, Carmen Woodruff, David L. Loeb, Nathan Tanouye
Jazz Ensembles
Program listing performers and works performed.
Correspondence: June 23, 2010, Roland Jackson
Correspondence: June 23, 2010, Roland Jackson
Performance Practice Review
The recent article by Dorottya Fabian and Eitan Ornoy, “Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach” (PPR 2009)—which considers mainly the twentieth-century violinists Heifetz and Milstein (with reference as well to Szigeti, Menuhin, and others)—is unusual in that it generally avoids any discussion of Bach’s original performance practice. As the authors state at the outset, “when studying the performances, we are not concerned primarily with how they may relate to historically-informed performance and Bach’s intentions or presumed intentions.” In this they depart from all the studies that have appeared thus far in PPR from …
Correspondence: February 16, 2009, Ross W. Duffin
Correspondence: February 16, 2009, Ross W. Duffin
Performance Practice Review
Duffin responds to Rasch's review of his 2006 book.
"After The Golden Age: Romantic Pianism And Modern Performance" By Kenneth Hamilton, Robert Winter
"After The Golden Age: Romantic Pianism And Modern Performance" By Kenneth Hamilton, Robert Winter
Performance Practice Review
Winter reviews and critiques Hamilton's work.
"Interpreting Mozart: The Performance Practice Of His Piano Pieces And Other Compositions" By Eva Badura-Skoda And Paul Badura-Skoda, Andrew Willis
"Interpreting Mozart: The Performance Practice Of His Piano Pieces And Other Compositions" By Eva Badura-Skoda And Paul Badura-Skoda, Andrew Willis
Performance Practice Review
Willis reviews and critiques Eva and Paul Badura-Skoda's 2009.
"Trills In The Bach Cello Suites" By Jerome Carrington, Marc Vanscheeuwijck
"Trills In The Bach Cello Suites" By Jerome Carrington, Marc Vanscheeuwijck
Performance Practice Review
Vanscheeuwijck reviews and critiques Carrington's work.
"Mendelssohn In Performance" By Siegwart Reichwald, David Montgomery
"Mendelssohn In Performance" By Siegwart Reichwald, David Montgomery
Performance Practice Review
Montgomery reviews and critiques Reichwald's work.
"The Rosary Cantoral: Ritual And Social Design In A Chantbook From Early Renaissance Toledo" By Lorenzo Candelaria, Kenneth Kreitner
"The Rosary Cantoral: Ritual And Social Design In A Chantbook From Early Renaissance Toledo" By Lorenzo Candelaria, Kenneth Kreitner
Performance Practice Review
Kreitner reviews and critiques Candelaria's book.
"Performance Practice: Issues And Approaches" By Thomas Watkins, Roland Jackson
"Performance Practice: Issues And Approaches" By Thomas Watkins, Roland Jackson
Performance Practice Review
Jackson discusses and critiques Watkin's book.
"Changing The Score: Arias, Prima Donnas, And The Authority Of Performance" By Hilary Poriss, Charles S. Brauner
"Changing The Score: Arias, Prima Donnas, And The Authority Of Performance" By Hilary Poriss, Charles S. Brauner
Performance Practice Review
Brauner discusses and critiques Poriss' book.
Some Misconceptions About The Baroque Violin, Stewart Pollens
Some Misconceptions About The Baroque Violin, Stewart Pollens
Performance Practice Review
Much has been written about the baroque violin, yet many misconceptions remain most notably that up to around 1750 their necks were universally shorter and not angled back as they are today, that the string angle over the bridge was considerably flatter, and that strings were narrower gauge and under lower tension...
What Can The Organ Partitura To Tomás Luis De Victoria’S Missae, Magnificat, Motecta, Psalmi Et Alia Quam Plurima Of 1600 Tell Us About Performance Practice?, Noel O'Regan
Performance Practice Review
Article written by Noel O'Regan
Realizing The Continuo In Monteverdi's Lamento Della Ninfa And Its Implications For Early-Seventeenth-Century Italian Continuo Practice, Roland Jackson
Realizing The Continuo In Monteverdi's Lamento Della Ninfa And Its Implications For Early-Seventeenth-Century Italian Continuo Practice, Roland Jackson
Performance Practice Review
Monteverdi’s “Amor, dicea” (Lamento della ninfa), appearing in his Eighth Book of Madrigals published in 1638, is regarded as among his most emotionally moving works, Denis Arnold (for one) calling it “unforgettable” and “almost unbearably intense.” Nonetheless, our full sense of it and of its expressive potential, remains uncertain in that its accompaniment has come down to us in incomplete form, consisting of but a single bass line on a descending fourth, A – G – F – E, repeated throughout. How this line is to be interpreted has not been agreed upon among scholars or performers, despite its critical …
Identity In Violin Playing On Records: Interpretation Profiles In Recordings Of Solo Bach By Early Twentiety-Century Violinists, Dorottya Fabian, Eitan Ornoy
Identity In Violin Playing On Records: Interpretation Profiles In Recordings Of Solo Bach By Early Twentiety-Century Violinists, Dorottya Fabian, Eitan Ornoy
Performance Practice Review
Performance studies relying on sound recordings as evidence have often focused on establishing trends and traditions in various periods and repertoire. So far little attention has been paid to individual artistic profiles and idiosyncratic expression. Yet if performance is as significant as the notated work, as has often been argued, musicologists must be able to show what identifies a particularly famous interpreter just as they can state what characterizes the works of a prominent composer. This paper investigates the individual differences between two famous violinists. The solo Bach recordings of Nathan Milstein and Jascha Heifetz - two of Leopold Auer's …
The Violin Concerto Soloist’S Orchestral Role, From Mozart To Beethoven, Carey Campbell
The Violin Concerto Soloist’S Orchestral Role, From Mozart To Beethoven, Carey Campbell
Performance Practice Review
The relationship between soloist and orchestra is central to the way many listeners, scholars, and performers understand the concerto. In particular, the juxtaposition of solo and tutti sections often guides our perceptions of form, dialogue, and meaning for the genre. Some regard the soloist and orchestra as conceptually separate entities, and this is reflected onstage in most modern performances by the physical separation of soloist and orchestra, whose interactions are mediated by a non-playing conductor. This strict division between soloist, orchestral player, and leader was not necessarily what late eighteenth- and early nineteenth-century composers had in mind. The bulk of …
Improvisation In Sixteenth-Century Italy: Lessons From Rhetoric And Jazz, John Bass
Improvisation In Sixteenth-Century Italy: Lessons From Rhetoric And Jazz, John Bass
Performance Practice Review
Saying that embellishment was a big deal for sixteenth-century musicians is hardly a bold move; evidence abounds in treatises, music collections, and written accounts from the time. It has also been the subject of a fair amount of keen musicological scholarship over the years. But making sense out of what musicians of the time actually did in performance and trying to reproduce it today has proven to be more difficult, mainly because improvisers, by nature, do not tend to record what they do. The modern prevailing view seems to be that ornamentation was important, mainly because evidence suggests it was …