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Articles 1021 - 1050 of 1349
Full-Text Articles in Music
Correspondence: February 5, 2008, Roland Jackson
Correspondence: February 5, 2008, Roland Jackson
Performance Practice Review
Roland Jackson responds to Peter Holman's review in the 2007 volume of Performance Practice Review.
"How Equal Temperament Ruined Harmony (And Why You Should Care)" By Ross Duffin, Rudolf Rasch
"How Equal Temperament Ruined Harmony (And Why You Should Care)" By Ross Duffin, Rudolf Rasch
Performance Practice Review
Rasch discusses and critiques Duffin's book on equal temperament.
"The Clarinet" By Eric Hoeprich, Colin Lawson
"The Clarinet" By Eric Hoeprich, Colin Lawson
Performance Practice Review
Lawson discusses and critiques Hoeprich's book on the history of the clarinet.
"The End Of Early Music: A Period Performer's History Of Music For The Twenty-First Century" By Bruce Haynes, Roland Jackson
"The End Of Early Music: A Period Performer's History Of Music For The Twenty-First Century" By Bruce Haynes, Roland Jackson
Performance Practice Review
Jackson critiques and discusses Haynes' book on the history of early music performance.
"Vivaldi's Music For Flute And Recorder" By Federico Sardelli, Jane Bowers
"Vivaldi's Music For Flute And Recorder" By Federico Sardelli, Jane Bowers
Performance Practice Review
Bowers discusses and critiques Sardelli's book on Vivaldi's music for flute and recorder.
On Divided Lines: Instrumentation For Bass Parts In Corelli-Era Sonatas, Peter Walls
On Divided Lines: Instrumentation For Bass Parts In Corelli-Era Sonatas, Peter Walls
Performance Practice Review
There has been considerable debate in recent years about the appropriate treatment of bass lines in Corelli Op. 5 and other duo and ensemble sonatas of the era. This article examines the relationship between continuo parts and separate bass parts in publications that include both. It argues that the case for accepting publication formats as a guide to performance practice is weaker than has often been claimed. The inadequacy of the standard terminology (particularly ‘trio sonata’) for Italian chamber-music ensembles in this period has been much commented on. Italian practice in the 17th century was to designate pieces a 2, …
In Search Of The Eighteenth-Century “Violoncello”: Antonio Vandini And The Concertos For Viola By Tartini, Marc Vanscheeuwijck
In Search Of The Eighteenth-Century “Violoncello”: Antonio Vandini And The Concertos For Viola By Tartini, Marc Vanscheeuwijck
Performance Practice Review
In this rarely-quoted excerpt, Johann Philipp Eisel obviously paraphrases Johann Mattheson’s definition of the violoncello in Das Neu-eröffnete Orchestre. It is yet another description that does not conform precisely to our early twenty-first century historical construct of the “baroque” cello. In the past not much attention has been given to such descriptions, considered to be too deviant from the general understanding of what a cello was supposed to be: five or six strings were not considered to represent the “normal” cello, and the viola da spalla was considered a different instrument altogether. However, recent research has finally taken such descriptions …
How One Learned To Ornament In Late Sixteenth-Century Italy, Timothy J. Mcgee
How One Learned To Ornament In Late Sixteenth-Century Italy, Timothy J. Mcgee
Performance Practice Review
Several of the sixteenth-century ornamentation manuals state that they are self-sufficient tutors; that instrumentalists and vocalists could learn the skill without further assistance from a teacher. While this may have been possible for one type of ornamentation, it did not hold true for the newer, dramatic, Neapolitan style of ornamentation that was heavily based on rhetorical models, and which needed careful guidance from an experienced teacher (Author).
Bach's Tempo Ordinario: A Plaine And Easie Introduction To The System, Robert Marshall
Bach's Tempo Ordinario: A Plaine And Easie Introduction To The System, Robert Marshall
Performance Practice Review
The initial impetus for this inquiry came from a question posed by Arthur Mendel during a coffee break in a Bach seminar some thirty years ago. Why, he asked, did Bach notate the last movement of the fifth Brandenburg Concerto in two-four time, with triplets rather than in six-eight time?...
"Attractively Packaged But Unripe Fruit"; The Uk's Commercialization Of Musical History In The 1980s, Colin Lawson
"Attractively Packaged But Unripe Fruit"; The Uk's Commercialization Of Musical History In The 1980s, Colin Lawson
Performance Practice Review
The decade from 1980 proved to be truly significant in the development of historical performance, as recreations of post-Baroque repertory gradually became the norm. At its close, three complete cycles of Beethoven Symphonies had been recorded on “period” instruments, implicitly demonstrating the complexity of the spectrum between practical expediency and historical accuracy. By 1991, Clive Brown was issuing a timely warning that the pedigree of many of the instruments on these recordings was of doubtful authenticity. The commercially-motivated rush to push period-instrument performance ever more rapidly into the nineteenth century did not offer much hope for the consolidation of historical …
A Correctly-Attributed Fake, Bruce Haynes
A Correctly-Attributed Fake, Bruce Haynes
Performance Practice Review
A few years ago, a harpsichord ascribed to Nicholas Lefébure and dated 1755 appeared on the scene. Although it was enthusiastically received, there was a problem with this instrument. It seems its attribution was incorrect; in fact, by some two and a half centuries. Shortly afterwards, its real maker, Martin Skowroneck, published an amusing and sensational article in which he described how he had created an instrument that was so stylistically convincing that harpsichord restorers didn’t hesitate to call it an original...
Consequentialism About Historical Authenticity, Aron Edidin
Consequentialism About Historical Authenticity, Aron Edidin
Performance Practice Review
The historical authenticity movement arrived on a wave of polemical prose, and was met by a similarly energetic polemical response. The controversy has persisted to the present day.
The Antebellum "Piano Girl" In The American South, Candace Bailey
The Antebellum "Piano Girl" In The American South, Candace Bailey
Performance Practice Review
Throughout the nineteenth century, the education of young gentlewomen almost always included music lessons, with piano lessons being the most frequently recommended. The social context for these young women pianists, “piano girls,” has been described in several modern works, particularly since Arthur Loesser’s seminal work Men, Women, and Pianos: A Social History.1 In the 1980s, Judith Tick made the term “piano girl” a familiar one in musicological studies, and since that time the idea of the piano girl and her role in society has been explored by others.2 Most of these studies describe the social phenomenon of the piano girl, …
2011-2012 Master Of Music Recital - Fabian Alvarez (Flute), Fabian Alvarez, Agnieszka Sornek, Noemi Rivera
2011-2012 Master Of Music Recital - Fabian Alvarez (Flute), Fabian Alvarez, Agnieszka Sornek, Noemi Rivera
Master of Music Recitals
No abstract provided.
Faculty Recital: David Gresham, Clarinet; January 31, 2012, David Gresham
Faculty Recital: David Gresham, Clarinet; January 31, 2012, David Gresham
School of Music Programs
Kemp Recital Hall
January 31, 2012
Tuesday Evening
8:00 p.m.
Faculty Artist Showcase, January 31, 2012 [Program], University Of Northern Iowa. School Of Music.
Faculty Artist Showcase, January 31, 2012 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Nextet, Virko Baley, Roshanne Etezady
Nextet, Virko Baley, Roshanne Etezady
Chamber Music Programs
Program listing performers and works performed
Uconn Opera Guild Newsletter Spring 2012, Janet Zimmerman, Uconn Opera Guild
Uconn Opera Guild Newsletter Spring 2012, Janet Zimmerman, Uconn Opera Guild
Vocal Studies Program
UConn Vocal Studies' biannual Opera Guild newsletter. This edition covers the spring production of Jacques Offenbach's The Grand Duchess of Gerolstein, Dr. Rock's welcome letter and the calendar of events.
Recital: Jury Recognition, January 30, 2012, School Of Music
Recital: Jury Recognition, January 30, 2012, School Of Music
School of Music Programs
Kemp Recital Hall
January 30, 2012
Monday Evening
8:00 p.m.
Lisa Terry, Viola Da Gamba, Department Of Music, University Of Richmond
Lisa Terry, Viola Da Gamba, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Marshall University Department Of Music Presents A Faculty Recital Michael Stroeher, Michael Stroeher, Henning Vauth Dr.
Marshall University Department Of Music Presents A Faculty Recital Michael Stroeher, Michael Stroeher, Henning Vauth Dr.
All Performances
No abstract provided.
Business Plan For A Benefit Concert, Adam Rosenthal
Business Plan For A Benefit Concert, Adam Rosenthal
Whittier Scholars Program
My main focus in creating this business plan is to map out how to run a schedule of operations. This is the type of business plan that a benefit calls for, instead of creating a business plan for the creation of a new business or venture. My main objective in creating this business plan for a benefit concert is to be able to create something tangible that I can share, as well as share the real world knowledge that I have gained in researching, and putting together this business plan. With this project I have gained real music industry knowledge …
Strahm, Franz Joseph, 1867-1941 (Sc 258), Manuscripts & Folklife Archives
Strahm, Franz Joseph, 1867-1941 (Sc 258), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid and scan (Click on "additional files" below) for Mansucripts Small Collection 258. Letter written by Franz Joseph Strahm, music department faculty member, Western Kentucky State Teachers College, Bowling Green, Kentucky, to Mrs. Joe Bryant Helm, Smiths Grove, Warren County, Kentucky, declining an opportunity to play the piano in Louisville owing to his ill health.
Watkins, Dianne (Winkler), 1941-2024 (Fa 55), Manuscripts & Folklife Archives
Watkins, Dianne (Winkler), 1941-2024 (Fa 55), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 55. “Those Old Calliopes,” a paper and interview by Dianne Watkins executed for a folk studies class at Western Kentucky University. Includes recording of calliopes and other related materials.
Faculty Recital, Linda Lister, Karen J. Mccann, Demytro Nehrych, Mert Sermet
Faculty Recital, Linda Lister, Karen J. Mccann, Demytro Nehrych, Mert Sermet
Faculty Recitals
Program listing performers and works performed
Ricardo Rapoport, Bassoon, January 26, 2012 [Program], University Of Northern Iowa. School Of Music.
Ricardo Rapoport, Bassoon, January 26, 2012 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Faculty Recital, Stephen Caplan
Faculty Recital, Stephen Caplan
Faculty Recitals
Program listing performers and works performed
2011-2012 Performance Forum - January 25, 2012, Chien-I Yang, Derek Mitchell, Zhou Jiang
2011-2012 Performance Forum - January 25, 2012, Chien-I Yang, Derek Mitchell, Zhou Jiang
Performance Forum
No abstract provided.
Honors Convocation, Jorge Machaim, Josh Williams, Charlie Gott, Dumitru Cernei, Zhu Sun, Christopher Fujiwara, Jae Ahn-Benton, Garrison Gillham, Jennifer Iles, Dmytro Nehrych, Nathan Van Arsdale, Daniel Hunter Jr., Nick Schmitt, Austin Pouley, Jason Corpuz, Eugenie Burkett, Albina Asyran, Karen Mccann
Honors Convocation, Jorge Machaim, Josh Williams, Charlie Gott, Dumitru Cernei, Zhu Sun, Christopher Fujiwara, Jae Ahn-Benton, Garrison Gillham, Jennifer Iles, Dmytro Nehrych, Nathan Van Arsdale, Daniel Hunter Jr., Nick Schmitt, Austin Pouley, Jason Corpuz, Eugenie Burkett, Albina Asyran, Karen Mccann
Convocations
Program listing performers and works performed
Master Recital, Otto Ehling, Jeff Davis, Colin Woodford
Master Recital, Otto Ehling, Jeff Davis, Colin Woodford
Graduate Student Recitals
Program listing performers and works performed