Music Commons^™

The Leap From Playing To Performing: Representing The Composer And Performer In Classical Music Performance, Rachel A. Price

Honors Program Theses

The effect of a great musical performance defies description. It is brilliant and memorable, a unique and influential moment in time. But how does a musician achieve this level of performance? What is it that makes any performance special? There are no simple answers, but as musicians we are constantly exploring, trying to find some answers through trial and error. It is this exploration, and the lessons we learn along the way, that make music meaningful and unique to each performer.

The life of a musician would be much easier if one could answer the question, "How does one perform …

A Study Of Harmony And Form In J. S. Bach's Sonata In G Minor For Solo Violin Bwv 1001, Rebecca Leigh Homard

Honors Program Theses

My thesis project combines a traditional research subject with a creative element. My desired project was to create a study accompaniment for the Sonata in G minor by J. S. Bach (see Appendix 1 ), with the written research portion providing the justification for the creation of that accompaniment. I chose this project for several reasons. J. S. Bach is a favorite composer of mine, and I love playing his works on both the violin and the viola. Partially because of my love for his music, I feel like I am on my way to having a fairly firm understanding …

New Indeterminate Music: The Influence Of The Cagean Trajectory In The Importance Of Being Earmarked, Brett Philip Murray

Theses : Honours

This paper explores the influence of John Cage (1912-1992) on contemporary experimental music focusing on the indeterminate work The Importance of Being Earmarked (2008). Firstly through an investigation of selected works from Cage (written between the 1930s- 1960's) and the concepts that form a Cagean trajectory, and secondly by showing how a contemporary composer has adopted this trajectory in the composition of a new work that combines sound-installation, theatre, and Max/MSP programming.

Tonalidad, Tradición, Y El Sabor Del Son Cubano, Peter L. Manuel

Publications and Research

A discussion of dual tonicity in Cuban popular music.

Fela Anikulapo-Kuti, Monica Berger

Publications and Research

No abstract provided.

The Consensual Assessment Technique As A Measure Of Creativity In Children's Musical Compositions Motivated By Visual And Verbal Stimuli, Katie Elizabeth Toups

LSU Master's Theses

ABSTRACT The purposes of this study were: 1) To compare the relationship between the degrees of creativity shown in musical compositions of third grade students (N=163) when they were exposed to either a visual or verbal stimulus, and 2) to examine inter-judge reliability for creativity ratings using the Consensual Assessment Technique (CAT) with instrumental group compositions. Throughout a nine-week teaching unit, all subjects participated in regular music classes where they learned compositional techniques and concepts. They worked in small cooperative learning groups of 3 to 6 students throughout the unit to compose several “mini” compositions and two large-scale compositions. For …

"Shui Diao Ge Tou" From Poems Of The Sung Dynasty, Wennan Wang

LSU Master's Theses

“Shui Diao Ge Tou” from Poems of the Sung Dynasty is a piece for full orchestra. It was suggested by two poems of Su Dong Po. One is “Shui Diao Ge Tou”. The other one is “Jiang Chen Zi”. No movement of this piece has a fixed form, but the whole piece takes on the arch structure. The musical development is analogous to the texts of the poems, and the whole piece is controlled by two principal themes. They can first be found at measures 6 and 15. The materials of this work are drawn from the old traditional Chinese …

The Mise En Scène Of Rossini's Le Siège De Corinthe And The Conventions Of Staging At The Paris Opéra In The 1820s, Tina Huettenrauch

LSU Master's Theses

Shortly before 1800, the publication of livrets de mise en scène, short manuals including information regarding costumes, set designs, and blocking (i.e., the movement of characters on stage), became increasingly popular in France. While theater scholars (Gösta M. Bergman, Marvin Carlson, Hellmuth Christian Wolff) have recognized the value of these documents for the history of staging (and blocking in particular), musicologists have tended to focus on their impact on visual aspects and realization of drama. Those who have looked at staging (H. Robert Cohen, Rebecca S. Wilberg, M. Elizabeth C. Bartlet) have largely ignored the period prior to 1827, …

Night, Nick Hwang

LSU Master's Theses

Night is a work in 2 movements, each depicting different aspects or qualities of night. Several instruments are given solo roles to depict the many parts of a night, from the wind, stars, moon, and the individual observing the night. The first movement, an introduction and prelude, brings forth elements of the overwork. These elements are later developed in the later movements. The second movement uses the solo clarinet as a character trying to escape an enveloping night. The dissonance and darkness seem overwhelming at points and pushing the clamorous clarinet to its extremes.

Toward A General Theory Of Polymeter: Polymetric Potential And Realization In Elliott Carter's Solo And Chamber Instrumental Works After 1980, Ève Poudrier

Dissertations, Theses, and Capstone Projects

This dissertation proposes a conceptual framework and tools for the analysis of polymeter in contemporary musical practices applied to the short instrumental works of Elliott Carter, where multiple temporalities have been identified as an essential aesthetic component. Three works are discussed in more detail: Changes for guitar (1983), Esprit rude/Esprit doux I for flute and clarinet (1985), and 90+ for piano (1994). The composer's use of metrical modulations and structural polyrhythms is re-evaluated in the context of a theory of polymeter. Structural polyrhythms are represented by means of proximity charts, and Carter's compositional strategies are explored, including rhetorical use of …

Talking Heads, Monica Berger

Publications and Research

No abstract provided.

Mc5 (Motor City Five) And John Sinclair, Monica Berger

Publications and Research

No abstract provided.

Scholarly Monographs On Rock Music: A Bibliographic Essay, Monica Berger

Publications and Research

Purpose This article is an overview of scholarly monographs on rock music from 1980 to the present. It provides an overview to the literature for practical purposes of collections development as well as giving the reader insight into key issues and trends related to a interdisciplinary topic that attracts scholars from many disciplines in the humanities and social sciences.

Design/methodology/approach This bibliographic essay, focusing on works related to American culture and of a general nature, includes an overview and historical background; a discussion of how music and ethnomusiciological scholars approach the topic; geographic approaches; literature on four key icons (Elvis, …

A Master’S Recital In Viola, Denis Kalinnikov

Dissertations and Theses @ UNI

Denis Kalinnikov, violist, presented his graduate recital at 6:00 p.m. on April 1, 2008 in Jebe Hall of the Gallagher-Bluedorn Performing Arts Center in Cedar Falls, Iowa. The recital was presented in partial fulfillment of the Master of Music degree in Viola Perfom1ance. The program consisted of J.S. Bach's Suite in C Minor for Cello Solo (arranged for viola), BWV 1011, P. Hindemith's Sonata for Viola and Piano op. 25 No. 4, and W.A. Mozart's Sinfonia Concertante in E-flat major for Violin, Viola and Orchestra (K. 364). University of Northern Iowa undergraduate student Joel Waggoner performed the violin part for …