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2008

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Articles 871 - 900 of 1003

Full-Text Articles in Music

Concert Programs 2008-2009, University Of Arkansas, Fayetteville. Department Of Music Jan 2008

Concert Programs 2008-2009, University Of Arkansas, Fayetteville. Department Of Music

Concert Recordings & Programs

This is the annual compilation of music programs from the Department of Music for the time period indicated


Concert Recording 2008-04-02, Emily Lutz, S. Michael Shuman Jan 2008

Concert Recording 2008-04-02, Emily Lutz, S. Michael Shuman

Concert Recordings & Programs

Auch Kleine Dinge / Hugo Wolf


Concert Recording 2008-04-24, Brian Glass, Kristin Harwell Jan 2008

Concert Recording 2008-04-24, Brian Glass, Kristin Harwell

Concert Recordings & Programs

Sonata seconda / Giovanni Buonaventura Viviani -- Concert in E♭ Major, hob.:VII e, 1 / Franz Joseph Haydn -- Caprice / Joseph Turrin -- Sonata for trumpet and piano / George Carl Johann Antheil -- Nightsongs / Richard Peaslee


Concert Recording 2008-04-27, Brian Sours Jan 2008

Concert Recording 2008-04-27, Brian Sours

Concert Recordings & Programs

Suite for tuba & piano / Vaclav Nelhybel -- Introduction & dance / J.E. Barat -- Six studies in English folk song / Ralph Vaughan Williams -- Sonata no. 5 / Benedetto Marcello -- Concerto in one movement / Alexej Lebedov ; ed. Allen Ostrander


Concert Recording 2008-04-13a, Oliver Molina, Jennifer Cunningham, Claudia Burson Jan 2008

Concert Recording 2008-04-13a, Oliver Molina, Jennifer Cunningham, Claudia Burson

Concert Recordings & Programs

Eight pieces / Elliott Carter -- Marriage of the lamb / Kevin Bobo -- Garage drummer / James Campbell -- Prism / Keiko Abe -- Fabian theory / Nigel Westlake -- The downfall of Paris / Traditional -- Mr. Hi Hat / Papa Jo Jones -- Children's Songs / Chick Corea ; arr. Oliver Molina -- A night in Tunisia / Dizzy Gillespie ; arr. Jeff Hamilton -- Sonata k20 / Domenico Scarlatti ; arr. Oliver Molina


Concert Recording 2008-04-27b, Christopher Davis Jan 2008

Concert Recording 2008-04-27b, Christopher Davis

Concert Recordings & Programs

Sonata no. 26 in E♭ Major "les adieux", op. 81a / Ludwig van Beethoven -- Four pieces for piano, op. 119 / Johannes Brahms -- The well-tempered clavier, book II. Prelude and fugue no. 23 in B Major, bwv 892 / Johann Sebastian Bach -- Images, book II, l. 111 / Claude Debussy -- Fantaisie in b minor, op. 28 / Alexander Scriabin


Gretsch Drum Catalog, 2008, Gretsch Company Jan 2008

Gretsch Drum Catalog, 2008, Gretsch Company

Gretsch Company Catalogs & Price Lists

This is a 2008 catalog for Gretsch drums, containing a list of drum sets, snare drums, hardware and accessories. It also contains a brief history of the Gretsch company, and a list of prominent musicians that have used Gretsch drums.


Gretsch News, Volume 6, Gretsch Company Jan 2008

Gretsch News, Volume 6, Gretsch Company

Gretsch Company Newsletters

This is the 125th Anniversary magazine and features a table of contents which lists: Rob Bourdon Interview, 125th Anniversary Edition, Artists in the News, New Products.


Literature And Performance Of Music For Double Bass And Tape, Jeremy C. Baguyos Jan 2008

Literature And Performance Of Music For Double Bass And Tape, Jeremy C. Baguyos

Music Faculty Publications

Electroacoustic music for double bass can be classified into the following two types of repertoire: real-time/interactive computer music or tape music. Real-time/interactive computer music is the newer of the two types and involves the algorithmic generation of electronic sounds in live performance. Pre-recorded electronic sounds are usually avoided, and instead, the sound of live input is used as the source material for electronic sounds. A computer is used for capture, processing and synthesis, and the software is usually written in the MAX/MSP environment. The second category, tape music, is the older of the two types of electroacoustic music for the …


Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser Jan 2008

Cover Songs: Ambiguity, Multivalence, Polysemy, Kurt Mosser

Philosophy Faculty Publications

The notion of a “cover song” is central to an understanding of contemporary popular music, and has certainly received its share of attention in writing about contemporary music, from the mainstream press to slightly more technical ethnomusicological studies such as “Cross-Cultural ‘Countries’: Covers, Conjuncture, and the Whiff of Nashville in Música Sertaneja (Brazilian Commercial Country Music)” (Dent, 2005). In many major U.S. cities, musicians make a living in “cover” bands, recreating the music of well-known groups such as the Beatles, the Rolling Stones, Pink Floyd, U 2, the Who, ABBA, the Dave Matthews Band, the Grateful Dead, and others. Consumers …


A Performer's Guide To Libby Larsen's: Try Me, Good King : Last Words Of The Wives Of Henry Viii, Angela R. Day Jan 2008

A Performer's Guide To Libby Larsen's: Try Me, Good King : Last Words Of The Wives Of Henry Viii, Angela R. Day

LSU Doctoral Dissertations

American composer Libby Larsen has created works in many musical genres. Larsen’s vocal music recordings have featured well-known performers such as Arleen Augér, for which Larsen won a Grammy as producer. Her vocal music employs texts from various sources including Nursery Rhymes and the Bible, as well as numerous others. Larsen works solely on commission, and in 2000 Larsen was approached by the Marilyn Horne Foundation to compose a group of songs for Metropolitan Opera competition winner, soprano Meaghan Miller. Larsen had always been interested in the wives of Henry VIII and the commission request finally gave her the opportunity …


A Symphonic Poem On Dante's Inferno And A Study On Karlheinz Stockhausen And His Effect On The Trumpet, Michael Joseph Berthelot Jan 2008

A Symphonic Poem On Dante's Inferno And A Study On Karlheinz Stockhausen And His Effect On The Trumpet, Michael Joseph Berthelot

LSU Doctoral Dissertations

The first portion of this dissertation is an original composition A Symphonic Poem on Dante’s Inferno. This symphonic poem is in three movements: I. The Dream, depicts Dante falling asleep and describes the beginning of the Inferno, II. The Journey, depicts Virgil and Dante walking towards the Gates of Hell, III. Hell’s Depths; explores Hell’s Gates, the Souls of Limbo and the Nine Circles of Hell. Dante realizes at the age of thirty-five that he has wandered into the Dark Wood of Error. As soon as he realizes his loss, Dante lifts his eyes and sees the first light, lighting …


The Roles Of Invariance And Analogy In The Linear Design Of Stravinsky’S “Musick To Heare”, David Carson Berry Jan 2008

The Roles Of Invariance And Analogy In The Linear Design Of Stravinsky’S “Musick To Heare”, David Carson Berry

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

A list of contributing author biographies


Concert Recording 2008-09-10, Jennica White, S. Michael Shuman, Garrett Jones, Claudia Burson, Leandro Bizama, Drew Osborn, Idra Green, Kristin Harwell Jan 2008

Concert Recording 2008-09-10, Jennica White, S. Michael Shuman, Garrett Jones, Claudia Burson, Leandro Bizama, Drew Osborn, Idra Green, Kristin Harwell

Concert Recordings & Programs

Un' ombra di pace / Giovanni Bononcini -- Encounters of the dreamers / Garrett A. Jones -- Aimons-nous / Camille Saint-Saens -- Le nozzi di Figaro. Non piu andrai / W.A. Mozart -- Por una cabeza / Carlos Gardel -- Summertime / George Gershwin


Sound Frames, Maira Cimbleris Jan 2008

Sound Frames, Maira Cimbleris

LSU Master's Theses

Sound Frames is a one movement piece for orchestra. Its formal structure is free. As the title demonstrates, each section of this composition is “framed” side by side with the next one. The piece is organized in a non-traditional way, with contrasting sections one being followed by another and occasionally they are recollected throughout the work. The music of the well known 20th Century composer György Ligeti was the primary inspiration for this composition, specially his “Zehn Stücke Für Bläserquintett”. One of the techniques used in the first movement of this Ligeti’s work is the disguising of the beat using …


The Mise En Scène Of Rossini's Le Siège De Corinthe And The Conventions Of Staging At The Paris Opéra In The 1820s, Tina Huettenrauch Jan 2008

The Mise En Scène Of Rossini's Le Siège De Corinthe And The Conventions Of Staging At The Paris Opéra In The 1820s, Tina Huettenrauch

LSU Master's Theses

Shortly before 1800, the publication of livrets de mise en scène, short manuals including information regarding costumes, set designs, and blocking (i.e., the movement of characters on stage), became increasingly popular in France. While theater scholars (Gösta M. Bergman, Marvin Carlson, Hellmuth Christian Wolff) have recognized the value of these documents for the history of staging (and blocking in particular), musicologists have tended to focus on their impact on visual aspects and realization of drama. Those who have looked at staging (H. Robert Cohen, Rebecca S. Wilberg, M. Elizabeth C. Bartlet) have largely ignored the period prior to 1827, …


Concert Recording 2008-11-02a, Joel Schisler, Chris Wylie, Brandon Robold, Alex Lewis Jan 2008

Concert Recording 2008-11-02a, Joel Schisler, Chris Wylie, Brandon Robold, Alex Lewis

Concert Recordings & Programs

Prelude #3 / H. Villa-Lobos -- Triste / Antonio Carlos Jobim -- Cats and kittens / Peter Erskine -- Billie's bounce / Charlie Parker -- All the things you are / Jerome Kern ; Oscar Hammerstein II -- Stompin' at the Savoy / Benny Goodman -- The chicken / Pee Wee Ellis -- Is this America? / Pat Metheny


Concert Recording 2008-11-02, Guy Wilcox, S. Michael Shuman Jan 2008

Concert Recording 2008-11-02, Guy Wilcox, S. Michael Shuman

Concert Recordings & Programs

Recit: Frondi tenere; Aria: Ombra mai fu / George F. Handel -- O del mio amato ben / Stefano Donaudy -- La stella / Saverio Mercadante -- Extase / Henri Duparc -- Plaisir d'amour / Jean Paul Egide Martini -- En fermant les yeux / Jules Massenet -- Weep you no more! / Roger Quilter -- There will be stars / John Duke -- Liederkreis, op. 39 / Robert Schumann


Concert Recording 2008-03-26, Douglas Lindsey, Lyndon Meyer, Michael Olefsky, Shelby Kifer, Joe Wilhelm, Kris Still, Michael Kuhr, Brian Glass Jan 2008

Concert Recording 2008-03-26, Douglas Lindsey, Lyndon Meyer, Michael Olefsky, Shelby Kifer, Joe Wilhelm, Kris Still, Michael Kuhr, Brian Glass

Concert Recordings & Programs

Salvum fac populum tuum / Charles-Marie Widor -- Concerto #1 / Charles Chaynes -- Divertimento / Boris Blacher -- The hollow men / Vincent Persichetti -- Sonata for trumpet and piano / Paul Hindemith


Concert Recording 2008-12-01, Mark Henderson, Mark Henderson, Stephanie Richardson, Emily Nelson, Kelly Henderson, Kalyn Cavalier, Caleb Pond, Katie Kennan, Luz Delpilar, Jordan Moore, Brendan Darcy, Carissa Porter, Buffy Trent, Megan Mills, Sarah Penn, Taylor Sitzman, C. J. Morris, Clay Parkhurst, Bronwen Dassing, Stephanie Kulesza, Patrick Moore, S. Michael Shuman, Patrick Oliverio, Joseph Pullara, Joe Wilhelm, Andrew Moffett, Aaron Nolley, Stephen Sisemore, Chad Kelsey, Jayme Spicer, Eddie Hale, Barrett Barker Jan 2008

Concert Recording 2008-12-01, Mark Henderson, Mark Henderson, Stephanie Richardson, Emily Nelson, Kelly Henderson, Kalyn Cavalier, Caleb Pond, Katie Kennan, Luz Delpilar, Jordan Moore, Brendan Darcy, Carissa Porter, Buffy Trent, Megan Mills, Sarah Penn, Taylor Sitzman, C. J. Morris, Clay Parkhurst, Bronwen Dassing, Stephanie Kulesza, Patrick Moore, S. Michael Shuman, Patrick Oliverio, Joseph Pullara, Joe Wilhelm, Andrew Moffett, Aaron Nolley, Stephen Sisemore, Chad Kelsey, Jayme Spicer, Eddie Hale, Barrett Barker

Concert Recordings & Programs

Daily life (2005) ; Variations on a theme for her (2007) ; Illuminated darkness (2006) ; In a time of prayer and hope (2008) ; The trick (2006) ; Restless nights (2007) / Mark Henderson


Night, Nick Hwang Jan 2008

Night, Nick Hwang

LSU Master's Theses

Night is a work in 2 movements, each depicting different aspects or qualities of night. Several instruments are given solo roles to depict the many parts of a night, from the wind, stars, moon, and the individual observing the night. The first movement, an introduction and prelude, brings forth elements of the overwork. These elements are later developed in the later movements. The second movement uses the solo clarinet as a character trying to escape an enveloping night. The dissonance and darkness seem overwhelming at points and pushing the clamorous clarinet to its extremes.


The Consensual Assessment Technique As A Measure Of Creativity In Children's Musical Compositions Motivated By Visual And Verbal Stimuli, Katie Elizabeth Toups Jan 2008

The Consensual Assessment Technique As A Measure Of Creativity In Children's Musical Compositions Motivated By Visual And Verbal Stimuli, Katie Elizabeth Toups

LSU Master's Theses

ABSTRACT The purposes of this study were: 1) To compare the relationship between the degrees of creativity shown in musical compositions of third grade students (N=163) when they were exposed to either a visual or verbal stimulus, and 2) to examine inter-judge reliability for creativity ratings using the Consensual Assessment Technique (CAT) with instrumental group compositions. Throughout a nine-week teaching unit, all subjects participated in regular music classes where they learned compositional techniques and concepts. They worked in small cooperative learning groups of 3 to 6 students throughout the unit to compose several “mini” compositions and two large-scale compositions. For …


Concert Recording 2008-11-21, Nattapon Banjatammanon, Paige Grilliot, Kristin Harwell, Mary Phillips, Catalina Ortega, Pilar Navarrete, Kalyn Cavalier, Sarah Manasreh, Amy Mayes, Stephanie Skahan, Rachel Aubert, Jessica Warr, Leora Weeden, Sandy Nieves, Jessica Oakley, Luz Delpilar, Jill Picardi, Nick Smith, Jordan Moore Jan 2008

Concert Recording 2008-11-21, Nattapon Banjatammanon, Paige Grilliot, Kristin Harwell, Mary Phillips, Catalina Ortega, Pilar Navarrete, Kalyn Cavalier, Sarah Manasreh, Amy Mayes, Stephanie Skahan, Rachel Aubert, Jessica Warr, Leora Weeden, Sandy Nieves, Jessica Oakley, Luz Delpilar, Jill Picardi, Nick Smith, Jordan Moore

Concert Recordings & Programs

Der Hirt auf dem Felsen (Shepherd on the rock) / Franz Schubert -- Suite for clarinet, violin and piano op. 157b / Darius Milhaud -- Choros no. 2 for flute and clarinet / Heitor Villa-Lobos -- Sonata for clarinet and bassoon / Francis Poulenc -- Rikudim (four Israeli folkdances) for clarinet choir / Jan Van der Roost ; Arr. Maarten Jense


"Shui Diao Ge Tou" From Poems Of The Sung Dynasty, Wennan Wang Jan 2008

"Shui Diao Ge Tou" From Poems Of The Sung Dynasty, Wennan Wang

LSU Master's Theses

“Shui Diao Ge Tou” from Poems of the Sung Dynasty is a piece for full orchestra. It was suggested by two poems of Su Dong Po. One is “Shui Diao Ge Tou”. The other one is “Jiang Chen Zi”. No movement of this piece has a fixed form, but the whole piece takes on the arch structure. The musical development is analogous to the texts of the poems, and the whole piece is controlled by two principal themes. They can first be found at measures 6 and 15. The materials of this work are drawn from the old traditional Chinese …


Concert Recording 2008-04-23, Debbie Aulerich, Tracy Hone, Justin Schilb, Sara Tucker, Mindy Williams, Christopher Davis, Roger Anderson Jan 2008

Concert Recording 2008-04-23, Debbie Aulerich, Tracy Hone, Justin Schilb, Sara Tucker, Mindy Williams, Christopher Davis, Roger Anderson

Concert Recordings & Programs

Rhapsody for euphonium / James Curnow -- Geographic fugue / Ernest Toch -- Partita no. 3 / J.S. Bach -- When I am laid in earth / Henry Purcell -- Concerto for clarinet / Bernhard Crusell -- Soliloquy / John Work


Concert Recording 2008-12-03, Fonda Laughlin, Olga Greenhut, Mindy Williams, Amy Mayes, Jeannie Lee, Matt Beach Jan 2008

Concert Recording 2008-12-03, Fonda Laughlin, Olga Greenhut, Mindy Williams, Amy Mayes, Jeannie Lee, Matt Beach

Concert Recordings & Programs

Soliloquy / John W. Work -- Rhapsody for clarinet / Wilson Osborne -- Sonate g-moll opus 22 / Robert Schumann -- Concerto no. 1 in f minor / Carl von Weber -- A day in the city / H.J. Buss


166 Years Of Verdi Biography, Gregory W. Harwood Jan 2008

166 Years Of Verdi Biography, Gregory W. Harwood

Verdi Forum

No abstract provided.


Steve Reich's 'Piano Phase' And David Cossin's 'Video Phase' : An Exploration Of David Cossin's Video Phase With Reference To Steve Reich's Original Work Piano Phase, Fiona Digney Jan 2008

Steve Reich's 'Piano Phase' And David Cossin's 'Video Phase' : An Exploration Of David Cossin's Video Phase With Reference To Steve Reich's Original Work Piano Phase, Fiona Digney

Theses : Honours

This paper will investigate Reich's 1967 composition Piano Phase, exploring the work's development from tape loops, the resultant patterns found in the work, the process involved, notation used, and also examples of phasing found in other works. Further, discussions will also take place with regards to both the author's, and David Cossin's adaptations of Piano Phase, including instrument choice and configuration, film and lighting requirements and rehearsal techniques. This project aims to present an adaptation of Piano Phase for solo percussion and multimedia, which provides an accurate visual representation of the process used in Piano Phase as well as taking …


Analyses Of High School Band Students' And Directors' Perceptions Of Verbal And Nonverbal Teaching Behaviors, Jennifer A. Whitaker Jan 2008

Analyses Of High School Band Students' And Directors' Perceptions Of Verbal And Nonverbal Teaching Behaviors, Jennifer A. Whitaker

LSU Doctoral Dissertations

The purpose of this study was to document and explore the use and perception of verbal and nonverbal teaching behaviors of selected high school band directors. Participants were six successful high school band directors and members of their top-performing ensembles. Directors were videotaped during rehearsals. Videos were subsequently analyzed. Systematic observation data consisted of frequencies and percentages of conductor magnitude, filler use, and time spent on and off podium; frequency and time of each sequential pattern component; and instructional pacing. Directors and students viewed and rated video excerpts of their directors using 10-point Likert scales. Participants then completed a 22-item …


Revising Cio-Cio-San, Linda B. Fairtile Jan 2008

Revising Cio-Cio-San, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Some of the mast extensive and significant textual changes in all of Puccini's operas appear in the published revisions of Madama Butterfly. Many of these verbal modifications, together with cuts and additions to the score, influence the dramatic depiction of the protagonists. Changes to Pinkerton's character soften an insensitive and even offensive figure who, after all, needs to be convincing as the object of Butterfly's love. For Cio-Cio-San, three rounds of revision mean a gradual loss of complexity on any fronts, bringing an exotic, mercurial heroine closer to operatic convention. The Butterfly that we know today has a more …