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2005

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Articles 511 - 540 of 670

Full-Text Articles in Music

La Música En Los Cultos Dionisiacos, Adriana Renero Jan 2005

La Música En Los Cultos Dionisiacos, Adriana Renero

Publications and Research

Para penetrar en el mundo musical griego es preciso alejarnos de nuestras categorías estéticas habituales y pensar en modos, ritmos y armonías diferentes. Al mismo tiempo, es indispensable advertir que en la sociedad griega arcaica la música ocupaba un lugar fundamental, pues mantenía estrechos vínculos con la medicina, la astronomía, la religión, la filosofía, la poesía y la pedagogía, entre otras disciplinas. Lo anterior responde a que la música era considerada un arte peculiar y ambiguo dotado de “poderes especiales” porque actuaba como fuerza capaz de precipitar al hombre a la locura, al mismo tiempo que la curaba, o bien, …


Developing A Flexible And Expressive Realtime Polyphonic Wave Terrain Synthesis Instrument Based On A Visual And Multidimensional Methodology, Stuart G. James Jan 2005

Developing A Flexible And Expressive Realtime Polyphonic Wave Terrain Synthesis Instrument Based On A Visual And Multidimensional Methodology, Stuart G. James

Theses: Doctorates and Masters

The Jitter extended library for Max/MSP is distributed with a gamut of tools for the generation, processing, storage, and visual display of multidimensional data structures. With additional support for a wide range of media types, and the interaction between these mediums, the environment presents a perfect working ground for Wave Terrain Synthesis. This research details the practical development of a realtime Wave Terrain Synthesis instrument within the Max/MSP programming environment utilizing the Jitter extended library. Various graphical processing routines are explored in relation to their potential use for Wave Terrain Synthesis.


Music And Visual Form: An Investigative Study, Kendra Bousfield Jan 2005

Music And Visual Form: An Investigative Study, Kendra Bousfield

Presidential Scholars Theses (1990 – 2006)

Music and the visual arts are persistent areas of interest in my life; as a person who seeks to understand connections between and within the inner and outer worlds I designed a thesis project toward better appreciation of the relationship between music and art. This document chronicles the progression of my journey into and through an exploration of the association between music and art as well as the development of my thought and art-making regarding this subject. Along the way I encountered more questions than answers; in hope that others will continue this exploration and because questioning is an integral …


The Evolution Of Sacred Soli From Oratorios: Baroque Period To The Twentieth Century, Holly M. Chesnut Jan 2005

The Evolution Of Sacred Soli From Oratorios: Baroque Period To The Twentieth Century, Holly M. Chesnut

Theses and Dissertations

The purpose of this thesis is to demonstrate briefly the evolution of musical styles and characteristics found in sacred soli from oratorios over the course of the Baroque Period to the Twentieth Century. The author chose eight representative arias for examination in this project, with two arias being chosen for each of four periods, the Baroque, Classical, Romantic, and Twentieth Century, selected because of the prominence of both the composer and the aria in the context of choral history. The thesis is divided into four basic sections, the Baroque, Classical, Romantic, and Twentieth Century. The author will discuss historical influences …


Concert Recording 2005-02-09, Sharon Holloway, John Land, Henry Runkles, Heather Atwood Jan 2005

Concert Recording 2005-02-09, Sharon Holloway, John Land, Henry Runkles, Heather Atwood

Concert Recordings & Programs

Il mio bel foco / Benedetto Marello -- Aria / Eugene Bozza


Concert Recording 2005-12-06, Stan Morris, Jonathan Howland, Chris Branson, Josh Fugit, John Land, Edelaine Engdahl, Vince Biondo, Barrett Barker, C. J. Weatherford, Melanie Nolen, Casey Baker, Billy Mere, David Townsend, David Townsend, Zach Edwards Jan 2005

Concert Recording 2005-12-06, Stan Morris, Jonathan Howland, Chris Branson, Josh Fugit, John Land, Edelaine Engdahl, Vince Biondo, Barrett Barker, C. J. Weatherford, Melanie Nolen, Casey Baker, Billy Mere, David Townsend, David Townsend, Zach Edwards

Concert Recordings & Programs

Fugue / Girolamo Frescobaldi, arr. Caravan -- An American in Paris / George Gershwin, arr. Cappuccio -- Spoon River / Percy Grainger, arr. Cohen -- Quartetto per Saxofoni, op. 93 / Emil Hlobil -- Musical Offering. Ricercar a6 / Johann Sebastian Bach -- Portals / Carl Anton Wirth -- Moderato and Allegro / Erland von Koch -- Two sad songs / Mark Alan Taggart -- Jubilate / Ronald Caravan


Concert Recording 2005-05-05, Ryan Enis, Henry Runkles Jan 2005

Concert Recording 2005-05-05, Ryan Enis, Henry Runkles

Concert Recordings & Programs

Andante et allegro / J. Guy Ropartz -- Samson. Thus when the sun / George Frederic Handel -- Concerto for trombone and band / Nicolai Rimsky-Korsakov -- Six esquisses pour trombone et pieno / Julien Porret -- Atlantic zephyrs / Gardell Simons


Concert Programs 2005-2006, University Of Arkansas, Fayetteville. Department Of Music Jan 2005

Concert Programs 2005-2006, University Of Arkansas, Fayetteville. Department Of Music

Concert Recordings & Programs

This is the annual compilation of music programs from the Department of Music for the time period indicated


Concert Recording 2005-03-31, Seth Carlin Jan 2005

Concert Recording 2005-03-31, Seth Carlin

Concert Recordings & Programs

Davidsbundlertanz, opus 6, no. 1 / Robert Schumann -- Soirees musicales. Mazurka opus 6, no. 5 ; Variations opus 20, on a theme of Robert Schumann ; Sonata in g minor / Clara Schumann -- Etudes en forme de variations ("Symphonic etudes") / Robert Schumann


Concert Recording 2005-03-11, Derrick Doyle, Lynn Ragsdale, Scott Koskoski, Mark Boseman, Jason Jung, C. J. Morris, Clay Parkhurst, Kelli Reddick Jan 2005

Concert Recording 2005-03-11, Derrick Doyle, Lynn Ragsdale, Scott Koskoski, Mark Boseman, Jason Jung, C. J. Morris, Clay Parkhurst, Kelli Reddick

Concert Recordings & Programs

Azure / Michael Burritt -- Nyack / David Friedman -- Modern contest solos for snare drum. Drum corps on parade ; Gladstone cadets / John S. Pratt -- In a landscape / John Cage -- Ta and Clap / Nico Muhly -- Suite for solo drumset and percussion ensemble / David Mancini


Concert Recording 2005-11-18, Sarah Mesko, Christopher Lacy Jan 2005

Concert Recording 2005-11-18, Sarah Mesko, Christopher Lacy

Concert Recordings & Programs

Mass in C minor. Laudamus te / Wolfgang Amadeus Mozart -- Der Tod und das Madchen ; Nacht und Traume ; Gretchen am Spinnrade / Franz Schubert -- Getanjali. The sleep that flits on baby's eyes ; When I bring to you colour'd toys ; I am like a remnant of a cloud of autumn / John Alden Carpenter -- The Rape of Lucretia. Give him this orchid / Benjamin Britten -- Medea. Medea! O Medea! / Luigi Cherubini -- L'enfant et les sortileges. Air de l'enfant / Maurice Ravel -- Chansons de bilitis. La flute de pan ; La …


Concert Recording 2005-10-13, Lynn Francis, Jeff Hodge, Kelli Reddick, Derrick Doyle Jan 2005

Concert Recording 2005-10-13, Lynn Francis, Jeff Hodge, Kelli Reddick, Derrick Doyle

Concert Recordings & Programs

Cenas Amerindias. Eldorado / Ney Rosauro -- Eight pieces for four timpani. Improvisation / Elliot Carter -- Rumble strips / Gordon Stout -- Three movements for a solo dancer. Mysterious love ; Dance on a shattered mirror / Eckard Kopetzki -- Suite for marimba. Esch on sure / Alfred Fissinger -- Ku-Ka-Ilimoku / Christopher Rouse


Concert Recording 2005-11-17, Richard Rulli, Evelyn Boling, Chase Cavalier, Chris Curnutt, Kyle Gallien, Douglas Lindsey, Will Nash, Jonathan Shachter, Lisa Hocking, University Of Arkansas, Fayetteville. Trumpet Ensemble Jan 2005

Concert Recording 2005-11-17, Richard Rulli, Evelyn Boling, Chase Cavalier, Chris Curnutt, Kyle Gallien, Douglas Lindsey, Will Nash, Jonathan Shachter, Lisa Hocking, University Of Arkansas, Fayetteville. Trumpet Ensemble

Concert Recordings & Programs

Fanfare from la peri / Paul Dukas, arr. Marie Speziale -- Contrapunctus no. 1, Art of the fugue / Johan Sabastian Bach -- Trumpet overture / David Jex -- Danny boy / arr. James Olcott -- Resonances / Jack Gallagher -- Down by the riverside / arr. Teddy Sandleben


Concert Recording 2005-04-14, Stan Morris, Linda Beckman Jan 2005

Concert Recording 2005-04-14, Stan Morris, Linda Beckman

Concert Recordings & Programs

Two Bourees / Henry Purcell -- Air ; Scherzo / Henry Cowell -- Elegie ; Rondeau / Karel Husa -- Sicilienne / Pierre Lantier -- Walla-Kye, op. 115 / Mana-Zucca -- Sonata / Lawson Lunde


Concert Recording 2005-04-20b, Elizabeth Taylor, Lyndon Meyer Jan 2005

Concert Recording 2005-04-20b, Elizabeth Taylor, Lyndon Meyer

Concert Recordings & Programs

Suite no. 1 in G major, BWV1007. Courante ; Sarabande ; Menuet I & II / J.S. Bach -- Fantasy for euphonium and piano / Hiroshi Hoshina -- Apres un reve / Gabriel Faure -- Soliloquies / John Stevens -- Brilliant Fantasy / J.B. Arban


Concert Recording 2005-04-28, Melody Jenkins, Lonnie Ostrander Jan 2005

Concert Recording 2005-04-28, Melody Jenkins, Lonnie Ostrander

Concert Recordings & Programs

Messiah. Rejoice greatly, o daughter of zion / George Frederic Handel -- An die musik ; Die Vogel ; Seligkeit ; Erlafsee ; Auf dem wasser zu singen / Franz Schubert -- Romeo et Juliette. Ah! Je veux vivre / Charles Gounod -- Adieux de l'hotesse arabe / Georges Bizet -- Reponse d'une epouse sage / Albert Roussel -- Cinq melodies populaires Grecques. Tout gai! / Maurice Ravel -- Les filles de Cadix / Leo Delibes -- Just-spring ; I carry your heart ; The Bird ; Penguin geometry / John Duke -- Signore, ascolta! ; Turandot. Tu che di …


Concert Recording 2005-10-16, Sam Ross, Lyndon Meyer, Sarah Mesko, Nicole Cotton, Sandy Nieves, Jessica Sudduth Jan 2005

Concert Recording 2005-10-16, Sam Ross, Lyndon Meyer, Sarah Mesko, Nicole Cotton, Sandy Nieves, Jessica Sudduth

Concert Recordings & Programs

Fantasia da concerto su motivi del 'Rigoletto' / Guiseppe Verdi, arr. Luigi Bassi -- Sonatina for clarinet and piano. Allegro con spiritoso ; Adagio ; Allegretto / Bohuslav Martinu -- Duos for flute and clarinet. Andante sostenuto ; Allegro risoluto ; Moderato ; Allegro ma non troppo ; Andante molto ; Allegro / Robert Muczynski -- Hilltribe dances. Lost in time / George Gershwin, arr. Bill Holcombe -- Concerto for clarinet and piano / Aaron Copland


Concert Recording 2005-11-12, David Goza, Allan Vogel, Theresa Delaplain, Timothy Thompson, Luke Hubbard, Lyndon Meyer, University Of Arkansas, Fayetteville. Chamber Orchestra Jan 2005

Concert Recording 2005-11-12, David Goza, Allan Vogel, Theresa Delaplain, Timothy Thompson, Luke Hubbard, Lyndon Meyer, University Of Arkansas, Fayetteville. Chamber Orchestra

Concert Recordings & Programs

Concerto in d minor for two oboes, strings and continuo / Antonio Vivaldi -- Artik: Concerto for horn and string orchestra, op. 78 / Alan Hovhaness -- Fantasia concertante on old American tunes / Michael Murray


Concert Recording 2005-02-16, Lyndon Meyer, Luke Hubbard, Ronnamarie Jensen, University Of Arkansas, Fayetteville. Symphony Orchestra Jan 2005

Concert Recording 2005-02-16, Lyndon Meyer, Luke Hubbard, Ronnamarie Jensen, University Of Arkansas, Fayetteville. Symphony Orchestra

Concert Recordings & Programs

Concerto for viola & orchestra. Andante comodo / William Walton -- Sinfonia in g major. Allegro ma non tanto ; Minuetto ; Grave ; Allegro assai / Giovanni Battista Sammartini -- Ballade / Eugene Ysaye


Concert Recording 2005-03-16, Lawrence Pereira, Henry Runkles, Jonathan Story, Lyndon Meyer, Emily Nelson, Carmen Lyon, Heather Atwood Jan 2005

Concert Recording 2005-03-16, Lawrence Pereira, Henry Runkles, Jonathan Story, Lyndon Meyer, Emily Nelson, Carmen Lyon, Heather Atwood

Concert Recordings & Programs

The mother of us all. Will they remember that it is time? / Virgil Thompson -- Nel cor piu non mi sento / Giovanni Paisiello -- V'adoro, pupille / George Handel -- Soliloquy / Lowell Lieberman -- Sonata in e flat, op. 81a "Les Adieux." Das Lebewohla adagio-allegro / Ludwig van Beethoven -- Sonata no. 2 in b flat minor, op. 36. Allegro molto / Sergei Rachmaninoff


Concert Recording 2005-04-13, Jessica Sudduth, Ashley Baker, Jo Evans, Brandon Morris, Rusty Helms, Lawrence Pereira, Jeannie Lee, Andee Book, Caroline Marlow Jan 2005

Concert Recording 2005-04-13, Jessica Sudduth, Ashley Baker, Jo Evans, Brandon Morris, Rusty Helms, Lawrence Pereira, Jeannie Lee, Andee Book, Caroline Marlow

Concert Recordings & Programs

Come ready & see me / Richard Hundley -- Hai luli / Pauline Viardot -- Au bord de l'eau / Gabriel Faure --Petite piece concertante / Guillaume D. Balay -- Nocturno / Franz Strauss


Concertino For Piano And Chamber Orchestra, By Mozart Camargo Guarnieri: A Performing Edition With Reduction Of The Orchestra For Second Piano, Francisco Coelho Ribeiro Da Silva Jan 2005

Concertino For Piano And Chamber Orchestra, By Mozart Camargo Guarnieri: A Performing Edition With Reduction Of The Orchestra For Second Piano, Francisco Coelho Ribeiro Da Silva

LSU Major Papers

The Concertino for Piano and Chamber Orchestra, by Brazilian nationalist composer Mozart Camargo Guarnieri (1907-1993), is one of his ten works for piano and orchestra. The work is cast in three movements in sonata, ternary, and rondo forms respectively, and contains elements of Brazilian folk music. It is possibly the most appealing work by Guarnieri in this medium, and it has been performed by artists of the caliber of Laís de Souza Brasil, Joo Carlos Martins, Roberto Szidon, and Caio Pagano. It dates from 1961, and like most of the other works by Guarnieri in this genre, its scores have …


A Survey Of The Operettas Of Emmerich Kálmán, Jessie Wright Martin Jan 2005

A Survey Of The Operettas Of Emmerich Kálmán, Jessie Wright Martin

LSU Major Papers

The purpose of this document is to introduce singers, teachers, and devotees of musical theater to the prolific stage output of Hungarian composer Emmerich Kálmán (1882-1953), who ranks with Johann Strauss II and Franz Lehár as one of the most important and most-often performed among the composers of Viennese operetta. Although today relatively unknown in this country, Kálmán's operettas have been performed consistently in Europe for almost a century. Most of his twenty-two works provide excellent vehicles for both collegiate and professional companies that wish to explore the genre of operetta. Following a biography and brief analysis of his compositional …


Interactive Computer Music: A Performer's Guide To Issues Surrounding Kyma With Live Clarinet Input, Roland Anton Karnatz Jan 2005

Interactive Computer Music: A Performer's Guide To Issues Surrounding Kyma With Live Clarinet Input, Roland Anton Karnatz

LSU Major Papers

Musicians are familiar with interaction in rehearsal and performance of music. Technology has become sophisticated and affordable to the point where interaction with a computer in real time performance is also possible. The nature of live interactive electronic music has blurred the distinction between the formerly exclusive realm of composition and that of performance. It is quite possible for performers to participate in the genre but currently little information is available for those wishing to explore it. This written document contains a definition of interaction, discussion on how it occurs in traditional music-making and a brief history of the emergence …


A Wind Ensemble Adaptation And Conductor's Analysis Of Selected Movements Of Darius Milhaud's Saudades Do Brazil, With An Examination Of The Influences Of Ernesto Nazareth, Monty Roy Musgrave Jan 2005

A Wind Ensemble Adaptation And Conductor's Analysis Of Selected Movements Of Darius Milhaud's Saudades Do Brazil, With An Examination Of The Influences Of Ernesto Nazareth, Monty Roy Musgrave

LSU Major Papers

French composer Darius Milhaud (1892-1974) lived in Rio de Janeiro from early 1917 to late 1918 as an attaché to the French ambassador to Brazil. While there he discovered its popular music, in particular the works of the Brazilian pianist Ernesto Nazareth (1863-1934). Milhaud was fascinated by the Afro-Brazilian syncopated rhythms that constituted Brazilian popular music, which according to Milhaud “helped me better understand the Brazilian soul.” Milhaud’s Brazilian experiences profoundly affected his compositional style and inspired several important works in this idiom. Upon his return to France, Milhaud composed a suite of twelve dances for piano entitled Saudades do …


Information Delivery On Mobile Devices Using Contour Icon Sonification, Charlie Cullen, Eugene Coyle Jan 2005

Information Delivery On Mobile Devices Using Contour Icon Sonification, Charlie Cullen, Eugene Coyle

Conference papers

This paper examines the use of musical patterns to convey information, specifically in the context of mobile devices. Existing mechanisms (such as the popularity of the Morse code SMS alert) suggest that the use of musical patterns on mobile devices can be a very efficient and powerful method of data delivery. Unique musical patterns based on templates known as Contour Icons are used to represent specific data variables, with the output rendering of these patterns being referred to as a Sonification of that data. Contour Icon patterns mimic basic shapes and structures, thus providing listeners with a means of categorising …


Information Delivery On Mobile Devices Using Boolean Sonification Patterns, Charlie Cullen, Eugene Coyle Jan 2005

Information Delivery On Mobile Devices Using Boolean Sonification Patterns, Charlie Cullen, Eugene Coyle

Conference papers

Sonification is the means by which non-speech audio can be used to convey information. Existing work has produced methods for delivering information in a wide range of fields, and recent work has considered the huge potential of mobile devices for Sonification. Boolean Sonification is a method of defining two related musical patterns as boolean conditions (true/false, yes/no etc.), such that one is considered contrary to the other by the listener. The final pattern set ideally comprises of two musical events that are closely enough related as to be considered a group, yet distinct enough to be perceived as separate entities. …


Using Music As A Classroom Tool, Gail Foreman Jan 2005

Using Music As A Classroom Tool, Gail Foreman

All Graduate Projects

The main focus of the project was to develop resources that will use music as a tool to improve literacy and support learning in third grade self contained classrooms. Research provides strong data connecting the relationship of music to academic achievement, language arts and improved test scores. This project provides prototype lesson plans that support grade level expectations and uses t4e Washington State Essential Academic Learning Requirements as a basis for the concepts being taught. A unit of lesson plans was developed that integrates music into the language arts. Worksheets, graphic organizers and a music book list were developed as …


Concert Recording 2005-11-08, Awadagin Pratt Jan 2005

Concert Recording 2005-11-08, Awadagin Pratt

Concert Recordings & Programs

Piano sonata in B♭ major, Hob. XVI no. 41 / Joseph Haydn -- Piano sonata, op. 14, no. 1 in E major / Ludwig van Beethoven -- Piano sonata, op. 110 in A♭ major / Ludwig van Beethoven -- Nocturne, op. 62, no. 1 in B major / Frederic Chopin -- Moment Musical, no. 3 in B minor / Sergey Rachmaninoff -- Prelude, Fugue, and Variation, op. 18 in B minor / Cesar Franck, trans. Harold Bauer -- Chromatic Fantasie and Fugue, BWV 903 in D minor / Johann Sabastian Bach -- Chaconne : Partita, no. 2 for violin solo, …


What A Beast Art Thou!, Eric Malmquist Jan 2005

What A Beast Art Thou!, Eric Malmquist

Compositions

"What a Beast Art Thou! - Three Shakespeare Songs," for bass voice and piano, explores the depths of the darker side of human nature. Using texts from Titus Andronicus Act 5, Timon of Athens Act 4, and Titus Andronicus Act 5 respectively, the three songs intend to express emotions of hate and anger, while conveying the drama unfolding during each particular scene. "What a Beast Art Thou!" was commissioned by William Roberts III and premiered by him in December 2005. Duration: approximately 10 minutes.