Open Access. Powered by Scholars. Published by Universities.®

Music Commons

Open Access. Powered by Scholars. Published by Universities.®

2005

Discipline
Institution
Keyword
Publication
Publication Type
File Type

Articles 481 - 510 of 670

Full-Text Articles in Music

Rosa Amarela | 20-96170, Daniel Rufino Alfonso Jr. Jan 2005

Rosa Amarela | 20-96170, Daniel Rufino Alfonso Jr.

Music Faculty Scores

Rosa Amarela
Brazilian Folk Song

Part Number:
20-96170

Price:
$1.90

Voicing:
SSA

Arranged By:
Daniel Rufino Afonso, Jr.


Te Deum Laudamus | 20-96120, John Starr Alexander Jan 2005

Te Deum Laudamus | 20-96120, John Starr Alexander

Music Faculty Scores

Te Deum Laudamus

Part Number:
20-96120

Price:
$1.90

Voicing:
SATB

Music By:
John Starr Alexander


"Détours De L'Amour" (Detours Of Love): Trois Chansons Françaises - Three French Songs For Soprano And Piano, Emmanuel M. Dubois Jan 2005

"Détours De L'Amour" (Detours Of Love): Trois Chansons Françaises - Three French Songs For Soprano And Piano, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 21: 1 score ( v + 21 pages) ; includes table of contents and poem "Sentimental Dialogue" by Paul Verlaine (1844-1896)

Movements:

  1. Nocturne : L’amour perdu - Nocturne: Lost Love (set to Colloque sentimental by Paul Verlaine)
  2. L’amour innocent - Innocent Love (set to A la Musique (last three stanzas) by Arthur Rimbaud)
  3. L’amour marié - Married Love (a various by Emmanuel Dubois on Perrette et le pot au lait by Jean de la Fontaine)


Brass Quintet: Our World As It Is, Emmanuel M. Dubois Jan 2005

Brass Quintet: Our World As It Is, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 20: 1 score (vi + 20 pages) ; includes table of contents and introduction

This eleven-minute brass quintet for two trumpets, horn, trombone, and tuba, "Our World As It Is", refers to current and recent tragedies taking place around the world. The first moment, "Confrontation", captures the anxiety caused by Nature's wrath and men's wars. The second movement, "Reflections: Prelude and Fugato", evokes this precious time for recollection. The third movement, "Civil Discourse", is the coming together in smooth harmony of the different factions that make our world. The mood of "Fanfare and Hymn", the final movement, is one …


Fantaisie Française: Fourth Piano Sonata, Emmanuel M. Dubois Jan 2005

Fantaisie Française: Fourth Piano Sonata, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 17: 1 score (iv + 20 pages) ; includes table of contents and introduction

This set of five pieces was composed by and large during the summer of 2003 in a historic village of Gascony in the Midi-Pyrénées region of France and is based on impressions gathered during walks and rides taken in the magnificent hilly countryside. Each movement is also an essay on counterpoint as I see it broadly defined by Walter Piston in the introduction to his treaty entitled Counterpoint. The Fantasie's five contrasting parts allude to the well-established genres, and overall unity and contrast results from …


Song Cycle-- Medieval Czech Poetry, Haley Britt Beverburg Jan 2005

Song Cycle-- Medieval Czech Poetry, Haley Britt Beverburg

Inquiry: The University of Arkansas Undergraduate Research Journal

You may listen to the four songs by going to the Inquiry website, http://advancement.uark.edu/pubs/inquiry/


The Albany Movement And The Origin Of Freedom Songs, Nicole Lenart Jan 2005

The Albany Movement And The Origin Of Freedom Songs, Nicole Lenart

The Gettysburg Historical Journal

“We became visible.” This is how Bernice Johnson Reagon, a Civil Rights Movement worker, a member of the Freedom Singers, and the founder of Sweet Honey In The Rock explained how songs uplifted and inspired those blacks and whites who worked tirelessly for freedom throughout the 1950’s and 1960’s. Indeed, freedom songs in the movement gave participants the ability to stand up against their fears, express their hopes and desires, and unite the diverse range of people who participated in the movement. Reagon, now a history professor and music legend, grew up right outside of Albany, Georgia, where freedom songs …


All Hail The Power Of Jesus' Name-Brass | 12-50831, James Q. Mulholland Jan 2005

All Hail The Power Of Jesus' Name-Brass | 12-50831, James Q. Mulholland

Music Faculty Scores

All Hail The Power Of Jesus' Name, for SATB Voices with Organ and Optional Brass Quartet

Part Number:
12-50831

Previous Part Number:
CH025A

Price:
$27.50

Voicing:
Brass Quartet Parts

Music By:
James Q. Mulholland

Brass Part arrangement for 'All Hail The Power of Jesus' Name (vocal and organ arrangement is part number 12-50830.


Come Thou Fount Of Every Blessing-Brass | 12-50811, James Q. Mulholland Jan 2005

Come Thou Fount Of Every Blessing-Brass | 12-50811, James Q. Mulholland

Music Faculty Scores

Come Thou Fount Of Every Blessing, Brass Parts

Part Number:
12-50811

Previous Part Number:
CH023A

Price:
$27.50

Music By:
James Q. Mulholland

tpt;hn;tbn;tba


Dawn Song, A | 12-50865, James Q. Mulholland Jan 2005

Dawn Song, A | 12-50865, James Q. Mulholland

Music Faculty Scores

A Dawn Song, From the Icantori Series

Part Number:
12-50865

Previous Part Number:
NMP301

Price:
$1.75

Voicing:
SATB

Lyrics By:
William Butler Yeates (1856-1939)

Music By:
James Q. Mulholland

a cappella

Commissioned by I Cantori, Savannah, Georgia
Robert L. Harris, Conductor


Had I The Heaven's Embroidered Cloths | 12-50860, James Q. Mulholland Jan 2005

Had I The Heaven's Embroidered Cloths | 12-50860, James Q. Mulholland

Music Faculty Scores

Had I The Heaven's Embroidered Cloths, From the I Cantori Series

Part Number:
12-50860

Previous Part Number:
NMP300

Price:
$1.65

Voicing:
SATB

Lyrics By:
William Butler Yeates

Music By:
James Q. Mulholland

a cappella

Featured at:
2014 NM All-State Choral Reading Session

Commissioned by I Cantori, Savannah, Georgia
Robert L. Harris, Conductor
for Mari


Oh See How Thick The Goldcup Flowers | 12-50840, James Q. Mulholland Jan 2005

Oh See How Thick The Goldcup Flowers | 12-50840, James Q. Mulholland

Music Faculty Scores

Oh See How Thick The Goldcup Flowers (A Shropshire Lad)

Part Number:
12-50840

Previous Part Number:
NMP172

Price:
$1.80

Voicing:
SATB

Lyrics By:
A.E. Housman

Music By:
James Q. Mulholland


Moments Of Being - Quintet | 10-96341, James Q. Mulholland Jan 2005

Moments Of Being - Quintet | 10-96341, James Q. Mulholland

Music Faculty Scores

Moments of Being, Brass Quintet Score/Parts

Part Number:
10-96340

Price:
$30.00

Voicing:
SSA

Lyrics By:
Virginia Woolf

Music By:
James Q. Mulholland

tpt;2hn;2tbn

Commissioned by the Westridge School for Girls, Pasadena, CA
To commemorate the opening of the Performing Arts Center
Paul T. Stephenson, Westridge Glee Club
From Norris Scoble, Head of School


On Our Journey To The Kingdom | 12-50800, James Q. Mulholland Jan 2005

On Our Journey To The Kingdom | 12-50800, James Q. Mulholland

Music Faculty Scores

On Our Journey To The Kingdom

Part Number:
12-50800

Previous Part Number:
CH022

Price:
$1.75

Voicing:
SATB

Lyrics By:
Bernhardt S. Ingeman (1789-1862)
Translation by Sabine Baring-Gould (1834-1924)

Music By:
James Q. Mulholland

with opt. Brass Parts


We Are The Music Makers | 10-96350, James Q. Mulholland Jan 2005

We Are The Music Makers | 10-96350, James Q. Mulholland

Music Faculty Scores

We Are The Music Makers

Part Number:
10-96350

Price:
$2.10

Voicing:
SATB

Lyrics By:
Arthur O'Shaghnessy (1844-1881)

Music By:
James Q. Mulholland

with opt. Orchestra or Wind Ensemble

Commissioned by Downers Grove, IL, South High School
Laura Coster, Choral Music
Craig Roselieb, Director of Bands


Aia Ke Kanaka-Inst. Parts | 20-96161, John Starr Alexander Jan 2005

Aia Ke Kanaka-Inst. Parts | 20-96161, John Starr Alexander

Music Faculty Scores

Aia Ke Kanaka (I Know A Great Man)
Instrumental Parts

Part Number:
20-96161

Price:
$16.50

Music By:
John Starr Alexander

vlc;cb;pahu


Revelation | 20-96200, Mark Hierholzer Jan 2005

Revelation | 20-96200, Mark Hierholzer

Music Faculty Scores

Revelation

Part Number:
20-96200

Price:
$1.85

Voicing:
Unison

Music By:
Mark Hierholzer


Transformation | 20-96110, Mark Hierholzer Jan 2005

Transformation | 20-96110, Mark Hierholzer

Music Faculty Scores

Transformation

Part Number:
20-96110

Price:
$1.85

Voicing:
Unison

Music By:
Mark Hierholzer


Pseudo-Classical Sonatina For Piano, Emmanuel M. Dubois Jan 2005

Pseudo-Classical Sonatina For Piano, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 18a: 1 score (ii + 8 pages)

Movements:

  1. Giocoso
  2. Religioso
  3. A la sicialana


Piano Rag, Emmanuel M. Dubois Jan 2005

Piano Rag, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 22: 1 score (iv + 11 pages) ; includes the Story Behind the Rag … in English and French.


Trioson: A Graphical User Interface For Pattern Sonification, Charlie Cullen, Eugene Coyle Jan 2005

Trioson: A Graphical User Interface For Pattern Sonification, Charlie Cullen, Eugene Coyle

Conference papers

The TrioSon software allows users to map musical patterns to input data variables via a graphical user interface (GUI). The application is a Java routine designed to take input files of standard Comma Separated Values (CSV) format and output Standard Midi Files (SMF) using the internal Java Sound API. TrioSon renders output Sonifications from input data files for up to 3 user-defined parameters, allocated as bass, chord and melody instruments for the purposes of arrangement. In this manner each parameter concerned is distinguished by its individual instrumental timbre, with the option of rendering any combination of 1 to 3 parameters …


In Other Words, Bruno Ruviaro Jan 2005

In Other Words, Bruno Ruviaro

Music

The point of departure of this piece was an improvisation recorded two years earlier with Justin Yang and Grace Leslie. Although the piece ended up developing its very own compositional processes, mainly in terms of algorithmic manipulation of rhythm, the model offered by the recorded improvisation was always present to suggest important musical solutions throughout the compositional process.


Left Of The Dial: An Introduction To Underground Rock, 1980-2000, Cassie Wagner, Elizabeth Stephan Jan 2005

Left Of The Dial: An Introduction To Underground Rock, 1980-2000, Cassie Wagner, Elizabeth Stephan

Articles

This essay is a brief history of American underground/independent music from 1980 to 2000. The authors examine twenty-one of what they believe are the best and most influential bands of the period and provide an annotated list of representative recordings. These artists provide the inspiration and sonic blueprint for much of today’s cutting edge music. Even so, their recordings are often absent from library collections and many librarians and patrons are unfamiliar with them. The groups discussed are Bad Brains, Beat Happening, Big Black, Bikini Kill, Black Flag, Camper Van Beethoven, Dead Kennedys, Fugazi, Galaxie 500, Hüsker Dü, Melvins, Minor …


Effects Of A Remedial Singing Method On The Vocal Pitch Accuracy Of Inaccurate Elementary Singers, Karen A. Miyamoto Jan 2005

Effects Of A Remedial Singing Method On The Vocal Pitch Accuracy Of Inaccurate Elementary Singers, Karen A. Miyamoto

Research & Issues in Music Education

A pretest-posttest experimental design was utilized to determine the efficacy of the Yuba Method on inaccurate elementary singers. Testing of pitch accuracy was analyzed using the Sona-Speech Model 3600 software program. Inaccurate singers (N=168) from a population of 320 fourth, fifth, and sixth grade students, were divided into three subgroups and a random sample of subjects was selected to be in a treatment group (N=30) and a control group (N=30). The Yuba Method, which is meant to target training of the cricothyroid muscle utilizing a series of vocal exercises intended to facilitate maneuverability over the vocal register break, was administered …


Notes From The Editor, Bruce Gleason Jan 2005

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

This third issue of RIME is dedicated to the memory of Dr. Dorothy McDonald who was a professor of music education at the University of Iowa from 1970 when she was hired to teach music at the University of Iowa Laboratory School until 1994 when she was chairing Iowa's music education department. Dorothy died on September 4, 2005 after having been recently diagnosed with cancer. I have fond memories of her as my initial doctoral advisor before her stroke in 1994, and recollect that along with being a fine teacher, writer, researcher, scholar and musician, she was a wonderful human …


Middle School Band Contest Repertoire In Northern Illinois: Analysis And Recommendations, Phillip M. Hash Jan 2005

Middle School Band Contest Repertoire In Northern Illinois: Analysis And Recommendations, Phillip M. Hash

Research & Issues in Music Education

The purpose of this study was to provide a description and analysis of repertoire performed at middle school band contests in northern Illinois. Repertoire from 10 Illinois Grade School Music Association—Northern Division district level contests were analyzed in relation to the frequency pieces were performed, dates of publication, publishers represented, and the inclusion of titles on recommended music lists. All contests were held in 2003 and included a mix of urban, suburban, and rural schools. Among the contest programs analyzed, 81 concert bands from 72 schools performed a total of 243 compositions.

Results indicated 1) 46.1% of the selections were …


A Study Of The Musical, Academic, Leadership, And Extracurricular Achievement Massachusetts All-State Participants, R. Nicholas Tobin Jan 2005

A Study Of The Musical, Academic, Leadership, And Extracurricular Achievement Massachusetts All-State Participants, R. Nicholas Tobin

Research & Issues in Music Education

Researchers have noted that the personal attributes of high school all-state participants have not been probed and have expressed surprise at this void in the music education literature (Cole, 1986; Fuller, 1989; Welker, 1997). The purpose of this study was to ascertain, through participant self-report data, the activities and accomplishments of Massachusetts all-state musicians in four areas of student endeavor: music, academics, leadership, and extracurricular activities. Massachusetts all-state participants are high achievers not only in music but also in academics, honors, student government, leadership, athletics, service, and extracurricular activities. Suggestions for further research include broadening similar studies to other states …


New Method Of Rhythmic Improvisation For The Jazz Bassist : An Interdisciplinary Study Of Dave Holland's Rhythmic Approach To Bass Improvisation And North Indian Rhythmic Patterns, Linda M. Oh Jan 2005

New Method Of Rhythmic Improvisation For The Jazz Bassist : An Interdisciplinary Study Of Dave Holland's Rhythmic Approach To Bass Improvisation And North Indian Rhythmic Patterns, Linda M. Oh

Theses : Honours

The focus of this honours dissertation is rhythm in jazz-bass improvisation. It is an exploration of the rhythmic devices employed by cutting-edge bassist, Dave Holland (b. 1946). Through transcription and analysis of Holland's improvisation over a selection of compositions recorded by the award-winning Dave Holland Quintet, this study isolates the key rhythmic tools he uses to create engaging solos. Furthermore this study examines rhythmic concepts from North Indian Classical music (a primary influence on Holland) through transcription and analysis of rhythm in certain tabla compositions. Consequently, a synthesis of the explored rhythmic devices is presented in the form of an …


Digital Harmony Of Sound And Light, Bill Alves Jan 2005

Digital Harmony Of Sound And Light, Bill Alves

All HMC Faculty Publications and Research

In the late 1980s and early 1990s I was privileged to work with the computer animation pioneer John Whitney Sr. and was profoundly influenced by his ideas on how to apply musical concepts of harmony to visual arts of motion. at the time of his death in 1995, he and I were planning composition software in which an artist could apply these concepts to create harmonic patterns simultaneously in sound and animation.
Though this idea was never realized beyond certain tests, I have taken this step in my subsequent work in computer-generated music and video in ways inspired by, if …


Elephants And Suffering In Dusty Corners, Susanna Ferrar Jan 2005

Elephants And Suffering In Dusty Corners, Susanna Ferrar

Sound Scripts

The following non-refereed paper has been compiled by the editors from the audio transcript and notes provided by Susanna Ferrar for her talk delivered to the Inaugural Totally Huge New Music Festival Conference (Perth: 9 Oct. 2005). The original program note to her presentation reads: "I keep talking about this project I'm doing, visiting places where the ashes of my grandparents' children ended up, who were all born and raised in Western Australia. As I proceed, adventures seem to be befalling me. Sometimes it seems more important to hang out the washing or change the cat litter. The level of …