Music Commons^™

Concerto-Aria Competition Finals, January 21, 1998, School Of Music

School of Music Programs

Kemp Recital Hall
Wednesday Evening
January 21, 1998
7:00 p.m.

Viva La Diva!, January 20, 1998, Michelle Vought, Paul Borg

School of Music Programs

Kemp Recital Hall
Tuesday Evening
January 20, 1998
8:00 p.m.

Guest Recital: Aldo Mancinelli, Pianist; Janaury 15, 1998, Aldo Mancinelli

School of Music Programs

Kemp Recital Hall
Thursday Evening
January 15, 1998
8:00 p.m.

Something Old, Something New, Something Baroque, Something Blues, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Mixed Media January 13, 1998, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The January 13, 1998 issue includes articles on an upcoming lecture by Mary Oliver, another student trip to Wright's Farm, and film reviews, along with the comic "Zoot the Flute," event notices, and other announcements.

We Sing The Story: A Hymn Festival, Calvin Institute Of Christian Worship

Symposium on Worship Archive

A program for the hymn festival in association with the 11th Calvin Symposium on Worship, which followed the story of the Bible, beginning with the Creation Story, then going through the Christmas Story, the Easter Story, and the Pentecost Story, then ending with the Story of the New Jerusalem.

The Parable Of The Lighthouse: Evening Worship, Calvin Institute Of Christian Worship

Symposium on Worship Archive

The handout for an evening worship session of the 11th Calvin Symposium on Worship, featuring Isaiah 60 and Matthew 5: 1-16.

Highlights In Jazz Concert 204- The Crowd Pleasers, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Pace Downtown Theater, Thursday, January 8th, 1998 at 8:00 pm in cooperation with Pace University Performing Arts, Dr. Nicholas Catalano- University Director. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include McCoy Tyner, Scott Hamilton, Lew Tabackin, Kenny Washington, Mike LeDonne, Phillip Aerts, and surprise guest Marty Grosz.

What A Mighty God We Serve, Marvin V. Curtis

Choir History

CD jacket of the official recording of the European Tour for the Fayetteville State University Choir.

Chapel Royal (Royal Household Chapel), Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

The household chapel of the English kings, a special group of personnel always in attendance on the ruler whose principal responsibility was to perform the divine service. The Chapel Royal is to be distinguished from two other major royal chapels of fixed abode founded by Edward III, the royal chapels of St. Stephen's at Westminster and St. George's at Windsor; its clerks and their duties are further to be distinguished from the King's Chaplains (a position emerging in the 1390s). There had always been chaplains at court who served the king, holding a variety of administrative responsibilities and functioning in …

Caput Mass, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

One of the most popular masses of the 15th century, surviving complete or in part in seven known English and continental sources, the Missa Caput is now thought to be the work of an unnamed English composer writing in the later 1430s or early 1440s. It is a cyclic mass whose five movements are unified both by a motto beginning and by the use of the same melody as structural cantus firmus in the tenor voice. Its name is taken from that cantus firmus, which is derived from a lengthy melisma on the word "caput" at the end of the …

Faburden, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

A distinctive English musical technique in which a simple form of three-voice polyphony is created by the addition of two extemporized voices to a preexistent plainsong. The term may also refer to the whole complex of voices, or simply to the faburden proper, the lowest voice, from which the technique takes its name. In this technique the plainsong voice, or mean (because musically it is in the middle), is doubled at the fourth above by the treble. The bass part, or faburden, proceeds mainly at the third below the chant, singing a fifth beneath at the beginning and end, and …

Music For Holy Week And Easter, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

The later medieval church celebrated Holy Week and Easter with many unique liturgical forms and ceremonies, often of an intrinsically dramatic character. These included major processions on Palm Sunday, Maundy Thursday, Holy Saturday, and Easter Sunday; the singing of the passions during mass as the New Testament Gospel on Palm Sunday (St. Matthew Passion), Wednesday (St. Luke Passion), and Good Friday (St. John Passion); and in many locales in northern France and England, the performance of two Latin liturgical dramas—the Visitatio sepulchre performed at the end of Matins on Easter Sunday morning, and the Officium peregrinorum, performed at Vespers that …

Make Me An Instrument: Satb Choir, Dale Grotenhuis

Choral Arrangements and Compositions

8 pages.

The Darius Milhaud Society Newsletter, Vol. 14, Spring/Summer/Fall 1998, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Dancing About Architecture: Postmodernism And Irish Popular Music, Stephen Ryan

Articles

No abstract provided.

The Tune Factory For Organ, John G. Barr

Music Faculty Scholarship

No abstract provided.

Two Preludes On French Carol Tunes For Organ, John G. Barr

Music Faculty Scholarship

No abstract provided.

On Censored Performances Of 'Les Vêpres Siciliennes' And 'Rigoletto': Evidence From The Verdi Archive At New York University, Martin Chusid

Verdi Forum

No abstract provided.

'Musica Adattata All'intelligenza Ed Alle Esigenze Del Pubblico': Giuseppe Verdi, Errico Petrella, And Their Audience, Sebastian Werr

Verdi Forum

No abstract provided.

The Censorship Of 'I Masnadieri' In London, Roberta Montemorra Marvin

Verdi Forum

No abstract provided.

International Reggae, Democratic Socialism, And The Secularization Of The Rastafarian Movement, 1972–1980, Stephen A. King

Faculty Research and Creative Activity

No abstract provided.

International Reggae, Democratic Socialism, And The Secularization Of The Rastafarian Movement, 1972–1980, Stephen King

Faculty Research and Creative Activity

No abstract provided.

Fall 1998, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Speech; 1998; 52nd Anniversary, The Royal Serenaders Male Chorus

Miscellaneous Materials

No abstract provided.

Godric's Songs, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

Three monophonic religious songs of the mid-12th century ("Sainte marie viergene," "Kirieleison: Crist and sainte marie," and "Sainte Nicholas Godes druth") that are the earliest English-language lyrics to survive with their melodies; found in a number of manuscript sources, including three with music, they are also known as Godric's Hymns. Their composer, St. Godric (ca. 1070/80–1170), wrote them some time after he retired to a hermitage at Finchale, north of Durham, following a career as a merchant trader and ship's captain. Godric's life as a hermit was one of ascetic hardship, punctuated by visions in which the songs were taught …

Dunstable, John (Ca. 1395–1453), Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

Composer, mathematician, and astronomer. He is the author of over 70 surviving works, including music for masses, offices, Marian devotions, isorhythmic motets, and secular songs. Dunstable (or Dunstaple) stands at the head of an influential group of English composers whose music, beginning in the later 1420s and 1430s, circulated on the Continent, where it had an immense stylistic impact. Fifteenth-century musical commentators recognized Dunstable's importance, and he held a high posthumous reputation for many subsequent generations.

Of Dunstable's biography we know little. The paucity of documentation seems to be due to a career that kept him out of the records …

Life Owes Me Nothing | 10-96730, James Q. Mulholland

Music Faculty Scores

Life Owes Me Nothing

Part Number:
10-96730

Price:
$1.80

Voicing:
SA

Music By:
James Q. Mulholland

Commissioned by the Contra Costa Children's Choir
Iris Lamanna, Director

Critical Mass (1995 - 1998), Frank Felice

Music Faculty Scores

Soprano, alto, tenor, baritone, bass, choir, rock ensemble, orchestra, four-channel recorded medium, and live electronics – text is from the New International Version of the Bible. Narrative and dialogue by Frank Felice

Charm Me Asleep: To Music | 10-96740, James Q. Mulholland

Music Faculty Scores

Charm Me Asleep: To Music, for SATB Voice with Piano Accompaniment

Part Number:
10-96740

Price:
$1.80

Voicing:
SATB

Lyrics By:
Robert Herrick (1591-1674)

Music By:
James Q. Mulholland

Commissioned by Murray State University Choir, Friends, and Alumni.
Dedicated to Robert K. Baar