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Articles 241 - 270 of 436
Full-Text Articles in Music
Tuesday Student Recital, February 24, 1998, School Of Music
Tuesday Student Recital, February 24, 1998, School Of Music
School of Music Programs
Kemp Recital Hall
Tuesday Afternoon
February 24, 1998
2:00 p.m.
Faculty Recital: The Sonneries Quintet: Kimberly Mccoul Risinger, Flute; Judith Dicker, Oboe; Aris Chavez, Clarinet; Michael Dicker, Bassoon; Joe Neisler, Horn; Feburary 24, 1998, Kimberly Mccoul Risinger, Judith Dicker, Aris Chavez, Michael Dicker, Joe Neisler
Faculty Recital: The Sonneries Quintet: Kimberly Mccoul Risinger, Flute; Judith Dicker, Oboe; Aris Chavez, Clarinet; Michael Dicker, Bassoon; Joe Neisler, Horn; Feburary 24, 1998, Kimberly Mccoul Risinger, Judith Dicker, Aris Chavez, Michael Dicker, Joe Neisler
School of Music Programs
Kemp Recital Hall
Tuesday Evening
February 24, 1998
8:00 p.m.
Mixed Media Febraury 23, 1998, Students Of Risd, Risd Archives
Mixed Media Febraury 23, 1998, Students Of Risd, Risd Archives
All Student Newspapers
Mixed Media began as the student publication Your Name Here. The February 23, 1998 issue includes articles on apathy at RISD, the elective "Community Art Program," the Jewish FIlm Festival, RISD Museum updates, the second annual Queer Arts Festival, an upcoming forum on information technology, and students playing video games, along with the comic "Detective Vance Marble," "Daydream," "Rainbow Rot" by Jim Drain, classifieds, dining hall menus, event notices, and other announcements.
Narrative As Genealogy, Larry Wendt
Narrative As Genealogy, Larry Wendt
SWITCH
This article outlines the lineage of text-sound compositions, and its relationship with and amongst other forms of communication. The term ‘text-sound composition’ was introduced by a collective of Swedish artists in the late 1960s. This chamber music society were known as, ‘The Language Group’ of Fylkingen. This article describes the birth of text-sound compositions as a result of this group of artists’ experimental literary works with a tape recorder, and delves into the development of the identity of these compositions within the art world. For instance, the first International Festival of Text-Sound Composition organized by Fylkingen in 1968 is brought …
Graduate Recital: Cain Budds, Guitar; February 22, 1998, Cain Budds
Graduate Recital: Cain Budds, Guitar; February 22, 1998, Cain Budds
School of Music Programs
Kemp Recital Hall
Sunday Afternoon
February 22, 1998
3:00 p.m.
Mass, February 20, 1998, School Of Music
Mass, February 20, 1998, School Of Music
School of Music Programs
Wesley United Methodist Church
Bloomington, Illinois
Friday Evening
February 20, 1998
7:00 p.m.
Senior Recital: Elizabeth Thompson, Cello, Department Of Music, University Of Richmond
Senior Recital: Elizabeth Thompson, Cello, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
James Wilson, Cello, And Joanne Kong, Piano, With Jennifer Cable, Soprano, And Yiwen Jiang, Violin, Department Of Music, University Of Richmond
James Wilson, Cello, And Joanne Kong, Piano, With Jennifer Cable, Soprano, And Yiwen Jiang, Violin, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Tuesday Student Recital, February 17, 1998, School Of Music
Tuesday Student Recital, February 17, 1998, School Of Music
School of Music Programs
Kemp Recital Hall
Tuesday Afternoon
February 17, 1997
2:00 p.m.
Ensemble Concerts: Symphonic Winds, February 15, 1998, Stephen K. Steele, Daniel J. Farris
Ensemble Concerts: Symphonic Winds, February 15, 1998, Stephen K. Steele, Daniel J. Farris
School of Music Programs
Normal Community West High School Auditorium
Sunday
February 15, 1998
7:00 p.m.
1998 Illinois State University Trombone Workshop: Bradley W. Edwards, Trombone; February 14, 1998, Bradley W. Edwards
1998 Illinois State University Trombone Workshop: Bradley W. Edwards, Trombone; February 14, 1998, Bradley W. Edwards
School of Music Programs
Kemp Recital Hall
Saturday Morning
February 14, 1998
11:30 a.m.
State Of Illinois Jazz Invitational, February 14, 1998, School Of Music
State Of Illinois Jazz Invitational, February 14, 1998, School Of Music
School of Music Programs
Illinois State University Braden Auditorium
Saturday
February 14, 1998
Ensemble Concerts:The Illinois State University Trombone Choir, February 14, 1998, Stephen Parsons, Carl Fontana
Ensemble Concerts:The Illinois State University Trombone Choir, February 14, 1998, Stephen Parsons, Carl Fontana
School of Music Programs
Kemp Recital Hall
Saturday Afternoon
February 14, 1998
2:00 p.m.
Collegium Novum, February 10, 1998, School Of Music
Collegium Novum, February 10, 1998, School Of Music
School of Music Programs
Kemp Recital Hall
Tuesday Evening
February 10, 1998
8:00 p.m.
Los Angeles Guitar Quartet, Department Of Music, University Of Richmond
Los Angeles Guitar Quartet, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
University Of Akron 10th Annual Band Clinic Concert (Feb 9, 1998), Robert D. Jorgensen
University Of Akron 10th Annual Band Clinic Concert (Feb 9, 1998), Robert D. Jorgensen
Selected Programs of Robert D. Jorgensen
10th annual clinic with local high school bands. Mr. Jorgensen conducted the Symphonic Band.
Freshman Recital: Kori Mcgartland, Flute; February 9, 1998, Kori Mcgartland
Freshman Recital: Kori Mcgartland, Flute; February 9, 1998, Kori Mcgartland
School of Music Programs
Kemp Recital Hall
Sunday Afternoon
February 8, 1998
3:00 p.m.
Highlights In Jazz Concert 205- Highlights In Jazz 25th Anniversary Gala, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 205- Highlights In Jazz 25th Anniversary Gala, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Pace Downtown Theater, Thursday, February 5th, 1998 at 8:00 pm in cooperation with Pace University Performing Arts, Dr. Nicholas Catalano- University Director. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Stanley Turrentine, Sherrie Maricle, Kei Akagi, Dave Stryker, James King, Jerry Jones, Tanya Darby, and Ray Barretto.
James River Brass, Department Of Music, University Of Richmond
James River Brass, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Faculty Recital: Ricard Trio, February 2, 1988, School Of Music
Faculty Recital: Ricard Trio, February 2, 1988, School Of Music
School of Music Programs
Kemp Recital Hall
Tuesday Evening
February 2, 1999
8:00 p.m.
Susan Becker, Piano, Department Of Music, University Of Richmond
Susan Becker, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Illinois State University Faculty Brass Quintet: Amy Gilreath, Trumpet; Tara Nogle, Trumpet; Joe Neisler, Horn; Steve Parsons, Trombone; David Zerkel, Tuba; January 30, 1998, Amy Gilreath, Tara Nogle, Joe Neisler, Steve Parsons, David Zerkel
Illinois State University Faculty Brass Quintet: Amy Gilreath, Trumpet; Tara Nogle, Trumpet; Joe Neisler, Horn; Steve Parsons, Trombone; David Zerkel, Tuba; January 30, 1998, Amy Gilreath, Tara Nogle, Joe Neisler, Steve Parsons, David Zerkel
School of Music Programs
Apollo Theater
Friday Afternoon
January 30, 1998
12:30 p.m.
Recital: Vocal Area, January 29, 1998, School Of Music
Recital: Vocal Area, January 29, 1998, School Of Music
School of Music Programs
Kemp Recital Hall
Thursday Afternoon
January 29, 1998
1:00 pm
Ensemble Concerts: Illinois State University Symphony Orchestra, January 29, 1998, Glenn Block, Gregory Hamilton
Ensemble Concerts: Illinois State University Symphony Orchestra, January 29, 1998, Glenn Block, Gregory Hamilton
School of Music Programs
Annual IMEA Inservice Conference
Peoria Civic Theater Peoria, Illinois
January 29, 1998
8:00 p.m.
Mixed Media January 27, 1998, Students Of Risd, Risd Archives
Mixed Media January 27, 1998, Students Of Risd, Risd Archives
All Student Newspapers
Mixed Media began as the student publication Your Name Here. The January 27, 1998 issue includes articles on a columnist's quest for cheap beer, the RISD party scene, how RISD funds its operations, Spring courses related to art and nature, scholarship opportunities, Kristen Mahon and the show "Swans Crossing," renovation of the ISB, and political apathy at RISD, along with the comic "Buckshot Bill" by Ron Janson and "A Real American Hero," event notices, and other announcements.
Who Makes Electronic Music?: Vocalists, Composers, Gender And Electronic Music Technology, Hannah Bosma
Who Makes Electronic Music?: Vocalists, Composers, Gender And Electronic Music Technology, Hannah Bosma
SWITCH
An analysis on how electronic sound technology has altered the roles of the composer and the vocalist. By foregrounding timbre and making permanent the sound of the vocal performance, recorded sound and electronic music have the potential to impact the balance of power between the traditionally male composer and the female vocalist. The article refers to various singers and composers such as La Barbara, Diamanda Galas, and Laurie Anderson to demonstrate the potential impact of sound recordings to alter these gender dynamics. Despite this, the author forewarns against technological determinism and mentions countervailing forces which privilege the work of the …
Richard Lerman At New Langton Arts April 8, 1996, Douglas Quin
Richard Lerman At New Langton Arts April 8, 1996, Douglas Quin
SWITCH
On April 8, 1996, New Langton Arts in San Francisco held a mini-retrospective of Richard Lerman’s work. The event took place in conjunction with the recent Soundculture ’96 Festival. Lerman describes the retrospective’s theme as follows: “All this work has evolved from my explorations using piezo disks to amplify small sounds.” Lerman’s most recent video and stereo sound piece, 'Sonoran Desert Ants' (1996) challenges the shifting in perspective of humans, pairs the sounds of small feet and mechanically transmitted vocalizations with an equally close-up shot of the ants. The soundscapes are made up of the voices of specific and detailed …
Audible Terrain: A Day Of Soundculture, Jeremiah Moore
Audible Terrain: A Day Of Soundculture, Jeremiah Moore
SWITCH
This article discusses the panning of the SoundCulture festival held in 1996 in San Francisco. The festival featured 64 events, including performances, panel sessions, radio broadcasts and receptions for gallery shows. The event also featured 17 installations and gallery works. The article describes the festival as the “third trans-pacific festival of sonic art and contemporary sound practice." The production of the event is described as a “decentralized cooperative model for the funding of large cultural events” and the review praises the “diverse variety of viewpoints, aesthetic styles” of the participants. The review describes Ann Wettrich's "Aviary Commute", a composition invites …
Questions Concerning Music Technology: From Heidegger's View To Feenberg's Subversive Rationalization, Agostino Di Scipio
Questions Concerning Music Technology: From Heidegger's View To Feenberg's Subversive Rationalization, Agostino Di Scipio
SWITCH
An analysis on Martin Heidegger’s perspective on heretical notion of music technology vs. Andrew Feenberg’s instance of subversive rationalization. Heidegger believes that technology should be external to the artist’s work. He furthers this notion by stating that tEchne is crucial to understanding technology. The article that explains Heidegger's perspective is concluded with an explanation of free relations to technology. Scipio questions Heidegger’s arguments by proposing a few counter arguments to Heidegger. The article explains Feenberg’s notion of technological determinism and subversive rationalization. Scipio then compares and contrasts Feenberg and Heidegger and provides his perspective on technological determinism and subversive rationalization. …
The Shanghai Quartet With Yolanda Kondonassis, Harp, And Claire Bloom, Department Of Music, University Of Richmond
The Shanghai Quartet With Yolanda Kondonassis, Harp, And Claire Bloom, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.