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Articles 571 - 600 of 609
Full-Text Articles in Music
An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding
An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding
LSU Doctoral Dissertations
American composer Daron Aric Hagen (b. 1961) is emerging as one of America's brightest young composers of the twenty-first century. Ned Rorem, the champion of American art song, believes Hagen to be a composer of great ability and skill. This study deals with the miniature folk opera Dear Youth (1990) which is composed of eight songs for soprano, piano, and flute. The songs are "The Bonnie Blue Flag" (Ketchum), "I Stop Again" (Ropes), "The Picture Graved Into My Heart" (Ropes), "The Trouble Was Tom..." (Anonymous), "The Lord Knows" (Smith), "O, for Such a Dream" (Smith), "Christmas Night" (Ingram), and "...Silently …
Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon
Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon
LSU Doctoral Dissertations
Part One of this document provides an analytical study of Schoenberg's final opus, Op. 50, three religious choral works written in the serial style: Driemal Tausend Jahre, Op. 50a (1949), De Profundis, Op. 50b (1950), and Modern Psalm, Op. 50c (1951). This study is divided into five chapters: an introduction, a conclusion, and a chapter of analysis for each of the three pieces. Analysis of these pieces reveals three significant conclusions: 1) Schoenberg consistently incorporates areas of relative consonance and pitch emphasis into his serial structures; 2) these areas of pitch emphasis, together with other musical devices are used to …
"The Neumeister Collection Of Chorale Preludes Of The Bach Circle": An Examination Of The Chorale Preludes Of J. S. Bach And Their Usage As Service Music And Pedagogical Works, Sara Ann Jones
LSU Doctoral Dissertations
One of the most significant discoveries of the twentieth century was the finding of an unpublished compendium of German Baroque keyboard music in 1982 in the archives of the John Herrick Music Library, Yale University, by musicologists Christoph Wolff and Hans-Joachim Schultz and Yale University librarian Harold E. Samuel. The collection, which was entitled LM 4708: THE NEUMEISTER COLLECTION OF CHORALE PRELUDES OF THE BACH CIRCLE, contains eighty-two previously unknown chorale preludes by several prominent German Baroque organists including Johann Pachelbel (1653-1706), Johann Michael Bach (1648-1694), Johann Christoph Bach (1642-1703), and Johann Sebastian Bach (1658-1750). Historically, it is an important …
A Model For Evaluation Of Selected Compositions For Unaccompanied Solo Trumpet According To Criteria Of Serious Artistic Merit, Michael Craig Bellinger
A Model For Evaluation Of Selected Compositions For Unaccompanied Solo Trumpet According To Criteria Of Serious Artistic Merit, Michael Craig Bellinger
LSU Doctoral Dissertations
This document presents a pilot study for evaluating the serious artistic merit of unaccompanied solo trumpet literature. The model for use in the study was derived from the efforts of two wind band literature researchers, Acton E. Ostling, Jr. and Jay W. Gilbert. Ostling wrote his dissertation in 1978 and Gilbert replicated and updated the research in 1993. The primary element of the Ostling and Gilbert studies was a carefully defined collection of ten criteria used to evaluate the quality of each work. A 5-point Likert scale was the unit of measurement. The outcome of this adaptation was a rank …
Piano Teaching Philosophies And Influences On Pianism At The Central Conservatory Of Music In Beijing, China, Chi Lin
LSU Doctoral Dissertations
The Central Conservatory of Music (CCOM) is considered the best music institute in China and represents the highest level of music education in China. Since the founding of the CCOM in 1950, its piano department has been a national center for teaching, performance and research. The CCOM has trained hundreds of pianists; many of them are now key members of music schools, art organizations, and research institutes all over China and some of them have won prizes at major international competitions. Through fifty years of efforts by Chinese pianists and the influences of foreign pianists, especially Russian pianists, the CCOM …
A Stylistic And Analytical Study Of Concerto No.2 For Piano And Orchestra, Op.33, By Lee Hoiby, Ji-Won Mun
A Stylistic And Analytical Study Of Concerto No.2 For Piano And Orchestra, Op.33, By Lee Hoiby, Ji-Won Mun
LSU Doctoral Dissertations
Lee Hoiby’s Concerto No. 2 for Piano and Orchestra, Op. 33, completed in 1980, is a welcome addition to the piano concerto repertory. The concerto was first performed June 6, 1980, in Chicago by Lee Hoiby with the American Chamber Symphony conducted by Robert Frisbie. This concerto contains the usual three movements and reflects many stylistic traits of late Romantic music. The purpose of this paper is to provide a stylistic and analytical examination of Lee Hoiby’s Concerto No. 2 for Piano and Orchestra, Op.33. The paper is organized into three chapters. The first chapter includes biographical information about Hoiby, …
Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith
Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith
LSU Doctoral Dissertations
The music composed to accompany the film in Berg’s Opera Lulu--the “Film Music Interlude” (FMI)--is the subject of this study. Although this is film music, and Berg wrote his own Film Music Scenario, scholars have ignored writings about film theory and film music in their historical and analytical treatments of the FMI. How do writings about film theory and film music apply to the analysis and exploration of historical and social contexts of the FMI, and what musical and extramusical intentions and extensions can be drawn from the FMI? Some answers come to light while exploring sources containing Berg’s correspondence …
Rediscovering Frédéric Chopin's "Trois Nouvelles Études", Qiao-Shuang Xian
Rediscovering Frédéric Chopin's "Trois Nouvelles Études", Qiao-Shuang Xian
LSU Doctoral Dissertations
Frédéric Chopin’s Trois Nouvelles Études (Three New Études) were composed in 1839 at the request of François Fétis and Ignaz Moshceles for inclusion in a new and elaborate piano teaching method. While these new studies are less dramatic and brilliant than Chopin’s two previous sets of Études, op. 10 and 25, they are no less concerned with expressive musical qualities and they are of equal artistic merit to any of Chopin’s earlier Études. The monograph’s five chapters deal with specific aspects of these works. Chapter One traces the historical background of the Three Nouvelles Études. Chapter Two is devoted to …
A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán
A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán
LSU Doctoral Dissertations
This catalogue presents 146 twentieth-century Spanish composers with 219 pieces for cello and piano. Pieces collected in this catalogue are largely original works for cello and piano. However, a few pieces in which the arrangement has been made by the composer or under the composer's supervision have been included. Some foreign composers working in Spain for many years have also been included. The body contains the entries by the composer's last name in alphabetical order. Each entry will include as much information as possible within the following guide: complete name and dates of the composer, complete title of the piece, …
"Los Motz E.L So": Words Melody, And Their Interaction In The Songs Of Folquet De Marseille, Nancy Ellen Washer
"Los Motz E.L So": Words Melody, And Their Interaction In The Songs Of Folquet De Marseille, Nancy Ellen Washer
LSU Doctoral Dissertations
Although the poems of the troubadours have been extensively studied almost since they were first composed and the troubadours themselves indicate that they tried to create interactions between the melodies and the words, the melodies and the interactions between the poems and melodies in the complete songs have been examined much less intensively. In this dissertation I delve into the songs of the late twelfth-century troubadour Folquet de Marseille whose thirteen songs surviving with their melodies provide a varied collection of a suitable size to permit intensive analysis of poetic and musical compositional practices and the interactions between the two. …
Concerto For Trumpet And Orchestra, Matthew Scott Schaffner
Concerto For Trumpet And Orchestra, Matthew Scott Schaffner
LSU Master's Theses
Concerto for Trumpet and Orchestra (2002) is a three-movement composition for orchestra and solo trumpet. Each movement has a prominent theme, although there are themes that pervade the entire composition. The main element in the work is a two-note rhythmic statement. This two-note statement unifies the piece. Another prominent idea is a pitch collection of three consecutive minor seconds and their inversions. The first movement, Incipience, begins with a slow foreshadowing of the work’s main themes. Following the introduction is a quick fanfare that leads back to the opening material. A trumpet cadenza develops from the introductory ideas, which leads …
The Effects Of Internet Guided Practice With Aural Modeling On The Sight-Singing Accuracy Of Elementary Education Majors, Jessica L. Hall
The Effects Of Internet Guided Practice With Aural Modeling On The Sight-Singing Accuracy Of Elementary Education Majors, Jessica L. Hall
LSU Master's Theses
The purpose of this study was to determine the effectiveness of aural modeling in guided practice through the Internet on the sight-singing improvement of elementary education majors. Students enrolled in a music methods course for elementary education majors (N=37) used software delivered via the Internet to practice sight-singing. The experimental web page included visual examples of sight-singing exercises as well as aural modeling of each of the exercises. The control web page included only visual examples. A t test for independent samples indicated no significant difference in the posttest scores of the two groups in rhythm (p > .05), pitch on …
Aspects Of Jazz And Classical Music In David N. Baker's Ethnic Variations On A Theme Of Paganini, Heather Koren Pinson
Aspects Of Jazz And Classical Music In David N. Baker's Ethnic Variations On A Theme Of Paganini, Heather Koren Pinson
LSU Master's Theses
David Baker's Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term "third stream." In regard to classical aspects, Baker's work is modeled on Nicolo Paganini's Twenty-fourth Caprice for Solo Violin, itself a theme and variations. From Paganini,it borrows aspects of melody, harmony, and articulation, not only of the theme but also the variations. In regard to jazz, Baker transforms most variations (including the theme, which in comparison to Paganini's is already a variation) into distinct styles related …
The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez
The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez
LSU Doctoral Dissertations
Manuel Quiroga Losada (1892-1961), violinist, composer, and artist, was one of the foremost figures of the first half of the 20th century. This study tries to bring to light his musical legacy, a long overdue task. Until now, all attempts to rediscover the figure of Quiroga have centered mainly on his career as a violinist, his recordings or his paintings, however not on his compositions. This document is an inventory of the forty-four pieces for violin solo, violin and piano, and violin and orchestra written by Quiroga. Manuel Quiroga mainly wrote for the violin in the form of short pieces …
Paradise: In A Dream, Jonathan Beresford Horrocks
Paradise: In A Dream, Jonathan Beresford Horrocks
LSU Master's Theses
Paradise: In a Dream is a poem by Christina Rossetti, which is based on a dream the author had of heaven. It was my goal to give this masterpiece a musical dimension: expanding its meaning and giving the experience dramatic implications. The harmonic language and tensions come from the words of the poem. I used progressive tonality to tie the twentieth-century musical element to the romantic idiom of the poem. There are two important musical themes. The “song of Paradise” theme is Schubertian and dance-like, appearing for the first time before the second verse (meas. 32). The theme of earthly …
A Performer's Guide To Theatrical Elements In Selected Trombone Literature, Cason Austin Duke
A Performer's Guide To Theatrical Elements In Selected Trombone Literature, Cason Austin Duke
LSU Major Papers
In the last forty years, many new solo and chamber pieces have been written for the trombone which involve elements of a theatrical nature, including lighting, make-up, costume, stage direction, dialogue/narration, sound effects, props, and audience interaction. It is difficult for a trombonist searching for music to discern a piece's theatrical nature by its listing in most catalogs. This document has attempted to solve that problem by gathering pieces that share these elements into an annotated collection. Nearly 200 pieces were discovered through contacts made with individual trombonists, composers, and publishers around the world. Of these, over sixty were acquired …
Baroque Transcriptions For Tuba, Todd Cranson
Jacques Offenbach’S Les Contes D’Hoffmann: Hoffmann’S Journey To His Art, Julie Ann Powell
Jacques Offenbach’S Les Contes D’Hoffmann: Hoffmann’S Journey To His Art, Julie Ann Powell
Honors Capstones
No abstract provided.
Autumn Leaves: The Improvisation Styles Of Oscar Peterson, Bill Evans, And Wynton Kelly, Stephen Wayne Archer
Autumn Leaves: The Improvisation Styles Of Oscar Peterson, Bill Evans, And Wynton Kelly, Stephen Wayne Archer
Honors Capstones
No abstract provided.
A Tenor-Clef Reader For The Bassoonist., John A. Bivins
A Tenor-Clef Reader For The Bassoonist., John A. Bivins
LSU Historical Dissertations and Theses
No abstract provided.
The Six Schuebler Chorales: A Performing Edition. A Comparative Study Of The Cantatas From Which They Were Transcribed., Paul Edward Dunbar
The Six Schuebler Chorales: A Performing Edition. A Comparative Study Of The Cantatas From Which They Were Transcribed., Paul Edward Dunbar
LSU Historical Dissertations and Theses
No abstract provided.
The Influence Of Gouge And Shape On Pitch And Tone Quality Of The Oboe., Mark Stephen Ostoich
The Influence Of Gouge And Shape On Pitch And Tone Quality Of The Oboe., Mark Stephen Ostoich
LSU Historical Dissertations and Theses
No abstract provided.
A Comparison Of Contemporary Components Used In Selected Twentieth-Century Flute Etude Material., Constance Grambling Lane
A Comparison Of Contemporary Components Used In Selected Twentieth-Century Flute Etude Material., Constance Grambling Lane
LSU Historical Dissertations and Theses
No abstract provided.
Symphony No. 1., William R. Boyd
Symphony No. 1., William R. Boyd
LSU Historical Dissertations and Theses
No abstract provided.
A Study Of A. E. Blackmar And Brother, Music Publishers, Of New Orleans, Louisiana, And Augusta, Georgia: With A Check List Of Imprints In Louisiana Collections, Paul Richard Powell
A Study Of A. E. Blackmar And Brother, Music Publishers, Of New Orleans, Louisiana, And Augusta, Georgia: With A Check List Of Imprints In Louisiana Collections, Paul Richard Powell
LSU Historical Dissertations and Theses
For three decades, 1858-1888, A. E. Blackmar of New Orleans, Louisiana, was one of the leading music publishers in the South. During the Civil War he published more titles than any other Confederate music publisher, operating both from New Orleans and also from Augusta, Georgia. After the war, Blackmar engaged in a number of unsuccessful partnerships but continued to publish music until his death in 1888. He also established business in New York and San Francisco for brief periods. It was primarily as a Confederate music publisher that A. E. Blackmar made his greatest contribution to American sheet music publishing. …
Motivic Unity In Selected Character Pieces By Johannes Brahms., Janet Sitges Martin
Motivic Unity In Selected Character Pieces By Johannes Brahms., Janet Sitges Martin
LSU Historical Dissertations and Theses
No abstract provided.
"Through A Glass Darkly," For Soloists, Double Chorus And Orchestra., Esther M. Clark Olin
"Through A Glass Darkly," For Soloists, Double Chorus And Orchestra., Esther M. Clark Olin
LSU Historical Dissertations and Theses
No abstract provided.
Geometries For Orchestra., William Ronald Clemmons
Geometries For Orchestra., William Ronald Clemmons
LSU Historical Dissertations and Theses
No abstract provided.
Music Publishing In New Orleans In The Nineteenth Century, Peggy C. Boudreaux
Music Publishing In New Orleans In The Nineteenth Century, Peggy C. Boudreaux
LSU Historical Dissertations and Theses
New Orleans was, in the nineteenth century, a cultural center without equal in the South. As such it supported many businesses closely connected to music. This study is focused upon music publication in New Orleans in the nineteenth century. Included are a history of the major establishments operating throughout the century and a survey of extant music published by these firms. In Chapter I, are included introductory material and a brief survey of the major music publishers of New Orleans. In Chapters II, III, and IV, the activities of three important publishers from the first half of the century are …
An Investigation Of The Effects Of Supralaryngeal Adjustments To Clarinet Tones., Wildon John Shinn
An Investigation Of The Effects Of Supralaryngeal Adjustments To Clarinet Tones., Wildon John Shinn
LSU Historical Dissertations and Theses
No abstract provided.