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Articles 541 - 570 of 609
Full-Text Articles in Music
A Study Of The Quintet For Piano And Strings By Richard Danielpour, Myung Jin Kuh
A Study Of The Quintet For Piano And Strings By Richard Danielpour, Myung Jin Kuh
LSU Doctoral Dissertations
Richard Danielpour is recognized as one of the most successful and acclaimed composers today. His music is often described as neo-romantic: full of grand gestures, highly accessible, brilliantly orchestrated, and rhythmically powerful and exciting. His music is based on the traditions of European classical music; however, it also combines the American vernacular of the 20th century, including jazz, rock, and pop music. His special interests in metaphysics and non-Western culture, especially Zen Buddhism, are also reflected in his compositions. This study examines Danielpour’s Quintet for Piano and Strings, written in 1988. The work consists of three movements with the descriptive …
An Analysis Of György Ligeti's Nonsense Madrigals, Dennis Malfatti
An Analysis Of György Ligeti's Nonsense Madrigals, Dennis Malfatti
LSU Doctoral Dissertations
While other contemporary composers have written works called madrigals, Ligeti's Nonsense Madrigals are truly unique as exemplified by the myriad of influences that went into their creation, the technical challenges of their performance, and in the aesthetic result, one which is incomparable to most musical compositions past or present including works by Ligeti himself. Ligeti’s compositional style in these works include the parodying of compositional techniques from the 14th century as well as the rhythmic provocativeness of jazz. The use of parody in these works is compatible with Ligeti’s choice of texts which includes literary parodies by Lewis Carroll. In …
A Historical Approach To Training The Vocal Registers: Can Ancient Practice Foster Contemporary Results?, Taylor Lee Ferranti
A Historical Approach To Training The Vocal Registers: Can Ancient Practice Foster Contemporary Results?, Taylor Lee Ferranti
LSU Doctoral Dissertations
A review of the extant vocal literature containing the writings of Tosi, Mancini, and García, shows that the topic of vocal registration appeared to be at the core of their training procedures. The essence of their vocal instruction centered around how the registers coordinated, separated, and developed to form the functional basis of a sound technique. However, of all the topics that encompass historical pedagogy, none will confound the diligent voice teacher more than the topic of vocal registers. For this reason, contemporary pedagogy has developed certain methodologies that appear to be at odds with the historical approach to training …
An Introduction For The Singer To The Solo Vocal Works Of Nigel Butterley With Particular Emphasis On His Works Between 1976 And 2003, Alison Rosemary Mccubbin
An Introduction For The Singer To The Solo Vocal Works Of Nigel Butterley With Particular Emphasis On His Works Between 1976 And 2003, Alison Rosemary Mccubbin
LSU Major Papers
For years, Australian composer Nigel Butterley (b.1935 ) has composed a variety of types of composition for voice which are little-known outside of Australia, but which nonetheless merit consideration and performance. This dissertation is an effort to introduce more performers to his work, and to facilitate future performances of it. Central to any performance of his works is an understanding of his desire to integrate the poetic and textual structures of the original pieces into his own musical setting of those pieces, and in so doing to highlight the themes of the originals. Performers can gain insight into the significance …
The Influence Of Bulgarian Folk Music On Petar Christoskov's Suites And Rhapsodies For Solo Violin, Blagomira Paskaleva Lipari
The Influence Of Bulgarian Folk Music On Petar Christoskov's Suites And Rhapsodies For Solo Violin, Blagomira Paskaleva Lipari
LSU Major Papers
Petar Christoskov, born in 1917 in Sofia, is among the most prolific of Bulgarian violinists, pedagogues and composers of the twentieth century. Christoskov’s Suites and Rhapsodies for solo violin represent both an internal evolution of Bulgarian music and an incorporation of the Bulgarian musical tradition into the larger world music scene. Bulgaria’s folk musical tradition was routinely infused and enriched over the course of the late 19th and 20th centuries. Christoskov’s efforts were presaged and made possible by a host of earlier composers and performers. But the evolution of the Bulgarian style was also shaped by larger historical trends and …
An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price
An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price
LSU Doctoral Dissertations
Part one of this dissertation is an original composition, Symphony No. 1, Pollock. It uses as a conceptual impetus the abstract expressionism of Jackson Pollock’s paintings from the 1950’s. It employs the following instrumentation: (2-2-2-2, 4-3-3-1, 3 percussion, piano, harp, and strings). The work is composed in one movement, which is divided into four major sections (A-B-A/C-B) that are distinct from each other with respect to style and tempo. The first major section of the composition serves as a slow introduction. The second major section serves as a contrast and is based conceptually on Pollock’s abstract works and formally on …
A Basic Interpretative Analysis Of Instrumental Music Education Majors' Approaches To Score Study In Varying Musical Contexts, Jeremy S. Lane
A Basic Interpretative Analysis Of Instrumental Music Education Majors' Approaches To Score Study In Varying Musical Contexts, Jeremy S. Lane
LSU Doctoral Dissertations
The purposes of this qualitative study were to 1) provide a holistic description of procedures used by undergraduate instrumental music education majors (N = 21) in music score study tasks; 2) examine relationships among these procedures and their use in varying musical contexts; 3) examine relationships among score study tendencies, education level, and overall musical ability; and 4) provide general comparisons of undergraduate music education majors’ score study procedures and those implied by expert conductors’ major disciplinary ways of thinking. Each subject participated in two one-on-one interview sessions with the investigator. During each session, subjects “thought out loud” as they …
Compelled To Compose: An Introduction To The Life And Music Of Paul Basler , With A Conductor's Analysis Of Missa Kenya, Gary Packwood
Compelled To Compose: An Introduction To The Life And Music Of Paul Basler , With A Conductor's Analysis Of Missa Kenya, Gary Packwood
LSU Doctoral Dissertations
The choral literature of Paul Basler and his style are relatively unexplored. While his style is not readily identifiable, particular characteristics can be understood in their appropriate genres and cultural contexts. The compositional style of Missa Kenya features great variety, incorporating twentieth century American ‘classical’ techniques, and those based solely on indigenous tradition. This document focuses on the life, influences, and music of Paul Basler, with particular attention to his composition, Missa Kenya. A conductor’s analysis and interpretational suggestions are also provided. Several interviews were conducted by email and in person with Paul Basler, and Ronald Burrichter, the conductor for …
The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh
The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh
LSU Doctoral Dissertations
Fela Sowande (1905-1987) has a huge compositional output including orchestral and vocal works. However, his organ music outnumbered the totality of his compositions. His organ pieces represent a truly intercultural music in which distinct tripartite cultural idioms are evident—Nigerian, African American and European. Works of this nature serve as creative source materials for aspiring composers, performers, scholars, music educators, and students in Africa and the world. This composer, folklorist, and music educator was born into a well-known music family in Nigeria. He was active in radio broadcasting, Yoruba folklore and mythology, indigenous music research, Nigerian art music, performance, orchestral conducting, …
Effects Of Practice Strategies, Metronome Use, Meter, Hand, And Musical Function On Dual-Staved Piano Performance Accuracy And Practice Time Usage Of Undergraduate, Melody A. Hanberry
Effects Of Practice Strategies, Metronome Use, Meter, Hand, And Musical Function On Dual-Staved Piano Performance Accuracy And Practice Time Usage Of Undergraduate, Melody A. Hanberry
LSU Doctoral Dissertations
The purposes of this study were: 1) To assess the effects of practice strategies, metronome, meter, hand, and musical function on piano performance accuracy of undergraduate music majors enrolled in piano class (N=39), and 2) To assess the effects of practice strategies on practice time relative to two unfamiliar pieces of keyboard music. Throughout an eight-week training session, treatment subjects were provided strategies for practicing unfamiliar pieces of keyboard music and were allowed time in class to apply the strategies while practicing. Strategies included score analysis, isolating hand position shifts, practicing unfamiliar chords, practicing measures with accidentals, and using the …
The Style Of Meditation: A Conductor's Analysis Of Selected Motets By Rihards Dubra, Kevin Doyle Smith
The Style Of Meditation: A Conductor's Analysis Of Selected Motets By Rihards Dubra, Kevin Doyle Smith
LSU Doctoral Dissertations
Born in Riga, the capital of Latvia, on February 28, 1964, Rihards Dubra is one of the emerging composers of the great Baltic choral tradition. The scope of this research is to provide an introduction to the Latvian composer's music and a conductor's analysis of selected Latin motets. Works to be examined include: Salve Regina (1992) SSAATTBB Gloria patri (1992) SSAATTBB Oculus non vidit (1993) SSATTB Ave Maria (1994) SSAATTB Veni sancte Spiritus (1994) SATB Rorate caeli (1996) SSAATB (with ST soli) Veni Creator Spiritus (1998) SATB Magnificat (2000) SSATB The research is divided into three chapters. The first …
A Performer's Guide To Virgil Thomson's Five Songs From William Blake, Andrew David Whitfield
A Performer's Guide To Virgil Thomson's Five Songs From William Blake, Andrew David Whitfield
LSU Doctoral Dissertations
Though perhaps his most well-known vocal works might be his operas, Four Saints in Three Acts and The Mother of Us All, American composer Virgil Thomson (1896-1989) did write nearly seventy songs for voice and piano, including several important song cycles. One of these cycles, the Five Songs from William Blake, represents an impressive composition for the baritone voice. Unfortunately, much of the previous scholarship about Thomson did not award these Blake songs adequate attention, nor was it able to draw upon many of the primary sources about Thomson’s life and work that are now available. The purpose of this …
Genre, Influence, And Form In Schoenberg’S Suite For Piano, Op. 25., Thomas Kang
Genre, Influence, And Form In Schoenberg’S Suite For Piano, Op. 25., Thomas Kang
Honors Capstones
No abstract provided.
A Structured Content Analysis Of Five Contemporary Etude Books For The Violin, Michael Kim Buckles
A Structured Content Analysis Of Five Contemporary Etude Books For The Violin, Michael Kim Buckles
LSU Doctoral Dissertations
The use of etudes has long been a time-honored device in developing, shaping, and expanding the technical skills of the violinist. Certain etude books, most notably those by Kreutzer, Rode, and Dont, have become standard. Yet, these classic etude books prove to be insufficient for the preparation of atonal, contemporary literature. Individual accounts by violin scholars and pedagogues indicate that there is a major void in contemporary etude literature for the violin, yet when the totality of what violin scholars and pedagogues have written over time is considered, it appears by numbers alone that no void exists today. While certainly …
Miriam Gideon's Cantata, The Habitable Earth: A Conductor's Analysis, Stella Panayotova Bonilla
Miriam Gideon's Cantata, The Habitable Earth: A Conductor's Analysis, Stella Panayotova Bonilla
LSU Major Papers
American composer Miriam Gideon (1906-1996) is highly recognized for her vocal chamber music and her contribution to the Jewish Synagogue service. Her musical style has been described as both lyrical and expressionistic, highly engaging, with strong prevalence of dissonance and chromaticism. This study examines Miriam Gideon's cantata The Habitable Earth from a conductor's point of view. Its purpose is to increase familiarity with the work among choral musicians. The study offers detailed analysis and suggestions for performance procedures, which may also be used for understanding other twentieth century choral works. Chapter One provides biographical information with concentration on Gideon's musical …
Erwin Schulhoff (1884-1942) - A Brief History: Examination Of The Sonata For Violin And Piano (Wv91), Eka Gogichashvili
Erwin Schulhoff (1884-1942) - A Brief History: Examination Of The Sonata For Violin And Piano (Wv91), Eka Gogichashvili
LSU Major Papers
On March 15, 1939, Germany, also known as The Third Reich, invaded Czechoslovakia in what has historically been recognized as a precipitating event leading to the beginning of World War II. The Third Reich, as the aggressor, expanded its efforts from Germany to remove all Jewish People and Jewish influences from Europe. In order to accomplish this objective, the Third Reich built concentration camps as containment centers for the Jewish people. These containment camps were extermination centers with locations at: Treblinka, Belzec, Auschwitz-Birkenau, Wülzburg, Sobibor and other locations. Another of these containment centers was Theresienstadt, which was converted into a …
The Role Of Turkish Percussion In The History And Development Of The Orchestral Percussion Section, D. Doran Bugg
The Role Of Turkish Percussion In The History And Development Of The Orchestral Percussion Section, D. Doran Bugg
LSU Major Papers
The fascination of eighteenth century Western composers with the Eastern percussion instruments of the Turks was the impetus behind the initial use of percussion instruments in the orchestra. Consequently, the era beginning in the late eighteenth-century when percussion instruments were first included deserves reexamination. The objectives of this monograph include the examination of the manner in which composers first utilized Turkish percussion (excluding kettledrums) in the orchestra. This study then investigates the subsequent history of these instruments and manner in which composers utilized them, leading to their recognition as musical instruments in their own right. The findings of this study …
Frank Ferko's The Hildegard Motets: A Conductor's Preparatory Guide, David Neil Childs
Frank Ferko's The Hildegard Motets: A Conductor's Preparatory Guide, David Neil Childs
LSU Doctoral Dissertations
The music of Hildegard of Bingen has received much attention from Frank Ferko in the past decade, but his interest in the medieval mystic has not stopped there. At the heart of his intense affection for her music are the wonderful visions she expressed through this particular medium, but also through her vivid, and at times, abstruse, poetry. His Hildegard Organ Cycle (1996), a set of ten symphonic meditations on the visions from De operatione Det, and his Missa O Ecclesia: Communion (1999), are both examples of instrumental works that bear direct reference to the twelfth-century abbess' writings. The Hildegard …
An Old Form Newly Clothed: Exploration And Conductor's Analyses Of Morten Lauridsen's Madrigali: Six "Fire-Songs" On Italian Renaissance Poems, C. Leonard Raybon, Jr.
An Old Form Newly Clothed: Exploration And Conductor's Analyses Of Morten Lauridsen's Madrigali: Six "Fire-Songs" On Italian Renaissance Poems, C. Leonard Raybon, Jr.
LSU Doctoral Dissertations
Madrigali: Six “Fire-Songs” on Italian Renaissance Poems, by Morten Lauridsen, was written for the University of Southern California Chamber Singers and published in 1987. The cycle has enjoyed much success. It has been recorded commercially six times and has been heard at the prestigious American Choral Directors Association Conventions. However, until now, sixteen years after the cycle’s composition, a much-deserved, comprehensive assessment of the cycle has not been attempted. The cycle is a set of six Italian Renaissance poems that involve the image of fire as an element of Romantic love. This metaphor was often used by the highly emotional …
The Solo Style Of Jazz Clarinetist Johnny Dodds: 1923 - 1938, Patricia A. Martin
The Solo Style Of Jazz Clarinetist Johnny Dodds: 1923 - 1938, Patricia A. Martin
LSU Doctoral Dissertations
The purpose of this study is to explore the personality, background, influence and playing style of Johnny Dodds (1892-1940), a New Orleans jazz clarinetist. Jazz is an art form that has been passed down aurally for over a hundred years. Although the development of jazz and the performers who played it have been the subject for numerous jazz historians, there are still scant resources available for a musician to learn jazz clarinet style. The ease with which a musician can emulate an early jazz clarinetist depends on the amount of time devoted to listening and emulating whatever recordings are available. …
The Correlation Between College Students' Familiarity With Potentially Offensive Popular Music And Self-Reported Tolerance Of Obscene Language And Sexual Behavior, Harry Emons Martin
The Correlation Between College Students' Familiarity With Potentially Offensive Popular Music And Self-Reported Tolerance Of Obscene Language And Sexual Behavior, Harry Emons Martin
LSU Master's Theses
This study's purpose was to examine the correlations among popular music preference, sexual behavior tolerance, and potentially obscene language usage. Subjects (N = 81) were college freshmen over the age of 18 who graduated from high school in 2001. They were drawn from one section each of a Music Appreciation course (non-music majors) and an Introduction to Music Study course (music majors). The top 20 songs from the October 27, 2001 Billboard Magazine's Top 100 charts were analyzed for occurrences of potentially offensive words and whole lines of lyrics containing sexual references. Subjects responded to a 4-part questionnaire. In part …
Matthaeus Pipelare's "Fors Seulement Chanson (Ii)" And Its Related Motet And Mass Performance Editions And Commentary, George H. Black, Jr.
Matthaeus Pipelare's "Fors Seulement Chanson (Ii)" And Its Related Motet And Mass Performance Editions And Commentary, George H. Black, Jr.
LSU Doctoral Dissertations
Matthaeus Pipelare was a composer from the southern Netherlands who flourished in the late fifteenth and early sixteenth centuries. Except for the little more than two years he spent as choirmaster for the Confraternity associated with the Cathedral of St. John in 's Hertogenbosch, located in Northern Brabant, almost nothing is known of his professional or personal life. Yet writers of the period hailed his skill and placed him in the same company as such well-known composers as Josquin, la Rue, Brumel, and Isaac. A small but excellent body of the composer's works survive in manuscripts and early prints housed …
A Performer's Guide To Multimedia Compositions For Clarinet And Visuals: A Tutorial Focusing On Works By Joel Chabade, Merrill Ellis, William O. Smith, And Reynold Weidenaar., Mary Alice Druhan
LSU Major Papers
The clarinetist of today is challenged by advancements in contemporary music and technology. In addition to the difficulties with contemporary clarinet techniques and with the onset of electronic music, multimedia compositions from the last forty years have presented an additional obstacle: the visual element. This written document provides a concise historical perspective of multimedia compositions utilizing clarinet and a tutorial focusing on the preparation of four multimedia works. A catalog of multimedia compositions for clarinet with visuals is included to provide information about literature and availability. This document contains an historical essay, summarizing developments in technology and changes in music …
The Use Of The Cornet In The Operettas Of Gilbert And Sullivan, John Christopher Schuesselin
The Use Of The Cornet In The Operettas Of Gilbert And Sullivan, John Christopher Schuesselin
LSU Major Papers
In this project the cornet parts in the operettas of Gilbert and Sullivan are examined. First the cornet parts of Gilbert and Sullivan are compared to another composer of operetta, Jacques Offenbach, as well as a composer of opera, Giacomo Puccini. Next, the most important passages for cornet from the works of Gilbert and Sullivan are selected. They are grouped into three main categories: fanfare passages, section passages, and soloistic passages. Following each example are comments regarding context (what is taking place on stage and text) as well as performance suggestions (details concerning balance, phrasing, and orchestration). Appendix A contains …
A Performance Edition Of The Opera Kaspar Der Fagottist By Wenzel Müller (1767-1835), As Arranged For Harmonie By Georg Druschetzky (1745-1819), Susan Nita Barber
A Performance Edition Of The Opera Kaspar Der Fagottist By Wenzel Müller (1767-1835), As Arranged For Harmonie By Georg Druschetzky (1745-1819), Susan Nita Barber
LSU Doctoral Dissertations
This document contains a score of the opera transcription for Harmonie that has been compiled from a manuscript collection currently in the holdings of the Helikon Castle Museum Library in Keszthely, Hungary (H KE 0/117) and arranged by Georg Druschetzky, Bohemian-born oboist and regimental drummer, who spent the major portion of his career working in the small geographical area of Bratislava, Vienna and Budapest. The most significant portion of this collection is extracted from Müller's opera Kaspar der Fagottist. This constitutes the last 15 arias found in Druschetzky's arranged collection of 42 Arias mentioned previously. Included is a presentation of …
A Study And An Approach To Historical Performance Practices In The French Baroque Based On François Couperin's Treiziéme Concert À 2 Instrumens À L'Unisson, James Jeffery Womack
A Study And An Approach To Historical Performance Practices In The French Baroque Based On François Couperin's Treiziéme Concert À 2 Instrumens À L'Unisson, James Jeffery Womack
LSU Doctoral Dissertations
The purpose of this document is to examine and explain historical performance practices as applicable to the Treiziéme Concert à 2 instrumens à L’unisson of Fran çois Couperin. It provides an in depth look at the written and unwritten traditions of tempo, articulation, phrasing, ornamentation, and the use of in égal. Meant as a guide for players of the modern bassoon, this monograph guides the reader through the aspects of performance practice listed above and their application to that instrument. This document contains an introductory chapter and a biographical chapter. The remaining chapters explain the components of historical performance practice …
Developing A Four-Mallet Marimba Technique Featuring The Alternation Of Mallets In Each Hand For Linear Passages And The Application Of This Technique To Transcriptions Of Selected Keyboard Works By J.S. Bach, Thomas Allen Zirkle
LSU Doctoral Dissertations
The goal of this study is to develop a four-mallet marimba technique that utilizes alternation within each hand on linear passages, then apply this technique to selected keyboard works of J. S. Bach. This paper provides a method of training the hands for this type of alternation and will hypothesize a conception of hand positions as a method of facing the visual/spatial logistics issues of marimba performance. A performance annotation chapter will then apply the alternation sticking, and its resultant positional concepts, to three new transcriptions of J. S. Bach's inventions and a prelude and fugue from his Well-Tempered Clavier …
The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez
The Works Of Manuel Quiroga: A Catalogue, Ana Luque Fernandez
LSU Doctoral Dissertations
Manuel Quiroga Losada (1892-1961), violinist, composer, and artist, was one of the foremost figures of the first half of the 20th century. This study tries to bring to light his musical legacy, a long overdue task. Until now, all attempts to rediscover the figure of Quiroga have centered mainly on his career as a violinist, his recordings or his paintings, however not on his compositions. This document is an inventory of the forty-four pieces for violin solo, violin and piano, and violin and orchestra written by Quiroga. Manuel Quiroga mainly wrote for the violin in the form of short pieces …
An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding
An Introduction To American Song Composer Daron Aric Hagen (B.1961) And His Miniature Folk Opera: Dear Youth, Jane Mccalla Redding
LSU Doctoral Dissertations
American composer Daron Aric Hagen (b. 1961) is emerging as one of America's brightest young composers of the twenty-first century. Ned Rorem, the champion of American art song, believes Hagen to be a composer of great ability and skill. This study deals with the miniature folk opera Dear Youth (1990) which is composed of eight songs for soprano, piano, and flute. The songs are "The Bonnie Blue Flag" (Ketchum), "I Stop Again" (Ropes), "The Picture Graved Into My Heart" (Ropes), "The Trouble Was Tom..." (Anonymous), "The Lord Knows" (Smith), "O, for Such a Dream" (Smith), "Christmas Night" (Ingram), and "...Silently …
Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith
Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith
LSU Doctoral Dissertations
The music composed to accompany the film in Berg’s Opera Lulu--the “Film Music Interlude” (FMI)--is the subject of this study. Although this is film music, and Berg wrote his own Film Music Scenario, scholars have ignored writings about film theory and film music in their historical and analytical treatments of the FMI. How do writings about film theory and film music apply to the analysis and exploration of historical and social contexts of the FMI, and what musical and extramusical intentions and extensions can be drawn from the FMI? Some answers come to light while exploring sources containing Berg’s correspondence …