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Articles 451 - 480 of 609
Full-Text Articles in Music
Wavelets As A Tool For Musical Analysis, Daniel Guillot
Wavelets As A Tool For Musical Analysis, Daniel Guillot
Honors Capstones
No abstract provided.
Isang Yun And His Selected Cello Works, Jee Yeoun Ko
Isang Yun And His Selected Cello Works, Jee Yeoun Ko
LSU Doctoral Dissertations
Isang Yun was born in Duksan, in Korea, in 1917, and became one of the leading Korean composers in Germany in the twentieth-century. IsangYun’s Music is frequently performed throughout the world even after his death. His name as a composer was recognized as a mediator of East Asian and Western musical traditions. This thesis will discuss his involvement in political issues during the Japanese occupation in Korea in addition to the background of his controversial extreme penalty and the strong support he received from the North Korean government after his release. The discussion will also include the reconciliation between Isang …
A Performer's Guide To Libby Larsen's: Try Me, Good King : Last Words Of The Wives Of Henry Viii, Angela R. Day
A Performer's Guide To Libby Larsen's: Try Me, Good King : Last Words Of The Wives Of Henry Viii, Angela R. Day
LSU Doctoral Dissertations
American composer Libby Larsen has created works in many musical genres. Larsen’s vocal music recordings have featured well-known performers such as Arleen Augér, for which Larsen won a Grammy as producer. Her vocal music employs texts from various sources including Nursery Rhymes and the Bible, as well as numerous others. Larsen works solely on commission, and in 2000 Larsen was approached by the Marilyn Horne Foundation to compose a group of songs for Metropolitan Opera competition winner, soprano Meaghan Miller. Larsen had always been interested in the wives of Henry VIII and the commission request finally gave her the opportunity …
A Symphonic Poem On Dante's Inferno And A Study On Karlheinz Stockhausen And His Effect On The Trumpet, Michael Joseph Berthelot
A Symphonic Poem On Dante's Inferno And A Study On Karlheinz Stockhausen And His Effect On The Trumpet, Michael Joseph Berthelot
LSU Doctoral Dissertations
The first portion of this dissertation is an original composition A Symphonic Poem on Dante’s Inferno. This symphonic poem is in three movements: I. The Dream, depicts Dante falling asleep and describes the beginning of the Inferno, II. The Journey, depicts Virgil and Dante walking towards the Gates of Hell, III. Hell’s Depths; explores Hell’s Gates, the Souls of Limbo and the Nine Circles of Hell. Dante realizes at the age of thirty-five that he has wandered into the Dark Wood of Error. As soon as he realizes his loss, Dante lifts his eyes and sees the first light, lighting …
Sound Frames, Maira Cimbleris
Sound Frames, Maira Cimbleris
LSU Master's Theses
Sound Frames is a one movement piece for orchestra. Its formal structure is free. As the title demonstrates, each section of this composition is “framed” side by side with the next one. The piece is organized in a non-traditional way, with contrasting sections one being followed by another and occasionally they are recollected throughout the work. The music of the well known 20th Century composer György Ligeti was the primary inspiration for this composition, specially his “Zehn Stücke Für Bläserquintett”. One of the techniques used in the first movement of this Ligeti’s work is the disguising of the beat using …
The Mise En Scène Of Rossini's Le Siège De Corinthe And The Conventions Of Staging At The Paris Opéra In The 1820s, Tina Huettenrauch
The Mise En Scène Of Rossini's Le Siège De Corinthe And The Conventions Of Staging At The Paris Opéra In The 1820s, Tina Huettenrauch
LSU Master's Theses
Shortly before 1800, the publication of livrets de mise en scène, short manuals including information regarding costumes, set designs, and blocking (i.e., the movement of characters on stage), became increasingly popular in France. While theater scholars (Gösta M. Bergman, Marvin Carlson, Hellmuth Christian Wolff) have recognized the value of these documents for the history of staging (and blocking in particular), musicologists have tended to focus on their impact on visual aspects and realization of drama. Those who have looked at staging (H. Robert Cohen, Rebecca S. Wilberg, M. Elizabeth C. Bartlet) have largely ignored the period prior to 1827, …
Night, Nick Hwang
Night, Nick Hwang
LSU Master's Theses
Night is a work in 2 movements, each depicting different aspects or qualities of night. Several instruments are given solo roles to depict the many parts of a night, from the wind, stars, moon, and the individual observing the night. The first movement, an introduction and prelude, brings forth elements of the overwork. These elements are later developed in the later movements. The second movement uses the solo clarinet as a character trying to escape an enveloping night. The dissonance and darkness seem overwhelming at points and pushing the clamorous clarinet to its extremes.
The Consensual Assessment Technique As A Measure Of Creativity In Children's Musical Compositions Motivated By Visual And Verbal Stimuli, Katie Elizabeth Toups
The Consensual Assessment Technique As A Measure Of Creativity In Children's Musical Compositions Motivated By Visual And Verbal Stimuli, Katie Elizabeth Toups
LSU Master's Theses
ABSTRACT The purposes of this study were: 1) To compare the relationship between the degrees of creativity shown in musical compositions of third grade students (N=163) when they were exposed to either a visual or verbal stimulus, and 2) to examine inter-judge reliability for creativity ratings using the Consensual Assessment Technique (CAT) with instrumental group compositions. Throughout a nine-week teaching unit, all subjects participated in regular music classes where they learned compositional techniques and concepts. They worked in small cooperative learning groups of 3 to 6 students throughout the unit to compose several “mini” compositions and two large-scale compositions. For …
"Shui Diao Ge Tou" From Poems Of The Sung Dynasty, Wennan Wang
"Shui Diao Ge Tou" From Poems Of The Sung Dynasty, Wennan Wang
LSU Master's Theses
“Shui Diao Ge Tou” from Poems of the Sung Dynasty is a piece for full orchestra. It was suggested by two poems of Su Dong Po. One is “Shui Diao Ge Tou”. The other one is “Jiang Chen Zi”. No movement of this piece has a fixed form, but the whole piece takes on the arch structure. The musical development is analogous to the texts of the poems, and the whole piece is controlled by two principal themes. They can first be found at measures 6 and 15. The materials of this work are drawn from the old traditional Chinese …
Analyses Of High School Band Students' And Directors' Perceptions Of Verbal And Nonverbal Teaching Behaviors, Jennifer A. Whitaker
Analyses Of High School Band Students' And Directors' Perceptions Of Verbal And Nonverbal Teaching Behaviors, Jennifer A. Whitaker
LSU Doctoral Dissertations
The purpose of this study was to document and explore the use and perception of verbal and nonverbal teaching behaviors of selected high school band directors. Participants were six successful high school band directors and members of their top-performing ensembles. Directors were videotaped during rehearsals. Videos were subsequently analyzed. Systematic observation data consisted of frequencies and percentages of conductor magnitude, filler use, and time spent on and off podium; frequency and time of each sequential pattern component; and instructional pacing. Directors and students viewed and rated video excerpts of their directors using 10-point Likert scales. Participants then completed a 22-item …
A Pedagogical Analysis Of Selected Pieces From Preludes, Op. 38, By Dmitri Kabalevsky, Sayaka Kanno
A Pedagogical Analysis Of Selected Pieces From Preludes, Op. 38, By Dmitri Kabalevsky, Sayaka Kanno
LSU Doctoral Dissertations
Dmitri Borisovich Kabalevsky (1904-1987) is considered one of the composers who made the greatest contribution to the teaching repertoire for the piano. His interest in young people and devotion to music education has resulted in books and articles, as well as widely used pedagogical works including Childrenfs Pieces, Op. 27, Twenty-Four Little Pieces, Op. 39, and Five Sets of Variation, Op. 51. Many teaching materials in beginning to early intermediate levels include Kabalevskyfs accessible and imaginative pieces from these collections. In comparison, his advanced works are rarely performed in concerts or used for teaching among educators.@@ This research focuses on …
The Effects Of Peer Teaching On Undergraduate Music Majors' Achievement And Attitude Toward Sight-Reading In The Group Piano Setting, Nancy Elizabeth Baker
The Effects Of Peer Teaching On Undergraduate Music Majors' Achievement And Attitude Toward Sight-Reading In The Group Piano Setting, Nancy Elizabeth Baker
LSU Doctoral Dissertations
The purposes of this study were: (1) to investigate the effects of peer teaching on students’ achievement in sight-reading at the piano, and (2) to determine whether peer teaching positively affected students’ attitude toward sight-reading at the piano. Participants were undergraduate music majors (N = 85) enrolled in the second or fourth semester of a four-semester group piano sequence. Participants completed a pretest and a posttest that consisted of a video-taped sight-reading performance and an attitudinal questionnaire. Control and experimental groups comprised the treatment groups for each level. Group Piano IV and Group Piano II participants in the experimental group …
Brahms's Ein Deutsches Requiem: Dialectic And The Chromatic Middleground, Patrick Tuck
Brahms's Ein Deutsches Requiem: Dialectic And The Chromatic Middleground, Patrick Tuck
LSU Doctoral Dissertations
Brahms’s Ein deutsches Requiem (1868) has been the focus of much scholarly research. The present study focuses specifically on the work’s dialectic: the presentation and resolution of a conflict between mortal suffering and eternal joy. It takes an Schenkerian approach to the tonal content of the piece, which provides a musical reflection of the human spiritual journey to the afterlife. It examines how Brahms brings his chosen texts to life with the aid of musical processes such as mixture, register transfer, coupling, covering lines, and contrasting textures. The present study will cite previous authors who have noted the opposing forces …
A Pedagogical Analysis Of Selected Pieces From Albumblätter, Op. 124, By Robert Schumann, Amanda Elizabeth Montgomery
A Pedagogical Analysis Of Selected Pieces From Albumblätter, Op. 124, By Robert Schumann, Amanda Elizabeth Montgomery
LSU Major Papers
Robert Schumann composed numerous pieces that are accessible to the intermediate piano student. In addition to his well-known Album für die Jugend, Op. 68, certain pieces from the Albumblätter, Op. 124 also provide excellent pedagogical material. Albumblätter is one of the last collections published during the composer’s life. The collection contains works written as early as 1832 and as late as 1845, spanning much of Schumann’s creative lifetime. He discarded several of the compositions from earlier sets, such as Carnaval Op. 9 and Kinderscenen Op. 15. Others were composed for a projected collection, XII Burle, which Schumann later abandoned. He …
The Selected Sacred Solo Vocal Motets Of Claudio Monteverdi Including Confitebor Tibi, Domine, Kimberly Ann Roberts
The Selected Sacred Solo Vocal Motets Of Claudio Monteverdi Including Confitebor Tibi, Domine, Kimberly Ann Roberts
LSU Major Papers
Claudio Monteverdi’s operas and madrigals, and their importance in the development of Western Music has been researched and discussed by many scholars. His sacred output, particularly the solo motets, is not as thoroughly researched. This study briefly explores Monteverdi’s life with emphasis on his sacred output, and discusses his development of text expression in the solo motets that echo the expressive progression found in his madrigals and operas. While focusing on three solo motets (two settings of Confitebor tibi, Domine and a setting of Currite, populi), this study traces the refinement of text expression and the development of stile concitato, …
An Analytical Approach To Vibraphone Performance Through The Transcription And Analysis Of Gary Burton's Solo On Blue Monk, Charles Bryant Brooks
An Analytical Approach To Vibraphone Performance Through The Transcription And Analysis Of Gary Burton's Solo On Blue Monk, Charles Bryant Brooks
LSU Major Papers
The purpose of this study is to gain a insight into the realm of solo jazz vibraphone performance through the transcription and analysis of Gary Burton's improvised solo on "Blue Monk" by Thelonious Monk, recorded on the Album Face to Face with pianist Makoto Ozone. Gary Burton is the inventor of the "Burton grip," a four-mallet grip used for vibraphone performance. His individual approach to playing the vibraphone and highly developed technique seem unattainable for many students of percussion. Nonetheless,many vibraphonists, including Burton, have published method books about his grip and its application. In order to emulate his style diligent …
Yardbird Cello: Adapting The Language Of Charlie Parker To The Cello Through Solo Transcription And Analysis, Kristin Isaacson
Yardbird Cello: Adapting The Language Of Charlie Parker To The Cello Through Solo Transcription And Analysis, Kristin Isaacson
LSU Doctoral Dissertations
This paper examines the musical and technical demands of adapting the bebop melodic language of saxophonist Charlie Parker to the cello. String players have tended to avoid this musical language due to its non-idiomatic nature. A staple of jazz performers' repertory however, bebop tunes remain standard works of study for any student of jazz improvisation. This paper examines the challenges for the cellist's left hand in playing Parker's melodies and improvisations. It also suggests possible bowing solutions that allow the player to emulate his articulation. Further, it examines issues of musical timing and various learning techniques for the application of …
The First Movement Of Bartók's Second String Quartet: Sonata Form And Pitch Organization, James N. Bennett
The First Movement Of Bartók's Second String Quartet: Sonata Form And Pitch Organization, James N. Bennett
LSU Master's Theses
The moderato of Bartók's Second String Quartet is a lucid and eloquent sonata form that conforms rhetorically to sonata-form norms of the eighteenth century. This thesis will fully delineate the form and analyze the extent to which it conforms to these norms. In order to precisely place the movement in context, the Sonata Theory of James Hepokoski and Warren Darcy and William E. Caplin's system of formal functions will be employed. In addition, the movement's Grundgestalt will be identified, and motivic connections between it and the other thematic materials will be revealed. Bartók's pitch organization, while non-traditional, also aids in …
A Taxonomy Of The Effects And Affects Of Surface-Level Metric Dissonance, Jennifer Rae Shirley
A Taxonomy Of The Effects And Affects Of Surface-Level Metric Dissonance, Jennifer Rae Shirley
LSU Master's Theses
In his book, Fantasy Pieces, Harald Krebs presents a taxonomy of metric dissonance that lays a foundation for further study. The system that Krebs presents leaves ample opportunity to answer the following questions: Do metric dissonances that are labeled the same way have the same function in their musical context? What is the role of listening in the categorization of metric dissonance? While many theorists, including Richard Cohn, Walter Frisch, and Yonatan Malin, have provided valuable insights to the realm of metric dissonance, their work focuses mainly on hypermeter, large-scale formal implications, or specific analyses. In light of the above …
University Of Pennsylvania Ms Codex 436: A Description And Analysis Of Contents, Jeannette Di Bernardo Jones
University Of Pennsylvania Ms Codex 436: A Description And Analysis Of Contents, Jeannette Di Bernardo Jones
LSU Master's Theses
The University of Pennsylvania Ms. Codex 436, an Italian manuscript dated 1682, is a handbook containing alphabets, linguistic treatises, a computus for calculating the date of Easter, mathematical tables, and rules for music theory and singing the liturgy. The manuscript's contents make it possible to identify the compiler as a student; the contents, along with their mode of presentation and the manuscript's general appearance, make it possible to situate him within the culture of humanism and more specifically within book culture in the transition from manuscript to print. The contents indicate who the compiler is in terms of his social …
The Apologia Of Franchino Gafurio: A Critical Edition And Translation, Patrick Joseph Kaufman
The Apologia Of Franchino Gafurio: A Critical Edition And Translation, Patrick Joseph Kaufman
LSU Master's Theses
Franchino Gafurio’s Apologia (Turin, 1520) is one musical treatise in a series of works that constituted the famous “pamphlet war” between he and Giovanni Spataro. The dispute originated with the publication of Bartholomeo Ramis de Pareia’s Musica practica (Bologna, 1482). Unconventional and unapologetically critical, Ramis rejected venerated musical traditions in an attempt to align music theory with contemporary music practice. He opposed the Pythagorean division of the monochord and Guidonian solmization syllables, and instead proposed a division which produced pure thirds, and a solmization system based on the octave. His iconoclastic proposals and his highly sarcastic tone called forth a …
John Mackey: The Composer, His Compositional Style And A Conductor's Analysis Of Redline Tango And Turbine, Rebecca L. Phillips
John Mackey: The Composer, His Compositional Style And A Conductor's Analysis Of Redline Tango And Turbine, Rebecca L. Phillips
LSU Doctoral Dissertations
The purpose of this monograph is to present the first formal analysis of John Mackey and his music. Through substantive firsthand interaction with the composer, this document details Mackey’s unique compositional development through computer-based learning and includes a conductor’s analysis of Redline Tango and Turbine. Mackey’s compositional style includes simplistic forms using melodies and harmonies that do not readily demonstrate the difficulties conductors and performers may find within his well-crafted compositions. Mackey’s work emphasizes the element of rhythm and his orchestration typically utilizes the conventional instrumentation for wind ensemble with prominence placed on percussion. Redline Tango has been awarded two …
Quintet For Two Violins, Viola, Cello And Piano, And String Quartet No. 1 By Lazar Nikolov, Alexandra Dotcheva
Quintet For Two Violins, Viola, Cello And Piano, And String Quartet No. 1 By Lazar Nikolov, Alexandra Dotcheva
LSU Doctoral Dissertations
Lazar Nikolov (1922-2005) was a representative of the so-called third generation of Bulgarian composers. Together with his closest friend, composer and conductor Konstantin Iliev, Nikolov founded the postwar avant garde in Bulgaria. He was among the first composers in Eastern Europe to abandon the influence of musical folklore and employ non-tonal techniques. Shortly before graduating from the State Academy of Music in 1946, Nikolov felt that the masters from the previous two generations had already used all the successful means to incorporate neo-Romantic features and Bulgarian folk material into art music. He was perceptive enough to recognize the danger of …
The Formation Of A Style: Selected Early Works By Hugo Wolf, Jure Rozman
The Formation Of A Style: Selected Early Works By Hugo Wolf, Jure Rozman
LSU Doctoral Dissertations
Hugo Wolf’s (1860–1903) most pronounced talent was in marrying music and poetry in novel ways, which is clearly demonstrated by his more than 240 art songs. In his early years Wolf composed a series of works for piano solo, published for the first time in 1974 by the Musikwissenschaftlicher Verlag in Vienna. This paper explores these and other formative works in detail, focusing on music-theoretical issues, but also placing them in historical context by means of a brief biography which includes recent discoveries regarding Wolf’s Slovene lineage.
Narratives In Music: Schelmo, Hebraic Rhapsody For Cello And Orchestra, Asu Perihan Karadut
Narratives In Music: Schelmo, Hebraic Rhapsody For Cello And Orchestra, Asu Perihan Karadut
LSU Doctoral Dissertations
Born in July 1880, in Geneva, Switzerland, Ernest Bloch became one of the leading composers of the 20th century. He wrote series of works, which he called “The Jewish Cycle.” They represented a new, distinctive musical language, in which Bloch combined eastern and western music traits. Schelomo, Hebraic Rhapsody for Cello and Orchestra (1915-16) was the last composition from the cycle. It showed mastery of a style Bloch had been developing since his earlier compositions. This project will show Schelomo’s place in “The Jewish Cycle” and its importance on Bloch’s departure from the popular trends of the early 20th century. …
A Conductor's Theoretical And Performance Analysis Of Nicholas Maw's "American Games" For Symphonic Wind Ensemble, Adam Corey Spurlin
A Conductor's Theoretical And Performance Analysis Of Nicholas Maw's "American Games" For Symphonic Wind Ensemble, Adam Corey Spurlin
LSU Doctoral Dissertations
The purpose of this document is to provide information pertaining to the instrumental music of the living British composer Nicholas Maw and a detailed analysis of American Games, his only work for symphonic wind ensemble. The document is divided into four chapters, the first of which contains introductory, biographical, and repertoire information. Chapter Two explores Maw’s primary influences and provides a description of his late instrumental style, including references to three orchestral works completed in the last twenty years (Odyssey, Violin Concerto, and Dance Scenes). The third chapter includes pertinent historical information on American Games paired with a detailed theoretical …
African Art Music For Flute: A Study Of Selected Works By African Composers, Wendy Kristin Hymes Onovwerosuoke
African Art Music For Flute: A Study Of Selected Works By African Composers, Wendy Kristin Hymes Onovwerosuoke
LSU Doctoral Dissertations
Recent years have witnessed an increase in the number of Western classical music performers actively programming works employing multi-cultural musical idioms. Though there exist many compositions by African composers, African art music is not often programmed by Western performers because of the lack of exposure these compositions have received, lack of commercially-available recordings, and the difficulties of obtaining information about African musical styles. The information presented in this research aims to aid performers in their preparation and approach to performing African art music compositions, specifically those for the western flute. This research includes biographical information and compositional philosophies of five …
An Original Composition, Galleria Armonica, Theme And Variations For Piano, Harpsichord, Harp And Orchestra And A Comparative Study Between The Pedagogical Methodologies Of Arnold Schoenberg And Nadia Boulanger Regarding Training The Composer, Barrett Ashley Johnson
LSU Doctoral Dissertations
Part one of this dissertation is an original music composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord, Harp and Orchestra in fantasia variation form. The orchestra is divided into four groups: Strings (8/8/6/6/4), Winds (2/2/2/2/), Brass (4/3/3/1), and Percussion (Percussion I: Celesta, Timpani, Vibraphone, & Snare Drum; Percussion II: Suspended Cymbal, Orchestra Bells, Tam-Tam; Percussion III: Bass Drum, Side Drum, Triangle, & Tam-Tam.) Each solo instrument (Piano, Harpsichord & Harp) is physically associated with a specified group: Piano with Brass; Harpsichord with Strings: Harp with Winds, thus three primary groups. The percussion is employed as a crossover, unifying ensemble. …
Judith Weir's King Harald's Saga: Innovations Of Character And Virtuosity In Contemporary Opera, Kelly Fiona Lynch
Judith Weir's King Harald's Saga: Innovations Of Character And Virtuosity In Contemporary Opera, Kelly Fiona Lynch
LSU Major Papers
In 1979, Scottish-born composer Judith Weir wrote King Harald’s Saga for the soprano Jane Manning. Although an opera in three acts, the cast consists of one performer unaccompanied, interpreting various characters, including the protagonist, King Harald, two of his wives, and the entire Norwegian Army. The opera presented in its entirety is ten minutes in duration. The scope of this paper is intended to assist the performer as well as those who are interested in contemporary opera. I have provided a brief overview of Weir’s compositional style in opera, chamber opera and song. As King Harald’s Saga was Weir’s first …
A Performer's Guide To Ross Lee Finney's Song Cycle Chamber Music, Joseph Charles Perniciaro
A Performer's Guide To Ross Lee Finney's Song Cycle Chamber Music, Joseph Charles Perniciaro
LSU Major Papers
Ross Lee Finney (1906-1997), significant American composer and pedagogue, published five works for solo voice and piano within his catalogue of genres and styles. Though composed in 1951, Finney’s setting of Chamber Music, to James Joyce’s texts by the same title, remained unpublished until 1985. This song cycle, Finney’s last published solo vocal work, will be the focus of this document and subsequent lecture recital. The purpose of this study will be to examine seventeen of the thirty-six songs from the cycle and provide performance suggestions. The written document is comprised of five chapters: Chapter One provides biographical information and …