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Full-Text Articles in Music

"Chromatic Fantasy Sonata" By Davide Brubeck, Vasil Atanasov Cvetkov Jan 2010

"Chromatic Fantasy Sonata" By Davide Brubeck, Vasil Atanasov Cvetkov

LSU Doctoral Dissertations

Dave Brubeck (b. 1920) is best known as a jazz composer, pianist, and bandleader, but he has also composed dozens of works that reach beyond the realm of jazz. His Chromatic Fantasy Sonata represents a milestone in his compositional activity, artfully fusing elements from European art music and the American jazz idiom. The work's subtitle ("inspired by J. S. Bach") makes clear the influence of the Baroque master, but gives no hint of the thoroughgoing jazz influences Brubeck also included in the piece. The Chromatic Fantasy Sonata was originally commissioned in 1988 by the chamber group An die Musik (oboe, …


An Overview Of The Choral Music Of Michael Mcglynn With A Conductor's Preparatory Guide To His Celtic Mass, Karen Marrolli Jan 2010

An Overview Of The Choral Music Of Michael Mcglynn With A Conductor's Preparatory Guide To His Celtic Mass, Karen Marrolli

LSU Doctoral Dissertations

Michael McGlynn, Irish composer and director of the choral group Anúna, is a fresh and engaging voice in the world of choral music. This paper delves into the sacred and secular works of Michael McGlynn to yield a clearer understanding of the style of this unique composer and the performance issues inherent in McGlynn’s Celtic Mass, an extended work for chorus, strings, harp, and percussion. Correspondence with the composer and examination of a representative cross section of his works revealed a number of influences, from Medieval music to the traditional music of McGlynn’s Irish homeland. McGlynn’s compositions range from chant …


Tuba Solo Discography: A Comprehensive Guide To Solo Literature Recordings Released On Compact Disc, Brian Gallion Jan 2010

Tuba Solo Discography: A Comprehensive Guide To Solo Literature Recordings Released On Compact Disc, Brian Gallion

LSU Doctoral Dissertations

This monograph provides a comprehensive discography of solo tuba works publicly released on compact disc. It is intended to aid tuba students, teachers, professionals, amateurs, and other enthusiasts in their search for recordings of solo literature. The project encompasses recordings released between 1982 (the year compact discs were invented) and the present. While previous attempts to catalogue tuba recordings have been made by other authors, those documents have certain limitations which this project corrects. Included in this discography are 317 total recordings, 145 of which were not included in any previous attempt. Of these 145, at least sixty-three were released …


Sofia Gubaidulina: Chaconne For Solo Piano In The Context Of Her Life And Work, Kadisha Onalbayeva-Coleman Jan 2010

Sofia Gubaidulina: Chaconne For Solo Piano In The Context Of Her Life And Work, Kadisha Onalbayeva-Coleman

LSU Doctoral Dissertations

This study examines the selected: Sofia Gubaidulina: Chaconne for Solo Piano in The Context of Her Life and Work. The first chapter provides a brief biography of Sofia Gubaidulina and an overview of her most important compositions. Chapter Two contains an overview of the solo piano works of Gubaidulina. Chapter Three examines the selected piano composition Chaconne from a formal and stylistic perspective.


Bioluminescence, Zachary Pfeifer Jan 2010

Bioluminescence, Zachary Pfeifer

LSU Master's Theses

The ability of certain animals to create natural light is called bioluminescence. This ability is found throughout the world in various biomes but is most common in the deep ocean, in layers of dark water that remain untouched by the sun’s rays. One way Bioluminescence attempts to convey light moving though the depths is by assigning bright passages to instruments that are easily heard over light accompanying textures or are sometimes featured in solos or duets. The soprano saxophone and vibraphone are the two most common examples of this. Bioluminescence is written in the tradition of an orchestral tone poem, …


The Effect Of Directed Attention Score Study Procedures On Music Majors' Error Detection In Three-Part Instrumental Music, Amanda Lynn Schlegel Jan 2010

The Effect Of Directed Attention Score Study Procedures On Music Majors' Error Detection In Three-Part Instrumental Music, Amanda Lynn Schlegel

LSU Doctoral Dissertations

The purpose of this study was to determine the effects of directing participant (N = 60) attention to one voice in three-part homophonic and polyphonic instrumental music on music majors’ detection of pitch and rhythm errors. Directed attention participants studied one voice prior to studying the entire score through either visual or aural methods. Visual group participants (n = 20) studied the voice of directed attention (VDA), which was color highlighted, in silence. Aural group participants (n = 20) studied the VDA in a three-phase treatment: sight-singing the VDA, using a piano and their own singing to correct any errors …


Symphony #2 And A Critical Appraisal Of Helmut Lachenmann's Writings And Music, Jeffrey Lipscomb Jan 2010

Symphony #2 And A Critical Appraisal Of Helmut Lachenmann's Writings And Music, Jeffrey Lipscomb

LSU Doctoral Dissertations

The first portion of this dissertation is an original composition: Symphony No. 2. This serial work attempts to use both tempo and texture as compositionally viable parameters, along with pitch and rhythm. The piece is divided into four uninterrupted movements. The first movement establishes a pointillist texture as a reference sound for the entire work, which transforms into a rapid toccata section. The two middle movements, an aria and an intermezzo, both use traditional melody-harmony formats. The toccata texture returns at the beginning of the last movement before transforming and ending pointillistically. The second portion of this dissertation is a …


A Survey And Guide To The Most Frequently Programmed Lieder In The Undergraduate Studios Of Selected Major Music Institutions In The United States, Joseph Christopher Turner Jan 2010

A Survey And Guide To The Most Frequently Programmed Lieder In The Undergraduate Studios Of Selected Major Music Institutions In The United States, Joseph Christopher Turner

LSU Doctoral Dissertations

Among the many challenges faced by the new collegiate voice teacher is the assigning of appropriate music literature. There are numerous published guides to aid in this area, but they vary greatly. Some provide large amounts of literature and very little information, while others give more information but deal with a predetermined set of songs. What if the young teacher knew the core literature being used by veteran voice teachers from around the country? In order to address this problem, information was gathered from eight major music institutions chosen by a survey of voice faculty at Louisiana State University. At …


A Performer's Guide To Jake Heggie's "The Deepest Desire: Four Meditations On Love", Alanna Keenan Jan 2009

A Performer's Guide To Jake Heggie's "The Deepest Desire: Four Meditations On Love", Alanna Keenan

LSU Doctoral Dissertations

American composer Jake Heggie (b. 1961) gained recognition in 2000 with the premiere of his first opera Dead Man Walking. The success of this musical composition led to subsequent commissions from opera companies across the United States. In 2007, Heggie’s most recent opera, Four Decembers, premiered at the Houston Grand Opera. Heggie is currently working on another opera, Moby Dick, for the Dallas Opera and it is scheduled to premiere in 2010. Although much attention has been given to his operatic compositions, Heggie has also achieved critical success for his songs and song cycles. In 2002, Heggie’s song cycle The …


A Performer's Guide To Oskar Morawetz' From The Diary Of Anne Frank, Jami Rhodes Jan 2009

A Performer's Guide To Oskar Morawetz' From The Diary Of Anne Frank, Jami Rhodes

LSU Doctoral Dissertations

The primary purpose of this document is to provide a comprehensive performer’s guide to Oskar Morawetz’ From the Diary of Anne Frank. Born in Czechoslovakia in 1914, Jewish composer Oskar Morawetz fled Europe and Hitler’s advancing forces shortly before the start of World War II. He arrived in Canada in 1940 where he established himself as a leading composer. In order to avoid revisiting the associated pain of past tragedy, Morawetz did not read the diary of holocaust victim, Anne Frank until 1967. When he did, he was deeply moved and knew immediately he would set a portion of it …


A Performer's Analysis Of Isang Yun's Monolog For Bassoon With An Emphasis On The Role Of Traditional Korean Influences, Laura Hauser Jan 2009

A Performer's Analysis Of Isang Yun's Monolog For Bassoon With An Emphasis On The Role Of Traditional Korean Influences, Laura Hauser

LSU Doctoral Dissertations

Korean born Isang Yun (1917-1995) was a highly successful composer of Western avant-garde music who infused traditional Korean elements in works composed in a Western musical context. This monograph discusses the use of traditional Korean musical style and performance practices in Isang Yun's Monolog for bassoon, his only solo work for this instrument. Yun draws on a wide variety of East Asian elements for inspiration; from traditional Korean musical stylistic components, genres, and instruments, to Taoist and Buddhist religious philosophy. The Monolog for bassoon exemplifies Yun’s application of East Asian elements in his compositions and is a work growing in …


Herminie A Performer's Guide To Hector Berlioz's Prix De Rome Cantata, Rosella Lucille Ewing Jan 2009

Herminie A Performer's Guide To Hector Berlioz's Prix De Rome Cantata, Rosella Lucille Ewing

LSU Doctoral Dissertations

Herminie (1828) is a secular cantata which Hector Berlioz composed for the Prix de Rome competition on a libretto by Pierre-Ange Vieillard de Boismartin. This document begins by placing the composition of Herminie within the biographical context of Berlioz’s life and musical output. It outlines the early education of Berlioz and discusses significant individuals and events which influenced his compositional style, as well as the rules, prizes, and expectations of the Prix de Rome competition. A discussion of the cantata libretto follows, including a comparison with the source of the text, the poem Gerusalemme liberata. Included in this discussion is …


An Analysis Of The Historical And Biographical Influences On The Music Of Francis Poulenc As Portrayed In His Les Soirées De Nazelles, Gay K. Grosz Jan 2009

An Analysis Of The Historical And Biographical Influences On The Music Of Francis Poulenc As Portrayed In His Les Soirées De Nazelles, Gay K. Grosz

LSU Doctoral Dissertations

As a composer, Francis Poulenc has been under-appreciated and overlooked by many contemporary performers and teachers. Poulenc wrote music from his heart, paying little heed to formal systems or musical fashions of his day. In matters of harmony, he was content to use conventional chromatic harmony, but in a manner uniquely his own. Poulenc’s compositions always reflected his personality and Les Soirées de Nazelles is no exception. The many facets of Poulenc’s personality cannot be separated from his music and they contribute to its wit and charm. This document is an examination of Poulenc’s background, personality, and influences, and how …


All My Pretty Ones By Stephen Paulus; A Song Cycle For Soprano And Piano On A Text By Michael Dennis Browne, Emily Grundstad Hall Jan 2009

All My Pretty Ones By Stephen Paulus; A Song Cycle For Soprano And Piano On A Text By Michael Dennis Browne, Emily Grundstad Hall

LSU Doctoral Dissertations

Stephen Paulus (b. 1949) is emerging as one of America’s accomplished composers for the voice. He is skilled in writing sensitively for the demands of the solo voice and is becoming known as an important contributor to the genre with approximately 50 art songs, 12 song cycles as well as 10 operas and 250 choral pieces. This paper will discuss the song cycle, All My Pretty Ones, for soprano and piano, which was published in 1984 with a text by Michael Dennis Browne. The cycle was Paulus and Browne’s first collaboration and since its conception the two have continued to …


The Effect Of Participation In Performing Ensembles On Listening Practices Of Adolescents, Katie Kalota Jan 2009

The Effect Of Participation In Performing Ensembles On Listening Practices Of Adolescents, Katie Kalota

LSU Master's Theses

The purpose of this study was to investigate the effect of participation in performing ensembles on listening practices of adolescents. Specifically, this study looked at whether the focus of choral students while listening to music was more on the lyrics and their meaning and if the focus of band students was more on the instruments in comparison with each other and students enrolled in general music classes. A secondary interest of this study was to uncover the listening preferences of adolescents. Middle school students enrolled in band, choir, or general music classes (N = 23) served as participants. Students were …


The Pasquale Amato Correspondence At Louisiana State University, Sarah Wells Kaufman Jan 2009

The Pasquale Amato Correspondence At Louisiana State University, Sarah Wells Kaufman

LSU Master's Theses

Italian baritone Pasquale Amato (1878-1942), who sang at the Metropolitan Opera in New York from 1908–1921, was regarded by critics and colleagues as a leading baritone of the early twentieth-century. Amato appeared in several United States and world premieres, most notably as Jack Rance in Giacomo Pucinni’s La fanciulla del West (1910), and often performed alongside Enrico Caruso. After leaving the Met in 1921 and touring Europe until 1926, Amato returned to the United States. His struggle to find substantial work eventually led to his pursuing teaching. In 1935, having secured a position as director of the opera department at …


The Direction We Grow, Reid Willis Jan 2009

The Direction We Grow, Reid Willis

LSU Master's Theses

The Direction We Grow is a composition for orchestra, solo soprano, and choir. It is a summation of the compositional knowledge I’ve accumulated throughout my undergraduate and graduate programs at LSU. The piece reflects my compositional style, which is characterized by rich melody and complex rhythm. With sweeping melodic motives, climactic builds, and percussive coloration, the piece incorporates characteristics of the Classical, Romantic, and Impressionistic musical periods. The piece is palindromic in structure. It builds upon a simple, celestial one-note motive and introduces new melodic patterns until it finally morphs into a steady, percussive section. The section builds to a …


Les Mains Désenlaceuses: Unlocking The Relationship Of Text And Music In The Proses Lyriques, Sacha Alexandra Grace Peiser Jan 2009

Les Mains Désenlaceuses: Unlocking The Relationship Of Text And Music In The Proses Lyriques, Sacha Alexandra Grace Peiser

LSU Master's Theses

This thesis examines Claude Debussy’s Proses Lyriques, a set of four chansons published in 1895. These songs were composed during a pivotal time in the composer’s life—concurrent with Prélude à l’après-midi d’un faune, the String Quartet, and the commencement of work on Pelléas et Mélisande. Also noteworthy is that out of a complete output of over 90 songs, these are the only published works with both text and music by the composer. Because of this unique property, the Proses Lyriques allows researchers, analysts, and performers to gain valuable insight into Debussy’s intertwining of music and text. This thesis utilizes various …


High School Students' Attitudes Toward Single-Sex Choir Versus Mixed Choir, Jenna Leigh Jackson Jan 2009

High School Students' Attitudes Toward Single-Sex Choir Versus Mixed Choir, Jenna Leigh Jackson

LSU Master's Theses

Participants in this project included high school choral students (N = 54) from central Mississippi and their directors (N = 3). Participants were enrolled both in a mixed choir and either an all boy or all girl choir. A survey was constructed by the researcher to determine the attitudes of the participants toward singing and participation in choir. The 32 survey statements fell into one of four categories: perception of self as singer, attitude about gender in choir, others’ perception of self in choir, and attitude toward choir. In addition, participants were asked to provide demographic data about their gender, …


Latin Rhapsody For Clarinet And Orchestra And Magical Realism In Alejandro Cardona's String Quartet No. 4, Alejandro José Arguello Jan 2009

Latin Rhapsody For Clarinet And Orchestra And Magical Realism In Alejandro Cardona's String Quartet No. 4, Alejandro José Arguello

LSU Doctoral Dissertations

This dissertation is in two parts. The first one is an original composition, Latin Rhapsody for Clarinet and Orchestra. The second is a musical analysis, Magical Realism in Alejandro Cardona’s String Quartet No. 4. Latin Rhapsody for Clarinet and Orchestra uses Costa Rican ideas combined with classical contemporary sonorities, such as clusters and small pitch-class sets. The first movement, Tambito, is based on a Latin American dance rhythm in six-eight meter. The name of this dance is particular to Costa Rica, but it is a widely used rhythmic pattern used in other Latin American countries under other names. This movement …


An Introduction To The Life And Music Of Javier Busto And A Conductor's Analysis Of Missa Pro Defunctis (1997), David D. Wells Jan 2009

An Introduction To The Life And Music Of Javier Busto And A Conductor's Analysis Of Missa Pro Defunctis (1997), David D. Wells

LSU Doctoral Dissertations

Born in Hondarribia, in the Basque country of Spain on November 13, 1949, Javier Busto is one of the most recognized composers of that area. This research introduces the composer and his music. The document briefly presents events of his life that promoted his advancement as a composer, with particular attention to his composition "Missa pro Defunctis" (1997). The work was commissioned by the Kobe Chuo Chorus of Japan as a community response to an internationally recognized catastrophe, the terrible earthquake in Kobe, Japan on January 18, 1995. It represents significant creative energy in the organization and development of Busto’s …


An Analysis Of The Effectiveness Of Individual Dramatic And Musical Elements In The 1956, 1973 And 1988 Versions Of Leonard Bernstein's Candide, Leanne Pettit Jan 2009

An Analysis Of The Effectiveness Of Individual Dramatic And Musical Elements In The 1956, 1973 And 1988 Versions Of Leonard Bernstein's Candide, Leanne Pettit

LSU Doctoral Dissertations

Voltaire’s Candide is a classic in the realm of satire. The title character learns from his tutor, Dr. Pangloss, the philosophy that all is for the best in this world. That philosophy is tested when he is expelled from his home; and has to make his own way in the world. The story is one of love, war, travel, and self-discovery. It is not surprising that Lillian Hellman and Leonard Bernstein saw this tale as having great potential for the stage when they decided to make Candide into a musical stage drama. Bernstein and Hellman vied for control over whose …


Drum Taps: A Performance Guide To The Song Cycle By Richard Pearson Thomas, William Clay Smith Jan 2009

Drum Taps: A Performance Guide To The Song Cycle By Richard Pearson Thomas, William Clay Smith

LSU Doctoral Dissertations

Smith, William Clay, B.A., Campbellsville University, 2000 Master of Arts in Music, Campbellsville University, 2001 Doctor of Musical Arts, Fall Commencement, 2009 Major: Music Drum Taps: A Performance Guide to the Song Cycle by Richard Pearson Thomas Written Document directed by Kirkpatrick Professor of Voice Robert Grayson Pages in written document, 147. Words in abstract, 120. ABSTRACT Composer Richard Pearson Thomas has gained recognition from his art song “I Never Saw a Moor” and his participation in the AIDS Quilt Songbook, but his song cycle Drum Taps has often been overlooked. This document examines the baritone song cycle which was …


A Historical Analysis And Performer's Guide To Sergei Prokofiev's Sonata For Solo Or Unison Violins, Op.115, Joanna Steinhauser Jan 2009

A Historical Analysis And Performer's Guide To Sergei Prokofiev's Sonata For Solo Or Unison Violins, Op.115, Joanna Steinhauser

LSU Major Papers

Sergei Prokofiev composed his last work for violin in 1947, the Sonata for Solo or Unison Violins, Op. 115. This work stands apart from Prokofiev’s other works because it serves the dual purpose of both solo or unison sonata, and is the least performed or recorded work among the violin repertoire of Prokofiev. This work was written exactly at the point in Soviet history when its government launched official attacks on many composers including Prokofiev, and was never performed during Prokofiev’s lifetime. Nevertheless, the work represents an important point in Prokofiev’s career, during the final stages of his Soviet period, …


An Investigation Of Creative Potential In High School Musicians: Recognizing, Promoting, And Assessing Creative Ability Through Music Composition, Elizabeth Menard Jan 2009

An Investigation Of Creative Potential In High School Musicians: Recognizing, Promoting, And Assessing Creative Ability Through Music Composition, Elizabeth Menard

LSU Doctoral Dissertations

Student attitudes and teacher perceptions regarding creativity, composition, and its assessment possibilities were investigated using mixed-method techniques in two differing high school music programs. A Talented Music Program, providing accelerated instruction to gifted musicians (with composition instruction) and a typical performance based band program (composition never taught) were examined. Students participated in a six-week composition program. Final compositions were evaluated by differing judging groups: teachers, students, and expert composers. Data were collected through interviews, observations, attitude surveys, student and teacher journals, and composition assessment. Analysis of teacher perceptions revealed themes indentifying challenges to creativity development in high school classrooms: tradition …


The Effect Of Rhythm-Based Computer-Assisted Music Instruction Designed For Individual Learning Style Preferences On The Learning Of Preservice Elementary Education Majors, Judy Arnette Guilbeaux-James Jan 2009

The Effect Of Rhythm-Based Computer-Assisted Music Instruction Designed For Individual Learning Style Preferences On The Learning Of Preservice Elementary Education Majors, Judy Arnette Guilbeaux-James

LSU Doctoral Dissertations

This study investigated the effect of rhythm based computer-assisted music instruction designed for individual learning style preferences. Participants were undergraduate preservice elementary education majors (N = 82) enrolled in Fundamentals of Music. The Perceptual Learning Style Preferences Survey and the Diablo Valley College Learning Style Survey were used to measure learning preferences. Two content knowledge assessments were administered as pre and posttest: (a) Music Achievement Test (MAT) Test 2-Part 3-Auditory and Visual Discrimination subtest b and (b) Researcher-Developed Rhythm Test (RDRT). Researcher-developed software programs were constructed, teaching participants the basic elements of rhythm based on learning style preferences. Forty-three of …


Joseph Messner's Organ Music: Evolution Of A Style, Julie Powell Rozman Jan 2009

Joseph Messner's Organ Music: Evolution Of A Style, Julie Powell Rozman

LSU Doctoral Dissertations

Joseph Messner (1893-1969) achieved fame in Europe for his contributions to the sacred concerts of the Salzburg Festspiele following World War II. In his early career, however, Messner earned initial acclaim as a recitalist and renowned improviser on the organ. Messner composed and published several organ works prior to World War II which contain style elements of late-romanticism and an emerging neoclassicism. This paper analyses the works in regards to form, stylistic elements, and performance issues in addition to establishing the historical contexts from which they originated.


An Introduction To The Life And The Songs Of Composer Chris Deblasio, With Special Emphasis On His Cycle All The Way Through Evening, Brian Bonin Jan 2009

An Introduction To The Life And The Songs Of Composer Chris Deblasio, With Special Emphasis On His Cycle All The Way Through Evening, Brian Bonin

LSU Doctoral Dissertations

For composer Chris DeBlasio, the omnipresence of HIV/AIDS during the final years of his life helped to channel his creative energies into a unique compositional voice. At a time when certain elements of the New York music scene rewarded atonality and musical experimentation, DeBlasio pursued a lyrically tonal, theatrically-informed style in the company of composers such as Jake Heggie and Ricky Ian Gordon. Unfortunately, his death in 1993 at age thirty-four limited the growing awareness of his compositions in the greater artistic community and robbed him of the success eventually experienced by his fellow tonal compatriots. Today, he is best …


Crime And Punishment: One Act Ballet, Ronaldo Cadeu De Oliveira Jan 2009

Crime And Punishment: One Act Ballet, Ronaldo Cadeu De Oliveira

LSU Master's Theses

Crime and Punishment: One Act Ballet is a ballet for full orchestra and soloists based on the novel Crime and Punishment by Russian writer Fyodor Dostoevsky. The form of the piece is based on the form of the novel, but as the means of literature are different of the means of music, an adaptation of the plot of the novel was revealed necessary. Only the most significant happenings in the plot of the novel are present in the piece. All passages in which a description of psychological characteristics of the main characters is presented in the novel were translated into …


Lori Laitman And Sara Teasdale: A Performer's Guide To The Metropolitan Tower And Other Songs, Mystery, And The Years, Andrea Mueller Jan 2009

Lori Laitman And Sara Teasdale: A Performer's Guide To The Metropolitan Tower And Other Songs, Mystery, And The Years, Andrea Mueller

LSU Doctoral Dissertations

American composer, Lori Laitman, has published over fifty works for solo voice and piano. She has become an important contributor to contemporary art song composition, the genre in which she primarily focused her compositional efforts. Laitman may, at any time, be working on a variety of projects, predominately commissions. Though not an extensive amount of information has been published about her creative life, over the past eight years much interest has arisen in her repertoire, both artistically and scholastically. This paper will focus on Laitman’s settings of the Sara Teasdale poetry including three song sets: The Metropolitan Tower and Other …