Music Commons^™

Thoughts On “O Helga Natt”, Kristian Krogholm

Journal of the Jussi Björling Societies of the USA & UK

“No singer was ever more loved than Jussi Björling,” said Elisabeth Söderström at the big concert in Stockholm 1985 to celebrate his memory. Jussi had a quality that set him apart from everyone else. A voice sent from Heaven. So beautiful, so brilliant, so perfect yet so intensely emotional. Every note he sang went straight into the depths of the heart. That kind of attraction cannot be explained, because it is, and will always remain, a mystery.

What is deepest in the heart of every human being is that which we cannot put into words. And what do we all …

Hugo Hasslo Speaks About Jussi Björling, Hugo Hasslo

Journal of the Jussi Björling Societies of the USA & UK

(From the program of the Jussi Björling Memorial Concert, 1985, Stockholm Konserthuset)

When speaking of Jussi Björling, my Norwegian singing teacher would sometimes say, “He is unique as a singer.” And truly Jussi was utterly unique. I don’t know of anyone who sounded like an instrument as he did. He sang like an instrumentalist; that was precisely what he did naturally. He made music.

Many singers don’t seem to care much once they become famous. Jussi didn’t do that and therefore was so perfect. His enormously sharp memory surely helped. He never sang anything wrong. I admired him tremendously.

“The Researcher’S Lot Is Not An ’Appy One”, Andrew Farkas

Journal of the Jussi Björling Societies of the USA & UK

Wonderful people that they are, Karl and Toby Hekler no doubt have been called by nicer names or described in more flattering terms in the past. For the purpose of this report, however, let’s just called them catalysts. Many of you reading these lines attended our successful inaugural Jussi Björling Society-USA conference in Washington, D. C., last June. The organizers were kind enough to invite me to speak, and through a series of coincidences I chose for my topic “Ma se m’è forza perderti,” the third act aria of Un ballo in maschera that Björling consistently and inexplicably omitted in …

If Only:, Walter B. Rudolph

Journal of the Jussi Björling Societies of the USA & UK

The idea is perpetual. It meanders through most of our noggins, yet remains welcome in its brain-draining manner. The Anna-Lisa Björling/ Andrew Farkas biography, Jussi, keeps reminding us of the likes of Il tabarro with Leontyne Price and George London (Amadeus Press, 1996, page 335). Elsewhere it is suggested that the RCA/Serafin Otello with Jon Vickers, Leonie Rysanek and Tito Gobbi was RCA’s means of salvaging what was to have been Jussi’s Otello recording. The facts and tales are out there. We salivate every time we read or re-read them. Since many others have had a hand in that creative …

Three Societies, Four Books, One Museum, Sue Flaster

Journal of the Jussi Björling Societies of the USA & UK

The Jussi Björling Society - USA, and our sister societies, the Jussi Björling Sällskapet in Sweden and the Jussi Björling Appreciation Society in the UK, are among literally thousands of such groups dedicated to various passions, activities and avocations. Many of these groups have grown out of almost-random encounters among enthusiasts, although the Internet has made those meetings much less random and much more frequent and targeted. For many of these groups, the reasons for their existence and development were known at one time to some few people, but are no longer remembered as the originating members drop away for …

Serenades For The Queen, Janel E. Lundgren

Journal of the Jussi Björling Societies of the USA & UK

On the occasion of the Platinum Jubilee of Queen Elizabeth II, whose accession to the throne of the United Kingdom took place seventy years ago, we look back at Jussi Björling’s songful participation in the Coronation events, and a subsequent meeting with Her Majesty in 1956. Princess Elizabeth became Queen on February 6, 1952, imme-diately upon the unexpected death of her father, George VI. The Coronation was held more than a year later on June 2, 1953, allowing the traditional year of preparations for the ceremony and festivities.

Front Matter

Journal of the Jussi Björling Societies of the USA & UK

No abstract provided.

Guitar Amplifier Directivity, Rachel C. Edelman, Brian E. Anderson, Samuel D. Bellows, Timothy W. Leishman

Directivity

No abstract provided.

Moiselle Renstrom, Myrna J. Layton

Faculty Publications

Katherine Moiselle Renstrom (June 23, 1889 – September 28, 1956) was a Utah educator, author, lyricist and composer of music for children.

Newel Kay Brown, Myrna J. Layton

Faculty Publications

Newel Kay Brown (February 29, 1932 – ) is an American composer, conductor, and arranger. He was chair of the Composition Division in the College of Music at the University of North Texas before his retirement.

Georgia Mae Wahlin Bello, Myrna J. Layton

Faculty Publications

Georgia Mae Wahlin Bello (February 13, 1924 – November 5, 2007) was an accomplished vocalist and pianist who was also a “one hit wonder” composer.

Earl C. Hazelle, Myrna J. Layton

Faculty Publications

Earl Charles Hazelle (February 1, 1906 – November 22, 1993) was a pianist, organist, accordionist and a composer of music for all three instruments as well as vocal music. He was also an accomplished painter in oils. Hazelle taught both music and art lessons for many years.

Frances K. Thomassen Taylor, Myrna J. Layton

Faculty Publications

Frances Eliza Warren Kingsbury Thomassen Taylor (January 21, 1870 – November 17, 1952) was an organist, composer and member of the General Board of the Primary Associations.

Mildred Tanner Pettit, Myrna J. Layton

Faculty Publications

Laura Mildred Tanner Pettit (August 9, 1895 – April 9, 1977) is best known as the composer of the iconic Primary song, I am a Child of God. Much of the music composed by Sister Pettit was aimed at children and can be found in various publications of the Primary Association of the Church of Jesus Christ of Latter-day Saints. However, Sister Pettit wrote dance music and operettas which were performed widely. She sometimes choreographed and directed the productions as well.

Edwin F. Parry, Myrna J. Layton

Faculty Publications

Edwin Francis Parry (June 11, 1860 – September 16, 1935) was a Utah typesetter, printer and writer who also loved music. He sang, played the organ and piano, wrote song lyrics and composed many songs and hymns.

Irene (Christopherson) Tempest, Myrna J. Layton

Faculty Publications

Irene Ellen Nelson Christopherson Tempest (January 19, 1904 – February 9, 1988) was a Utah pianist, organist and composer.

Marie Manwaring Anderson, Myrna J. Layton

Faculty Publications

Teresa Marie Manwaring Anderson (July 8, 1913 – February 23, 2002) was an Idaho composer, pianist, music teacher and choral director.

Maurine Dewsnup, Myrna J. Layton

Faculty Publications

Grace Maurine Dewsnup (February 8, 1909 – February 1, 1998) was a Utah piano soloist, dance accompanist, composer, music theorist and teacher.

Marie Nelson Bennett, Myrna J. Layton

Faculty Publications

Marie Nelson Bennett (June 15, 1926 – November 18, 2018) was an American composer.

Ruth Gatrell, Myrna J. Layton

Faculty Publications

Ruth Josephine Barton was born on December 23, 1921, in Farmington, Utah. Her parents were Lloyd and Edna (Cottrell) Barton. When the Bartons married, Edna already had a five-year-old daughter, Helen, from a previous marriage. Ruth was the first of two children born to Edna’s second marriage. The family was living in Mount Pleasant, Utah, but returned to the home of Edna’s father, Edward Cottrell, for the birth of the baby. She was named Ruth for the biblical heroine, and Josephine because she shared a birthday with the prophet Joseph Smith. A younger sister, Laura Jean, joined the family in …

Vanja Y. Watkins, Myrna J. Layton

Faculty Publications

Vanja Louise Yorgason was born on September 22, 1938 in Ogden, Utah, the daughter of R. Milton and Norma Johns Yorgason. Vanja grew up in a musical home. Her father was a violinist, and her mother a pianist and an organist. Vanja and her four brothers learned to “sing four-part hymns in tune unaccompanied.”1 Their parents felt that music was an important part of their children’s education, and made the necessary sacrifices to provide music lessons.

Peggy Clinger, Myrna J. Layton

Faculty Publications

Catherine Peggy Clinger (January 11, 1949 – August 9, 1975) was an American singer, voice actress and composer.

N. Lorenzo Mitchell, Myrna J. Layton

Faculty Publications

Nephi Lorenzo Mitchell (May 4, 1889 – November 9, 1968) was a pianist, organist, music teacher and composer, whose life and work took place in three countries: England, Canada and the United States. Mitchell was named the Aaronic Priesthood Music Director for the Church of Jesus Christ of Latter-day Saints in 1945, and was the director of the McCune School of Music and Art from 1950-1957. He served on the General Music Committee of the Church from 1938-1968.

Barbara (And Kenneth), Lauren Laws, John C. Leavitt

Books

No abstract provided.

Trumpet Directivity From A Rotating Semicircular Array, Samuel D. Bellows, Joseph E. Avila, Timothy W. Leishman

Directivity

The directivity function of a played musical instrument describes the angular dependence of its acoustic radiation and diffraction about the instrument, musician, and musician’s chair. Directivity influences sound in rehearsal, performance, and recording environments and signals in audio systems. Because high-resolution, spherically comprehensive measurements of played musical instruments have been unavailable in the past, the authors have undertaken research to produce and share such data for studies of musical instruments, simulations of acoustical environments, optimizations of microphone placements, and other applications. The authors acquired the data from repeated chromatic scales produced by a trumpet played at mezzo-forte in an anechoic …

A Memory Of Jussi Björling, George Shelby Weaver

Journal of the Jussi Björling Societies of the USA & UK

After hearing Jussi Björling on 78- rpm and microgroove discs during my early years, I longed to hear him in person. The only opportunity came on April 2, 1959, in a recital at Southern University in Baton Rouge, Louisiana, that blessed my twentytwo- year-old ears and psyche. From the tenth row it was obvious that his voice soared through the entire auditorium with ease. Its brilliance was immediately captivating, the inimitable shimmer sustained from softest pianissimo to trumpeted fortissimo. It surpassed, of course, his excellently recorded RCA Victor “New Orthophonic” self.

Rosanna Carteri, 89, Gifted Italian Soprano Who Partnered An Era’S Greatest Stars, Has Died

Journal of the Jussi Björling Societies of the USA & UK

One of the most beautiful and gifted Italian sopranos of her generation, Carteri made her professional debut at eighteen, as Elsa in Lohengrin at the Baths of Caracalla in Rome in 1949. Within the next few seasons, Carteri made house debuts at most of the principal Italian venues, including La Scala, Arena di Verona, La Fenice, Teatro di San Carlo and Maggio Musicale Fiorentino, as well as at Covent Garden, Paris Opéra and the Salzburg Festival. Celebrated for her elegance, impeccable technique and sympathetic stage presence, Carteri sang repertoire that ranged from Desdemona, Violetta, Alice Ford, Liù, Magda in La …

Hanna Hedman, 1934–2020, Harald Henrysson

Journal of the Jussi Björling Societies of the USA & UK

Record producer Hanna Hedman has passed away in June, 2020, after a long illness, just weeks before her 86th birthday. She is mourned by a sister and niece, their families and many friends.

Several Perspectives On Jussi Björling And La Bohème, Dan Shea

Journal of the Jussi Björling Societies of the USA & UK

Browsing the internet recently, I noticed Pristine Classical’s announcement of their new remastering of the “Beecham Bohème” and wondered how powerful modern sound engineering might affect the glorious vocalism of that 64 year old recording. The transcript engineer in charge, Andrew Rose, has built up a substantial catalogue of renovated recordings, mostly from the early LP era, often having surprising clarity and spatial ambience. Mr. Rose definitely seems to have very good taste concerning the artists his company features, including 13 of Jussi’s recordings from the era 1940-1957.

How Jussi’S Appearances On American Television First Made Their Way To Sweden, Kendall Svengalis

Journal of the Jussi Björling Societies of the USA & UK

In the days before the founding of the Jussi Björling Society – USA, several future JBS board members established contact with Harald Henrysson who, at the time was record librarian at Swedish Radio. It was those contacts, and subsequent correspondence that eventually led, with Harald’s encouragement, to the founding of the JBS-USA in 1997. This account takes us back 34 years, to 1986, when I had my own unique Jussi Björling experiences in Sweden, thanks to Harald.