Music Commons^™

Giovanni Maria Artusi's L'Artusi Overo Delle Imperfettioni Della Moderna Musica (1600): A Translation And Commentary, Malcolm Litchfield

Faculty Publications

Giovanni Maria Artusi is well known for his conservative role in the debate between advocates of the prima and seconda pratiche. Contemporary authors marvel at Artusi's audacity in criticizing the genius of Monteverdi. Though often viewed as a pedant, Artusi was a significant Italian theorist who understood ancient Greek theory and had innovative ideas for applying this ancient knowledge to modern practice.

L' Artusi, overo Delle imperfettioni deIla moderna musica was written to illuminate and correct errors Artusi found in contemporary scholarship (chiefly in Bottrigari's work) and composition (specifically, certain liberties in Monteverdi's madrigals). Artusi effectively argues for a universal …

A Critical Edition Of Paolo Virchi's Il Primo Libro Di Tabolatura Di Citthara (1574), William E. May

Theses and Dissertations

Paolo Virchi's II primo libro di tabolatura di citthara di ricercati, madrigali, canzoni, napolitane et saltarelli (Venice: Girolamo Scotto, 157414) is typical of many tablatures written for lute and cittern during the sixteenth century. It consists of fantasias, intabulations of madrigals, solo songs for tenor and cittern, and dance music. This thesis presents a complete transcription and analysis of the collection, the only surviving copy of which is preserved in the Osterreichische Nationalbibliothek, Vienna. The edition was made from a microfilm copy obtained from this library.

Virchi's music demonstrates his command of four divergent styles prevalent in the sixteenth century. …

Larry V. Shumway Letters, Larry V. Shumway

Faculty Publications

No abstract provided.

Some Educational Aspects Of The Music Training Program Of The Church Of Jesus Christ Of Latter-Day Saints, 1935-1969, Grant L. Anderson

Theses and Dissertations

This study consisted of two parts: (a) an historical description of the music classes, divided into three time periods for comparison and explanation, and (b) an evaluation of the effort determined from questionnaire sampling of teachers, students and stake music leaders. Historically, music courses for beginning and advanced organists and conductors were organized and maintained by the General Music Committee of the Church, designed to improve musical attitudes and performance in religious services. Many thousands completed the short, comprehensive classes, which offered an opportunity to study and prepare for church music service.

Findings indicated that successful courses were given in …

Kibigaku: An Analysis Of A Modern Japanese Ritual Music, Larry V. Shumway

Faculty Publications

Kibigaku is the name given to a musical tradition which arose in western Japan during the early years of the Meiji period (1867-1912). It was created by a Gagaku musician of the recently abolished Ikeda fief at Okayama, Yoshihide Kishimoto, who sought to blend elements of the Imperial Court music with those of more popular genres to create a new form of music which would be appropriate for a modernized Japan. Inherent in his thinking was the idea that while Gagaku was the only music having the power to fully evoke and express the Japanese spirit, it was too austere …

A Study Of Rock Music To Determine Its Declared Position Relative To Unchastity, The Use Of Drugs And The Departure From Traditional Concepts Of Family And Religion, E. Lynn Balmforth

Theses and Dissertations

One of the social phenomena of our time (1960s) has been the popularization of a kind of music among the youth known as rock 'n' roll. It was the intent of this study to determine if the medium of rock did, in fact, maintain a posture of promulgating unchastity, the use of drugs and departure from traditional concepts of family and religion.

Supported by statements from leading rock musicians it was found that the big beat had a cultural root in the Negroid race. Coupling the big beat gospel rhythms of the south with the white country and western music, …

The Song Of The Righteous: An Historical And Literary Analysis Of The Latter-Day Saint Hymnal, Ruth Alene Thomson Symons

Theses and Dissertations

The hymnal of the Latter-day Saints first proposed only shortly after the organization of the Church and published continually every few years between 1835 and 1871, is a remarkably accurate indicator of the changing fortunes and beliefs of the early Saints. The first hymnal, gathered by Emma Smith, uncompromisingly sets forth the basic Mormon belief in man's free agency, his innate perfectability, and his kinship to his Heavenly Father. Later editions reflect the missionary concerns of the church (1840), the tremendous persecution the saints are subjected to (1841), the Church difficulties after the martyrdom of Joseph Smith (1849), the call …

The Concept Of Zion As Reflected In Mormon Song, Don Bernard Castleton

Theses and Dissertations

This thesis contains an analysis of the concept of Zion as reflected in the songs sung by members of the Church of Jesus Christ of Latter-day Saints. The following definitional areas within Zion concept are considered:
1. Zion: A personal spiritual condition.
2. Zion: A perfect society.
3. Zion: Various geographical locations.
4. Events included in the concept of Zion.

Each of the above areas is analyzed first, from a historical and doctrinal viewpoint and finally, as to how it is reflected in the songs of the Mormons.

A Collection And Analysis Of Folk Songs From Wales, Sanpete County, Utah, Leslie E. Rees

Theses and Dissertations

The purpose of this study was to collect and record folk songs known to some of the older inhabitants of Wales, Utah. An analysis was made of thirty of the forty-six songs for the purpose of attaining a knowledge of their characteristics such as form, rhythm, melody, tempo, tonality, melodic interval range, phrase and period length, theme repetition, texture, and ornamentation. Observations were also made with reference to the textual influence on the overall musical effect.

William Claude Clive His Life And Contribution To Music In Utah, David C. Andersen

Theses and Dissertations

The purpose of this study was to determine the influence and contribution of William Claude Clive to the musical culture of Utah. In order to determine the measure of his influence and contribution, answers to the following questions were sought: Did William Claude Clive have the necessary training to offer a contribution to the musical culture of Utah? Was his contribution primarily from his performing, composing or teaching? Were Mr. Clive's students instrumental in spreading any contribution offered by him?

Mr. Clive's greatest influence and contribution was in his teaching. He taught hundreds of students the violin, piano and cello. …

An Analytical Study Of The Formal Treatment Of The Cantus Firmus In Thirty Chorale Preludes On Well-Known Hymn Tunes Op. 68, 69, And 70, By Flor Peeters, E. Donnell Blackham

Theses and Dissertations

This study represents an effort to analyze the forms used by Flor Peeters in his Thirty Chorale Preludes on Well-Known Hymn Tunes, op. 68, 69, and 70. Through this analysis it has been found that Flor Peeters has systematically used certain devices in the treatment of the cantus firmus. Furthermore, these devices can be used as a criterion in developing a classification system for the chorale preludes, which logically divide into six groups or types.

The first type includes the chorale preludes in which the composition begins immediately with the first phrase of the chorale melody and continues without interruption …

A Translation Of Chapter Lxvi Of Book I, Part I Of Fra Lodovico Zacconi's Prattica Di Musica, Diran Akmajian

Theses and Dissertations

It is common knowledge that the practice of improvisation, variation, and ornamentation was widespread during the late Renaissance. Numerous authors testify to this, and scores of manuals exist that ''teach11 this particular skill. One of the most important theorists to write such a manual was Lodovico Zacconi, a monk of the order of Saint Augustine. Chapter LXVI of Part I of his Prattica di Musica is one of the most detailed of its kind. Because there is a genuine revival today of performance of Renaissance vocal music, and because sufficient knowledge is yet to be had of the practices of …

Contributions Of The Mccune School Of Music And Art To Music Education In Utah, 1917-1957, Donald George Schaefer

Theses and Dissertations

The McCune School of Music and Art was a private institution, owned and operated by the Church of Jesus Christ of Latter-day Saints in Salt Lake City, Utah. Located at First North and Main Streets, the School offered outstanding courses in music, dance, art, speech and dramatics. From 1917 until 1919 the institution was part of the Latter-day Saints High School music department under the direction of B. Cecil Gates. Following 1919 the organization became the Latter-day Saints School of Music, offering courses above the high school level. During Tracy Y. Cannon's administration from 1925 until 1950 the School issued …

The Ogden Tabernacle Choir: Its History And Contributions To The Cultural History Of Utah, Merlin Ray Sorensen

Theses and Dissertations

The purpose of this thesis is to present a history of the Ogden Tabernacle Choir, to ascertain the extent to which it developed musically, and to include any contributions that were made by the various conductors in attaining that degree of artistry achieved by this musical organization. Inasmuch as the choir was disbanded in 1949, this study will encompass its complete history. It will also include a biography of its conductors. Because the choir rehearsed and performed primarily in the Pioneer Tabernacle, a short history of this building and the Ogden Tabernacle Organ will be included, as well.

Pioneer Bands And Orchestras Of Salt Lake City, Martha Tingey Cook

Theses and Dissertations

Early Mormon leaders realized the value of music as an important element in spiritual and recreational activities. Consequently, they encouraged and sponsored musical groups.

Three pioneer bands of Salt Lake City—the Nauvoo Brass Band, Nauvoo Legion Martial Band, and Quadrille Band—had originated during the early 1840's in Nauvoo, Illinois, under the sponsorship of Joseph Smith. They performed at all important civic and social occasions.

Music History Of The Salt Lake Theatre, The Formative Years: 1862-1870, Alfred S. Morris

Theses and Dissertations

The purpose of this thesis was to bring to light as much of the music as possible, all the performers that could be recorded, and sufficient audience reaction to indicate the musical preferences of the area in order to provide an accurate, detailed account of the early years in the Salt Lake Theatre, 1862 - 1870. There was also the desire to present these things in such a way that they would be reliable, factual, complete, and still, if possible, interesting. An attempt was made to capture the spirit of the times, to make the characters "live," to transport the …

A Collection Of Ballads, Folk Songs, Dance Tunes And Marches From Taylor, Arizona, Lenn M. Shumway

Theses and Dissertations

The primary purpose of this study is to collect and record examples of music of the early inhabitants of Taylor, Arizona, as they are sung and played by their survivors and descendants.

George Edward Percy Careless: His Contributions To The Musical Culture Of Utah And The Significance Of His Life And Works, Howard Hoggan Putnam

Theses and Dissertations

Through study of the conditions of the past one is often able to appreciate the present a great deal more. Particularly does this seem true when one looks into the early musical activities in our State of Utah. Most people are aware of the great amount of musical activities existing at the present time in Utah, but many fail to stop and realize the background of work and effort applied to bring these musical experiences before the public. Many fail to realize the pioneering work done by individuals to advance music to its present degree of performance. Names such as …

John Elliott Tullidge: The Influence Of His Life And Works On The Musical Culture Of Utah, Virgil H. Camp

Theses and Dissertations

John Elliott Tullidge was one of a group of early musicians that exerted a considerable influence on the culture of Utah. He was a gentlemen well trained in the musical arts and intensely proud of his profession.

He was born November 5, 1807, a son of Edward and Mary Elliott Tullidge, in Weymouth, Dorsetshire, England. His parents were wealthy and realized the value of an education, and he was given the privilege of studying with the finest teachers of his day. He sang at a very early age in church choirs. Many positions were granted him both as a performer …

Eighty Years Of Music In St. George, Utah, 1861-1941, Reed Paul Thompson

Theses and Dissertations

The purpose of this study has been to trace the development of music in St. George, Utah from its settlement in 1861 to 1941, an eighty-year period of much change. It has been an attempt, therefore, to show the musical heritage which this city now enjoys.

Brigham Cecil Gates: Composer, Director, Teacher Of Music, Lyneer Charles Smith

Theses and Dissertations

Every now and then, in the realms of science and art, we learn that some especially striking figure, who captures our attention, is from Utah. The achievements of the sons and daughters of the Utah pioneers reflect the substantial character of the work of the men and women who laid the foundation of Utah.

This foundation was composed of material gathered from every worthy purpose engulfing character and cultural expression of the people. Among other accomplishments, Utah has had a notable development in musical art. Her achievements have not been a result of extraordinary circumstances, but from the long and …

John J. Mcclellan, Tabernacle Organist, Annie Rosella Compton

Theses and Dissertations

In order to understand the significance of music in our culture, we must learn of music history. This history includes not only a few men who have been revered through the centuries, but many who, during their lifetime and in their locality or country, exerted influence to some degree.

Such a man was John Jasper McClellan. He studied under some of the world's great teachers and received their praise; founded the University of Michigan Symphony Orchestra; directed the Salt Lake Opera Company, the Salt Lake Choral Society, and the Salt Lake Symphony Orchestra; founded the Utah Conservatory of Music; taught …

An Historic Account Of Music Criticism And Music Critics In Utah, Basil Hansen

Theses and Dissertations

My purpose in making a study of music criticism in Utah is to realize a reliable historical account of criticism as expressed by means of journals and the growth of music within the state. This study, it is granted, is not a complete history of music in Utah. It merely treats one phase of a yet unwritten history.

A secondary interest is to defend the assertion that Utah has had music criticism and not to eulogize or deride the music pioneers of the state. It may also impress the need of constructive criticism to insure the stimulus and incentive necessary …

Baby-Pussi-Yes, Yes, Yes, Yes!: Lied Und Shimmy, Camilla Frydan

Musical Performances

No abstract provided.