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Articles 1681 - 1710 of 2648
Full-Text Articles in Music
Appendix (Verdi And Tannhäuser), Marcello Conati
Appendix (Verdi And Tannhäuser), Marcello Conati
Verdi Forum
A postscript to Conati's article, "Verdi vs. Wagner," in Verdi Forum 26-27.
The Correspondence Of Giuseppe Verdi And Francesco Maria Piave, 1843-1867: A Preliminary List, Evan Baker
The Correspondence Of Giuseppe Verdi And Francesco Maria Piave, 1843-1867: A Preliminary List, Evan Baker
Verdi Forum
No abstract provided.
Postmodern Musicology, Babette Babich
Postmodern Musicology, Babette Babich
Articles and Chapters in Academic Book Collections
The discipline of musicology is a rather specificially 20th century institution growing out of a disparate range of 19th century studies of music theory, history, composition, etc. The OED edition extant at the time of the writing of this article dates the term musicology itself to 1909 or later. Although there are indeed practitioners throughout the world, most theorists are Anglo-American, with echoes in the French tradition of musicologie and German Musikwissenschaft. As a still-modern project, postmodern musicology derives from a predominantly Austro-German generation of scholars who translated an originally European tradition of analysis (Heinrich Schenker and -- in …
Editors' Note, Roberta M. Marvin, David Rosen
Macbeth And Ugolino: Another Verdian Encounter With Dante, David Rosen
Macbeth And Ugolino: Another Verdian Encounter With Dante, David Rosen
Verdi Forum
No abstract provided.
Testing Textbooks: The Case For Italian Opera, Hilary Poriss
Testing Textbooks: The Case For Italian Opera, Hilary Poriss
Verdi Forum
No abstract provided.
Holding Pattern And Groundswell: Verdi's Mimesis Of The Lyric, David Gable
Holding Pattern And Groundswell: Verdi's Mimesis Of The Lyric, David Gable
Verdi Forum
No abstract provided.
The Name Of The Daughter: The Role Of Amelia/Maria In Simon Boccanegra, Julia Randel
The Name Of The Daughter: The Role Of Amelia/Maria In Simon Boccanegra, Julia Randel
Verdi Forum
No abstract provided.
Stride! Fats, Jimmy, Lion, Lamb, And All The Other Ticklers By John L. Fell And Terkild Vinding, Giant Strides: The Legacy Of Dick Wellstood By Edward Meyer (Book Reviews), Gene H. Anderson
Music Faculty Publications
As their titles suggest, these books focus on stride pianists rather than on the style itself. Well researched and written by experienced jazz enthusiasts, the books approach their subject from opposite points of view. Stride! provides a brief survey of the idiom followed by biographical sketches of players identified or associated with stride; Giant Strides recounts the life of a player who concluded the stride legacy.
Chopin And His Imitators: Noted Emulations Of The "True Style" Of Performance, Jonathan D. Bellman
Chopin And His Imitators: Noted Emulations Of The "True Style" Of Performance, Jonathan D. Bellman
Music Faculty Publications
No abstract provided.
A World Across Its Surface: The Story Of The Fiddle, Julie L. Hale
A World Across Its Surface: The Story Of The Fiddle, Julie L. Hale
English Theses & Dissertations
This nonfiction narrative traces the fiddle from its European origins to its American incarnation as a folk instrument, blending history with the personal stories of fiddle makers and players. The centerpiece around which a varied cast of luthiers and musicians shifts, the instrument itself is the main character of the narrative.
As the work unfolds, various facets of the fiddle's identity are explored, revealing a riddle of instrument—a creation whose beauty confounds, and whose anatomy contradicts physics and geometry, science and sense. More than anything else, perhaps, this narrative, in the end, is an attempt at penetrating the mystery of …
Tchaikovsky And His Violin Concerto : A Theme Of Opposites, Jennifer Lynn Bougher
Tchaikovsky And His Violin Concerto : A Theme Of Opposites, Jennifer Lynn Bougher
Undergraduate Honors Thesis Collection
No abstract provided.
Review Of Pamela M. Potter, Most German Of The Arts: Musicology And Society From The Weimar Republic To The End Of Hitler’S Reich (New Haven And London: Yale University Press, 1998), David B. Dennis
History: Faculty Publications and Other Works
No abstract provided.
Guest Editors' Notes, Linda B. Fairtile, Francesco Izzo
Guest Editors' Notes, Linda B. Fairtile, Francesco Izzo
Verdi Forum
No abstract provided.
Verdi, Nationalism, And Cultivation Of The Folk Idiom: His Stornelli Of The 1860s, Roberta Montemorra Marvin
Verdi, Nationalism, And Cultivation Of The Folk Idiom: His Stornelli Of The 1860s, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.
Cormon Revisited: Some Observations On The Original Don Carlos, Harold Powers
Cormon Revisited: Some Observations On The Original Don Carlos, Harold Powers
Verdi Forum
No abstract provided.
A Tale Of Five Cities: The Peregrinations Of Somma's And Verdi's Gustavo Iii (And Una Vendetta In Dominò And Un Ballo In Maschera) At The Hands Of The Neapolitan And Roman Censorship, David Rosen
Verdi Forum
No abstract provided.
Verdi Vs. Wagner, Marcello Conati
The Revision Of Recitatives From Il Trovatore To Le Trouvère, David Lawton
The Revision Of Recitatives From Il Trovatore To Le Trouvère, David Lawton
Verdi Forum
No abstract provided.
Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis
Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis
History: Faculty Publications and Other Works
No abstract provided.
Twenty Centuries Of Living Hymns, Lilianne Douhkan
Twenty Centuries Of Living Hymns, Lilianne Douhkan
Faculty Publications
"The following is a distillation of a spoken presentation by the author, assisted by the Andrews University choirs, given as the opening event of Faith Ablaze! Hymns of Heart and Heritage, a hymn festival held at Andrews University in November, 1999.1 It is a journey through time, starting with the beginnings of the church and continuing to the present, one in which we hope you, the reader, like those present that evening, can come to a better understanding of how our hymns came about, and what they meant to those who preceded us. Given the constraints in time that evening …
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Fred Bartenstein: The Right Place At The Right Time, Kurt Mosser
Philosophy Faculty Publications
Fred Bartenstein has always seemed to find himself perfectly situated to pursue his life-long interest in bluegrass music – as he puts it, “I’ve always seemed to be in the right place at the right time.” This luck has allowed him to find bluegrass in the most surprising places, whether at a private day school in New Jersey, or at Harvard University in the late 1960s. It has also meant that, among other things, he found himself attending the first bluegrass festival in Fincastle, Va., becoming a bluegrass DJ at the age of 16, starting Muleskinner News magazine, and playing …
A Descriptive Catalogue Of The Music Of Charles Ives, James Sinclair
A Descriptive Catalogue Of The Music Of Charles Ives, James Sinclair
Descriptive Catalogue of The Music of Charles Ives
This catalogue serves to describe the music manuscripts in the Charles Ives Papers, MSS 14, in the Irving S. Gilmore Music Library of Yale University. Published in 1999. Revised in 2012.
Review Of La Imagen De Nuestros Músicos: Del Siglo De Oro A Edad De Plata, Antoni Pizà
Review Of La Imagen De Nuestros Músicos: Del Siglo De Oro A Edad De Plata, Antoni Pizà
Publications and Research
La imagen de nuestros músicos: Del Siglo de Oro a la Edad de Plata is a hefty compilation of 681 portraits of Spanish composers from the Renaissance to the present. The illustrations are organized in four large chapters: "Del siglo de oro a la ilustración", covers the 16th, 17th, and 18th centuries; "El primer romanticismo" and "El segundo romanticismo", deal with the first and second half of the 19th century; the final section, "Los músicos de nuestro siglo" focuses on the 20th century. If my numbers are correct, the earliest composer included in the study is the polyphonist Cristóbal de …
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
History: Faculty Publications and Other Works
No abstract provided.
On Censored Performances Of 'Les Vêpres Siciliennes' And 'Rigoletto': Evidence From The Verdi Archive At New York University, Martin Chusid
On Censored Performances Of 'Les Vêpres Siciliennes' And 'Rigoletto': Evidence From The Verdi Archive At New York University, Martin Chusid
Verdi Forum
No abstract provided.
'Musica Adattata All'intelligenza Ed Alle Esigenze Del Pubblico': Giuseppe Verdi, Errico Petrella, And Their Audience, Sebastian Werr
'Musica Adattata All'intelligenza Ed Alle Esigenze Del Pubblico': Giuseppe Verdi, Errico Petrella, And Their Audience, Sebastian Werr
Verdi Forum
No abstract provided.
The Censorship Of 'I Masnadieri' In London, Roberta Montemorra Marvin
The Censorship Of 'I Masnadieri' In London, Roberta Montemorra Marvin
Verdi Forum
No abstract provided.
Mallorca: Centers For Musical Historical Research, Antoni Pizà, Joan Parets I Serra
Mallorca: Centers For Musical Historical Research, Antoni Pizà, Joan Parets I Serra
Publications and Research
Majorque, la plus grande des îles Baléares, a une riche histoire musicale. Depuis plus de dix ans, le Centre de documentation musicale historique local a entrepris de recueillir, conserver et propager le patrimoine historique et musical des îles Baléares. L'article retrace l'historique de la recherche dans la région et donne un aperçu des collections et des activités du Centre, qui incluent des publications, des colloques réguliers et des rencontres scientifiques.
Mallorca, eine der größten Inseln der Balearen, hat eine reiche Musikgeschichte. Seit zehn Jahren ist das lokale Zentrum für historische Musikdokumentation dabei, das historische und musikalische Erbe der Balearen zu …
Chromaticism And The Use Of The Keyed Trumpet In The Haydn And The Hummel Trumpet Concerti, Gary R. Turner
Chromaticism And The Use Of The Keyed Trumpet In The Haydn And The Hummel Trumpet Concerti, Gary R. Turner
All-Inclusive List of Electronic Theses and Dissertations
This study addresses the development of a trumpet capable of playing a complete chromatic scale. The invention of the keyed trumpet at the end of the eighteenth century freed the instrument from the acoustic limitations of the Baroque "natural" trumpet. These limitations are explained in the study. The capabilities of the keyed trumpet prompted first Franz Joseph Haydn and later Johann Nepomuk Hummel to compose concerti in which the solo trumpet parts contain novel chromatic melodic passages impossible to perform on natural trumpets. These concerti, both written for the same instrument, with only seven years separating their composition dates, reflect …