Music Commons^™

The Use Of Vocal Vibrato In Contemporary Performances Of Early Music, Kaylee Ann Simmons

Undergraduate Honors Capstone Projects

The aim of this project is to help collegiate vocalists reconcile opposing views of applying vibrato to contemporary performances of early music. First, written materials, both modern and historical, were evaluated and compiled in a comprehensive review. Some early authors appeared to dislike vibrato-like qualities, while others believed them to be pleasant so long as they were used in moderation. Modern authors displayed an array of views about vibrato, with arguments ranging from "vibrato use only" to "straight-tone use only." They were found to generally base their opinions on vocal health and/or personal interpretations of historical data, though there was …

A Stiff, Brocaded Gown: Patterns In The Life Of Amy Lowell, Emily Jinju Cottam

Undergraduate Honors Capstone Projects

Amy Lowell's poetry serves as a reflection of the challenges and struggles that permeated her life. Her late entry into the world of published poetry at the age of 38 resulted in the presentation of already-solidified beliefs that she had developed since childhood. Although the techniques she employed and the quality of her writing varied in the last decades of her life, Lowell's focus on imagery, rhythm, and mood remained consistent in many of her works. Published in 1916, the poem "Patterns", from Men, Women, and Ghosts, contains themes that are of particular note when placed into the context of …

The Romanian Church Musician: Biblical Foundations For Training Musicians To Serve The Romanian Evangelical Church, Gary Mathena

Doctoral Dissertations and Projects

Emanuel University of Oradea, Romania, was founded in 1986 as an underground training school for pastors and missionaries during the brutal regime of communist dictator Nicolae Ceaușescu. In December of 1989, Ceaușescu’s government was overthrown. The new democratic government not only officially recognized the school (then the Baptist Biblical Institute) as a theological seminary, but also commissioned the institution to train teachers for the newly emerging, publicly funded religious schools being established across the country. The school accepted that mandate and in 1998 changed its name to Emanuel University of Oradea. The music program began in those early days for …

A Study For Training And Building Up Worship Leaders For Spiritual Maturity And Revival In South Korea, Kyuhyuk Lee

Doctoral Dissertations and Projects

Worship leaders have become important ministers in worship since the 1990s in South Korea. However, South Korean churches rarely train and build up worship leaders because of the lack of recognition of the importance and expertise about worship leading. They have a false belief that the only role of worship leaders is to lead worship with musical skills. The purpose of this thesis project is to help worship leaders and their congregations to worship God correctly by presenting the concept and necessity for God-centered worship and principles for spiritually mature worship leaders. This study will examine the Bible and literature …

"An Alphabet Of Soldiers”: Jake Heggie’S Farewell, Auschwitz, Lori Jo Guy

Dissertations

For the past 18 years, the non-profit organization Music Of Remembrance has worked to remember the Holocaust through concerts, education events, and by recording and commissioning new works. One such work, entitled Farewell, Auschwitz, premiered in May of 2013.

Farewell, Auschwitz is a unique composition for several reasons. One reason is that the poetry for the songs was adapted from lyrics written by Krystyna Żywulska, a Polish Jew, imprisoned at the Auschwitz-Birkenau concentration camp. In the camp, she began creating poetry and songs in reaction to the horror that surrounded her. Her poetry is a commentary on the daily …

Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, Funa Wang

Dissertations

Beijing opera (known as jingju in Chinese) dates back to 1790 and is the most famous traditional Chinese regional opera of some 335 different styles, combining music, vocal performance, dance, and acrobatics. Originally considered vulgar by the court, Beijing opera became especially popular with the Qing dynasty court in its later days (1884-1910), thus raising its status at the beginning of the twentieth century to a ‘national opera.’ Furthermore, it has become an important nationalistic and traditional element in Chinese contemporary music.

Qigang Chen studied and lived in Europe for long time and is proficient in Western compositional techniques. On …

The Idiosyncratic Language Of Brazilian Music: Strategies For Performing Villa-Lobos Choros No. 10, Dennis Paz Leoni

Dissertations

Heitor Villa-Lobos’ Choros No. 10 is a composition with many cultural and symbolic inclusions. This work seeks to support a conductor’s informed performance of the piece by providing historical and technical context from the conductor’s life and influences. The first section examines the ethnographic and sociopolitical factors in Brazil during the conductor’s life, and then the personal influences on Villa-Lobos’ career, in order to establish the foundation for a section-by-section analysis of the work which illuminates the idiosyncratic nature of the composer’s masterpiece.

Taiwanese Traditional Musical Idioms Meet Western Music Composition: An Analytical And Pedagogical Approach To Solo Piano Works By Tyzen Hsiao, Yi-Chuan Tsai

Dissertations

Since Western classical music was introduced in Taiwan, many contemporary Taiwanese composers have been experimenting with different musical forms and techniques. The members of the Third Generation of Taiwanese Composers began to lead the modernization of Taiwanese music after 1960. They proposed the establishment of a specifically Taiwanese musical tradition, one which would reach out to Taiwanese audiences through the incorporation of familiar folk songs and musical idioms, while incorporating Western compositional techniques and forms.

Tyzen Hsiao (蕭泰然) (1938-2015) was one of the most influential Taiwanese composers. His music is a blend of Taiwanese traditional musical idioms and Western music …

Tommy Nakashima, Violin: Student Recital, Tommy Nakashima

Setnor School of Music - Performance Programs

No abstract provided.

Bryan Watson, Guitar: Student Recital, Bryan Watson

Setnor School of Music - Performance Programs

No abstract provided.

An Exploration Of Recording And The Music Business, Erika Nalow

Honors Projects

A creative project focused on the ability of an independent musical artist to compose, arrange, record, produce, mix, master, market, and promote their own musical composition.

Chamber Studio Recital, Department Of Music

Concerts and Event Programs 2016-2017

Chamber Music performed by the students of professors, Karin Thompson, Carla Trynchuk and Chi Yong Yun

University Of Wisconsin Russian Folk Orchestra, April 29, 2017, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

A Classic Rock Spectacular, 2016/2017 Season, Performing Arts Department

Edgerton Center Programs

The Sacred Heart University Choirs presents A Classic Rock Spectacular, Saturday, April 29, 2017 at 7:30 PM, Edgerton Center for the Performing Arts.

Opera Scenes, Janet Brown, Eric Johnson, Kathleen Roland-Silverstein, Sasha Turner, Sean Jordan, Opera Workshop, Setnor School Of Music

Setnor School of Music - Performance Programs

No abstract provided.

John Oliveira String Competition 2017 - Winner's Recital, Trace Johnson, Sheng Yuan Kuan, Alla Sorokoleova, Sergei Skobin

John Oliveira String Competition

Winner

• Trace Johnson, cello

Standards Revisited: The Morton Schiff Jazz Ensemble; Dr. John Coggiola, Director, Morton Schiff Jazz Ensemble, Setnor School Of Music, John Coggiola

Setnor School of Music - Performance Programs

No abstract provided.

Cody Alexander Paul: Master's Composition Recital, Cody Alexander Paul

Setnor School of Music - Performance Programs

No abstract provided.

Mario Petra, M.M. Composition: Student Recital, Mario Petra

Setnor School of Music - Performance Programs

No abstract provided.

"Performance Practice In The Music Of Steve Reich," By Russell Hartenberger, Pwyll Ap Siôn

Performance Practice Review

Pwyll ap Siôn discusses Russell Hartenberger's 2016 work.

Hartenberger, Russell. Performance Practice in the Music of Steve Reich. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-15150-5.

John Wassmuth, Piano: Student Recital, John Wassmuth

Setnor School of Music - Performance Programs

No abstract provided.

Expression And Emotion In Music: How Expression And Emotion Affect The Audience’S Perception Of A Performance, Kelly Lynn Palusis

Selected Honors Theses

Expression and emotion in a musical performance affects how the music is perceived by the audience. A study of a song’s composer and the background of the music aids in improving the expression and understanding of vocal music. A study of theatre brings an extra dynamic to a musical performance. Maria Callas, for example, was a pioneer in combining these many factors into her performances. Her application of music and drama in opera makes her an ideal example of a complete and dynamic vocalist. The expression and emotion she poured into each performance transformed how people saw opera and music …

It Can't Be! Faked Functionality And Ambiguity In Brahms's F Minor, Kyle Kostenko

Honors Projects

A performance of any piece of music is not complete if the performer has not looked at the piece from historical and analytical perspectives. Having decided to perform the first movement of Johannes Brahms’s Sonata in F Minor, Op. 120 No.1 on my senior recital, I wanted to analyze the piece so that I had an understanding of how it was composed, hoping that this knowledge would influence my performance. Knowing that Brahms is considered a formalist composer writing in the Romantic era, I hoped to discern how Brahms was able to create a piece that was both Romantic and …

Trynchuk Studio Recital, Department Of Music

Concerts and Event Programs 2016-2017

End of semester performance by the students of professor Carla Trynchuk.

Syracuse University Rock Ensemble Citrus Punch; Rick Balestra, Director, Syracuse University Rock Ensemble Citrus Punch, Setnor School Of Music, Rick Balestra

Setnor School of Music - Performance Programs

No abstract provided.

2016-2017 Sanctuary Series - April 27, 2017, Lynn University, Mark Luttio, Harry Murphy, Katherine Baloff, David Brill, Camille Ripple, Georgiy Khokhlov, Ying Peng Wang, Angela Kahan, Paula Hyman, Thomas Ferstle

Snyder Sanctuary Series

No abstract provided.

2016-2017 Performance Forum - April 27, 2017, David Brill, Sheng Yuan Kuan, Abigail Rowland, Alexander Ramazanov, Shaun Murray, Nolan Carbin, Hallgrimur Hauksson, Benita Dzhurkova, Jovani Williams, Clarissa Vieira, Chance Israel, Yana Lyashko, Alla Sorokoleova, Kayla Williams, Natalia Hidalgo, Yalyen Savignon, Khosiyatkohn Khusanova, Mirna Monclova

Performance Forum

No abstract provided.

World Music Series, Zakir Hussain With Rahul Sharma, April 26, 2017, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Concert Choir; Peppie Calvar, Director, And Women's Choir; Elisa Dekaney, Director, Concert Choir, Setnor School Of Music, Jose Calvar, Women's Choir, Setnor School Of Music, Elisa Dekaney

Setnor School of Music - Performance Programs

No abstract provided.

Spring Chamber Series (April 26, 28-30, 2017), Lindenwood University

Student Music Performance Programs

No abstract provided.