Music Commons^™

La Chasse: The Legacy Of Hunting Calls In French Compositions For Solo Horn And Piano, Daniel J. Atwood

Dissertations, 2014-2019

The horn originates from the hunting fields of Europe and shares a particularly strong relationship with the country of France. During the fourteenth century, the hunt was a form of recreation in which the royalty and nobility of France passionately engaged. This patronage of the nobility led to the writing of many hunting treatises that contain hunting calls, the first music written for horn.

For hundreds of years, French composers have written compositions for solo horn and piano and continually include hunting calls, or passages in the style of hunting calls, into their works. Through continual reference and inclusion of …

The Role Of Narrative In Performing Schumann And Chopin’S Music, Yu-Wen Chen

Dissertations, 2014-2019

Abstract

Recognizing how to present a narrative while performing the music of Schumann and Chopin helps the performer to transmit the spirit of the music and convey expression in the music. In the music-making process, what we cannot discount is that the performer plays a crucial role in conveying musical expression to the listeners, which tremendously affects the quality of the entire musical experience. In this document, I argue that there is a qualitative difference between the ways in which performers should express the central story conveyed in the music of Robert Schumann compared with the story conveyed in the …

A Musical Crusade: Reviving The Music Of Berlioz’S Benvenuto Cellini Through A Comparative Statistical, Pedagogical, And Theoretical Analysis, Jessica R. Spafford

Dissertations, 2014-2019

Abstract

Much of the operatic music of the eccentric French composer Hector Berlioz (1803-1869) is overlooked, especially from his first full opera Benvenuto Cellini. This is due in part to many misconceptions surrounding Berlioz’s vocal compositional style, which stem from the political atmosphere at the time of the opera’s premiere in 1838 Paris when ill-willed critics renamed it Malvenuto Cellini. A general ignorance of this work and its music pervades the world of vocal pedagogy, having been excluded from the standard repertoire anthologies, where it can ironically be the most useful. The research presented in this project comprises …

The Development Of A Fach System For The Tenor Oratorio Repertoire, Randall C. Ball

Dissertations, 2014-2019

Classical singers learn about the European Fach System early in their career. By determining which Fach a voice type fits, one can then understand which operatic repertoire is suited to study and perform. It is a reliable guide, protecting singers as they grow and function in their workplace. Since oratorio roles are predominantly not included in this system, it can sometimes be challenging for singers and pedagogues to place these roles unambiguously into a Fach. Without the security of a pedagogical system or guide, singers may be miscast in oratorio productions, which can result in a less effective performance, …

David Lee, Piano: Student Recital, David Lee

Setnor School of Music - Performance Programs

No abstract provided.

Savoring Life's Journey - Emily Mcandrew Degree Recital, Department Of Music

Student Degree Recitals 2016-2017

Emily McAndrew featuring works by Copland, Mahler and Bernstein.

2016-2017 Performance Forum - May 4, 2017, Michael Pittman, Bailey Michelle Collins, Virginia Mangum, Sheng Yuan Kuan, Cameron Hewes, Soojung Kwon, Stephanie Barrett, Amy Nickler, Evan Musgrave, August Berger, Julia Jakkel, Marija Trajkovska, Karolina Kukolova, Yu Lu

Performance Forum

No abstract provided.

Kyoungsoo Kim, Cello: Student Recital, Kyoungsoo Kim

Setnor School of Music - Performance Programs

No abstract provided.

Alan Lynch, Organ: Graduate Organ Recital I, Alan Lynch

Setnor School of Music - Performance Programs

No abstract provided.

Dreaming Of A Garden- Kara Kang Degree Recital, Department Of Music

Student Degree Recitals 2016-2017

Kara Kang featuring works by Verdi, Delibes and Strauss.

Kautsky Studio Recital, May 2, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

2016-2017 Senior Recital - Anthony Trujillo (Composition), Anthony Trujillo

Junior and Senior Recitals

No abstract provided.

Student Recital: James Whittemore, Trumpet, James Whittemore, Jonathan Chesson

Student Recitals

No abstract provided.

Concerto And Aria Winner's Concert: Elaina Palada, Flute; Egor Antonenko, Cello; Emily Lane, Viola; Syracuse University Symphony Orchestra; James Tapia, Director, Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia, Elaina Palada, Egor Antonenko, Emily Lane

Setnor School of Music - Performance Programs

No abstract provided.

2016-2017 Senior Recital - Walker Harnden (Oboe), Walker Harnden, Darren Matias

Junior and Senior Recitals

No abstract provided.

Learning To Sing, Nicholas Tierney

Senior Honors Projects

Singing alone in the car was okay because no one was there to listen. I wanted to see if I could learn to sing, and do it successfully, with a group of people. By joining URI’s University Chorus this semester, I hoped to learn techniques for successful choral singing. Through a guided self-analysis I set out to chronicle my journey from the first rehearsal to the final concerts.

For me, the three most important questions I wanted to answer when staging my research--a blend of an academic analysis and my personal and qualitative data--were: Why do people sing? Why do …

Carnegie Hall Recital Poster, Kate Boyd

Scholarship and Professional Work – Arts

No abstract provided.

A Study Of The Performance Requirements Found In The Sonata For Solo Violin Op. 40 By Miklós Rózsa, James Moat

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Miklós Rózsa’s Sonata for Violin Solo, written in 1986, is his last work for violin and completes a collection of pieces written for the violin dating back to 1929. There have been various scholarly papers written about Rózsa’s violin works, including Nancy Jane McKenney’s dissertation: ‘The Chamber Music of Miklós Rózsa’, and the book written by one of Rózsa’s close friends, Christopher Palmer: ‘Miklós Rózsa, A Sketch of his Life and Work’. Neither of these works discusses the Solo Sonata; in fact, Christopher Palmer’s book was published in 1974, 12 years before the sonata was even composed.

This document discusses …

Worship Renewal Through Discipleship: How Discipleship And Mission Affects Our Worship, Kevin Haglund

Masters Theses

Numerous articles, blogs, and books have been written in recent years about the lessening of congregational participation in singing and many have called for a renewal of worship and changes in worship practice within the church. Yet, most of the solutions offered are aimed at bettering what happens inside the worship event—singing songs with more theologically rich lyrics, incorporating more scripture and prayer, striving for more creative ways to engage the congregation, more resources and training for worship leaders, and many other valuable ideas. As excellent as those solutions may be, they are incomplete unless we also focus on that …

Porch And Playhouse, Parlor And Performance Hall: Traversing Boundaries In Gottschalk's The Banjo, Laura Moore Pruett

Visual & Performing Arts Faculty Publications

This article reconsiders the cultural significance and historical impact of the well-known virtuosic piano composition The Banjo by Louis Moreau Gottschalk. Throughout the early nineteenth century, the banjo and the piano inhabited very specific and highly contrasting performance circumstances: black folk entertainment and minstrel shows for the former, white middle- and upper-class parlors and concert halls for the latter. In The Banjo, Louis Moreau Gottschalk lifted the banjo out of its familiar contexts and placed it in the spaces usually privileged for the piano. Taking its inspiration from both African American and minstrel banjo playing techniques, Gottschalk's composition relaxed and …

The Biomechanics Of Music Performance, Rachel F. Bellisle, Jessika Decker

Senior Honors Projects

When first learning to play a wind instrument, beginner musicians are taught how to hold their instrument and correctly position their body. They are taught how to sit, where to put their hands and fingers on the keys, and how to hold their arms. This initial lesson on posture and hand positioning is often short, as one quickly moves on to learn the embouchure and breathing techniques that allow sound to be produced. As a musician progresses in skill, positioning is emphasized more, and they learn that it can affect their risk of strain or injury and improve their sound …

Music Therapy’S Impact On Substance Abuse Recovery, Justin Bishop-Williams

Capstone Projects and Master's Theses

Music therapy has been a viable means of treatment for various medical conditions such as; treating PTSD, mental illness and even used alongside cognitive behavior therapy practices. Since the 70’s licensed therapists have been utilizing music therapy to combat the effect of addiction caused by substance abuse disorders. Addiction impacts the lives of one in ten Americans and only eleven percent seek help in forms of addiction treatment centers or 12-step-programs. With the combination of music therapy, addiction patients can discover feelings and emotions that have been suppressed through years of substance abuse. Forms of music therapy being examined for …

Re-Editing Isaia Billè’S 24 Studi-Capricci Per Contrabbasso A 4 Corde To Modern Notation For Double Bass, Samuel Dahmer

Dissertations

Isaia Billè was an Italian virtuoso double bassist as well as a great pedagogue who left one of the most extensive collections of compositions and pedagogical materials for the double bass. The 24 Studies-Caprices is a set of studies that can be considered a valuable part of the double bass repertoire for the challenging technique and valuable musical content. Unfortunately, the caprices were abandoned by contemporary double bassists due to outdated notation which is based in suono reale, where all the notes are written in the actual register they sound. Contemporary double bass players currently are used to reading notes …

Love Sick The Musical - A Reflection Of My Undergraduate Studies, William Kelly

Senior Theses

No abstract available

The Drums Throughout Time: Rethinking The Beat, Sal Alamillo

Capstone Projects and Master's Theses

This paper will examine a variety of ways that drum makers approach their craft by comparing the processes of distinct forms of drum construction as well as the philosophies and aspirations of these artists. This dissertation will review the various choices of drum makers by: (1) providing a brief history of the drum set, (2) comparing the processes of manufacturers, both prominent and independent, and (3) narrating a firsthand project of making a drum with an independent drum builder while incorporating a handmade drum into original compositions and recordings. The paper will also explain the creative decisions of drum makers …

Creative Outlets Empowering At-Risk Youth: Cultural Expressions Through Recording Technology And Multimedia Productions, Gregory Jeffery

Capstone Projects and Master's Theses

At-risk youth are empowered through various creative forms of recorded media. Today's market has a wide range of recording technology products lower-end consumer gear to the high-end commercial gear. These products becomes the tools making music more accessible to the low-income urban communities. At-risk youth are able to participate in ways now that many did before them. The facilities of centers such as RYSE in Richmond, Ca reach out to at-risk youth offering programs for recording technology, multimedia arts, and video production as well as a multitude of resources for educational, career, and health services. Cultural expressions through recording technology …

The Benefits Of Music In Child Development, Dulce-Paola Ixtupe

Capstone Projects and Master's Theses

Music is a subject that does not limit children to simply having fun, although “fun” is an essential component when trying to engage children in learning activities. Music further enhances a series of transferable skills and can help children with their learning experience in other subjects. By being part of a fun activity such as music, children are able to acquire affective, cognitive, and evaluative skills, which will further reinforce a variety of areas of their development. When engaged in an activity where recognition and expression of feelings are required, they learn that having feelings is perfectly normal and that …

The Influences Of The French Flute School On Brazilian Flute Pedagogy, Fabiana Magrinelli Rocha Dahmer

Dissertations

In the second half of the twentieth century, flute teaching in Brazil improved considerably. The immigration of French flutists to Brazil and the exchange programs where Brazilian flutists went to study in France made a significant impact on the flute pedagogy in Brazil. This dissertation traces the influence of the French Flute School in Brazil by presenting the careers of the four most influential flutists living in Brazil today and how they can be traced back to the legendary flutist and teacher Paul Taffanel. Two of these flutists, Odette Ernest Dias and Jean-Nöel Saghaard, are French but moved to Brazil …

The Life And Legacy Of Samul Feinberg, Solomon Eichner

Theses and Dissertations

Samuil Feinberg (1899-1962), a modern day Liszt, has not been given the credit he deserves. Living under the Stalin Regime, he was neglected and repressed. This pianist, composer and pedagogue lived an artistic life that is worth studying and reviving. Heavily influenced compositionally by Scriabin, Feinberg played an important role in continuing the Russian revolutionary avant-garde style between 1915 and 1930. Feinberg went through two compositional periods, the first being a more virtuosic experimental style and the second a more conservative, contrapuntal and folk influenced style. Feinberg had a deep connection to Bach and transcribed many of his pieces in …

“The Last Words Of A King’S Wife”: An Exploration Of The Characters Of The Wives Of King Henry Viii Of England Through The Art Song Of Libby Larsen, Morgan G. Tingle

Undergraduate Honors Theses

The intention of this thesis is to describe the process of putting together a performance of a lecture recital on the song cycle Try Me, Good King: Last words of the wives of Henry VIII by modern composer Libby Larsen, and to conduct an in depth exploration of the characters of the first five wives of King Henry VIII of England. Each wife’s character will be investigated in relation to their roles in this song cycle which draws its’ text from the final words of these five women. Each wife’s character will be investigated from three perspectives, that of …