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Articles 1081 - 1110 of 3332
Full-Text Articles in Music
0851: Mabel (Petit) Walters Hazelett Collection, 1901-1969, Marshall University Special Collections
0851: Mabel (Petit) Walters Hazelett Collection, 1901-1969, Marshall University Special Collections
Guides to Manuscript Collections
This collection features music from various genres, including Americana, Broadway, Foxtrots, Ragtime, Orchestral, and Waltz. The music itself ranges from love ballads to political tunes, especially as it pertains to World War One, life abroad, and life in the South (and other Appalachian regions). Most of the sheet music features beautiful and stunning artwork on the cover, demonstrating the era the music was published.
The "Broadway, Theater, and Movies" folder features songs performed by artists such as Judy Garland and Charles Ray, and also features songs such as "Singin' in the Rain" and "The Girl from Havana." The most noteworthy …
Lynne Ramsey, Violist: Biography, Pedagogical Background, Teaching Techniques, And Career Advice, Ignacio Cuello
Lynne Ramsey, Violist: Biography, Pedagogical Background, Teaching Techniques, And Career Advice, Ignacio Cuello
Graduate Theses, Dissertations, and Problem Reports (ETD)
This research document explores teaching methods, career advice, and major influences that shaped the professional course of the violist Lynne Ramsey. Ramsey teaches viola at the Cleveland Institute of Music and is first assistant principal viola in the Cleveland Orchestra. For over thirty years, she has taught countless viola students in the US while maintaining a full-time performance career.
The introductory chapter covers Ramsey’s biographical and educational backgrounds during her time as a student of Ramon Scavelli, David Dawson, and Karen Tuttle. It is worth mentioning that Tuttle was the primary student of one of the best-known violists in …
Parents’ Observations Of Their Young Children’S Music Behaviors During Music Classes After Completing The Children’S Music Behavior Inventory, Julia Beck
Theses and Dissertations
With the intent of understanding perceptions of early childhood music development, the purpose of this research was to examine parents’ observations of their young children during music classes after completing the Children’s Music Behavior Inventory (Valerio & Reynolds, 2015). My guiding research question was: How do knowledge of CMBI and viewing informal music class video recordings influence parents’ perceptions and understanding of their three-year-old children’s music behaviors and development during a two-month period?
Participants included five parents of three-year-old children in the 3B classroom at Bright Horizons, a preschool located in Columbia, South Carolina. During the data collection process, I …
The Influence Of Mindful Movement On Elementary Students’ Music Listening Enjoyment And Comprehension, Jean Louise Boiteau
The Influence Of Mindful Movement On Elementary Students’ Music Listening Enjoyment And Comprehension, Jean Louise Boiteau
Theses and Dissertations
The purpose of this study was to examine the effects of mindful movement on elementary students’ listening comprehension and enjoyment. Participants (N = 40) were third-grade music students who participated in an ABAB within-subjects research design. During baseline phases, participants listened to one of four musical selections. During treatment phases, participants completed a mindful movement activity while listening to the musical selections. After each baseline or treatment experience, participants rated how much they enjoyed the musical recording, answered a free-response question justifying why they chose that enjoyment rating, and completed a listening comprehension test. Although there was a slight increase …
Examining Professional Music Teacher Identity: A Mixed Methods Approach With Stringed Instrument Teachers, Elizabeth A. Reed
Examining Professional Music Teacher Identity: A Mixed Methods Approach With Stringed Instrument Teachers, Elizabeth A. Reed
Theses and Dissertations
The purpose of this study was to investigate the perception of professional music teacher identity (PMTI) among stringed instrument teachers who are alumni of the University of South Carolina String Project (USCSP) preservice teacher education program. Using a fixed mixed method design, I first surveyed all USCSP alumni from the past 20 years using the PMTI Questionnaire. For the qualitative portion of the study, the researcher interviewed three USCSP alumnae in their post-second stage of teaching (year 11–20). All USCSP alumni identified, rated, and ranked their expertise in subject matter, didactical, and pedagogical aspects. USCSP post-second stage alumnae also identified …
Culturally Relevant Choral Music Pedagogy And Student Feedback, Theoni Richardson
Culturally Relevant Choral Music Pedagogy And Student Feedback, Theoni Richardson
Master's Theses
The purpose of this teacher action research study was to assess choral education pedagogy through the perspective of high school choir students. The research question asked: How can I utilize student interpretation and critique in order to empirically self-reflect on my choral teaching practice and its cultural relevance? Interpretation and critique are defined as student opportunities to give feedback, both positive and negative, in the form of qualitative oral discussion and quantitative, linear ranking. While research has shown that culturally relevant pedagogy allows for more student engagement and success, I hypothesized that this study would show that students who perceive …
Creating Multicultural Music Opportunities In Teacher Education: Sharing Diversity Through Songs, Dawn Joseph, Rohan Nethsinghe, Alberto Cabedo Mas
Creating Multicultural Music Opportunities In Teacher Education: Sharing Diversity Through Songs, Dawn Joseph, Rohan Nethsinghe, Alberto Cabedo Mas
Australian Journal of Teacher Education
This paper contributes to the knowledge base for preparing pre-service teachers (PSTs) for contemporary multicultural classrooms. To do so, we refer to our ongoing project “See, Listen and Share: Exploring intercultural music education in a transnational experience” across three Higher Education sites (Australia and Spain). Drawing on our narrative, and PSTs’ questionnaire data, using Interpretative Phenomenological Analysis to analyze and code the PST data, we report on our initial experience and findings across the three sites and cultural contexts. Generalisations to other institutions cannot be made. We discuss what was taught and how it was taught in our three settings, …
Music Activities Delivered By Primary School Generalist Teachers In Victoria: Informing Teaching Practice, Fiona King
Music Activities Delivered By Primary School Generalist Teachers In Victoria: Informing Teaching Practice, Fiona King
Australian Journal of Teacher Education
The purpose of this paper is to share teacher practice in the inclusion and delivery of music education experiences for children, to inform teacher education and to guide professional learning. It draws on a larger investigation into the music activities delivered by three primary school classroom (generalist) teachers in Victoria, Australia. There is a gap in the literature regarding the music activities and experiences facilitated by teachers in day-to-day classroom learning. The case study investigation inquired into the content, pedagogy, planning and the place of music activities provided to children aged six to eleven. Teacher education is addressed in this …
Dialogic Communication In The One-To-One Improvisation Lesson: A Qualitative Study, Leon R. De Bruin
Dialogic Communication In The One-To-One Improvisation Lesson: A Qualitative Study, Leon R. De Bruin
Australian Journal of Teacher Education
This qualitative study investigates the dialogic interactions between teacher and student that enhance learning and teaching within the one-to-one music improvisation lesson. This study analyses the ways teachers elicit student actions, thoughts and processes that develop student skills, critical and creative thinking processes necessary for improvisational development. Interactions and interplay between six Australian conservatoire improvisation students and their teachers were investigated. Data reveal dialogic interactions that span instruction, conversation, inquiry and enablement of student knowledge and skills that constitute a complex socio-cultural tapestry of discursive threads. Teacher-student interactions that activate desired creative student activity engage meta-cognitive processes and the cultivation …
The Influences Of A Mariachi Education On Student Perceptions Of Academic Achievement, Academic Attainment, And Student Engagement, Victoria Lynn Smith
The Influences Of A Mariachi Education On Student Perceptions Of Academic Achievement, Academic Attainment, And Student Engagement, Victoria Lynn Smith
University of the Pacific Theses and Dissertations
The purpose of this research study is to examine the influences of mariachi education on student perceptions of their academic achievement, academic attainment, and student engagement. The study involved students attending schools in California, Oregon, and Texas with mariachi programs that consented to be a part of the study, whose districts approved their participation. The students were approached to participate in this study, as they are a part of their school’s mariachi program in middle or high school throughout the Western half of the United States. A convergent parallel (mixed-methods) design and descriptive statistical analyses were used to investigate the …
A Study On The Impact Of A Music Looping Technology Intervention Upon Pre-Service Generalist Teachers’ Self-Efficacy To Teach Music In Primary Schools, John Nathan Heyworth
A Study On The Impact Of A Music Looping Technology Intervention Upon Pre-Service Generalist Teachers’ Self-Efficacy To Teach Music In Primary Schools, John Nathan Heyworth
Theses: Doctorates and Masters
In Australia, in the current climate of economic rationalism in which there has been an increasing emphasis on literacy and numeracy, funding for specialised subjects like music has been reducing. As a result, generalist classroom teachers are being given more responsibility for delivering effective music education in primary schools. However, the time dedicated to training pre-service teachers in music education in tertiary institutions has diminished. Further, time constraints involved in building pre-service knowledge and skills in teaching music may impact many pre-service teachers’ beliefs about their ability to teach music.
Within these constraints, digital technology may provide a key to …
A Generalized Intervallic Approach To Metric Conflict In Liszt, Robert L. Wells
A Generalized Intervallic Approach To Metric Conflict In Liszt, Robert L. Wells
Music
The music of Franz Liszt has become widely recognized by music theorists for its harmonic and formal innovations. However, little attention has been given to adventurous rhythmic/metric aspects of Liszt’s compositional style: specifically, he frequently incorporates rich metric structures in which the notated metric layer, indicated by time signatures and bars, and heard metric layer, given by cues in the sounding music, are locked in an evolving conflict. To model such interactions, this article develops a new analytical system based on Lewin’s generalized interval system (GIS) concept, constructing a new three-component metric direct product GIS called Met. The article …
Toward A Multiple Mentor Model In Music Education, Kristina R. Weimer
Toward A Multiple Mentor Model In Music Education, Kristina R. Weimer
School of Music Faculty Publications
Literature supports the importance of mentoring relationships in making meaningful contributions to novice teacher induction, and that especially important in the relationship is matching mentor/mentee by subject and grade level and in close proximity. The physical location of mentors to mentees and their availability impacts the relationship. Proximity is necessary to view the mentor as accessible and provide opportunities for interactions during the school day.
In music education, matching mentor/mentee by subject and grade level and in close proximity can be challenging. Because of music's specialization, music teachers are often the only one in their building. I previously examined two …
A Glance At Astor Piazzolla's Histoire Du Tango: Lecture Recital, Elizabeth Ritter
A Glance At Astor Piazzolla's Histoire Du Tango: Lecture Recital, Elizabeth Ritter
Honors Projects
This project is a lecture recital including the performance of four musical works from different countries as well as a lecture Astor Piazzolla's Histoire Du Tango. The four pieces performed in this recital were Eldin Burton's Sonatina for flute and piano, the first movement of Astor Piazzolla's Histoire Du Tango, Hirota's Shikararete, and Bela Bartok's Romanian Folk Dances for piccolo and piano. Before performing the Piazzolla, there was a lecture which included the teaching of the musical aspects of the tango within this piece, a short biography of Piazzolla, and a historical look at the four movements of this piece. …
Towards The Recovery Of Authentic Organ Continuo Practice In Haydn's Concerted Sacred Music, Tom Mueller
Towards The Recovery Of Authentic Organ Continuo Practice In Haydn's Concerted Sacred Music, Tom Mueller
HAYDN: Online Journal of the Haydn Society of North America
During the classical era, full-size church organs were used in the performance of concerted sacred music. Historical evidence such as treatises and surviving organs offer useful information that can be used to reconstruct organ continuo performance practices. In spite of this evidence, modern performances and recordings of this repertoire often make use of small positive organs that cannot match the capabilities, timbre, and dynamics of larger instrument. Furthermore, the continuo realizations published in modern performance editions rarely reflect the style and techniques of historic practice.
This article explores issues in the performance practice of continuo playing on large church organs …
About This Issue, Michael E. Ruhling
About This Issue, Michael E. Ruhling
HAYDN: Online Journal of the Haydn Society of North America
No abstract provided.
A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett
A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett
Charleston Library Conference
This paper and presentation will explore the process of developing a unique patron-driven acquisition program for print music scores and monographs from concept to reality at an American Association of Research Libraries institution. Areas to be discussed include collection development considerations, information technology infrastructure needs, acquisitions workflows, and plan evaluation. The paper and the presentation will examine how partnering with a vendor to implement an innovative collection development plan can support the needs of the library users and the goals of library collection development officers and increase access to music scores and monographs in a fiscally responsible way. Readers can …
Musicalization: Early Childhood Music Access, Discourse, And Praxis In Nyc Charter Schools, 2014-2015, Andrew Aprile
Musicalization: Early Childhood Music Access, Discourse, And Praxis In Nyc Charter Schools, 2014-2015, Andrew Aprile
Dissertations, Theses, and Capstone Projects
Over the past two decades, charter schools have become a hallmark of education reform in the United States. Concurrent with this movement is the increasing prominence of high stakes testing. While much research has sought to compare the effectiveness of charter schools and traditional public schools in terms of standardized assessments, scant attention has been paid to the role of arts and music in charter schools, and little has been done to distinguish the distinct strands of the charter school movement. Given what we know about the importance of music education and the growth of charter schools, it was the …
Effects Of Musical Theater Education On The Self-Esteem Of Middle School Students, Kimberly Kokx
Effects Of Musical Theater Education On The Self-Esteem Of Middle School Students, Kimberly Kokx
CUP Ed.D. Dissertations
Musical theater combines two educational components; music and theater. These arts classes have demonstrated positive influences on student academic achievement and student self-esteem. Musical theater, however, has not been fully examined as a pathway to enhance student self-esteem. The purpose of this study is to examine the influence of musical theater education on middle school student self-esteem. Using a qualitative case study, 11 students from a private Christian school in suburban Minnesota participated in a musical theater production to measure the effects of musical theater education on their self-esteem. Likert surveys, interviews, observations, records, and artifacts were collected to determine …
The Development And Continued Evolution Of The American Style Of Oboe Playing, Rebecka Rose
The Development And Continued Evolution Of The American Style Of Oboe Playing, Rebecka Rose
Masters Theses
Though the American school of oboe playing did not exist roughly a century ago, its popularity and impact, in all of its variations, currently extends throughout and beyond the United States. Marcel Tabuteau, the founding father of the American school, developed a new and unique style during the early part of the twentieth century. This style became a truly hybrid school grounded in the French oboe school, and developed through his playing and teaching at the Curtis Institute of Music into a style that encompasses beauty, expression, and the vibrancy that has come to typify the American school oboist. The …
Bimusicality: Pedagogical Insights For Music Educators From "Second-Music" Learning Experiences, Kerry Digiacomo
Bimusicality: Pedagogical Insights For Music Educators From "Second-Music" Learning Experiences, Kerry Digiacomo
Masters Theses
This study explores the development of “bimusicality” in adolescent and adult music learners to discover correlations between this experience and second language acquisition processes. North American music educators need to be equipped to help their students grow in their understanding of diverse musical styles, genres, and traditions, and the ethnomusicological concept of bimusicality, in connection with existing research on second-language acquisition as a sociocultural phenomenon, offers a new frame of reference for understanding how music learners may interact with distinct musical styles. Survey research with a group of 98 adult musicians, followed by ethnographic interviews of 16 of these survey …
Doxology And Discipleship: Principles For How The Worship Leader Functions Pastorally, Robert Balentine
Doxology And Discipleship: Principles For How The Worship Leader Functions Pastorally, Robert Balentine
Doctoral Dissertations and Projects
Many Christian worshipers and clergy misunderstand or undervalue the role that the worship leader has as a pastor and one that helps shepherd and shape the doctrinal beliefs of the church. Likewise, this could lead the worship leader to fail to take an intentional approach to worship planning. This lack of understanding and intentionality helps to contribute to the shallow or flawed theology and biblical illiteracy that plagues the church in America. This topic was chosen to demonstrate how music and song are highly effective tools for pastoring and teaching. This project will highlight three principles for how the worship …
Guide To The Sherwood Community Music School, College Archives & Special Collections
Guide To The Sherwood Community Music School, College Archives & Special Collections
Collection Guides / Finding Aids
This guide describes the organization and scope of the Sherwood Community Music School archival collection, housed within the College Archives & Special Collections at Columbia College Chicago. The Sherwood Music School opened in 1895 and has served as a degree-granting institution for musicians, a hub for the students of music distance education, and a community music school offering lessons and programs for musicians of all ages.
Creating A Welcome Place For All Singers, Stephen Sieck
Creating A Welcome Place For All Singers, Stephen Sieck
Diversity Conference 2017
At the center of inclusive pedagogy is our commitment to treat each other the way we would want to be treated if our positions were reversed. First, we must recognize that we come to the choral rehearsal from different positions and that the playing field for each of us has not been equally flat. Acknowledging these biases, we need to wrestle with curriculum. In which ways does our repertoire create an unmarked category of canonical literature and a marked category of ‘other’? When we acknowledge repertoire’s positionality as being an unequal playing field, too, we begin to change the language …
Knowledge And Practices Of Faculty At Nasm Accredited Institutions In The Southeast Region Regarding Standards-Based Instruction, Jonathan Leon Nelson
Knowledge And Practices Of Faculty At Nasm Accredited Institutions In The Southeast Region Regarding Standards-Based Instruction, Jonathan Leon Nelson
Dissertations
In 1993, Congress passed the mandate Goals 2000: Educate America Act, which established standards for K-12 education that outlined the core benchmarks of student achievement for individuals who have mastered the core curricula required to earn a high school diploma (Mark, 1995). Unfortunately, these curricular requirements did not include any criteria for music education, nor did they consider the curricular implications for higher education in providing NSME Standards based training for music educators.
The aim of this study was to determine if and to what extent music education faculty engage in NSME Standards-based instruction within the higher education classroom. Questionnaires …
The Story And The Song: Examining Worship In The Tabernacle In Relation To The Gospel And Postmodern Evangelism, Debra Wilcox
The Story And The Song: Examining Worship In The Tabernacle In Relation To The Gospel And Postmodern Evangelism, Debra Wilcox
Masters Theses
By examining tabernacle worship and its connection to the Gospel, worship leaders may find effective lyrical contexts for reaching the post-modern unbeliever. The priestly responsibility of the worship leader is to carry out the job description of helping people to worship God. As worship leaders select music for worship, they should take the opportunity to teach context and select songs that have parallels to tabernacle worship. In example, the significance of “entering into” worship is a reference to the high priest entering into the Most Holy Place. Worship pastors can approach the task of connecting postmodernists to God by examining …
From The Concert Hall To The Cinema: The Journey Of The Classical American Sound, Rebecca Stegall
From The Concert Hall To The Cinema: The Journey Of The Classical American Sound, Rebecca Stegall
Masters Theses
American classical music has enjoyed a long-standing presence around the world as its own entity within the classical music genre. As early as the 1920s, American classical music has had its own unique sound. The early 20th Century was a time of musical experimentation and social unrest in America. Due to its relative newness and experimentation by numerous composers, identifying the defining characteristics of American music, an experimental music itself, became difficult and ambiguous. Also, the continuation of American classical music became increasingly problematic as classical music was replaced in popular culture by other genres of music. The research for …
Teaching Music In The Reformed/Calvinist Tradition, John Macinnis
Teaching Music In The Reformed/Calvinist Tradition, John Macinnis
Pro Rege
Editor’s Note: This article (© 2017 by the author) was submitted for possible open access publication under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/). It was first published in Religions on March 31, 2017, in the Special Issue Teaching the Reformations and was edited for that publication by academic editor Christopher Metress.
The Application Of Eastern Band Of Cherokee Powwow Music In Music Education, Glenda Motley
The Application Of Eastern Band Of Cherokee Powwow Music In Music Education, Glenda Motley
Masters Theses
The Virginia education curriculum for fourth grade social studies requires the study of American Indian history and culture. Motivated by research questions, this project proposes a music education curriculum that enhances these social studies lessons through the inclusion of American Indian music. The music of the Eastern Band of Cherokee Indians located in Cherokee, North Carolina is appropriate for teaching students about this culture. The literature reviewed covers early American Indian history followed by the history of the Eastern Band of Cherokee Indians. Resources on the role of women are also explored in society and music. Literature examined on the …
We Are One: Singing, Sisterhood, And Solidarity In Appleton-Area Women's Choirs, Lauren Vanderlinden
We Are One: Singing, Sisterhood, And Solidarity In Appleton-Area Women's Choirs, Lauren Vanderlinden
Lawrence University Honors Projects
Despite its relatively small population, the city of Appleton has a large and thriving women’s choir community. Between the Lawrence Academy of Music Girl Choir, which serves hundreds of girls every year, and Cantala, the women’s choir at Lawrence University, opportunities for involvement in nationally-recognized female-voice ensembles range from second grade all the way through to college graduation. Using the theories of Foucault, Bourdieu, Butler, Green, and Bentham, this project explores the women’s choir culture of Appleton in an attempt to discover the core values of these two influential programs. I accomplished this by conducting ethnographic research in the form …