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Articles 811 - 840 of 3928
Full-Text Articles in Music
Ua12/2/1 College Heights Herald, Vol. 83, No. 14, Wku Student Affairs
Ua12/2/1 College Heights Herald, Vol. 83, No. 14, Wku Student Affairs
WKU Administration Documents
WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.
Bush, William Pope Duvall, 1823-1904 (Sc 1508), Manuscripts & Folklife Archives
Bush, William Pope Duvall, 1823-1904 (Sc 1508), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 1508. Letter from William P. D. Bush, Hawesville, Kentucky, to Annie White, Grandview, Iowa, in which he recounts the conditions under which White purchased a piano from him in 1855.
Ua12/2/1 College Heights Herald, Vol. 83, No. 3, Wku Student Affairs
Ua12/2/1 College Heights Herald, Vol. 83, No. 3, Wku Student Affairs
WKU Administration Documents
WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.
Chamberlain, William W. (Sc 1492), Manuscripts & Folklife Archives
Chamberlain, William W. (Sc 1492), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Small Collection 1492. "Folk Music in the Kentucky Barrens," a thesis (268 p.) prepared by Chamberlain at Stanford University in Palo Alto, California. Discusses folk music traditions and ballads common to south central Kentucky.
Music, The Non-Governmental Actor Changing Political Policy: Have We Failed The Power Of Music?, Alex Hershey
Music, The Non-Governmental Actor Changing Political Policy: Have We Failed The Power Of Music?, Alex Hershey
Senior Honors Projects
Music, the Non-Governmental Actor Changing Political Policy: Have We Failed the Power of Music? People learn that making music as well as listening to it frees them from the toil and tedium of a life dominated by the privileged and the powerful. Music means trouble for those who would own and control it as they perpetuate injustice and suffering. – Mat Callahan It is believed that the pen is mightier than the sword, but is the guitar playing vocalist, a beatnik, mightier than the M-16 machinegun and an American political oligarchy? To find the answer to this question we must …
Edward Said And The Study Of Music, Kofi Agawu
Edward Said And The Study Of Music, Kofi Agawu
Publications and Research
My first encounter with Edward Said’s work was in the 1980s with the book, Beginnings: Intention and Method (1975). I was exploring a semiotic approach to late 18th-century music, specifically, a beginning-middle-ending paradigm (an Aristotelian paradigm) that seemed to me to capture the rhetorical intentions of Classic composers. Said’s wide-ranging reflections and ruminations on beginnings – as inaugural moments, as sites for the establishment of difference, as authorially privileged moments, and as "first steps in the intentional production of meaning" – proved inspiring. My enduring impression of him at the time was that he was a very good …
Memory And Hypnotism In Wagner's Musical Discourse, Jonathan C. Gentry
Memory And Hypnotism In Wagner's Musical Discourse, Jonathan C. Gentry
Dissertations and Theses
A rich relationship unites the composer Richard Wagner (1813-1883) and the history of psychology, especially if one considers his attempt to make music speak with the clarity of verbal language. Wagner's musical discourse participated in the development of psychology in the nineteenth century in three distinct areas. First, Wagner shared in the non-reductive materialist discourse on mind that characterized many of the thinkers who made psychology into an autonomous intellectual pursuit. Second, Wagner's theories and theatrical productions directly influenced two important psychologists - Friedrich Nietzsche (1844-1900) and Christian von Ehrenfels (1859-1932). Finally, the experiences of music achieved by Wagner at …
The Beggar's Opera And Its Criminal Law Context, Ian Gallacher
The Beggar's Opera And Its Criminal Law Context, Ian Gallacher
College of Law - Faculty Scholarship
This chapter seeks to take the characters and situations of Gay's The Beggar's Opera and consider how closely the play's portrayal matches the historical record. Although the view offered by the play is a restricted one, the chapter concludes that the picture it offers is as close to historical reality as any other document from the period.
Advertisements; 2006-07-14, The Royal Serenaders Male Chorus
Advertisements; 2006-07-14, The Royal Serenaders Male Chorus
Advertisements for Events
No abstract provided.
Issue 06, Cariso! Summer 2006, Columbia College Chicago
Issue 06, Cariso! Summer 2006, Columbia College Chicago
Cariso! The Alton Augustus Adams Music Research Institute newsletter
Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "More Than A Bandmaster: The Life and Times of Alton Augustus Sr., a Cultural Odyssey", CBMR Ends Tenure in the Virgin Islands", "Performance Forum on St. Croix Music and Dance Traditions", "Thanks from St. Lucia", "Come with Me and Let's Talk about Caribbean Quadrilles". Issue 6, Summer, 2006.
Ua1b2/1/6 Oral History, Paula Trafton, Gertrude Bale
Ua1b2/1/6 Oral History, Paula Trafton, Gertrude Bale
WKU Administration Documents
Interview conducted by Paula Trafton with Gertrude Bale, retired music education teacher.
Parker B. Wagnild Portrait In Schmucker Hall, Stephanie M. Bonnes
Parker B. Wagnild Portrait In Schmucker Hall, Stephanie M. Bonnes
Hidden in Plain Sight Projects
A painting of Parker B. Wagnild hangs outside of the College Choir rehearsal room in Schmucker hall. Only a plaque bearing his name is underneath the painting, even the artist remains unknown. The painting is quite small in comparison to what the man in the painting has done for Gettysburg College. Though perhaps the placement of the painting means more than its size, for it located at a central spot in the music department building, and it is right outside of the College Choir rehearsal room. This places Wagnild at the heart of both the department and the choir, both …
Interiority And Authenticity: A Glossed Medieval History About Music And The Taste For Apples, Eyolf Østrem
Interiority And Authenticity: A Glossed Medieval History About Music And The Taste For Apples, Eyolf Østrem
UNIversitas: Journal of Research, Scholarship, and Creative Activity
The article is an attempt at balancing between historical relativism and a fact-based historiography, with a point of departure in a theoretical discussion of the relationship between history and experience, and the author's personal experience of the Middle Ages, in search of an answer to the question: "Does it matter what the music of the Middle Ages sounded like when it was made?"
Musical Life At Mission Santa Clara De Asis, 1777-1836, Margaret L. Cayward
Musical Life At Mission Santa Clara De Asis, 1777-1836, Margaret L. Cayward
Research Manuscript Series
The Spanish missions in Califomia1 were frontier outposts established in order to defend northern borderlands and also to extend Spanish civilization to the peoples of California. From the founding of Mission San Diego in 1769 to the secularization of Mission Santa Clara in 1836, these settlements remained distant from the Spanish metropolitan areas, yet not "off the end of the road" when it came to European cultural life. The Spanish crown, in conjunction with the Roman Catholic Church,2 sent Franciscan missionaries3 to "reduce" the Indian communities in California into concentrations of the population into religious settlements known …
Summer 2006, 90.9 Wmpg Fm
Nietzsche’S “Gay” Science, Babette Babich
Nietzsche’S “Gay” Science, Babette Babich
Articles and Chapters in Academic Book Collections
Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …
Issue 05, Cariso! Winter 2006, Columbia College Chicago
Issue 05, Cariso! Winter 2006, Columbia College Chicago
Cariso! The Alton Augustus Adams Music Research Institute newsletter
Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "Adams Institute is Repository, Distributor for Alan Lomas's 1962 Caribbean Fieldwork", "Alan Lomax's Caribbean Voyage: Nevis Historical and Conservation Society Received 1962 Recordings Made in St. Kitts and Nevis", "St. Thomas-Born Composer Presents Score of "Virgin Islands Christmas" to AMRI", "Students Learn V.I. Music from Master Musicians", "Cuban Abakua Society Is Derived from Calabari Region of Nigeria", "The …
Carl Maria Von Weber’S Overture To Oberon: A History Of Recorded Performance, Stephen Planas
Carl Maria Von Weber’S Overture To Oberon: A History Of Recorded Performance, Stephen Planas
Undergraduate Research Symposium (UGRS)
My research examines the recorded performance history of the Overture to Weber’s Oberon in light of these aesthetic goals. I have charted changes in performance practice trends, including in timing, tempo fluctuation, rhythmic accuracy and ensemble, and the use of portamento. The twenty recordings studied that I surveyed span nearly seventy-five years, and include many of the 20th century’s most prominent conductors and orchestras, including groups from Communist Russia, both pre-World War II and post-World War II continental Europe, the British Isles, and the United States.8 Though by no means comprehensive, my selections encompass a diverse sampling of surviving recordings, …
Ua12/2/1 College Heights Herald, Vol. 81, No. 14 [22], Wku Student Affairs
Ua12/2/1 College Heights Herald, Vol. 81, No. 14 [22], Wku Student Affairs
WKU Administration Documents
WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. Articles in this issue:
- Richardson, Kelly. Employee Sues Western for Discrimination – Ingrid Woods
- Hupman, Samantha. College Parents More Involved
- McNamara, Andrew. Storms Cause Damage, Cancel Classes - Tornadoes
- Richardson, Kelly. Board of Regents Meeting Moved to Saturday
- Coulter, Amber. South Campus Adds Parking
- Show Us the Green – WKU Benefits Committee
- Whitley, Rebecca. Less Noise, More Respect
- Page, Laura. Football is a Worthy Cause
- Hellmueller, Margaret. Guns and Butter
- Walker, Carli. Give It Up People – Girls Gone Wild
- Coulter, Amber. A Century on the Hill – Founders …
Advertisements; 2005-11-13, The Royal Serenaders Male Chorus
Advertisements; 2005-11-13, The Royal Serenaders Male Chorus
Advertisements for Events
No abstract provided.
Summer 2005, 90.9 Wmpg Fm
Issue 04, Cariso!Summer 2005, Columbia College Chicago
Issue 04, Cariso!Summer 2005, Columbia College Chicago
Cariso! The Alton Augustus Adams Music Research Institute newsletter
Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "Performance Forum on VI Music and Dance Traditions", "CBMR Rockefeller Resident Fellows for 2005-06", "March 2005 Lecture and Summit", "AMRI Holds First Workshop for Teachers", "Family of the 'Duke of Iron' Donates Instrument to the People of the Virgin Islands", "Upcoming AMRI Events", "Brown Girl in the Ring and Other Game Songs of the U.S. Virgin Islands", "Stanley …
Mtv: Sounds Of A Generation, Amanda Evens
Mtv: Sounds Of A Generation, Amanda Evens
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
Spring 2005, 90.9 Wmpg Fm
Fall/Winter 2005, 90.9 Wmpg Fm
Issue 03, Cariso! Winter 2005, Columbia College Chicago
Issue 03, Cariso! Winter 2005, Columbia College Chicago
Cariso! The Alton Augustus Adams Music Research Institute newsletter
Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: ""Christmas with the Ancestors: Jonkonnu and Related Festivities in Jamaica", "New AMRI Hours", "St. John People Love and Honor Their Elder Musicians", "Support from VICA", "St. Croix Colloquium" , "Rockefeller Fellow Dr. Kennth Bilby Lectures on Jonkonnu", "Teaching the Music of Alton Adams", "Tra-la-la-la-la: Music in the U.S. Virgin Islands", "The 2004=05 Rockefeller Fellows". Issue 3, 12 pages.
Rallying Round Our Liberty, Wendell Dobbs, Leo Welch, Linda Dobbs, Neil Cadle
Rallying Round Our Liberty, Wendell Dobbs, Leo Welch, Linda Dobbs, Neil Cadle
Recordings
No abstract provided.
The Albany Movement And The Origin Of Freedom Songs, Nicole Lenart
The Albany Movement And The Origin Of Freedom Songs, Nicole Lenart
The Gettysburg Historical Journal
“We became visible.” This is how Bernice Johnson Reagon, a Civil Rights Movement worker, a member of the Freedom Singers, and the founder of Sweet Honey In The Rock explained how songs uplifted and inspired those blacks and whites who worked tirelessly for freedom throughout the 1950’s and 1960’s. Indeed, freedom songs in the movement gave participants the ability to stand up against their fears, express their hopes and desires, and unite the diverse range of people who participated in the movement. Reagon, now a history professor and music legend, grew up right outside of Albany, Georgia, where freedom songs …
Freedom Now!: Four Hard Bop And Avant-Garde Jazz Musicians' Musical Commentary On The Civil Rights Movement, 1958-1964., Lucas Aaron Henry
Freedom Now!: Four Hard Bop And Avant-Garde Jazz Musicians' Musical Commentary On The Civil Rights Movement, 1958-1964., Lucas Aaron Henry
Electronic Theses and Dissertations
In this study, I examined musical recordings from the jazz idiom that relate to events or ideas involved in the Civil Rights Movement during the mid-1950s through the mid-1960s. The study focused on the four following musicians' recordings: Charles Mingus, Fables of Faubus; Sonny Rollins, The Freedom Suite; Ornette Coleman, Free Jazz; and John Coltrane, A Love Supreme. The study relies primarily on the aforementioned recordings, critics analysis of those recordings, and events that took place during the Civil Right Movement.
The study concludes that these recordings are not only commentary about ideas and events but …
Program; 2004-11-14, The Royal Serenaders Male Chorus
Program; 2004-11-14, The Royal Serenaders Male Chorus
Concert & Event Programs
No abstract provided.