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Articles 1801 - 1830 of 3928
Full-Text Articles in Music
Violin Course: Grade 1, Exercises, Sherwood Music School
Violin Course: Grade 1, Exercises, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Exercises, numbers 101 through 158
Violin Course: Grade 4, Exercises, Sherwood Music School
Violin Course: Grade 4, Exercises, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Exercises, number 401 through 458
Violin Course: Grade 3, Studies, Sherwood Music School
Violin Course: Grade 3, Studies, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Studies, number 301 through 360
Violin Course: Grade 2, Studies, Sherwood Music School
Violin Course: Grade 2, Studies, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Studies, number 201 through 260
Violin Course: Grade 2, Compositions, Sherwood Music School
Violin Course: Grade 2, Compositions, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Compositions, number 201 through 286
Violin Course: Grade 3, Exercises, Sherwood Music School
Violin Course: Grade 3, Exercises, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Exercises, number 301 through 358
Violin Course: Grade 3, Compositions, Sherwood Music School
Violin Course: Grade 3, Compositions, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Compositions, number 301 through 360
Violin Course: Grade 2, Lessons And Tests, Sherwood Music School
Violin Course: Grade 2, Lessons And Tests, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Lessons and Tests, number 21 through 40
Violin Course: Grade 5, Compositions, Sherwood Music School
Violin Course: Grade 5, Compositions, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 5, Advanced A: Compositions, number 501 through 599
Violin Course: Grade 2, Exercises, Sherwood Music School
Violin Course: Grade 2, Exercises, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Exercises, number 201 through 258
Violin Course: Grade 1, Lessons And Tests, Sherwood Music School
Violin Course: Grade 1, Lessons And Tests, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Lessons and Tests, numbers 1 through 20
Violin Course: Grade 6, Compositions, Sherwood Music School
Violin Course: Grade 6, Compositions, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 6, Advanced B: Compositions, number 601 through 660
Violin Course: Grade 4, Compositions, Sherwood Music School
Violin Course: Grade 4, Compositions, Sherwood Music School
Violin Courses
A Lesson Book for the Violin Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Compositions, number 401 through 463
The Leedy "Roll-Off" No. 4, Leedy Manufacturing Company
The Leedy "Roll-Off" No. 4, Leedy Manufacturing Company
Leedy Manufacturing Company
No abstract provided.
Stephen Collins Foster & His Folk-Songs, Mary Chisholm
Stephen Collins Foster & His Folk-Songs, Mary Chisholm
Masters Theses & Specialist Projects
Every American knows some of Stephen Collins Foster's songs, but not everyone who sings My Old Kentucky Home and Old Folks at Home realizes that it was he who wrote those songs. Of the two hundred songs and compositions which Foster published, at least fifteen are constantly sung. Since these songs voice emotions which are fundamental to mankind, they have become more important than the composer himself. For this reason they may be called folk-songs, and because they voice so truly the spirit of America, America is proud to claim them as her own.
The title of this thesis, Stephen …
Ua37/23 Whas Broadcast No. 41, Western Kentucky University, Whas, Earl Moore
Ua37/23 Whas Broadcast No. 41, Western Kentucky University, Whas, Earl Moore
WKU Administration Documents
Script for weekly radio broadcast from Western Kentucky University. Participants in this broadcast included Earl Moore, Dale Grabill, Mary McChesney and Arndt Stickles who delivered the address A Resume of the Spanish Situation.
Volume 54, Number 11 (November 1936), James Francis Cooke
Volume 54, Number 11 (November 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Reflections from a Musical Life
Bird in Grand Opera
My Symphonic Debut in the Films
Pep in Music
For That Weak Left Hand
Harp in History
Woman's Struggle for Recognition in Music
Forgotten Pedal of the Piano
Gift of Liszt to Grieg
Spirituals to Symphonies: A Brief Survey of Negro Music in America, from the Jubilee Singers and their Spirituals to the Playing of Dawson's Negro Folk Symphony by the Philadelphia Orchestra
Chicago Symphony Orchestra (founded by Theodore Thomas)
Gala Days with Liszt at Weimar
Photo-Chart for the Piano Accordion
New Piano Accordion Field
Securing Finger Control
Jazzy Repartee
Volume 54, Number 10 (October 1936), James Francis Cooke
Volume 54, Number 10 (October 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Musical Educational Renaissance, A (interview with Josef Hofmann)
Hallowe'en Spirits Go Musical
Early Romance of Haydn
Lesson Check Ups
Harps and Harpists in 1936 (interview with Carlos Salzedo)
Problem of the Adolescent Student
Daily Dozen from the Diatonic Scales
Meistersingers of Nuremberg and Their Wooden Tablet
Subdividing the Beat
Selecting the New Piece
Midnight King: The Tragedy of the Mad Musical Monarch Whose Support Made Wagner's Giant Projects Possible
NBC Music Appreciation Hour
Making a Start with Bach: Practical Helps for the Student Who Desires a Better Knowledge of the Great Master and His Style
Interesting Bit of American Musical …
Volume 54, Number 09 (September 1936), James Francis Cooke
Volume 54, Number 09 (September 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Good Humor in Music: Do Composers Tend Toward the Sombre Colors, or Do They Inclinde Toward the Gay?
Radio and Music (interview with David Sarnoff)
Music at Harvard: From a Historical Review
Memories of William Mason and His Friends
Whetting the Children's Appetite for Music
A-440 by National Broadcast
Origin of Sousa's Name: Ridiculous and False Stories about the Ancestry of John Philip Sousa Which Should be Corrected by Etude Readers
Making Tempo Rubato Understandable
When Should Piano Study Be Commenced? A Question Asked by Thousands
Roll of Honor
Finger Independence as Applied to Bach's Fugues
How They Gave Early …
Volume 54, Number 08 (August 1936), James Francis Cooke
Volume 54, Number 08 (August 1936), James Francis Cooke
The Etude Magazine: 1883-1957
What Makes a Good Violinist (interview with Jascha Heifetz)
Story and History of Gounod's Faust, The
Musical Repartee
Why Every Child Should Have a Musical Training
Music in Public Schools
Neglected Phases of Piano Practice and Playing
Ringing Doorbells to Get Pupils
Music of Hindustan
Hand Building Exercises
Memory Pictures of Famous Musicians
Art of Counting
Sostenuto Pedal
Romance of Felix Mendelssohn
Curing Stiff Wrists and Fingers
Quick Way to Memorize
Combining Different Rhythms
Making Old Etudes Work
Volume 54, Number 07 (July 1936), James Francis Cooke
Volume 54, Number 07 (July 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Romance of In the Gloaming
Road to Correct Fingering
Why Every Child Should Have a Musical Training
Short Cuts to Easy Practice
First Love of Franz Liszt
At What Age Shall My Child Begin to Learn the Piano?
Different Bach
Developing Interest in Practicing
Stamps for Success
Sources of Beethoven's Inspiration
Secrets of the Conductor (interview with Fritz Reiner)
Musical Make-Believe
How the Tuner Can Help You
Indefinable Liszt (interview with Frederick Lamond)
How About Figured Bass?
Safe Rule for Clear Pedaling
Musicians and Their Food
Pitfalls in Teaching Piano Tone Production
Pupil's Piano
Progressive Music Chart
Darkness Before Dawn …
41st Annual Concert And Commencement, Sherwood Music School
41st Annual Concert And Commencement, Sherwood Music School
Commencement Programs
Program for the Sherwood Music School 41st Annual Concert and Commencement at Orchestra Hall (220 South Michigan Avenue) held on June 18, 1936.
Volume 54, Number 06 (June 1936), James Francis Cooke
Volume 54, Number 06 (June 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Background in Music Study (interview with Leopold Godowsky)
Little Tales of Music Study Accomplishment
Increasing the Activity of the Fingers (in French)
From Forty-Five to Ninety
And Now the Movies (interview with Nino Martini)
Here He Is! The Remarkable Legend of Der Liebe Augustin and How He Ridded Vienna of a Plague by Singing
Piano Accordion: Its Relation to Good Music
First Steps in Perfect Scale Playing
On Freeing the Left Hand
What about the Flute? (interview with Georges Barrère)
Improving the Musical Memory
Why Every Child Should Have a Musical Training
Watch the Musical Guide-Posts
Hands Separately
Volume 54, Number 05 (May 1936), James Francis Cooke
Volume 54, Number 05 (May 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Making Your Music Live (interview with Henry L. Mencken)
Why Every Child Should Have a Musical Training
Practice Lesson
Opera on the Screen
What is Popular and What is High Brow?
Freedom of the Air (interview with Boake Carter)
Salzburg and the Mozart Spirit
Heavy Thumbs
Musician's Relation to the Public, Part 2 (interview with Edward L. Bernays)
Preliminary Presentation of the Piano Keyboard
Training Pupils for the Recital
Scale Wise
Little Recital Hour of the Philadelphia Music Teachers Association
Rhythmic Wisdom
Acoustical Revelations
Watch for This Inpostor
Crayons as Critics
Music Study Helps a Lad: A Letter to Un-Musical …
Volume 54, Number 04 (April 1936), James Francis Cooke
Volume 54, Number 04 (April 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Start the Day with a Song (interview with Henry Ford)
Easter Dawn in Music
Pictorial Visit to the Birthplacet Eisenach, of Johann Sebastian Bach (1685-1750)
Private Teacher and Music in the Schools (interview with George L. Lindsay)
Musician's Relation to the Public (interview with Edward L. Bernays)
Pitch of Musical Instruments
When Every Gentleman Was a Musician: Memories of the Golden Age of Music in England (interview with Marion Keighley Snowden)
Piano-Accordion in Musical Education: New Thoughts on a New Instrument (interview with C. Irving Valentine)
By-Products of School Music
Important Musts for the Piano Teacher (interview with Isidor Philipp) …
Volume 54, Number 03 (March 1936), James Francis Cooke
Volume 54, Number 03 (March 1936), James Francis Cooke
The Etude Magazine: 1883-1957
What Does it Take to Make a Singer? (interview with Richard Crooks)
Prescriptions for Specific Faults: Prescribing for Musical Faults as the Doctor Prescribes for Physical Ailments
How to Organize and Manage a Successful Junior Music Club
Memory Work
Key of C
Novel Musical Watch
Left-Hand Sustained Notes
Picturesque Youth of Jules Massenet
Making the Pupils' Recital Interesting
Beginnings and Endings: How the Masters Began their Compositions
Expressing Musical Rhythm with the Body: Interesting Class Work with Young Pupils
Fighting the Song Shark
Why Every Child Should Have a Musical Training
March Through the Centuries
Keyboard Geography
Piano Musical Review …
Ua37/23 Whas Broadcast No. 21, Whas, Western Kentucky University, Earl Moore
Ua37/23 Whas Broadcast No. 21, Whas, Western Kentucky University, Earl Moore
WKU Administration Documents
Script for weekly WKU broadcast on WHAS radio. This show included Earl Moore, Franz Strahm, Frances Richards, Paul Huddleston and June Purdom.
Ua37/23 Whas Broadcast No. 20, Whas, Western Kentucky University, Earl Moore
Ua37/23 Whas Broadcast No. 20, Whas, Western Kentucky University, Earl Moore
WKU Administration Documents
Script for weekly WKU broadcast on WHAS radio. This show included Earl Moore, Gordon Wilson and demonstrations of folk songs.
Volume 54, Number 02 (February 1936), James Francis Cooke
Volume 54, Number 02 (February 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Getting Joy Out of Music (interview with Hendrik Willem van Loon)
What Grade?
Poland's Leading Composer Since Chopin
Eniment Recognition
Saint-Saëns as a Prima Donna
Mozart for Little Folk
Tone Quality and Tone Color in Piano Playing
She Made Curl Papers of His Sonatas
Liszt and Wagner
What Radio Offers the Young Composer: From an Address to the Schoolmen's Convention at Philadelphia
Modulation is Not Difficult: A Simple Technical Discussion of a Fascinating Theoretical Problem
Why Every Child Should Have a Musical Training
Be Kind to the Tuner
Music They Understand
Mexico’s Significance in Present Day Music
On Wings of …
Sherwood Music School Annual Catalog 1936-1938, Sherwood Music School
Sherwood Music School Annual Catalog 1936-1938, Sherwood Music School
Academic Catalogs
The 1936-1938 Annual Academic Catalog for Sherwood Music School, featuring information about the School, its affiliated branches' purpose and locations, images of student and campus life, department descriptions, courses of study, course descriptions, student services, and biographical information about and images of faculty.