Music Commons^™

Letter From Meredith Monk To Richard Carlyon, 1968 February 29, Meredith Monk

Bang Arts Festival Documents

Typewritten letter from Meredith Monk to Richard Carlyon [misspelled Carline in the letter], dated February 29, 1968. Monk inquires about performing at RPI, per suggestion of Yvonne Rainer. Enclosed are several news clippings reviewing Monk's work.

Marshall University Music Department Presents An Ensemble Concert By The Woodwind Quintet, The Brass Quintet, Eddie C. Bass

All Performances

No abstract provided.

Marshall Artists Series Robert Cherin Presents John Raitt In On A Clear Day You Can See Forever, John Raitt

All Performances

No abstract provided.

Marshall University Music Department Presents The Marshall Faculty Woodwind Quintet, Eddie C. Bass

All Performances

No abstract provided.

Marshall University Presents The Ohio-West Virginia Band Festival-Music Clinic, Robert R. Clark

All Performances

No abstract provided.

Marshall Artists Series Sherman Pitluck Presents The Royal Philharmonic Orchestra Of London, Vaclav Neumann

All Performances

No abstract provided.

Marshall Artists Series S. Hurok Presents The Vienna Choir Boys, Walter Zessar

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Mary Seaman, Tenor Sax, Annabell Napier, Soprano, James Spencer, French Horn, Mary Seaman, Annabell Napier, James Spencer

All Performances

No abstract provided.

Marshall University Choral Union Presents A Guest Artist, Jane Hobson, Mezzo-Soprano, Jane Hobson

All Performances

No abstract provided.

Marshall University Music Department Presents The Marshall Faculty Woodwind Quintet, William Davidson

All Performances

No abstract provided.

The Music And Speech Departments Of Marshall University Presents Wonderful Town, George J. Harbold, C. L. Kingsbury

All Performances

No abstract provided.

Marshall University Music Department Presents A Graduate Recital, Edward M. Vineyard, Edward M. Vineyard

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Margie Wellman, Michael Rowsey, Margie Wellman, Michael Rowsey

All Performances

No abstract provided.

The Marshall University Choral Union Presents King David, Paul A. Balshaw

All Performances

No abstract provided.

Marshall University Music Department Presents The Marshall University Choral Union, Paul A. Balshaw

All Performances

No abstract provided.

Campus Christian Center, Marshall University Presents Amahl And The Night Visitors, Paul A. Balshaw

All Performances

No abstract provided.

Marshall University Music Department Presents A Graduate Recital, Gwendolyn Skeen, Jane B. Shepherd, Gwendolyn Skeens, Jane B. Shepherd

All Performances

No abstract provided.

The Summer Institute Of Musical Art Presents An Evening Of Chamber Music, Paul Balshaw, Janet Bromley

All Performances

No abstract provided.

The Summer Institute Of Musical Art Presents Paul Balshaw And Jane Hobson, Paul A. Balshaw, Jane Hobson

All Performances

No abstract provided.

Marshall University Music Department Presents The Marchall Community Symphony In Parents' Weekend Concerts, Alfred Lanegger

All Performances

No abstract provided.

Marshall University Music Department Presents The Symphonic Choir, Paul A. Balshaw

All Performances

No abstract provided.

Marshall University Choral Union Presents An Elijah, Paul A. Balshaw

All Performances

No abstract provided.

Performance Notes, R. Carlyon, Bird Park Lake: A Vue Gram, Bang Arts Festival 1966, Richard Carlyon

Bang Arts Festival Documents

A single page of performance notes from Richard Carlyon about the March 22, 1966 performance of "Bird Park Lake: A Vue Gram." Typewritten text with handwritten marginalia. Transcription of handwritten notes: "(From R. Carlyon's Notes), projectionists: Carlton Gunn, Sam West, Robert Barefoot, Carlton Gunn, Sam West, William Livingston were students at RPI, C.A. & D. Dept."

Volume 75, Number 05 (May-June 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Josef Hofmann, 1876-1957

Igor Stravinsky, Approaching his 75th Birthday, is Truly a Colossus of Modern Music

Music in the High School Gym

Good Vocal Habits (interview with Renata Tebaldi)

What Power Professional Criticism

Thalberg's Erard: A Discovery

An Intriguing Account of the Various Operational Details Requiring Careful Attention . . . Behind the Opera Curtain

Books on American Music: A Selected Bibliography

Music in the Schools

Choral Potential From the Baroque Era

Music to Link Mankind: The Story of the Formation of an Important Body Having to Do with International Relations

Volume 75, Number 04 (April 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Folk Music and Art Music

Playing with Orchestra (interview with Alec Templeton)

Community Solves its Music Crisis: The Inspiring Story of The Bronx Symphony

Orchestra Genius Lies in the Individual

Miniature Opera from Salzburg

Kostelanetz on Conducting, Conductors and Batons

Drama in Song: A Discussion of the Importance of Clear Enunciation on the Part of Singers

A Glimpse of the Inner Workings of One of the Largest Summer Music Camps is Gained from These Day to Day Entries . . . From the Music Camp Office

Henry Cowell—Musician and Citizen, Part 3

Richard Rodgers on Current Trends in Popular Music

Volume 75, Number 03 (March 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Hail and Farewell to The Grand Old Man of Music Confusion

Confounded: An Objective Explanation of Some Frequently Perplexing Musical Terms

Singing Must be Natural (interview with Victoria de los Angeles)

Music's Part in Social Integration

Mariachis of Mexico

Henry Cowell—Musician and Citizen, Part 2

Music in the Schools High School Symphony Orchestra . . . How It Is Made

New Studio

Volume 75, Number 02 (February 1957), Guy Mccoy

The Etude Magazine: 1883-1957

International Aspect of Folk Music

Candlelight Concerts in Colonial Williamsburg

Don't Shy Away From Adult Beginners

Singing on Television (interview with Lois Hunt) Impressions of Musical Education in the United States

Henry Cowell—Musician and Citizen Shape Notes, New England Music and White Spirituals, Part 2

We Can Co-operate

Staccatos for the Sightless New Vistas in Music Programming for Radio

Volume 75, Number 01 (January 1957), Guy Mccoy

The Etude Magazine: 1883-1957

Philadelphia's Academy of Music . . . One Hundredth Anniversary

Story of Roy Harris—American Composers, Part 2

Some Impressions of Music Education in Japan

Louis Moreau Gottschalk—First American Concert-Pianist

Shape Notes, New England Music and White Spirituals

Approach to Chopin's Etudes (interview with Ruth Slenczynska)

Music in the Schools

Madrigal Group is Fun Composer, Conductor, Comedian . . . That's Jackie Gleason

American School Music: An Assessment

Volume 74, Number 10 (December 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Obituary - Guy Maier (1890-1956)

Béla Bartók and Hungarian Folk Music

Story of Roy Harris—American Composer

Cradle of Music: A Brief Visit to One of the Most Interesting of Old-World Music Publishing Houses

Some Basic Issues in Music Education

Operas of Hugo Weisgall

Volume 74, Number 09 (November 1956), Guy Mccoy

The Etude Magazine: 1883-1957

Carl Orff's Musical Theatre

World Ballad of Bady Doe

Responsibility of Music Education to Music—A Reply

Opera for all America: Chandler Cowles, General Manager of NBC Opera Company, Outlines His Ideas Concerning the Project