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Full-Text Articles in Music

Sae Magazin : Das Magazin Von Sae Institute Und Sae Alumni Association 2008|1, Sae Institute Jan 2008

Sae Magazin : Das Magazin Von Sae Institute Und Sae Alumni Association 2008|1, Sae Institute

SAE Magazine (2007-2011)

No abstract provided.

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Muffin 2007, Students Of Risd, Risd Archives Mar 2007

Muffin 2007, Students Of Risd, Risd Archives

All Student Newspapers

Muffin was a newsletter produced in the early aughts by RISD’s Queer Student Union as a student guide to queer culture. The 2007 issue features articles on the Translating Identity Conference (TIC), sexual consent, the integration of rival lesbian groups on campus, lesbian films, and Brokeback Mountain, along with creative writing, a list of gay bars, and a list of queer resources.

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On February 2006, Students Of Risd, Risd Archives Feb 2006

On February 2006, Students Of Risd, Risd Archives

All Student Newspapers

On was an interdisciplinary graduate periodical established by RISD graduate students in 2006. The February 2006 issue is the publication's first issue and features essays on the theme of space. Essays are on a variety of topics within this theme, including commentaries on RISD and explorations of student work.

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Muffin January 2006, Students Of Risd, Risd Archives Jan 2006

Muffin January 2006, Students Of Risd, Risd Archives

All Student Newspapers

Muffin was a newsletter produced in the early aughts by RISD’s Queer Student Union as a student guide to queer culture. The January 2006 issue is the first since the February-March issue from 2004. It was revived by the Straight and Gay Alliance and features a "gay timeline," articles on freshman lesbians, female pirates Anne Bonny and Mary "Mark" Read, lesbians who look straight, why straight people are needed in RISD's Straight and Gay Alliance, a Jewish student's struggle to reconcile his homosexuality with his faith, and cheap and corny date ideas, along with a book review of "Women's Barracks" …

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Summer 2006, 90.9 Wmpg Fm Jan 2006

Summer 2006, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format. "The WMPG 'Zine"

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Application Of Binaural Recording In The Video Game Industry, Max Leong Jan 2006

Application Of Binaural Recording In The Video Game Industry, Max Leong

Theses : Honours

The video game industry is one of entertainment technologies' largest growing industries. There are thousands of games in the market covering a variety of different genres. There is also a high level technical sophistication in current games along with the game console that runs it. Games are realistic with astonishingly life like graphics. The backing audio and music tracks are performed by leading orchestras and written by renowned composers. Great technological strides have been made in the areas of graphic and audio design. The end user expects the very best and the video game industry is constantly improving software and …

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Mixed Media November 30, 2005, Students Of Risd, Risd Archives Nov 2005

Mixed Media November 30, 2005, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The November 30, 2005 issue includes articles on issues with Portfolio Cafe, whether the "RISD Bubble" still exists, an increased number of Asian students at RISD, future goals for the Illustration department, career advice from a recent RISD graduate, a faculty member's favorite things at the RISD Museum, and the Cable Car Cinema, along with the comics "Campfire Building" by Steve Weed, "My Experience with Health Services" by Melissa Meyer, "I Get These Great Ideas" by Melissa Meyer, "Damn Animation" by Ian Topple, student creative work, event notices, and other …

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Summer 2005, 90.9 Wmpg Fm Jul 2005

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005

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Mixed Media March 30, 2005, Students Of Risd, Risd Archives Mar 2005

Mixed Media March 30, 2005, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The March 30, 2005 issue includes articles on a dispute between South Korea and Japan over the island Dokdo/Takeshima, a faculty member's steamer trunk and experience traveling, RISD's approach to solar energy, the Korean War, all-nighters at RISD, a Mixed Media tour of the RISD President's house, The Silk Road Project residency at RISD, film reviews, and senior shows, along with the comic "Scorpio" by Andrew Kaiko, student creative work, event notices, and other announcements.

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Mixed Media January 30, 2005, Students Of Risd, Risd Archives Jan 2005

Mixed Media January 30, 2005, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The January 30, 2005 issue includes articles on a class on the art of the music video, a student trip to Boston, a manifesto of "badism," a student's accident while swimming, a student accident while sledding, restaurant reviews, film reviews, and an inerview with comic writer and illustrator Dan Clowes, along with the comic "Scorpio" by Andrew Kaiko, student creative work, event notices, and other announcements.

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Introduction: A New Historicism? Sound, Music And Ruined Pianos., Cat Hope, Jonathan Marshall Jan 2005

Introduction: A New Historicism? Sound, Music And Ruined Pianos., Cat Hope, Jonathan Marshall

Sound Scripts

One of the highlights of every New Music festival which we attend is the banter that goes on between artists and audiences about what we have experienced together. The Inaugural Totally Huge New Music Festival Conference was a way to formalize these discussions for the 7th Totally Huge New Music Festival of 2005, and it was a privilege to have been able to attend a conference about New Music in the midst of it actually happening. The Conference was opened by the Executive Dean of the Faculty of Communications and Creative Industries, Edith Cowan University, Professor Robyn Quin, and it …

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Spring 2005, 90.9 Wmpg Fm Jan 2005

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

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Fall/Winter 2005, 90.9 Wmpg Fm Jan 2005

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

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Elephants And Suffering In Dusty Corners, Susanna Ferrar Jan 2005

Elephants And Suffering In Dusty Corners, Susanna Ferrar

Sound Scripts

The following non-refereed paper has been compiled by the editors from the audio transcript and notes provided by Susanna Ferrar for her talk delivered to the Inaugural Totally Huge New Music Festival Conference (Perth: 9 Oct. 2005). The original program note to her presentation reads: "I keep talking about this project I'm doing, visiting places where the ashes of my grandparents' children ended up, who were all born and raised in Western Australia. As I proceed, adventures seem to be befalling me. Sometimes it seems more important to hang out the washing or change the cat litter. The level of …

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Music And Visual Form: An Investigative Study, Kendra Bousfield Jan 2005

Music And Visual Form: An Investigative Study, Kendra Bousfield

Presidential Scholars Theses (1990 – 2006)

Music and the visual arts are persistent areas of interest in my life; as a person who seeks to understand connections between and within the inner and outer worlds I designed a thesis project toward better appreciation of the relationship between music and art. This document chronicles the progression of my journey into and through an exploration of the association between music and art as well as the development of my thought and art-making regarding this subject. Along the way I encountered more questions than answers; in hope that others will continue this exploration and because questioning is an integral …

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Preface: Sound Scripts: A Word From Tura New Music, Tos Mahoney Jan 2005

Preface: Sound Scripts: A Word From Tura New Music, Tos Mahoney

Sound Scripts

The Inaugural Totally Huge New Music Festival Conference was a bold initiative by its partner presenters Tura New Music and the Faculty of Communications and Creative Industries, Edith Cowan University, Perth, including the Western Australian Academy of Performing Arts. In an arts milieu which is increasingly becoming “industrialised” and the dollar the bottom line criteria for success, it is reassuring to have the confirmation that there are those—in fact there is a strong cohort—who are dedicated to delving the depths of the meaning of their own and others’ practice.

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A “Hidden Centre”: Crossing Cultural Boundaries And Ecstatic Transformation, Liza Lim Jan 2005

A “Hidden Centre”: Crossing Cultural Boundaries And Ecstatic Transformation, Liza Lim

Sound Scripts

The following is an edited version of Liza Lim's keynote lecture presented for the Inaugural Totally Huge New Music Festival Conference (Perth: 8 Oct. 2005). It examines cross-cultural aesthetics and ethical questions arising from non-Indigenous Australian composers interacting with Australian Indigenous cultures. The paper begins in a formal and framed way and then moves towards more personal and speculative comments.

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Rice And Celery (Toglen), Domenico De Clario Jan 2005

Rice And Celery (Toglen), Domenico De Clario

Sound Scripts

Berenice is the name of the last of fifty five imaginary cities that Marco Polo describes to Kublai Khan. These descriptions and further dialogues between Marco and the Khan constitute the substance of Italo Calvino's "Invisible Cities". The just in Berenice constitute a secret society, recognizing each other through the pronunciation of certain words (especially commas, parenthesis and the space between things) and through their simple diet of broad beans, zucchini flowers, rice and soup. In recent projects I have been examining the idea that evidence of the existence of a single and independent fixed self cannot seem to be …

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The Bent Leather Band Ensemble : Children Of Grainger, Stuart Favilla, Joanne Cannon, Garry Greenwood Jan 2005

The Bent Leather Band Ensemble : Children Of Grainger, Stuart Favilla, Joanne Cannon, Garry Greenwood

Sound Scripts

This paper discusses technical issues confronting the contemporary electronic instrument builder and presents Bent Leather Band's aim to develop playable instruments.

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Review Of Analogías Musicales: Kandinsky Y Sus Contemporáneos, Antoni Pizà Jan 2005

Review Of Analogías Musicales: Kandinsky Y Sus Contemporáneos, Antoni Pizà

Publications and Research

It is hard to believe that curators and scholars still find something to say about the relationship between music and art of the twentieth century. Still, in recent years there has been a relentless boom of exhibitions, scholarly studies, and books dedicated to this topic. This interest, to be sure, is due, in part, to the prestige that modernist art commands among wealthy collectors and institutions, but also to its immense popularity among the general public. Less popular in appeal, though equally revered among the happy few, is modernist music. When both manifestations – art and music – are brought …

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How To Prepare A Piano, Annea Lockwood Jan 2005

How To Prepare A Piano, Annea Lockwood

Sound Scripts

My original Piano Transplants (1969-72) were about relishing the shock of displacement: pianos planted in an English garden, sinking in a Texas cattle pond, pianos beached and aflame; observing their slow transformation through natural processing the five year decay. My relationship with the piano did not end with the Piano Transplants, though. I will also discus more recent works stemming from my fascination with the rich array of sounds which can be drawn from every part of the instrument once the keyboard is dethroned.

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Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery Jan 2005

Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery

Sound Scripts

This paper surveys developments in recent Western Australian electronic music through the work of a number of representative artists in a range of internationally recognised genres. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), live and interactive electronics (Jonathan Mustard and Lindsay Vickery) and noise/lo-fi electronics (Cat Hope and Petro Vouris) and glitch/electronica (Dave Miller and Matt Rösner).

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Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard Jan 2005

Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard

Sound Scripts

The following is a retrospective of the work of Western Australian born composer Lindsay Vickery. The paper examines the composer's diverse output in composed and improvised instrumental and electronic music and multimedia works. A nine digit string of numbers that the composer calls a "cypher", ties together a significant portion of Vickery's output for almost two decades of compositional activity, but the sense in which these works are about something else is palpable in each and every one. Iconic pieces where a serial-like method is an anathema and cypher based pieces all seem to point to a structure the composer …

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Sound Art / Mobile Art, Cat Hope Jan 2005

Sound Art / Mobile Art, Cat Hope

Sound Scripts

This paper examines the role of sound installation and music composition practices in addressing the relationship between sound and telecommunications devices, in this case the mobile phone. The popularity of mobile phone artworks is rapidly increasing, with handsets readily available, artists excited about sponsorship opportunities, and the general push in electronic arts. This paper focuses primarily on work by Perth mobile phone Sound Art collective, Metaphonica, which explore many issues raised by this art form. "Phonebox" (2005) was a site specific sound installation where phones are called from a remote computer, presenting a synchronized composition featuring sounds created by the …

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Modernist And Postmodernist Arts Of Noise, Part 1: From The European Avant-Garde To Contemporary Australian Sound Art, David Bennett Jan 2005

Modernist And Postmodernist Arts Of Noise, Part 1: From The European Avant-Garde To Contemporary Australian Sound Art, David Bennett

Sound Scripts

The broad aim of the paper that follows is to test the claim of critics such as Miriam Fraser and Steve Connor that the modernist deconstruction of the music/noise dichotomy has entered a distinctively postmodern phase. The article below therefore traces the history and poetics of this dichotomy from the modernist avant-garde to contemporary Australian postmodernist Sound Art, moving from a discussion of the ideas of Russolo, Cage, Boulez and Schaeffer, to a close reading of Ros Bandt's "Stack" (2000- 01). These themes as expressed in contemporary Australian composition are then explored in Part Two.

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Modernist And Postmodernist Arts Of Noise, Part 2: From The Clifton Hill Mob To Chamber Made Opera’S Phobia, Linda Kouvaras Jan 2005

Modernist And Postmodernist Arts Of Noise, Part 2: From The Clifton Hill Mob To Chamber Made Opera’S Phobia, Linda Kouvaras

Sound Scripts

This paper will continue to trace negotiations outlined in Part 1 of the music/noise dichotomy as expressed in modernist and postmodernist works.1 Drawing connections with the trajectory of "glitch" in popular music since the 1970s. The paper will examine a number of key ways in which the music/noise dichotomy has been addressed as a borderline dispute between, for example, the embodied and the disembodied, the scored and the unscored, the accidental and the intentional, sense and nonsense, culture and nature. Two key figures from the highly influential group of sound artists who came together at Melbourne's Clifton Hill Community Centre …

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Surface Noise, Philip Samartzis Jan 2005

Surface Noise, Philip Samartzis

Sound Scripts

This paper seeks to trace the genealogy of surface noise as a tool of musical expression by surveying a range of artistic practices based around the record and turntable that privilege detritus, abrasion, repetition and decay as key compositional devices. The paper begins by examining the acoustic properties of the oldest playable recording (Frank Lambert's talking clock) in order to outline the numerous characteristics and flaws inherent in early models of mechanical reproduction and storage that vigorously conspired to interfere with the listening experience. This is followed by an examination of the way recording technology was converted from a tool …

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Radio Art : A Slovak Perspective, Michal Murin Jan 2005

Radio Art : A Slovak Perspective, Michal Murin

Sound Scripts

January 16, 2000, marked the history of Slovak New Media art and technologies with the first international internet radio art project. Entitled "LENGOW and HEyeRMEarS Meet Radio Artists", it was a live acoustic performance that utilized radio internet broadcast between ORF1 Kunstradio Vienna with its project Arts Birthday 1.000.037,1 Radio Free B92 Beograd, and Tilos Radim Budapest. The performance took place on 16 Jan 2000, from 11 p.m. to midnight in Nové Zámky, Slovakia (Klik Klub). An edited soundtrack of the event was captured on a CD titled "SOUND OFF 1999-2000". On the occasion of the staging of the performance, …

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I.B.R. Variation 1, Miha Ciglar Jan 2005

I.B.R. Variation 1, Miha Ciglar

Sound Scripts

In this paper I would like to introduce my recent composition: "I.B.R. Variation 1" (a composition for computer, electrified guitar, mixing board and human body), which is derived from three different projects, - Illusions, Body Mix, Resistance -, fusing three different and already unusual interfaces for musical expression into a powerful new musical instrument. The piece is implemented by employing computers and common sound synthesis/processing techniques in combination with a rather primitive manipulation and misuse of low tech analogue equipment. The main idea was to assign unusual tasks to usual pieces of musical equipment, transforming a mixing board into an …

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Workflow 2004, Students Of Risd, Risd Archives Mar 2004

Workflow 2004, Students Of Risd, Risd Archives

All Student Newspapers

Workflow was a student publication on photography. This 2004 issue was the first and possibly only issue, and featured online photography resources, news from the RISD Photography department, responses to the First International Photography and Video Triennial, graduate and undergraduate work, alumni profiles, and a brief interview with Gary Metz.

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