Museum Studies Commons^™

On Food, Politics, And The Power Of Representation In The American History Museum, Mason A. Bright

Museum Studies Theses

This study explores the political implications of foodways-related interpretation at American history institutions, situating it within current partisan discourse. Using an “Anthropology of Museums” framework, I place literature from the fields of food history, human geography, and museum studies in conversation with interviews with three curatorial professionals from the National Museum of American History, the Henry Ford Museum of American Innovation, and the New Mexico History Museum. I understand the ways these professionals navigate politically engaged interpretation through the lens of ethnographic refusal, a phenomenon drawn from the anthropology subfield of resistance studies. I argue that the connections between food …

Making, Remaking: India’S Museums And The Imagination Of Citizenship, Deepti Mulgund

Socio-Legal Review

The National Museum of the Indian republic, in Delhi, is slated to overtake the Louvre, Paris as the largest museum in the world, as per its expansion plans. Elsewhere in the country, too, a growing interest in seen in displaying, showcasing and deploying culture in the form of mega museums, many backed by private funding. The interest and investment in museum-making, only seems to be growing. Since at least the late-18^th century, the art museum in modern polities has been tasked with the project of schooling peoples into citizens. Evaluating the premise that museums produce citizens, this article reflects …

Towards A Sustainable Art World: The Essential Role Of Sustainability Leads In The Arts And Cultural Sector, Isobella Win Richings

MA in Art Business Dissertations

The purpose of this dissertation is to investigate the role of sustainability leads within art institutions and how their implementation benefits a company’s development towards being a sustainable business. Due to the increasing pressure that the art world faces considering the environmental crisis which we are experiencing in the 21st century, it is integral to understand what is being done and what can be further instigated to create a sustainable future of the art world.

Although this study uses research that already exists within the discourse of environmental sustainability and the cultural sector, the main sources used to come to …

What Could Have Been? Surveying The Labor Impact Of The 2025 Executive Orders On Glam Workers, Raegan Stearns, Alphie Garcia, Jina Duvernay

LWLC Faculty Research

What Could Have Been? is a collaborative project designed to document the labor lost as a result of federal cuts and grant terminations, especially within GLAM institutions. This survey was inspired by a sub-group of members of the 2025 Archives Leadership Institute (ALI) Cohort who came together to collect evidence of the personal and professional losses resulting from the current sociopolitical landscape. While the project seeks to document the effects on the GLAM communities, What Could Have Been? also acknowledges the loss of personal livelihoods and vilification of public servants in addition to amplifying the impact of the erasure of …

Frameworks For Repatriation: Moving Beyond Nagpra, Ashley Joplin

Electronic Theses and Dissertations

Museums and similar federally funded educational institutions have been collecting human remains since the Enlightenment era in the 1800s. Since then, these institutions have developed various collections practices that have encouraged the collection of human remains. Often unethical in nature, these collections have harmed historically marginalized communities, such as Indigenous and African American communities. While the ethics of collecting have been under scrutiny for decades, it was not until 1990 under the Native American Graves Protection and Repatriation Act (NAGPRA) that mainstream attention was drawn to the ethics of collections practices.

This thesis explores these collections practices and the repatriation …

Beyond Keeping The Lights On: Covid-19’S Impact On Lower Mississippi River Valley Museums And Public History Sites, Liz Skilton, Ian Beamish

Department of History

This article reviews the impact of the COVID-19 pandemic on public history sites and museums along the Lower Mississippi River Valley between 2020 and 2024. Constructed from interviews with sixty-seven sites across a four-year period, it uses a regional approach to examine how pandemic closures, reopening processes, and adaptations impacted public history sites and museums in the short-, medium-, and long-term, arguing that the pandemic created lasting changes through adaptation rather than large-scale closure of public history institutions. It concludes with an assessment of what can be learned from the pandemic period’s effect on public history.

Joy In Lifelong Learning: An Introduction To Planning For Learning Disabilities In Museum Education, Elaine L. Davis

Seton Hall University Dissertations and Theses (ETDs)

For over a century, the role of museums as learning institutions has been considered alongside that of schools. However, special education practices are rarely adapted for museum education, requiring educators in museum contexts to undertake extra work to accommodate those with learning disabilities. This thesis used Qualitative Comparative Analysis and Textual Analysis to review pedagogical white papers and academic research on museum programs aimed at neurodivergent audiences. The findings were used to create a professional development guide for museum educators at a range of different types of museums.

The Tests Of Time: An Examination Of Contemporary Indigenous Artwork On Display In Southern Museums, Gwendolyn R. Pfrenger

Honors Theses

This paper examines current practices in three Southern museums of varying sizes and missions as they relate to the curation and display of Indigenous art. Specifically, the paper aims to investigate the place of contemporary Native art in art and anthropology museums: How does display vary across the two disciplines? What is its role, now that cultural institutions are becoming more progressive and making a stronger push toward representing artists from minority groups? This is a fairly new area of study, especially for art history, so much of what is discussed here is drawn from art historians, anthropologists, and museum …

"Beyond The Display:" How Exhibits In Museums Can Be Used To Educate Public Visitors, Ryder Wynn

Honors Theses

Museums are institutions that can be found outside of a classroom setting, where visitors can educate themselves about a certain topic presented in the exhibits that the museums display. They can do this by creating engaging environments where visitors can become invested into the story and information of the exhibits, making them want to learn more about the information provided. A good exhibit can do this in at least one of three ways: developing critical thinking skills, which can involve visual models or "learning through play," creating memorable experiences or using collective memory to teach about historical events or using …

This Needs More Time!: Considerations For Improving Partnerships Between Communities And Institutions In Folklore, Sarah M. Gordon, Jasper Waugh-Quasebarth, Junious Lee Brickhouse, Ashley Minner Jones, Naomi Sturm-Wijesinghe

Art Faculty Publications

From 2021 to 2023, the authors convened a series of discussion forums at the annual meetings of the American Folklore Society to discuss the challenges of community-institutional partnerships in the field of folklore. This perspectives piece presents the outcomes of that series of panels with the goal of advancing adaptability in institutional practices to better support community-engaged work. We seek to promote practices that better respond to community needs in collaborative partnerships through disciplinary norms and institutional bureaucratic mechanisms.

Fostering Awe To Enhance Public Well-Being: Proposed Interventions For A Nature And Science Museum Setting, Zach Calo

Graduate School of Professional Psychology: Doctoral Papers and Masters Projects

Several scholars consider awe to be a universally experienced emotion that is associated with a variety of well-being outcomes. In the last two decades, research has revealed the many complicated, and often beneficial, effects of this self-transcendent emotion. In this paper, a review of the current theoretical and empirical understanding of awe is first discussed. This review is meant to provide context for the next section and primary aim of this paper, which is to propose a pilot study for implementing and evaluating awe-inducing interventions in a museum setting. The primary research question of this proposed pilot study is to …

The Statues Died, But Their Legacies Live: A Discourse Analysis Of The Debate Surrounding Museums And Confederate Monuments, Laila Maria Melhem

Seton Hall University Dissertations and Theses (ETDs)

In the United States, conversations about what should be done with Confederate monuments often invoke museums as a solution to dealing with them after their removal, whether that be through protest or planned action. Using discourse analysis, this study considered public and professional perceptions regarding the role of museums in the debate over Confederate monuments to highlight how the public contributes to the discourse surrounding this controversial topic. This thesis analyzed discourse from the American Alliance of Museums, the New York Times, and the Richmond Times-Dispatch that was published between May 2020 and May 2023 and revealed three dominant themes: …

Shifting Approaches, Innovative Methods: Collection Histories As A Tool To Move Beyond William Fagg’S ‘Lower Niger Bronze Industry Mystery’, Imogen Coulson, Julie Hudson, Sam Nixon

Artl@s Bulletin

At the end of 2019, the British Museum launched a new research project focusing on copper alloy objects associated with the Lower Niger Bronze Industry. The aim was to increase knowledge of these objects through a combination of provenance and collection history research and scientific analysis. This paper will outline the earlier art historical-focused approach to the Lower Niger Bronzes corpus and will then describe the new research and its methodology. Initial findings will be presented through a case study of objects from the Forcados River in the Niger Delta region of present-day Nigeria. In doing so, we aim to …

Presentation Of Culture: Framing History In Us And Italian Museums, Fiona G. Cheyney

Student Publications

National legacies drastically impact museum work and archaeological ethical practices in the US and Italy. My research question asks, to what extent and how are ethical considerations of museum professionals shaped by nationalism and evolving perceptions of how museums should serve the public in these two different national contexts? Data collected from semi-structured interviews with academics in the field reflects that museums must be transparent about the history of the topics exhibited and their methodological practices; this is supported by many findings suggested in previous scholarship (Garoian 2001; Gazi 2014; Falcucci 2021). Particular moments in US and Italian national histories, …

Museum Preparedness In The Digital Age, Mary Jatkowski

School of Information Sciences Student Scholarship

In 2001, Neil Beagrie coined the term, “digital curation” at the Digital Preservation Coalition sponsored conference in London. This new term launched a field of study which has since beenadopted by various disciplines within the sciences and humanities. Cultural heritage organizations like libraries and archives adapted the new field, by refining and formalizing standards and practices of digital curation to cater to their diverse cultural and historical collections. LIS graduate programs have embraced the field of study with rigorous curricula like DigCCurr which trains students in the various aspects of curation and preservation, from metadata standards to selection and …

Presenting Past People: Storytelling Through Prehistoric Garment Reconstructions, Floor Huisman, Anna Zimmermann, Ronja Lau, Karina Grömer

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

This paper argues that we need to focus on past people (rather than just objects) in our narratives and museum displays to engage museum visitors more effectively. It will demonstrate that we can use a combination of well-researched physical and digital prehistoric garment reconstructions to implement more people-centered approaches also used in living history, which bring the past to life and allow visitors to literally come face-to-face with long-dead people. In this way, visitors can relate to past people on an emotional level, which helps them to learn much more about past life than many traditional displays. After outlining how …

Establishing A Museum At Washington State School For The Blind, Robert J. Schimelpfenig

Humboldt Journal of Social Relations

The Washington State School for the Blind (WSSB) contains archival collections that document over 100 years of school history and student life. These histories are preserved in scrapbooks, news clippings, photographs, and an assortment of bygone assistive technologies that demonstrate the evolution of blind education and its impact on students. As many of these objects have lingered for years in storage, collections from one of the oldest schools for the blind in the Western United States remain hidden. WSSB and the Washington State University (WSU) Vancouver Library have agreed to work together in partnership to establish a museum and archives. …

From Margins To Museums: Tracing The Evolution Of Representation For Contemporary African Artists In The United States, Victoria Mouraux Durand-Ruel

Master's Theses

This thesis examines the impact of the Black Lives Matter movement on the art community in the United States and the evolution of representation for Contemporary African artists. By analyzing the careers and artistic contributions of Omar Ba, Toyin Ojih Odutola, and Njideka Akunyili Crosby, the study explores the concept of artistic agency according to which African artists have more control over the production and distribution of their works.

The research begins with a comprehensive literature review, investigating the historical contexts that have shaped the art landscape, including the impact of colonization, decolonization, and globalization. The study reveals how these …

Providing Risk Of The Environment’S Changing Climate Threats For Galleries, Libraries, Archives, & Museums (Protecct-Glam) Data File, Edward Benoit Iii, Jill Trepanier, Jennifer Vanos, Haley Moore, Kaitlyn Bailey, Emily Fisher, Annie Waddell, Mandy Hatman, Mary Sidwell, Symonne Russell, Virginia Seger, Paige Boutte, Amanda Latta, Zoe Mohammad, Kyriel Felton, Erin Deliman, Breanna Benson-Pearce, Wendy Johnson, Allyson Russell, Baillie Pretzer, Christopher Reeder, Melissa Mcconnell, Lisa Dahlke, Kaitlynn Melear, Lillian Bodi, Savannah T. Lyle, Zach Lannes, Gwen L. Wells, Benjamin A. Teincuff, Jason M. Straight, Tiffany Rockwell, Shane T. Manthei, Jennifer L. Benner, Jane Fiegel, Amanda Lima, Elizabeth Rininger, Caroline Melinger, Deborah Metz-Andrews, Meryl Roepke, Karen Isaac, Mallory Collins

School of Information Studies Datasets

The data file was created as part of the IMLS-funded project, PROTECCT-GLAM: Risk of The Environment’s Changing Climate Threats for Galleries, Libraries, Archives, and Museums in an effort to gather the identities and georeferences of all galleries, libraries, archives, and museums located within the United States.

The data file includes 22,388 archives, 21,189 libraries, and 29,781 museums.

Museums, Covid-19 And The Pivot To Social Media, Jamie Larkin, Andrea Ballatore, Ekaterina Mityrova

CCI Articles and Research

This paper examines social media activity by UK museums during the COVID-19 pandemic. There is a general perception that as museums closed their doors for extended periods, their digital presence increased to maintain connections with their audiences. However, much of the research conducted in this area is based on small-scale studies and examples of best practice from large, well-resourced museums. By contrast, this study utilizes a comprehensive database of over 3300 active UK museums to understand the use of Facebook and Twitter across the sector. Specifically, the paper examines the frequency with which museums posted to these digital platforms as …

A Pastor's Fine Art Collection: From Down-To-Earth To World-Renowned, Lily Hampton

Undergraduate Theses

Art collecting and the methods of acquiring art are constantly changing with the times. While some world-class collections are filled with a wide range of art types-- paintings, sculptures, ceramics, photographs--the public has little knowledge of how these pieces are chosen and accumulated. Competition in the art scene is undoubtedly a factor, but an argument can be made about whether some collectors choose works for highly personal reasons. The subject of this thesis is a local fine art collection, the Mary and Al Shands Collection of the Great Meadows estate based in Crestwood, Kentucky. This stunning in-home art gallery is …

Out With The Old And In With The New: Something Museums Always Do, Chloe White

The Diana McDonald Writer's Challenge

Chloe White describes the evolution of museums from private collections of curiosities to publicly funded institutions serving the purposes of education, entertainment, and historical preservation. Recounting ways in which museums have adopted technological advances (gramophones, dramagraphs, films, audio guides), White urges museums to employ virtual and augmented reality technologies to revive interest in museums (at a time when people have endless entertainment options available) and to make museums appealing to a wider audience.

An Imaginary* Interview With A Philippines Collections Museum Donor, Camille Ungco

Journal of Southeast Asian American Education and Advancement

Ontological distance is the dehumanization that emerges from uninterrogated coloniality between colonized subjects and the oppressive systems. This distancing has occurred in the histories of U.S. teachers both domestic-based and abroad, especially in Southeast Asia. In Steinbock-Pratt’s (2019) historiography on the relationships between early 1900s U.S. teachers and their Filipinx students, ontological distance was “The crux of the colonial relationship was intimacy marked by closeness without understanding, suasion backed by violence, and affection bounded by white and American supremacy” (Steinbock-Pratt, 2019, p. 214). This dehumanizing psychological or ontological distance existed during U.S. colonial regimes abroad, specifically in Southeast Asia and …

“A New And Seductive Temptation”: The Introduction Of Museum Catalogue Stalls And The Emerging Focus On Public Education, Jamie Larkin

CCI Articles and Research

This paper examines the introduction of catalogue stalls among London-based national museums and galleries in the 1910s, using the British Museum as an extended case study. It seeks to frame this initiative as an important moment in the history of museums as they shifted from predominately scholastic institutions, largely unresponsive to the needs of their visitors, to ones with a growing awareness of their role in public education. By being prominently positioned in museum lobbies, the catalogue stall provided a focal point for visitors to extend their cultural experience through educational or souvenir materials, and can be seen as part …

The Body Articulated: Gender Violence And The Performative Turn In Mexico, Kylee Aragon

Museum Studies Theses

The Body Articulated: Gender Violence and the Performative Turn in Mexico explores the role of performance art in raising awareness for gender-based crimes. My thesis investigates the performative response to gender-based violence in contemporary art in Mexico during the 1970’s and then again in the post-NAFTA era, with the aim of examining the use of the artists body, the voices of women as substitution for the body, and the bodies of others as means of creating a greater awareness to the feminicidal epidemic. Artists like Mónica Mayer and Lorena Wolffer use their body and the voices of woman, as opposed …

The Museum Professionals’ Experiences Survey: Assessing Motivational Processes In Museums Through The Context Of The Organizing Framework, Devin E. Geraci

Museum Studies Theses

Through the development and evaluation of the Museum Professionals’ Experiences Survey, this research blends Museum Studies and Organizational Behavior to understand managers’ perceptions regarding employee motivation, key drivers of motivation, trends in professional experiences’, and the different experiences of management and non-management personnel in the context of museum workplaces. With responses from 276 museum professionals in the United States, the application of this knowledge can be used to develop a workplace climate that encourages job satisfaction, high performance, and organizational commitment, and thus more positive outcomes for the museum. Recent controversies and public testimonies are evidence of negative professional experiences …

Accessing History In Gettysburg: A Study Of Accessibility Of Public History Institutions, Theodore J. Szpakowski

Student Publications

Based on field observation and interviews with staff, this paper evaluates the state of accessibility in five Gettysburg public history institutions in the summer of 2022. Evaluation criteria for field observations were determined based on a critical disability studies approach, focusing on disabled people’s accounts of these and similar institutions. The research revealed areas of success and failure in current accessibility measures, as well as ongoing projects to increase accessibility in most institutions. The rubric developed here could be refined and used as a research tool or an institutional planning tool.

Commemorating The Past: Nebraska Museum Practices In Interpreting, Memorializing, And Mythologizing History, Carissa Dowden

Department of Geography: Dissertations, Theses, and Student Research

Commemorative landscapes are spaces that have a symbolic meaning to a group of people and are often identified by a government or by a local community. These landscapes act as “symbolic conduits” to both express and legitimize interpretations of the past, though geographic interpretations are largely limited to the American South and Europe (Alderman and Dywer 2012). This research seeks to better understand landscapes of commemoration and memorialization in Nebraska, specifically how memories of the West and pioneers are constructed and represented within heritage and history institutions. Applying methods in geography, public history and digital humanities, this research considers both …

North Of The Grid: The Black Experience Of 17th -19th Century Rural New York City, Stephanie E. Barnes

Dissertations, Theses, and Capstone Projects

In the United States, transatlantic slavery was a racial project and template for race-making which created a country that relied on institutions that were organized and performed through social stratification. Today, the nation still operates on systemically racist institutions that have benefited whites while disadvantaging ‘others.’ The narratives presented in American history are rooted in whiteness and benefit the white community while marginalizing nonwhites. Over two hundred years of slavery history in this country has been purposely manipulated and left out. My research focuses on using an historical archaeological framework to research and share the lives of free and enslaved …

Collections As Currency? New Approaches To Art Museum’S Deaccessioning Dilemmas, Juliana Guerra

Undergraduate Honors Theses

The Association of Art Museum Directors (AAMD) defines deaccessioning as “the process by which a work of art or other object is permanently removed from a museum’s collection.” Though deaccessions have occurred quietly throughout history, these practices have been recently thrust into the spotlight as art museums grapple with the unprecedented economic challenges of the 21st century. While monetizing the collection is legal, it is undoubtedly controversial, especially in light of the AAMD’s pandemic-prompted decision to suspend sanctions on museums that apply these funds towards operations. With today’s booming art market, deaccessioning may provide an attractive windfall to a struggling …