Museum Studies Commons^™

They Tell Their Stories Still: The Use Of Storytelling And Narrative Exhibition Development To Communicate Native American Art, History, And Culture In Museums, Ian T. Cherry

Seton Hall University Dissertations and Theses (ETDs)

Museums and Indigenous communities have shared tensions resulting from the way Native Americans have been discussed and depicted by museums, institutions which in the past have displayed indigenous cultures and artifacts alongside extinct animals and outdated dioramas. Despite this, Indigenous cultures and museums share an emphasis on storytelling practices, both as a means of education as well as preservation. This study sought to examine the use of storytelling and narrative exhibition development in museum exhibitions focused on Native American art, history, and culture. Through the course of a qualitative comparative cross case study, three key themes were identified, being Indigenous-led …

Institutionalizing Identity: Examining The Louvre In Revolutionary And Napoleonic France, Emma Balda, Amy Woodson-Boulton

Honors Thesis

With the collapse of the French monarchy in 1789, France sought to solidify their sense of national identity in the wake of revolution. Since the late eighteenth century, museums have long been used to foster nationalism and belonging through the institutionalization of historical narratives-- the opening of the Louvre in 1793, and its transition from a royal palace to a palace of the people, served as a physical metaphor of the complete political transformation that occurred during the French Revolution. Existing literature examines the revolutionary nationalization of the Louvre as it relates to the concept of the modern museum and …

Museums And Shrines: Reflecting On Relationships And Challenges, Lorenzo Bagnoli, Rita Capurro

International Journal of Religious Tourism and Pilgrimage

The aim of this paper is to introduce a method for analysing a specific kind of contemporary tourism positioned between two different traditional customs: visiting museums and going to pilgrimage sites. The case studies provided are focused on Italian shrine museums where it is difficult to ascertain whether visitors are cultural tourists or pilgrims or a combination of both. Regardless, the tourist flows and networks created by Italian shrine museums can provide promising elements for local development. Four case studies that are representative of different regions in Northern Italy and have specific features in common have been chosen: shrines dedicated …

Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver

Theses

Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of the great battle cries of many feminist scholars that drew attention to the limitation’s that female artist’s face in the art world. Women have systematically been left out of the art historical narrative while their male counterparts remain at the forefront.

There are many women that are very prominently represented in museums. They are largely nude and have been represented by male artists. While I do not argue that nudity in paintings should not exist, I do insist that museum goers become …

Challenges Of Repatriation: Asante Artifacts At The American Museum Of Natural History, Abdul-Alim Farook

Dissertations, Theses, and Capstone Projects

Inspired by calls for the repatriation of famous artifacts like the Benin Bronzes and the Elgin Marbles, for this capstone project, I have analyzed and catalogued 250 sampled Asante artifacts at the American Museum of Natural History (AMNH). Through this analysis, I discuss the many ways museums in North America acquired their collections. By doing so, I explore the difficulties that arise in debates surrounding repatriation due to the manner in which these artifacts were acquired. I argue that due to the many different types of donors of the Asante artifacts to the American Museum of Natural History, the Asante …

The 2020 Awakening: A Study On Exhibiting Topics Of Race And Identity In Mid-Sized Art Museums, Samantha Becker

Seton Hall University Dissertations and Theses (ETDs)

After the many racial injustices that occurred in 2020, cultural institutions have been motivated to educate the public on historical and contemporary topics of race and identity. This project sought to analyze exemplary cases of exhibition production with topics of race and identity in mid-sized art museums. The goal was to provide a set of recommendations for exhibiting these topics to bolster community trust. Two museums were studied–the Montclair Art Museum and Newark Museum of Art–which revealed that the exhibitions at both institutions were relevant to contemporary issues, engaging to their respective communities, and educational for a wide range of …

Exhibitions Of Impact: Introducing The Special Issue, David H. Lee

Publications and Research

The Exhibitions of Impact (EOI) special issue of American Behavioral Scientist consists of six articles from authors in communication studies and rhetoric, public health, medicine and bioethics, memory studies, and art therapy. Each article profiles some exhibition or memorial related to a pressing social issue, including gun violence, racist terrorism, domestic violence, religious fundamentalism, corporations selling harmful products, and how society treats those regarded as cognitively and behaviorally different. First, examples from today’s headlines show a global outcry over racist monuments and artifacts, and a global pandemic, which casts doubt on the future of exhibitions. Historical examples and explanatory concepts …

The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson

Geifman Prize in Holocaust Studies

How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …

We're All A Little Bit Gay: Female Homoeroticism In Greek Art, Devon A. Matson

Senior Independent Study Theses

This study provides a close analysis of women in artwork from Archaic, Classical, and Hellenistic Greece (700-30 BC). Such images have traditionally been considered from exclusively heteronormative and androcentric perspectives. I employ queer and feminist theory in an attempt to provide a new understanding of the images present on these examples of ancient art which showcase women’s relationships. I examine a terracotta figure, a stamnos, a psykter, and a cup that display women interacting with one another. Their interactions demonstrate both homosocial and homoerotic relations. In an effort to reach a broader audience, I have curated a digital exhibit that …

Dinosaur Representation In Museums: How The Struggle Between Scientific Accuracy And Pop Culture Affects The Public Perception Of Mesozoic Non-Avian Dinosaurs In Museums, Carla A. Feller

Museum Studies Theses

This thesis examines the struggle of museums to keep up with swiftly advancing scientific discoveries relating to the study and display of Mesozoic (approximately 250 million years to 65 million years ago) non-avian dinosaurs. The paper will explore the history of dinosaur discoveries, their display methodologies in museums, and how pop culture, including movies and video games, have influenced museum displays and public perception over time. The lack of updated dinosaur exhibits in smaller local museums leads to disbelief, or an outright denial, of new information such as feathered dinosaurs. Entertainment, such as movies and video games that have non-avian …

How Wendy Red Star Decolonizes The Museum With Humor And Play, Salma Monani, Nicole Seymour

Environmental Studies Faculty Publications

Museums play a prominent role in crafting racial narratives in the United States, and as evidenced by recent social uprisings, these institutions have come under scrutiny. Take, for example, the statue outside the American Museum of Natural History in New York, which depicts U.S. President Theodore Roosevelt on horseback flanked by a Black man and an American Indian, both unnamed. As National Public Radio reported in June 2020, “The statue was intended to pay homage to Roosevelt as a ‘devoted naturalist and author of works on natural history,’” but, in calling for its removal, Mayor Bill de Blasio’s office affirmed …

New Media Art: Curating Social Justice In Contemporary Art Museums And Arts Organizations, Kyung Eun Lee

Masters Theses

My research project includes case studies in which I interviewed nine new media art curators and directors whose curatorial practices offer historical analyses and theoretical perspectives that address the dynamics of social justice by using new media art. I investigate the ways in which social justice is presented in museums and arts organizations. Central to this project is an examination of museum practices where the use of new media art becomes a central platform to showcase issues of social justice.

Ancestral Pueblo Pottery: Cataloguing, Curation, Mount-Making And More, Elizabeth A. Jennings

Ursidae: The Undergraduate Research Journal at the University of Northern Colorado

Ancestral Pueblo pottery is some of the most renowned pottery of its kind in North America, yet outside of the archaeology and art history communities its beauty and complexity is not well known. The University of Northern Colorado has a vast and remarkable collection of artifacts, predominately comprised of Native American pottery and ceramics. This collection was not previously widely accessible, partially because it was not published. The purpose of my research was to create an exhibition highlighting this collection of Ancestral Pueblo pottery in Michener Library at University of Northern Colorado, as well as an interactive touch screen kiosk …

Imaging The Great Irish Famine: Representing Dispossession In Visual Culture, Preface & Introduction, Niamh Ann Kelly

Books/Book Chapters

‘Niamh Ann Kelly's lavishly illustrated book throws new light on the visual culture commemorative of hunger, famine and dispossession in mid-nineteenth-century Ireland. Located within the discipline of International Memorial Studies, the text and images both challenge and extend our understanding of Famine history. Examining the visual culture since the time of the Famine until the present, Kelly asks, how do we view, experience and represent the past in the present? To what extent does the viewer insert themselves in this complex process? Is there such a thing as ethical spectatorship? Kelly’s sophisticated yet sympathetic study of the “grievous history” …

Building For Culture: How Municipal Ownership Of Cultural Facilities Influences Annual Arts Funding In American Cities, Adam M. Sachs

Dissertations, Theses, and Capstone Projects

This thesis explores how local government support for arts and culture varies across 24 American cities. It has proven to be challenging for researchers to accurately measure municipal arts support. Research on cultural policy has also often focused on the federal level, despite total city expenditures far exceeding national or state government support. This thesis attempts to take an accurate pulse of city expenditures in 2017 and correlates those spending levels to the variation in city ownership of arts facilities. Rooted in the historical perspectives of the ‘new institutionalism’ and path-dependency, this paper argues that past decisions about taking ownership …

Invisible Armies: French Colonial Soldiers During World War I And Their Absence From History, Molly Anderson

Arts & Sciences Undergraduate Showcase

World War I is an incredibly significant event in world history and continues to loom large in French memory today. Unfortunately, memory is often unreliable and as a result, people, places, and events can easily be forgotten, as is the case with French colonial soldiers during World War I. Colonial soldiers, particularly those from French West Africa, suffered a great deal because of their forced involvement in the conflict. Despite the major disruption the war had on their lives, however, the ways French media at the time chose to depict these soldiers was based almost exclusively on stereotypes and mockery. …

Exhibiting Prejudice: How Twentieth-Century Museums Promoted The Eugenics Movement, Anna Wachtel

Museum Studies Theses

This research illustrates the impact museums have on social, political, and educational systems through the exploration of the eugenics movement in American museums. Museum professionals promoted racial hierarchies and eugenic ideologies at World’s Fairs through the exploitation of “exotic” peoples and contests designed to judge and categorize racial differences based on an individual’s physical and mental characteristics.

Following World’s Fairs, museums began displaying eugenic themed exhibits. Prominent museum professionals and government officials of the early twentieth century used their position of authority to promote the eugenics movement in National and regional American museums through educational exhibits using approachable science-based exhibit …

La Prevalenza Delle Donne: I Problemi Di Una Professione Femminile, Maria Sancho-Arroyo

Faculty Articles

This article investigates the problems associated with the fact that the museum industry in the United States is one that is dominated by women in its workforce.

Weaving Forms Of Resistance: The Museo De La Solidaridad And The Museo Internacional De La Resistencia Salvador Allende, Carla Macchiavello Cornejo

Publications and Research

From the starting point of a 1975 artwork made by Norwegian artist Kjartan Slettemark in Sweden to stop a tennis match in resistance to the Chilean military dictatorship, this article reframes the linear image of networks of solidarity and resistance through the gaps and connectivity of a mesh. It expands the figure of the mesh taken from critical materialism into the affective realm of art, historiography, and art institutions by exploring the cases of the museums Museo de la Solidaridad (1971–1974) and Museo Internacional de la Resistencia “Salvador Allende” (1975–1990). As this article delves into various knots and lacunas of …

Behind The Exhibit: Exploring The Processes Of Indigenous Rights Representation At The Canadian Museum For Human Rights, Madison Caroline Dillard

Electronic Theses and Dissertations

Focusing on the representation of Indigenous human rights at the Canadian Museum for Human Rights (CMHR) in Winnipeg, Manitoba, this study examines how museums can represent, educate, and advocate for Indigenous human rights. The study is based on ethnographic fieldwork carried out at the museum in July 2019 and the literature on anthropology and human rights, decolonizing museum practices, and museums as spaces for human rights dialogue. The study shows how museums can change their history of racist and inaccurate representation of Indigenous people. Through extensive and “deep collaboration” between Indigenous partners and museum staff, Indigenous culture, history, and rights …

The Missing Museums: Accreditation, Surveys, And An Alternative Account Of The Uk Museum Sector, Fiona Candlin, Jamie Larkin, Andrea Ballatore, Alexandra Poulovassilis

Art Faculty Articles and Research

Surveys of the UK museum sector all have subtly different remits and so represent the sector in a variety of ways. Since the 1980s, surveys have almost invariably focused on accredited institutions, thereby omitting half of the museums in the UK. In this article we examine how data collection became tied to the accreditation scheme and its effects on how the museum sector is represented as a professionalised sphere. While is important to understand the role of surveys in constructing the museum sector, this article also demonstrates how the inclusion of unaccredited museums drastically changes the profile of the museum …

The Canon As Provocation: Partnering With Museums For The Future Of Art History, Jennifer P. Kingsley

Art History Pedagogy & Practice

Understanding the art-historical canon as socially embedded and historically negotiated is a threshold concept for art history but there is a paucity of research on how to position students to examine the formation of the academic disciplines and negotiate the performance of their canons in academic and public space. Art history has an advantage over other disciplines in this regard due to the close relationship it enjoys with art museums, which make the discipline and its history present in space. This article presents two case studies in support of partnering with museums to move histories of the discipline to the …

If These Walls Could Talk: Best Practices For Storytelling In Historic House Museums, Hannah M. Gaston

Seton Hall University Dissertations and Theses (ETDs)

Historic house museums are one of the most common types of museums in the United States. These museums vary from large institutions with budgets of several million dollars to entirely volunteer-run organizations, but all these museums tell stories about their former inhabitants, their buildings, and their objects. While some of these museums excel at storytelling through programming and interpretation, many historic house museums still struggle to discover and implement recognized best practices. With limited resources, decreased visitation, and questions of sustainability, historic house museums have to learn to tell relevant and compelling stories to stay viable. Literature from the field …

Ethics Or Law: Which Should Prevail In Conflicts Regarding The Restitution Of Nazi-Looted Art?, Anthony Caruso

Seton Hall University Dissertations and Theses (ETDs)

Museums and sovereign states often face a dilemma when confronted with a claim seeking restitution of Nazi-looted artwork. The assertion of legal technicalities may allow an institution to maintain possession of its artwork whereas ethics would dictate its return. This paper discusses three cases where legal technicalities take precedence over ethics. This conflict demonstrates the need to have such disputes addressed in a forum other than a court system.

Harbored: Like Museums, Videogames Aren't Neutral, Stephanie Hawthorne

Institute for the Humanities Theses

The following is comprised of: (1) an analysis of scholarship and contemporary works regarding videogames and museums that demonstrate the theory and method behind this project, (2) research regarding an historic maritime event that will serve as the subject matter for the proposed videogame, and (3) a conclusion that summarizes the game design. The historical research at the heart of this project surrounds the SS Quanza, a steamship that in September of 1940 carried Jewish refugees from Portugal to the US and Mexico only to be faced with the possibility of a return trip to Nazi Europe. Elevating the voices …

Contemporary Art And Historical Archives: Collaborations And Convergences In A Digital Multicultural Age, Suzanne S. Lapierre

School of Information Student Research Journal

Literature illuminating the relationship between contemporary art and historical archives around the turn of the twenty-first century and how these interactions inform the evolution of archives in a digital multicultural age is the topic of this review. The literature reveals the extent to which art has been a means for members of marginalized groups to address their representation in historical archives, and also a means for archives to connect with a broader audience. Collaborations between artists and historical archives add new dimension to the debate about the nature of the archive as a creation in and of itself, and in …

Climate Control In The Face Of Climate Change: Reducing Carbon Footprints In Museums, Felicity Bennett

Seton Hall University Dissertations and Theses (ETDs)

With mounting pressures to decrease carbon emission and the growing scarcity of funds, museums must look at their current practices. The standards for climate control in museums are based on challenges museums face in the early twentieth century and relied on limited information and technology. As museums begin to face new challenges due to climate change, the old standards must be reevaluated. Most museums rely on a Heating, Ventilation, and Air Conditioning (HVAC) system to maintain strict set-points, however, such systems are expensive and energy intensive. This limits their availability to small and historical museums that do not have the …

Contemporaneous Collecting: A New Trend In Field Collection, Meghan Brady

Seton Hall University Dissertations and Theses (ETDs)

The collection of contemporary materials has become more common in the museum field since the 1980s. Many institutions in the 21^st century acquire contemporary material culture of all kinds, including t-shirts, posters, computers, sports equipment, photographs and other ephemera. Much finds its way into collections through the traditional means of donation and purchase. Museum professionals also engage in fieldwork of sorts, attending events such as rallies, protests, marches, sporting events, the aftermath of natural disasters and other tragedies in order to gather materials onsite, essentially capturing history as it happens. In this paper, the former will be referred to …

Because I Said So: Ten Tips For Finding Volunteers And Keeping Them Happy, Adam Stephen Guy Smith, Heather Hoagland

Library Services Publications

Volunteers, interns and student workers are indispensable at local museums and archives in achieving their yearly goals. Teaching and managing the occasional quirks of this important group of people is as important as knowing how to sew a tag on an artifact. “Because I Said So” will provide ideas for how to work with volunteers of all ages doing collections management and archival tasks without tearing out your hair, or ruining any artifacts.

Amazons, Indian Princesses, And The Artistic Matriarchs Of The Southwest: On Classicization And The Construction Of Native American Femininity In Museums, Kendall Lovely

Museum Studies Theses

This paper explores the Classical influence within the discourses surrounding museum exhibitions that helped to construct colonial representations of gender. I address how Classical receptions and images of Native Americans rendered into Classically influenced discourses have featured in anthropological and later art market structures within museum displays. Constructions of femininity play a significant role here as these representations, especially in the Southwest, serve to gender colonized and Othered subjects with parallels in Classical ideas about foreign others. My analysis is in two parts: I first explore constructions of femininity in museum exhibitions through these insights. I then consider the agency …