Museum Studies Commons^™

Front Matter, Kris K. Belden-Adams

Art Inquiries

No abstract provided.

Review - Shahzia Sikander: Collective Behavior, Annie Dell'aria

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Shahzia Sikander’s work spans traditions from multiple continents, eras, and media. Trained in the traditional miniature painting of South Asia and Persia, yet creating monumental pieces that command space both inside and outside the gallery, this artistic polymath maintains a signature style rooted in sumptuous detail and motifs that drip with layers of meaning. In Collective Behavior, a multi-part, career-spanning traveling museum exhibition of works made over the past 35 years, Sikander’s full array of talent and artistic evolution is on display.

Review: The Visionary Art Of Minnie Evans, Cynthia Fowler

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The Visionary Art of Minnie Evans was a small exhibition of 16 drawings and paintings by Minnie Evans (1892-1987) on loan to the Museum of Fine Arts, Boston (MFA) from the Cameron Art Museum in Wilmington, North Carolina, which holds a significant collection of her work. Evans was born in North Carolina and spent most of her life in Wilmington. Her artworks are colorful compositions rich with decorative details that illustrate her dreams and visions. But the exhibition attempted to expand our understanding of Evans’s work beyond them. Divided into three categories — “Wilmington Landscapes,” “Spiritual Nature,” and “Visual Culture” …

A Formidable Female Network: The Role Of Women In William Henry Fox Talbot’S Establishment Of Early Photography, Rose Teanby Phd

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This paper explores how women assisted William Henry Fox Talbot (1800-1877) to establish his Photogenic Drawing and Calotype photographic processes in Great Britain and Europe. Utilising preserved contemporary correspondence as a primary source of unedited transcribed conversations, the genesis of photography can be revisited from an alternative viewpoint of extensive familial collaboration. Letters between Talbot and his female relatives exposed a sophisticated network of interconnected mid 19^th century social elite, providing multiple opportunities for informal advocacy and timely dissemination of the new scientific art.

Epistolary exchanges from 1839 to 1858 provide new insights into women’s subtle, less visible influence …

Review: 60th October Salon - What’S Left?, Rachel Klipa

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Spread across nine venues and public spaces in Belgrade, Serbia, the 60th October Salon’s concept posed a pressing question: What’s Left? In a moment marked by oppressive capitalism, cultural erasure, and the slow dismantling of socialist ideals, this year’s biennial resisted nostalgia and nationalism. Instead, it probed the emotional and political residues of systems in flux, examining how art can sustain memory, provoke continuity, and imagine new futures in uncertain times.

Art Inquiries Volume Xx No 1 2025 - Full Issue, Kris K. Belden-Adams

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No abstract provided.

Review: Luna Luna: Forgotten Fantasy, Jessica J. Stephenson

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In 1987, Luna Luna, a fairground/immersive art installation, opened in Hamburg, Germany. A decades-long project in the making, it was conceived and realized by André Heller, a Vienna-based avant-garde artist, musician, film-maker, and author favoring multimedia work including circuses, parades, variety shows, firework displays and poetic gardens. Over the course of three months, about 300,000 attendees traversed Heller’s Luna Luna’s exuberant space with performances, music, and rides on art works that took the form of Ferris wheels, carousals, infinity mirror rooms, puppet shows and other theatrics. The works were created by more than 30 artists including notable 20 …

Exhibition Review - Sung Tieu: 1992, 2025, Lina Alam

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Over the last decade, we have witnessed the ascendancy, consolidation and mobilization of far-right movements around the world – not least in Germany. The Vietnamese-German artist Sung Tieu lives there and produces mixed-media work on recent histories of state violence, racism, migration and surveillance. In her solo show 1992, 2025 at the KW (Kunst Werke) Institute for Contemporary Art in Berlin, Tieu expanded on her previous projects about the 1980 labor recruitment agreement between the German Democratic Republic (GDR) and the Socialist Republic of Vietnam that resulted in nearly 70,000 Vietnamese workers relocating to Germany. Her new body of work …

Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai

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The Shape of Power: Stories of Race and American Sculpture, co-curated by Karen Lemmey,

Tobias Wofford, and Grace Yasumura, ambitiously asked: How does American sculpture

intersect with the history of race in the United States?1 Positioning itself as the first major survey

exhibition of American sculpture in decades, this exhibition featured 82 sculptures created by 70

artists spanning from 1792 to 2023.

Art Inquiries, Xix:1, Front Matter, Mysoon Rizk

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No abstract provided.

An Interview With Sharon Lee Hart, Mysoon Rizk, Sharon Lee Hart

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No abstract provided.

Spirit And Invention: Drawings By Giambattista And Domenico Tiepolo, Roberto G. Peredo

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No abstract provided.

Speculations On Brunelleschi’S Pazzi Chapel, Howard A. Risatti Professor Emeritus, Donald Schrader

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Why speculate on Filippo Brunelleschi’s Pazzi Chapel? As Giorgio Vasari wrote, many of Brunelleschi’s projects were not finished in his lifetime and not as he wished. The lesson to be drawn, says Vasari, who was writing a century after Brunelleschi’s death, is that “anyone who wishes to leave a memorial of his existence should complete it in his own lifetime and not put faith in anyone else.” Since Brunelleschi died well before the chapel was completed, issues have been raised for over a century about its inconsistencies regarding the open loggia, the barrel-vaulted portico, and the façade. This paper addresses …

Corsets Off. Camille Claudel And Polish Women Sculptors Of The 19th Century, Beata Niedzialkowska

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No abstract provided.

Indian Theater: Native Performance, Art, And Self-Determination Since 1969, Shannon Bewley

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No abstract provided.

Art Inquiries, Xix:1, Full Issue, Mysoon Rizk

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No abstract provided.

Black Artists In America: From Civil Rights To The Bicentennial, Mallory Sharp

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No abstract provided.

The Shape Of Time: Korean Art After 1989, Saehim Park

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No abstract provided.

Conservation Through Art: Saving Alabama Hemlocks, Kelly A. Wacker

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No abstract provided.

Napoleon’S Corpse And The Subversion Of Historical And Political Authority, Alissa Rachel Adams

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This article examines printed depictions of Napoleon Bonaparte’s exhumed corpse in conjunction with Romantic historical practice in nineteenth-century France. Current studies on history in the Romantic age emphasize Romantic historicism’s link to a widespread and frustrated yearning for direct access to the past that will settle the upheavals of the revolutionary period. This study considers how the corpse and its representations fulfill the desire for direct access to the past but, in doing so, also contributes to a proliferation of individual understandings of the past—and future. Through an analysis of representations of the corpse, their sources, and their connection to …

Best Practices For Hybrid Art Museum Programs For People With Dementia, Pooja Lalwani, Sujal Manohar, Jessica Kay Ruhle

International Journal of Lifelong Learning in Art Education

The Reflections program at the Nasher Museum of Art at Duke University offers art gallery tours for adults with dementia and their care partners. Originally an in-person program, Reflections adapted to a virtual model during the COVID-19 pandemic and now utilizes a hybrid model with in-person and online programs. Surveys distributed to Reflections’ participants indicate the benefits of having both in-person and virtual options post-pandemic. Anecdotal survey data and participation statistics show high engagement and satisfaction with the current hybrid mode. Literature about hybrid art education programs for people with dementia remains limited. We offer best practices and insights for …

Thinking Through Zines: A Collaborative Visual Essay Inspired By Systems Thinking, Queering The Museum, And Emergent Strategy, Dana Carlisle Kletchka

Journal of Social Theory in Art Education

In this visual essay, students enrolled in a museum education and administration specialization in the Department of Arts Administration, Education, & Policy at Ohio State responded to course readings on museum work and Emergent Strategy through journaling and ‘zine making. While the course is intended to prepare students for the political and practical realities of working in an art museum, it is structured to elicit group and individual understandings of the readings, projects, and other assignments as well as to consider the ways in which we can collectively and incrementally create museological change. Three texts—Systems Thinking in Museums: Theory …

Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk

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No abstract provided.

Medieval Bologna: Art For A University City, Ashley Elston

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No abstract provided.

Jamie Robertson: Make For Higher Ground, Elizabeth S. Hawley

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No abstract provided.

The Date Of The Allegory Of Mercy At The Misericordia In Florence...Again: Some Clarifications Regarding The Historical Setting, William R. Levin

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No abstract provided.

Jacqueline Jung, Eloquent Bodies: Movement, Expression, And The Human Figure In Gothic Sculpture, Kerr Houston

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No abstract provided.

Hear Me Now: The Black Potters Of Old Edgefield, South Carolina, Cynthia Fowler

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No abstract provided.

Diana S. Greenwald, Painting By Numbers: Data-Driven Histories Of Nineteenth-Century Art, Sara Woodbury

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No abstract provided.

Suzanne Valadon: Model, Painter, Rebel; And Modigliani Up Close, K. A. Mcfadden

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No abstract provided.