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Articles 61 - 90 of 177
Full-Text Articles in Museum Studies
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
An Interview With Tony M. Bingham, Mysoon Rizk
Julie Mehretu, Jessica Stephenson
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Art Inquiries
Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.
Commonwealth, Clare Van Loenen
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Art Inquiries
Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.
Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green
Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green
Dissertations, Theses, and Capstone Projects
Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …
Gendering Art History In The Victorian Age: Anna Jameson, Elizabeth Eastlake, And George Eliot In Florence, Antje Anderson
Gendering Art History In The Victorian Age: Anna Jameson, Elizabeth Eastlake, And George Eliot In Florence, Antje Anderson
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis investigates how three professional Victorian women writers, Anna Jameson, Elizabeth Eastlake, and George Eliot, wrote about Renaissance art in Florence. As nineteenth-century women, they were excluded from certain realms of knowledge, agency, and influence. This exclusion (complicated by their privilege in terms of class, nationality, and education) influenced the way they experienced and wrote about art. The introduction addresses how changing modes of travel, broader access to publication, and art history’s gradual emergence as an academic discipline helped shape their careers as women art writers—the well-known “Mrs. Jameson” as a popularizer of art history for a broad readership; …
How Contemporary Curatorial Practice Co-Opts Participatory Art, Caroline S. Eastburn
How Contemporary Curatorial Practice Co-Opts Participatory Art, Caroline S. Eastburn
CMC Senior Theses
Instagram users post photos in art exhibitions all of the time. Contemporary art curators and museums have a role to play in this new phenomenon. Programming and curating participatory art exhibitions allows for the perfect art selfie which draws in visitors from around the world. But, how do curators and museums affect the significance of these artworks by placing them within the Instagram age? This thesis uses the three exhibitions as case studies: Yayoi Kusama: Infinity Mirrors at the Broad Museum in Los Angeles, Take Me (I'm Yours) at the Jewish Museum in New York, and "Hélio Oiticica: To Organize …
Kim Gordon: The Bonfire, Annie Dell’Aria
Original Bauhaus: The Centenary Exhibition, Morgan Ridler
Original Bauhaus: The Centenary Exhibition, Morgan Ridler
Art Inquiries
No abstract provided.
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
Art Inquiries
No abstract provided.
Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho
Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho
Art Inquiries
No abstract provided.
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:1, Full Issue
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo
Art Inquiries
No abstract provided.
Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn
Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn
Art Inquiries
No abstract provided.
Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle
Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle
Art Inquiries
Book review of Against Our Will: Sexual Trauma in American Art Since 1970, by Vivien Green Fryd.
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy
Art Inquiries
No abstract provided.
An Interview With Adrian Rhodes, Kerr Houston
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris
Art Inquiries
No abstract provided.
The Avant-Garde Networks Of Amauta: Argentina, Mexico, And Peru In The 1920s, Michele Greet
The Avant-Garde Networks Of Amauta: Argentina, Mexico, And Peru In The 1920s, Michele Greet
Art Inquiries
No abstract provided.
Enid Yandell: Kentucky’S Pioneer Sculptor, Caterina Y. Pierre
Enid Yandell: Kentucky’S Pioneer Sculptor, Caterina Y. Pierre
Art Inquiries
Book review of Enid Yandell: Kentucky’s Pioneer Sculptor, by Juilee Decker.
Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart
Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart
Dissertations, Theses, and Capstone Projects
Between 1930 and 1955 São Paulo, Brazil experienced a period of accelerated growth as the population nearly quadrupled from 550,000 to two million. In response, the municipal government undertook an aggressive public works program and commercial building boomed. Photographic representations of the cityscape were essential in directing modern São Paulo’s physical evolution because they reflected both the real—a chaotically growing megacity—and the ideal—a literally new, modernized space. This dissertation centers on four case studies of artists practicing different photographic modalities in order to analyze the symbiotic relationship between São Paulo's urban development and its photographic representation.
Construction sites, scaffolding, and …
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dissertations, Theses, and Capstone Projects
This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Theses and Dissertations
This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.