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Articles 151 - 177 of 177
Full-Text Articles in Museum Studies
Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Jordan Amirkhani
Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Jordan Amirkhani
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:2, Full Issue
Iain Muirhead, Iain Muirhead
Iain Muirhead, Iain Muirhead
CGU MFA Theses
Artist IAIN MUIRHEAD seeks possibility in a world of massive change. His work cultivates instability and chases an ungrounded experience. Systemic complexity and creative destruction are characteristic. Muirhead uses paint, objects, photography, installation, and video to break apart and reconfigure form and space. Terror often looms. Entropy gives way to emergence.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn
Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn
Electronic Theses and Dissertations
Let’s Keep in Touch: Conversations about Tactility, a project collaboratively organized by social practice artist Carmen Papalia and curator Whitney Mashburn, presents conversations between Papalia and artists selected by Mashburn, in regard to tactile access of the chosen artists’ works. The project aims to challenge visual biases in museum engagement, through dialogue with living artists.
Carmen Papalia takes social practice in a new direction as he applies it to the topic of accessibility. Using the tool of conversation, he creates strategic infrastructural activism and prompts exploration of non-visual perception.
In this thesis, Papalia’s work will be examined and discussed …
The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards
The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards
Art Inquiries
No abstract provided.
Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton
Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton
Art Inquiries
Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.
Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride
Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride
Art Inquiries
No abstract provided.
Interview With Duane Paxson, Dorothy Joiner
Gunther Gerzso: A Mexican Master, Carlos A. Colón
The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner
The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner
Art Inquiries
No abstract provided.
Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington
Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington
Art Inquiries
Book review of Memory Traces: Analyzing Sacred Space at Five Mesoamerican Sites, edited by Cynthia Kristan-Graham and Laura M. Amrhein.
The Urbanism Of Frank Lloyd Wright, Michael Lewis
The Urbanism Of Frank Lloyd Wright, Michael Lewis
Art Inquiries
Book review of The Urbanism of Frank Lloyd Wright, by Neil Levine.
Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger
Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger
Art Inquiries
Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.
Gee, He Has No Brushstroke: Gender Performance In Andy Warhol’S Oxidation Paintings, Anthony J. Morris
Gee, He Has No Brushstroke: Gender Performance In Andy Warhol’S Oxidation Paintings, Anthony J. Morris
Art Inquiries
No abstract provided.
Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha
Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha
Theses and Dissertations
Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …
“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams
“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams
Art Inquiries
No abstract provided.
God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri
God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri
Art Inquiries
No abstract provided.
Francis Alÿs: A Story Of Negotiation, Kerr Houston
Francis Alÿs: A Story Of Negotiation, Kerr Houston
Art Inquiries
No abstract provided.
From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber
From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber
Art Inquiries
No abstract provided.
Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe
Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe
Art Inquiries
No abstract provided.
Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk
Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk
Art Inquiries
No abstract provided.
David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker
David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:1, Full Issue
Classic French Modern, Robert Jensen
Classic French Modern, Robert Jensen
Art and Visual Studies Presentations
This conference paper presented at Art Without History symposium sponsored by the Oskar Reinhart Collection, September 2012, explores the development of modern house museums devoted to collections of 'classic French modern,' works primarily by the Post-Impressionist artists Cézanne, Gauguin, Toulouse-Lautrec, Seurat, and van Gogh. These museums largely reflect the collecting activities of an international group of collectors that includes the Clark brothers, Duncan Phillips, Chester Dale, and Albert Barnes among the Americans, Samuel Courtauld in Britain, and the Swiss collectors Emil Bührle and Oscar Reinhart. The collections offer an alternative view of Post-Impressionism, one leading not toward the 20th-century avant-gardes, …