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Articles 151 - 180 of 258

Full-Text Articles in Modern Languages

Rewriting For Redemption: Adapting The Epic In La Ceppède's Théorèmes, Russell J. Ganim Oct 2002

Rewriting For Redemption: Adapting The Epic In La Ceppède's Théorèmes, Russell J. Ganim

French Language and Literature Papers

Jean de La Ceppède's Théorèmes ( 1613, 1622), raise intriguing issues concerning the question of generic adaptation. Elsewhere, I have shown that the Théorèmes can be classified under the rubric of the lyric not merely because the text consists of 520 sonnets on Christ's Passion, but because these sonnets, both individually, and within the collective context of the sonnet sequence, often represent appropriations of common Renaissance lyric subgenres such as the blason, the baiser, and the pastoral/pastourelle. La Ceppède's structural adaptation of the lyric is supplemented by the presence of the je/poète who internalizes the narrative …


Views Of Kingship: Britannicus And Louis Xiv’S Mémoires, Russell J. Ganim Jun 2002

Views Of Kingship: Britannicus And Louis Xiv’S Mémoires, Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

This study situates itself within a current trend in Racinian scholarship to accentuate the political dimensions of Racine’s dramaturgy. Recently, Timothy Reiss, Suzanne Gearhart, and Alain Viala, among others, have emphasized the socio-political aspects of Racine’s oeuvre in part to counteract the mid twentieth-century notion that Racine’s classicism, if not his work in general, is based almost exclusively on the psychological representation of plot and character. I will argue that to a significant extent, the nature – «classical» or other – of Racine’s drama is also founded on a keen sense of the historic as it relates to the contemporary.


Review Of Julien Gœury: L 'Autopsie Et Le Théorème: Poétique Des Théorèmes Spirituels (1613-1622) De Jean De La Ceppède., Russell J. Ganim Jun 2002

Review Of Julien Gœury: L 'Autopsie Et Le Théorème: Poétique Des Théorèmes Spirituels (1613-1622) De Jean De La Ceppède., Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

Les lecteurs de La Ceppède seront contents de recevoir le livre de Julien Gœury car son étude représente une addition importante aux ouvrages récents sur le poète aixois. Faisant partie de la redécouverte critique des Théorèmes initiée par les travaux de Jean Rousset dans les années 50, L'Autopsie et le théorème jette un nouveau regard sur l'oeuvre laceppédienne en adoptant ce que l'on peut appeler une perspective néo-structuraliste. L'exposé se divise en quatre parties: 1) Morphologie, 2) Anatomie, 3) Physiologie et 4) Psychologie. Une telle répartition suggere le désir de dégager le caractère organique du texte dans le cadre d'une …


Through The Talking Glass: Translucence And Translation In The Condé Museum’S Psyche Gallery, Russell J. Ganim Jun 2002

Through The Talking Glass: Translucence And Translation In The Condé Museum’S Psyche Gallery, Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

The forty-four stained-glass windows (dating from 1540–44) that recount the mythological tale of Psyche in Chantilly’s Condé Museum present a unique semeiological challenge to scholars. Accompanied by lyric inscriptions of either four or eight lines, the panels reveal an image/text combination that represents a literal example of the Renaissance notion of ut pictura poesis. These seldom-discussed panels merit inquiry because they reflect certain historic, artistic, and literary trends that illustrate factional and intellectual movements crucial to understanding France of the early to mid-sixteenth century. In its examination of these issues, this essay asks three questions:
1) What is the political …


Marivaux's Comedy Of Loss: La Double Inconstance, Thomas M. Carr Jr. Apr 2002

Marivaux's Comedy Of Loss: La Double Inconstance, Thomas M. Carr Jr.

French Language and Literature Papers

Marivaux's treatment of losing love in one of his favorite plays, La Double Inconstance (1723), is a double tour de force. Not content to show that grieving or offering sympathy for lost love can be intimately tied to the awakening to love that is at the center of his theater, he also turns them to comic advantage. The classic accounts of the role of sensibility in Marivaux, such as Ruth Jamieson's, have pointed out how love strains against pride in his plays as lovers summon amour-propre to resist acknowledging that they are in love (97,105) and noted the comic …


Le Palimpseste Et Le Roman Africain: Le Cas Des Romans Xala De Sembène Ousmane Et La Grève Des Bàttu D’Aminata Sow Fall, Marie-Chantal Kalisa Mar 2002

Le Palimpseste Et Le Roman Africain: Le Cas Des Romans Xala De Sembène Ousmane Et La Grève Des Bàttu D’Aminata Sow Fall, Marie-Chantal Kalisa

French Language and Literature Papers

Les romans Xala de Sembène Ousmane et La grève des Bàttu d’Aminata Sow Fall mettent en scène quelques uns des personnages les plus mémorables de l’Afrique postcoloniale en proie à des crises individuelles mais dont l’impact se fait sentir partout dans la communauté. A la différence des études déjà faites sur ces romans qui se concentrent sur leur thématique, dans cet essai, je propose d’examiner le processus de création littéraire qui unit les deux romans dans un jeu intertextuel. Les relations palimpsestiques entre ces deux romans mettent en valeur la dimension esthétique, souvent mise à l’écart, de la littérature africaine.


Análisis Narrativo Del Recuerdo En 'El Regreso' Y 'Del Cemento. La Trampa De Cemento', De Martín De Ugalde, Iker González-Allende, Joseba Pérez Moreno Jan 2002

Análisis Narrativo Del Recuerdo En 'El Regreso' Y 'Del Cemento. La Trampa De Cemento', De Martín De Ugalde, Iker González-Allende, Joseba Pérez Moreno

Spanish Language and Literature Papers

El recuerdo en la producción de Martín de Ugalde', debido a sus experiencias personales, queda muy patente en sus relatos, de ahí que la elección de estas dos narraciones se deba a una cuestión significativa, ya que la primera de ellas, "El regreso", supone un cuento "portada" de su producción cuentÍstica de madurez, introduciéndonos en notas comunes que aparecerán reiteradamente en el resto de narraciones, en temas como la soledad, la muerte, el desarraigo ... Semejante a este relato en muchos aspectos es el segundo elegido, "Del cemento. La trampa de cemento", que enriquece nuestro análisis comparativo al ofrecer otras …


"Introduction" To The Shape Of Change: Essays In Early Modern Literature And La Fontaine In Honor Of David Lee Rubin, Anne L. Birberick, Russell J. Ganim Jan 2002

"Introduction" To The Shape Of Change: Essays In Early Modern Literature And La Fontaine In Honor Of David Lee Rubin, Anne L. Birberick, Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

Since Michel Foucault’s The Archeology of Knowledge gained widespread critical recognition in the late 1960s, the concept of change has held a privileged position in the discourse of literary and cultural studies. Concerned with disruptions, transformations, and upheavals, scholars have focused on those moments of rupture when the present breaks with the past, when originality displaces convention, when inventio repudiates imitatio. This emphasis on aesthetic and epistemic shifts has all too often resulted in the neglect of more traditional issues having to do with problems of cultural development, evolution, and influence. It has also overlooked the idea of reading and …


Variations On The Virgin: Anne De Marquets’S Depiction Of Mary In The Sonets Spirituels, Russell J. Ganim Jan 2002

Variations On The Virgin: Anne De Marquets’S Depiction Of Mary In The Sonets Spirituels, Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

This paper explores the manner in which Anne de Marquets’s (1533– 1588) Sonets Spirituels (published posthumously in 1605) reshapes conventional portraits of the Virgin Mary. A Dominican nun at the Royal Priory in Poissy, Marquets, like many Baroque Catholic poets, follows Church tradition in glorifying Mary as a maternal symbol of chastity and faith. Yet, unlike Gabrielle de Coignard (OEuvres chrestiennes, 1594), Jean de La Ceppède (Théorèmes, 1613, 1622), or other of her lyric peers, Marquets depicts the Virgin as a subjective, intellectual near-deity whose role occasionally borders on the messianic. The basic approach of this …


Reading Bulgakov's The Master And Margarita From The Perspective Of Hinduism, Radha Balasubramanian Jun 2001

Reading Bulgakov's The Master And Margarita From The Perspective Of Hinduism, Radha Balasubramanian

Russian Language and Literature Papers

Mikhail Bulgakov's The Master and Margarita (1966-67) has been praised highly for both its literary merit and its spiritual significance. Many critical studies explain the complex nature of the interrelationship between the natural and supernatural in the novel. The unexpected roles that otherworldly beings play in the novel, the resulting satire, and the fantastic in the plot create a certain inevitable puzzlement about the structure and meaning of the novel. Attempts to explain the implications of the spiritual elements underpinning the fantastic span through various belief systems, but given the complexity of Bulgakov's novel, a coherent, conclusive explanation has been …


Review Of Das Straßburger Eulenspiegelbuch: Studien Zu Entstehungs-Geschichtlichen Voraussetzungen Der Ältesten Drucküberlieferung, By Jürgen Schulz-Grobert, Priscilla A. Hayden-Roy Jun 2001

Review Of Das Straßburger Eulenspiegelbuch: Studien Zu Entstehungs-Geschichtlichen Voraussetzungen Der Ältesten Drucküberlieferung, By Jürgen Schulz-Grobert, Priscilla A. Hayden-Roy

German Language and Literature Papers

Schulz-Grobert argues that scholars' pursuit of a phantom Low German original, and their "fixation" on Herman Bote as its author, have directed scholarly attention away from the role the editors in Strassburg played in its production. While TE scholarship to date is in agreement that a Strassburg editor had a hand in the final version of the book, Schulz-Grobert argues that the circle of humanists and literati associated with Grüninger's press in Strassburg were alone responsible for producing the book.There is no need to assume the existence of a Low German original, he states, nor does the "ERMAN B" acrostic, …


Separation, Mourning, And Consolation In La Route D'Altamont, Thomas M. Carr Jr. May 2001

Separation, Mourning, And Consolation In La Route D'Altamont, Thomas M. Carr Jr.

French Language and Literature Papers

In discussing Bonheur d'occasion Patrick Coleman has identified Gabrielle Roy's difficulty finding a vehicle to convey convincingly her insight that "an awareness of separation is a necessary condition of any moment of real connection" as one of her chief esthetic problems (77). Her successful negotiation of this tension in La Route d'Altamont owes much to presenting consolation as an antidote to separation. First, rather than deny the reality of separation, consolation mediates between it and union by allowing Roy to portray separation coexisting with communion; even the most stable consolations must be constantly renewed since consolation is more a process …


Essayistic Discourse As Literary Autobiography And Feminist Criticism In Rosario Ferré'S Sitio A Eros And El Coloquio De Las Perras, J. Agustín Pastén B. May 2001

Essayistic Discourse As Literary Autobiography And Feminist Criticism In Rosario Ferré'S Sitio A Eros And El Coloquio De Las Perras, J. Agustín Pastén B.

Spanish Language and Literature Papers

In Sitio a Eros and El coloquio de las perras, Rosario Ferré turns the traditional Spanish American essay into a most propitious space to investigate issues of gender and more specifically, writing as a potential vehicle for women's ultimate liberation. In these two books, in which the line between literary criticism and feminist criticism is hard to separate, she joins the ranks of writers such as Gabriela Mistral, Victoria Ocampo and Rosario Castellanos, Latin America's best-known female predecessors in the essay.

Most of the essays included in Ferré's Sitio a Eros (1980, 1986) were written in the late seventies, …


Anus As Oculus: Satire And Subversion In Eustorg De Beaulieu's Du Cul , Russell J. Ganim Apr 2001

Anus As Oculus: Satire And Subversion In Eustorg De Beaulieu's Du Cul , Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

This study seeks to rehabilitate Eustorg de Beaulieu's (c. 1495-1552) Du cul (1537) in terms of the poem's satirically subversive nature. I choose the term "rehabilitate" in order to challenge certain aspects of Annette and Edward Tomarken's argument that the poem should be read more in terms of its commentary on the lyric genre of the blason than as a derisive indictment of social norms. I hold that on an implicit level, the poem does support the Tomarkens' contention that Beaulieu "push[es] to its ultimate limits the genre (i.e., the blason) with which he is working" (151). In the …


Under Mallarmé'S Wing, Marshall C. Olds Mar 2001

Under Mallarmé'S Wing, Marshall C. Olds

French Language and Literature Papers

The following was presented as a lecture in conjunction with the exhibit of 18th-century European fans, held at the McMullen Art Museum of Boston College, September, 2000. The author is Professor of French at the University of Nebraska. He is the author of books and articles on French literature, and the editor of Nineteenth- Century French Studies.

To have 19th-century French poetry breeze into this exhibit of beautifully crafted fans from the 18th century should be viewed as a complementary and friendly action. Indeed, the exhibition title, "Hand-held Delight," is especially apposite for our topic today, for the poet in …


Prévert Reads Shakespeare: Lacenaire As Iago In Les Enfants Du Paradis, Russell J. Ganim Jan 2001

Prévert Reads Shakespeare: Lacenaire As Iago In Les Enfants Du Paradis, Russell J. Ganim

French Language and Literature Papers

First impressions seem to suggest little more than a casual link between Othello and the film Les Enfants du Paradis despite multiple references to Shakespeare’s tragedy in Jacques Prévert’s screenplay. Many glaring differences present themselves with respect to both works. The Elizabethan drama appears to have little in common with a film made and released in France during the Occupation that focuses on a troupe of actors, a petty criminal, and an aristocrat in early nineteenth-century Paris. Yet, Prévert’s numerous appropriations of Shakespeare are crucial to the film’s meaning. Edward Baron Turk, who mentions the film’s allusions to Shakespeare, argues …


Review Of Gregor Wittkop: Hölderlins Nürtingen: Lebenswelt Und Literarischer Entwurf, Priscilla A. Hayden-Roy Jan 2001

Review Of Gregor Wittkop: Hölderlins Nürtingen: Lebenswelt Und Literarischer Entwurf, Priscilla A. Hayden-Roy

German Language and Literature Papers

Gregor Wittkop, a name familiar to Hölderlin scholars following his 1993 publication of documents relating to Hölderlin‘s Tarmzeit (Hölderlin. Der Pflegsohn. Texte und Dokumente 1806—1843 mit den neu entdeckten Nürtinger Pflegschaftsakten), has combined archival research with literary interpretation to present in his newest study a nuanced view of Hölderlin‘s Nürtingen. The study consists of two parts: the first deals with Hölderlin‘s biography and his relationships with family members throughout his life, the second discusses a number of the poet‘s writings whose thematic center is «home» in both a biographical and idealized sense. Wittkop‘s familiarity with the social and legal …


Review Of Renaissance Studies: Articles 1966–1994, By Malcolm Smith., Russell J. Ganim Oct 2000

Review Of Renaissance Studies: Articles 1966–1994, By Malcolm Smith., Russell J. Ganim

French Language and Literature Papers

Malcolm Smith’s untimely death in 1994 left a serious void in French Renaissance scholarship. This loss to the profession has in part been compensated by a remarkable volume that assembles nearly thirty articles written by Professor Smith over a twenty-eight-year period. The volume also includes an extensive bibliography that lists Professor Smith’s books and critical editions. Professor Smith’s essays, published in journals such as Bibliothèque d’Humanisme et Renaissance, Revue de Littérature Comparée, and The Sixteenth Century Journal, reveal a scholar whose meticulousness and originality remain exemplary for those devoted to research in the humanities. What is particularly striking …


Book Review: Jean De Sponde, Méditations Sur Les Pseaumes. Édition Critique Par Sabine Lardon., Russell J. Ganim Oct 2000

Book Review: Jean De Sponde, Méditations Sur Les Pseaumes. Édition Critique Par Sabine Lardon., Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

This edition of the Méditations is a noteworthy project that will prove a valuable research tool. Part of Lardon’s suc¬cess stems from the fact that she preserves the integrity of the original 1588 La Rochelle edition by making only the slight¬est and most obvious changes in orthography and punctua¬tion for purposes of enhanced readability. The volume is more remarkable, however, for the ways in which it goes beyond Alan Boase’s 1954 and 1978 editions of the Médita¬tions.


Book Review: Sabine Lardon. L’Écriture De La Méditation Chez Jean De Sponde., Russell J. Ganim Oct 2000

Book Review: Sabine Lardon. L’Écriture De La Méditation Chez Jean De Sponde., Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

Sabine Lardon’s monograph commands attention for the precision with which it analyses Sponde’s rhetorical tech¬nique in his Méditations sur les Pseaumes. Basing the need for her book on the critics’ preference for writing about Sponde’s lyric offerings rather than his prose, Lardon pro¬duces a study that yields great insight into Sponde’s ad¬ap¬tation of language and form within the context of bibli¬cal exegesis. Lardon’s work makes a valuable contribution to Spondian studies, and will no doubt help renew interest in baroque devotional literature.


Johannes R. Becher 1891–1958, Robert K. Shirer Sep 2000

Johannes R. Becher 1891–1958, Robert K. Shirer

German Language and Literature Papers

Throughout much of the 20th century, the name of Johannes R. Becher elicited strong reactions: he was a gifted Expressionist poet or a dangerous but largely incoherent pacifist; he was a tool of Moscow willing to betray the Weimar Republic or an example of an artist who transcended his class and served the proletariat; he was a degenerate enemy of the Third Reich or a hero of the Volkfront; his was a strong voice for the survival of German culture in the dark years or the timid voice of a survivor of Stalin's blood purges; he was a heroic pioneer …


Review Of Eva Kocziszky, Mythenfiguren In Hölderlins Spätwerk, Priscilla A. Hayden-Roy Sep 2000

Review Of Eva Kocziszky, Mythenfiguren In Hölderlins Spätwerk, Priscilla A. Hayden-Roy

German Language and Literature Papers

Kocziszky attempts to explicate the function of the Greek myths in Hölderlin’s late writings, primarily the annotations to his translations of Sophocles’s Oedipus and Antigone. She interprets these myths broadly, and in her discussions explores the figures of the centaur (here her textual basis is “Das Belebende,” Hölderlin’s translation and commentary of one of the Pindaric fragments), Oedipus, Antigone, Danae, and the “Muse,” Greece itself, as tragic figures whose significance emerges as one considers their relationship to the poetological, historical, political, and also profoundly personal concerns expressed in Hölderlin’s work. Following Jean LaPlanche’s observation that poetry and disease share a …


Foreword To Gayle A. Levy, Refiguring The Muse, Marshall C. Olds Oct 1999

Foreword To Gayle A. Levy, Refiguring The Muse, Marshall C. Olds

French Language and Literature Papers

In the study that follows, Professor Levy explores the historically grounded topos of the Muse figure as it was developed by poets in the late nineteenth and early twentieth centuries. It is a movement of renewal, and one that could occur in large part because of a revolution in thinking-both poetic and social-about issues related to gender and representation. She has asked that I write a brief foreword, which I am happy to do with an observation prompted by reading her book.


Value And Social Mobility In Flaubert, Marshall C. Olds Sep 1999

Value And Social Mobility In Flaubert, Marshall C. Olds

French Language and Literature Papers

L’Education sentimentale may be construed as an historical novel at least insofar as it addresses questions of social change and enduring value as they are related to those of history and individual memory. As in Balzac and later in Proust, what is true for the individual applies to society. There is an especially Flaubertian understanding of movement in society and movement across time that remains tied more to demands of diegetic coherence than to laws of historical necessity, however. Singulative narration as it appears in the novel is a kind of smoke screen hiding a more pervasive iteration whereby the …


Review Of M. Jones & R. Miller, Eds., The Cambridge Companion To The Classsic Russian Novel, Radha Balasubramanian Jul 1999

Review Of M. Jones & R. Miller, Eds., The Cambridge Companion To The Classsic Russian Novel, Radha Balasubramanian

Russian Language and Literature Papers

This collection of thirteen essays by eminent scholars is devoted to such diverse topics as the city, the countryside, politics, satire, religion, psychology and society, philosophy in the nineteenth-century novel, the romantic tradition, the realist tradition, the modernist tradition, novelistic technique, gender, and theory, and is classified under four subheadings-setting, culture, literary tradition, and structures and reading. These are not encyclopedic articles, but they offer insights into the subjects by refemng briefly when relevant to important nineteenth- and twentieth-century novels. Each article is accommodated in about twenty pages. This book is a “real companion” to Slavic scholars, a boon to …


Manuscripts And Markets: The Case And Cause Of Authors In Search Of Publishers, Russell J. Ganim Jan 1999

Manuscripts And Markets: The Case And Cause Of Authors In Search Of Publishers, Russell J. Ganim

Department of Modern Languages and Literatures: Faculty Publications

In November 1996, the New Yorh Times ran a front page article dealing with the crisis in publishing monographs in the humanities. The piece opened with the experience of a young scholar in Oregon who had sent a book manuscript on Theodor Adorno to a major university press who refused to read it for reasons of "marketability" (Al). As the report continued, it outlined the economic and editorial reasons why many researchers in the humanities, especially at the beginning of their careers, encountered significant difficulty landing contracts at presses that would have published their work in the past. At the …


Vladimir Galaktionovich Korolenko, 1853-1921, Radha Balasubramanian Sep 1998

Vladimir Galaktionovich Korolenko, 1853-1921, Radha Balasubramanian

Russian Language and Literature Papers

Vladimir Galaktionovich Korolenko is well known not only as a publicist and a humanitarian, but also as a writer. His voluminous publicistic writing, based on his service to the people, championed truth and justice. It ranges from exposing activities of the local gentry in their manipulation of the city’s bank, court, and local zemstvo, to condemning the revolutionaries openly, after they took over power, for not complying with the law and for forcing changes too rapidly. As a writer of fiction, Korolenko’s contribution to Russian narrative prose is in the form of short stories.


Future Mallarmé (Present Picasso): Portraiture And Self-Portraiture In Poetry And Art, Marshall C. Olds Jul 1998

Future Mallarmé (Present Picasso): Portraiture And Self-Portraiture In Poetry And Art, Marshall C. Olds

French Language and Literature Papers

Let us turn to what might at first seem the improbable encounter between Stéphane Mallarmé and Pablo Picasso. On the face of it, so much separates them: the one patiently mining a limited set of aesthetic notions, spending years perfecting some of his major works, the other incessantly exploring all possibilities of visual representation, moving through styles sometimes weekly, creating prodigiously in different media, living dozens of careers. In their separate ways, though, they both were extreme examples of creativity. Whether or not for that reason, Picasso turned toward (if not to) Mallarmé at two distinct points in his career: …


Elaboración De Una Poética En Los Ensayos Tempranos De Octavio Paz, J. Agustín Pastén B. Jun 1998

Elaboración De Una Poética En Los Ensayos Tempranos De Octavio Paz, J. Agustín Pastén B.

Spanish Language and Literature Papers

En gran parte, la relación de Octavio Paz con la inteligentsia mexicana ha sido conflictiva, especialmente con los intelectuales de izquierda. Vale recordar, por ejemplo, el pleito Paz-Fuentes, pleito que se agudiza con la publicación de un articulo de Enrique Krauze—amigo de Paz y colaborador de Vuelta—en el que Krauze se refiere al "mal uso" que hace Fuentes de la historia. Recuérdese también el Coloquio de Invierno de 1992. Tras mover cielo y tierra, Paz logra ser invitado a ese encuentro literario para más tarde condenar al gobierno mexicano por organizar un evento claramente político (es decir, de izquierda), …


Consolation And The Work Of Mourning In Angéline De Montbrun, Thomas M. Carr Jr. May 1998

Consolation And The Work Of Mourning In Angéline De Montbrun, Thomas M. Carr Jr.

French Language and Literature Papers

The dynamics of this foundational text of Canadian literature come from its heroine's drive to resolve her overwhelming sense of loss. Angéline loses her father, her beauty, and the love of her fiance Maurice within the space of three pages against a backdrop formed by memory of the loss suffered at the Conquest. Indeed, reading the novel under the sign of resignation is a commonplace. Critics as diverse as the early Catholic reviewers, more recent biographically-oriented researchers, and Freudian and feminist commentators have underscored Angeline's attempts to resign herself to this succession of losses. To a lesser extent they have …