Caribbean Languages and Societies Commons^™

"La Vida Es Un Carnaval": An Exploration Of Cuban Identity And Nostalgia Through Dance/Movement Therapy - A Community Engagement Project, Maria Fernanda Mendez Mendoza

Expressive Therapies Theses

“La Vida Es Un Carnaval” is a community engagement project and thesis that explores how identity and nostalgic resilience show up through dance/movement therapy with Cuban immigrants living in the United States, specifically Massachusetts. This project brought together six Cuban-born participants, ages 26 to 67, each with their own unique migration stories; from the Rafter Balsero Crisis of 1994, to the “Wet-Foot/Dry-Foot” policy, and family reunification. Through a mix of in-person and online sessions, participants explored their experiences using intermodal activities including dance/movement therapy techniques, conversation, journaling, artwork, and music. Themes of cultural pride, “Cubanía” – Cuban-ness, culture shock, and …

Colonial Education: Puerto Ricans And The Carlisle Indian School, Progenitors Of The Mythic Identity, Melissa Swinea

Dissertations, Theses, and Capstone Projects

‘GOD HELPS THOSE WHO HELP THEMSELVES’ reads a subheading of The Red Man –a historic periodical memorializing the tune of 19th century Americana with references to Godliness and its connection to Indianness and ostentatious capitalism in a canon of school newspapers. The Red Man was the staple periodical of the Carlisle Indian Industrial Institute published monthly and declared “in the interest of Indian education and civilization” for the annual price of 50 cents[1] The subject and recipients of The Red Man would also include 193 Puerto Rican students sent to Carlisle through the U.S.’s campaign to Americanize the Caribbean …

Transgressing Boundaries Of Identity, Geography And Time In Transmutadxos And La Mucama De Omicunlé, Lucinda Smith

Tête à Tête: Journal of Francophone Studies

The literary works of Rita Indiana (1977) and Yolanda Arroyo Pizarro (1970) are recognised for exposing and challenging hegemonic ideas of identity, sexuality and power. The transgression of boundaries appears time and again in the fiction of both writers, whether these be boundaries of sexual or gender identity, desire, geography, time or even life and death. Using Rita Indiana’s novel La mucama de Omicunlé (2015) and Arroyo’s collection of short stories Transmutadxs (2016), the authors’ representations of such transgressions are the focus of this essay.

Further to addressing similar themes in their texts, both Rita Indiana and Arroyo Pizarro were …

Frida's Daughter, Myrta Vida

Theses

The purpose of my creative writing is to highlight a group of U.S. citizens still woefully underrepresented in literature proper: the Latinx middle class. I’m keenly interested in exploring Puerto Rican and first- and second-generation Latinx immigrant stories. Even though some of the experiences from these groups have been elegantly visited by writers such as Giannina Braschi, Sandra Cisneros, Junot Diaz, Julia Alvarez, and others, there are nuances to the Latinx middle class experience that are yet to be uncovered. Being stuck in the cultural, linguistic, socio-economic, and political middles in a country that has recently taken a largely nationalist …

(Re)Imagining Haiti Through The Eyes Of A Seven-Year-Old Girl, Iliana Rosales Figueroa

Journal of International Women's Studies

Haitian-American author Edwidge Danticat’s new novel Claire of the Sea Light (2013) explores themes of love, loss, and death. The first character that is presented to us is Claire of the Sea Light, a seven-year-old girl, whose mother died giving birth to her and who is missing. It is at the intersection of this little girl’s loss that all the other characters and topics unfold. Madame Gaëlle, an upper class woman who has a fabric shop in Ville Rose, decides to adopt Claire in order to give her a better life. In this essay I demonstrate that Edwidge Danticat articulates …

Blackness Of A Different Color : The Complexities Of Identity Of Haitian Migrants And Their Descendants In The Bahamas, Katiuscia Pelerin

Legacy Theses & Dissertations (2009 - 2024)

"Blackness of a Different Color: The Complexities of Identity of Haitian Migrants and their Descendants in the Bahamas" is the first book-length study of its kind, and the first since 1978 to examine the Haitian experience in the Bahamas. It establishes that the Haitian diaspora is as worthy a topic of academic attention as other diasporas, not just as an appendage of the African diaspora. It examines how Haitians experience a complex, but by no means unique, form of black on black racism in which Bahamians have

Second Generation Indo-Guyanese Adolescent Identity, Caitlin Irene Janiszewski

Legacy Theses & Dissertations (2009 - 2024)

This thesis investigates the lives of second generation Indo-Guyanese immigrants in Schenectady, New York. Through the creative means of playwriting, I demonstrate how these subjects saw identified racially, ethnically, nationally, and how gender is implicated in these identifications. I argue that the force of "colorblind" discourse and multicultural language in the context the United States promotes an ambiguous sense of racial, ethnic, and national identification. I argue that a Foucauldian framework which I call the "deployment of race" is what manages this ambiguity and disciplines subjects to use a "colorblind" grammar. This thesis/project also makes a methodological argument. The stage …

Parades Banlieusardes. El Hadj De Mamadou Mahmoud N’Dongo Et Les Identités Criminelles, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article aims at understanding the relation between crime and identity formations in the French banlieues, especially in the wake of the 2005 urban riots. The essay performs a reading Mamadou N’Dongo’s novel El Hadj at the intersection of aesthetics and politics in order to scrutinize identity formations and related debates at stake in the prisons of poverty and oppression that constitute the banlieues whose inhabitants are the third or fourth generation of the heirs to African immigration in France. Ultimately, the paper contention is that what I call “banlieue parade” stands out as the new model of identity that …

Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan

Présence Francophone: Revue internationale de langue et de littérature

Aime Cesaire is a popular writer in Benin. Evidence lies in the increasing number of writers and scholars who have been supporting his ideas since the 60s. His books are on secondary school as well as university curricula. He has enjoyed more attention in the 1990s with the advent of democracy and the notable influence of then Head of State N. D. Soglo who is a keen admirer of his political career. Cesaire is held in such an esteem in Benin because he is capable of going beyond his natal Caribbean and willingly express the sad destiny of Africa ever …

Fantasme Et Sexualité Dans Les Littératures Caribéennes Francophones: Des Dangers Du Stéréotype Aux Transformations Mythiques, Sébastien Sacré

Présence Francophone: Revue internationale de langue et de littérature

Francophone Caribbean literature has consistently challenged stereotypes and clichés usually associated to these islands by strongly opposing the colonial representation of the first writers, especially those of the “doudouisme”. However, the current sexualisation of contemporary literature might lead to think that it has also reignited former exotic colonial representations like those of the Caribbean woman as an object of pleasure, or the unfaithful polygamist Caribbean man. Recent publications from Maryse Condé, Ernest Pépin or René Depestre indicate that, on the contrary, these authors go beyond these colonial representations to undertake a redefinition of cultural identity.

Idéal Romantique Et Projet Social Dans C’Est Vole Que Je Vole De Nicole Cage-Florentiny, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

In this novel, first published in 1998 and then in 2006, martinican female writer Nicole Cage-Florentiny portrays a young woman, Malaïka, who seeks refuge in madness to escape the turmoil of her life. She is under the yoke of harsh living conditions including societal conformism which, according to Fanon, provokes the « existential deviation » (1953 : 31) of the individual. Despite all, Malaïka advocates a society that would integrate all its members and promote equality. C’est vole que je vole aims at brushing Martinique’s ability to display a sound socialization. The author aims at offering a criticism of her …

Réécritures Romanesques Du Mythe De Médée Chez Maryse Condé Et Marie N’Diaye, Jean-Luc Manenti

Présence Francophone: Revue internationale de langue et de littérature

The mythical figure of Medea, made notable by child murder, has had a significant diffusion in contemporary fiction. A comparative analysis of her apparition in some novels by Maryse Condé and by Marie N’Diaye demonstrates the transposition and the updating of the myth according to varied cultural contexts. Situated between transgression and sublimation, the renovated figure of the infanticidal genitrix associates the imaginary of the beneficent mother to the one of the harmful mother. This hybrid status allows her to reveal a different specificity, one that goes beyond manichean classifications.

Folie De L'Écriture, Écriture De La Folie Dans La Littératureféminine Des Antilles Françaises, Pascale De Souza

Présence Francophone: Revue internationale de langue et de littérature

There are many female characters with sick/mutilated bodies in Guadeloupe and Martinique’s female literature. Madness, anorexia, self-mutilation, even the suicide of these female characters not only denounce a repressive social order inherited from the history of slavery, but also represent means to affect a social environment that is not responsive to the female quest for identity. Madness, crisis or acts of self-mutilation allow them to escape (“marronnage”) a system, which tries to negate their very existence.