Latin American Languages and Societies Commons^™

Los Cuerpos En Conflicto Del Chavismo: Cuatro Obras Venezolanas En La Era De La Revolución Bolivariana, Rebeca Pineda Burgos

Dissertations, Theses, and Capstone Projects

In my dissertation, I study the novels Tiempos del incendio (2014) by José Roberto Duque, and Patria o muerte (2015) by Alberto Barrera Tyszka, the film Pelo malo (2013) by Mariana Rondón, and the performance El beso emancipador (2013) by Deborah Castillo. These works were created in a period of intense political and social transformations in Venezuela, in the context of the sickness and death of the president and leader of the Bolivarian Revolution Hugo Chávez (1999-2013). Because they contemplate nationalist symbols, historical events recovered by power, spaces taken by the State, and traditional claims in the country now exercised …

Lengua, Identidad Y Poder: Ideologías Lingüísticas En La Prensa Hispana De Los Estados Unidos (1980–2007), Evangelia-Lydia Manatou

Dissertations, Theses, and Capstone Projects

Esta tesis estudia las ideologías que articulan los tres periódicos hispanófonos de distribución más amplia, en los Estados Unidos, desde finales del siglo XX, al reproducir los debates vinculados a la lengua española y los valores asignados a distintas prácticas lingüísticas producidas por los hispanohablantes que residen en EE. UU. En particular, nos ha interesado por fenómenos tales como el monolingüismo, el bilingüismo y el espanglish, y por las propuestas normativas articuladas tanto por los periódicos como por instituciones españolas dedicadas a la promoción internacional de la lengua. En este trabajo hemos analizado artículos y viñetas de los tres periódicos …

Una Isla, Dos Literaturas: Contrapunteo De La Literatura De La Isla Y La Diáspora Dominicanas (1965–2018), Jose L. Peralta

Dissertations, Theses, and Capstone Projects

Una isla, dos literaturas.

Contrapunteo de la literatura de la isla y la diáspora dominicanas (1965-2018)

by

Jose Luis Peralta Genao

Advisor: Carlos Riobó

The literary works written by Dominican Diaspora as well as the ones written in the island have been dealing with a very complicated phenomena grown as the result of Dominican massive emigration of twenty century, namely the definition of dominicaness (dominicanidad). In the search of a broader notion of this concept the idea of being Dominican gets build and transforms in different Dominican literary spaces. By searching national discursive elements that construct that Dominican identities in …

Las Verdades De La Muerte: Discurso Oficial Y Literatura Peruana Durante La Guerra Interna (1980–2000), Alberto Valdivia Baselli

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the productions of official truth in the positivist paradigm of the social sciences and those of literary truth in the context of the most recent Peruvian internal war (1980-2000), between the state and the subversive groups of the Communist Party of Peru-Shining Path (SL) and the Túpac Amaru Revolutionary Movement (MRTA).

It has been essential to analyze these truths, its hegemony of power and its cultural phenomena, to study the discursive forms produced in the literary archive. Hence, this research has examined multiple ways in which literary discourse has materialized during and after the war period. Thus, …

Revisiting Juchitán: Witnessing An Indigenous Mexico Within The Latin American Archive, Michelle G. De La Cruz

Dissertations, Theses, and Capstone Projects

Throughout archives of photographic collections, as one discovers the focused, artistic selective process of images that become part of a photographer’s collection, one must venture further and ask: will these choices be decisively remembered by an individual or collective audience or actively be dismissed, misunderstood, and denied presence? For my master’s thesis, I will be analyzing Mexican photographer Graciela Iturbide’s photobook, Juchitán de las Mujeres, a photo-collection of the women-empowered indigenous society in Oaxaca, Mexico which erupted during Latin American photography’s prime in the 20th century, turning away from a deeply exoticized past and towards a celebration of Hispanism as …

Queer Baroque: Sarduy, Perlongher, Lemebel, Huber David Jaramillo Gil

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the ways in which queer and trans people have been understood through verbal and visual baroque forms of representation in the social and cultural imaginary of Latin America, despite the various structural forces that have attempted to make them invisible and exclude them from the national narrative. My dissertation analyzes the differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho, while exploring their individual limitations and potentialities for voicing the joys and pains of being queer and trans in an exclusionary society. As I analyze the literary works of each artist, …

The International Rise Of Afro-Brazilian Modernism In The Age Of African Decolonization And Black Power, Abigail Lapin Dardashti

Dissertations, Theses, and Capstone Projects

Two competing artistic representations of Brazilian blackness emerged from 1966 to 1988. The first began in 1966 when the Brazilian government positioned itself as a leading diplomatic partner for newly independent African nations by showcasing black Brazilian art in West Africa. Through exhibitions, the Brazilian Foreign Ministry aimed to highlight the country’s presumed homogeneous identity and absence of racism. The second definition arose through the work of artists inspired by U.S. social rights activism, who founded Brazil’s civil rights movement in 1975. Brazilian artist-activists combined symbolism from U.S. Black Power, African liberation movements, and Afro-Brazilian culture to denounce racism in …

Fact And Fiction In Mexican Film: 1970s, 2000s, Lily M. Ryan

Dissertations, Theses, and Capstone Projects

This dissertation aims to address generic preoccupations between fiction and documentary film, while also providing a historical analysis of two decades in Mexican cinema, the 1970s and the 2000s. It looks at nine Mexican fiction films that rely on the conventions of documentary in both form and content. Whether through a fictionalized historical recreation, a “mockumentary style,” or a clear interest in the reality of everyday life, each one of these films plays with the boundaries of documentary and fiction. While the influence of documentary is quite evident in some, in others, this influence remains subtle. In my examination of …

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Cinegrafia: Literatura, Espectadores Y Cinefilia Contemporanea En Latinoamerica, Rojo Robles Mejias

Dissertations, Theses, and Capstone Projects

The arrival of cinema in Latin America quickly produced an intermedial cultural landscape. To this day, experimental authors in the Hemisphere and the Caribbean write cinegraphic fiction as a way to deal with film’s socio-cultural repercussions. My work addresses the question of how cinema transforms and subverts the creation of fictional narratives in the last five decades. By considering a corpus of post-1968 literary works in Latin America, I argue that contemporary cinegraphic fiction, a concept I coined, shed light on filmic discourses, platforms, and artifacts and transpose film language into literary texts. Intending to rethink polycentric film production and …

Más Allá De La Comisión De La Verdad Y Reconciliación: Memoria, Cuerpo Y Producción Cultural De Mujeres En El Perú (2005–2013), Otilia M. Mendiolaza

Dissertations, Theses, and Capstone Projects

This dissertation examines literary and cinematographic works concerning the war between the Peruvian Armed Forces and the Peruvian Communist Party Shining Path (1980-2000) produced by contemporary women artists. In particular, it analyzes how these works reveal topics overlooked by the report of the Truth and Reconciliation Commission of Peru (CVR) published on August 28, 2003. To do so, it studies the socio-political and cultural factors that contributed to the violation of human rights during the internal military conflict, especially of women, focusing on questions of memory, identity, and the body. The dissertation analyzes Rocío Silva Santisteban’s poetry collection Las hijas …

The Argentines Of Paris: Theatrical Networks And Assemblages, Stefano Boselli

Dissertations, Theses, and Capstone Projects

This work investigates key theatre productions written or directed by Argentines who left Buenos Aires, for personal, artistic, and/or political reasons, and established themselves in Paris. Case studies refer to the lives, visual art, theatre companies, official appointments, and global networks that contributed to their creations between the 1960s and 1990s. Although others are mentioned briefly, the main focus remains on a cluster of theatre practitioners who more frequently connected with each other around playwright, performer, and graphic artist Copi (nom de plume of Raúl Damonte Botana). These included director Jorge Lavelli; director and performer Jérôme Savary; director and visual …

Glotopolítica De La Desigualdad: Ideologías Del Mapudungun Y El Español En Chile (2009–2019), Gabriel E. Alvarado Pavez

Dissertations, Theses, and Capstone Projects

Glottopolitics of Inequality: Ideologies on Mapudungun and Spanish in Chile (2009-2019) by Gabriel Alvarado Pavez Advisor: José del Valle This dissertation is an attempt to analyze contemporary discourses on Mapudungun and Spanish and their development within the political and economic context of Chile between 2009 and 2019. The object of analysis is the diverse array of linguistic ideologies displayed on both the hegemonic press (newspapers of nationwide circulation) and on Facebook, which helps provide a sociolinguistic profile of Chile from a glottopolitical perspective. This entails a point of view focused on power structures and their modes of (re)production and perpetuation, …

Después Del Exilio: El Regreso Y El Retorno En La Autoficción Latinoamericana Del Siglo Xxi, Joan C. Aguirre

Dissertations, Theses, and Capstone Projects

The present work analyzes the return—both the physical return and anticipated physical return— to the homeland after living in exile, the act of remembering caused by this process, and the metareflective role that the genre of autofiction plays in this interaction. The dissertation examines the twenty-first century autofictions of four Latin American countries: La casa de los Conejos by Laura Alcoba of Argentina; Memorias prematuras by Rafael Gumucio of Chile; ConPasión absoluta by Carol Zardetto of Guatemala; and El sueño del retorno by Horacio Castellanos Moya of El Salvador. These autofictions are part of an important corpus, one that offers …

A Series Of Acts That Disappear: The Valparaíso School’S Ephemeral Architectures, 1952–1982, Elizabeth Rose Donato

Dissertations, Theses, and Capstone Projects

In 1952, Chilean architect Alberto Cruz (1917–2013) and Argentine poet Godofredo Iommi (1917–2001) launched one of the most idiosyncratic experiments in postwar art and architectural pedagogy in the industrial port of Valparaíso, Chile. Founded on the premise that architecture must be “co-generada” with poetry, the so-called Valparaíso School developed an expanded conception of the discipline that encompassed ephemeral forms, from urban drifting to performative and ludic actions. This dissertation examines four specific “acts” in the Valparaíso School’s corpus: the exhibition, the poetic act, the journey, and the game. Across these different forms, I identify a tendency toward openness, improvisation, indeterminacy, …

Does Ethnic Identity, In-Group Preference, And Acculturation Protect Latinas With A History Of Interpersonal Trauma From Developing Symptoms Of Ptsd?, Evelyn M. Ramirez

Dissertations, Theses, and Capstone Projects

Previous research suggests ethnic identity, a sense of belonging to a particular cultural group, may be protective against symptoms of post-traumatic stress disorder (PTSD). However, the role of ethnic identity, in-group preference (i.e., an individual’s preference for interactions with members of their own ethnic group) and acculturation (i.e., the level of comfort with the mainstream culture) have not been investigated as protective factors for Latinas with a history of interpersonal and sexual trauma. In this study, ethnic identity, in-group preference and acculturation were assessed via self-report on the Scale of Ethnic Experience in two samples of undergraduate Latina and non-Latina …

Gendered Subjectivity And Resistance: Brazilian Women’S Performance-For-Camera, 1973–1982, Gillian Sneed

Dissertations, Theses, and Capstone Projects

This dissertation considers the work of a group of women artists in Brazil during the period of the military dictatorship (1964–1985), working in the genre of “performance-for-camera” (i.e., performance for film and video, rather than for a live audience). The artists are Lygia Pape (1927–2004), Letícia Parente (1930–1991), Anna Bella Geiger (b. 1933), Sonia Andrade (b. 1935), Anna Maria Maiolino (b. 1942), and Regina Vater (b. 1943). Some of these women were friends and colleagues who collaborated with each other; all of them contributed significantly to the development of film and video art in Brazil. Their works share an impulse …

Working Lives: Artistic Solidarity In Revolutionary Peru (1960–1980), Jose R. Chavarry

Dissertations, Theses, and Capstone Projects

This dissertation examines the discourses and experiences of cultural work as a form of intellectual and artistic solidarity in Peru during the 1960s and 1970s. Amid the broader Latin American and global spirit of revolution, anti-imperialism and Third World liberation, in Peru these decades saw a radical transformation in society where rural and urban masses rose against a traditional political and socioeconomic system that maintained colonial structures of domination and oppression of marginalized populations. In an attempt to rein in this desborde popular, as it became known, the nationalist and populist Revolutionary Government of the Armed Forces and a …

Stills Of Passage: Photography And Migration In The Us-Mexico Borderlands, 1978-1992, Nadiah Rivera Fellah

Dissertations, Theses, and Capstone Projects

This project investigates documentary photography at a critical juncture in the history of the US-Mexico borderlands. Following a period of rapid industrialization and growth in Mexico, the 1970s and 1980s were marked by moments of economic and political crisis, which simultaneously spurred a massive wave of northward migrants and the militarization of the US-Mexico border. These developments produced a large class of Mexican undocumented workers in the US, which in turn stimulated the formation of a hybrid border culture. At the same moment, a generation of young artists from Mexico and the United States, eager to document these changes, radically …

Desde El Margen: Teatro Alterno Y Comunidades Hispanas De Nueva York, 1997–2017, Pablo D. García Gámez

Dissertations, Theses, and Capstone Projects

Esta disertación analiza ocho textos de los autores Tere Martínez, Jorge Merced, Marco Antonio Rodríguez, Eva Cristina Vásquez y cuatro performances en la calle. La misma explora las relaciones entre los cuatro dramaturgos y las comunidades hispanas de Nueva York. Indaga en el proceso de cómo la memoria de estas comunidades se refleja en un repertorio teatral. Por otro lado, revisa la organización del performance cultural en las comunidades.

La hipótesis de esta investigación es que en el teatro hispano alterno hay obras que son reflejo y reflexión sobre los grupos periféricos y que el performance es una herramienta social. …

Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski

Dissertations, Theses, and Capstone Projects

This case study introduces an arts camp methodology of engaging communities in identifying their key cultural heritage features, thus serving as a meta study. It presents original research based on field studies on the climate-vulnerable Caribbean island of Barbuda during 2017 and 2018. Its Valued Cultural Elements survey, enabling precise identification of key tangible and intangible art forms and biocultural practices, may serve as a basis for further studies. Such approaches may facilitate future research or planning as climate-vulnerable communities harness Local or Indigenous Knowledge for purposes of biocultural heritage preservation, or towards adaptation or relocation. I report on findings …

Presenciar El Pasado: Witnessing The Spanish And Argentine Dictatorships Through Film And Television, Kristina L. Jacobs

Dissertations, Theses, and Capstone Projects

This dissertation explores the ways in which recent (1999–2017) films and television series ask today’s spectators to witness the 20^th-century Spanish and Argentine dictatorships by analyzing these texts on both a narrative and technical level. I examine torture in the Argentine films Garage Olimpo (Marco Bechis, 1999), Crónica de una fuga (Andrés Caetano, 2006), and, from Spain, La voz dormida (Benito Zambrano, 2011). I also investigate the theme of disappearance as seen in two Spain-Argentina joint ventures, Pasaje de vida (Diego Corsini, 2015) and Los pasos perdidos (Manane Rodríguez, 2001), both of which portray how parental absence affects …

El Narcotráfico Como Realidad Y Representación En La Narrativa De Germán Castro Caycedo, Edgar Augusto Verastegui

Dissertations, Theses, and Capstone Projects

The work of the Colombian author Germán Castro Caycedo (Bogotá, 1944) has produced some of Colombia's most widely read non-fiction works during the last five decades. Among other intellectuals, his work represents a post-1970s Colombian society conditioned by the complex issue of drugs and drug trafficking, which were the by-products of a socio-historical process since the beginning of the 20th century. The present investigation examines journalistic articles, essays and non-fiction narrative by Castro Caycedo to study how they articulate a privileged knowledge about the perception and signification of the phenomenon of drug trafficking. From a merely anecdotal and marginal activity, …

Ansiedades Épico-Criollas Y El Mecenazgo De Indias En El Arauco Domado De Pedro De Oña, Andrea L. Fernandez

Dissertations, Theses, and Capstone Projects

Among the characteristics of epic poetry are the topic of war, love encounters, heroism of exemplary individuals, and the narration of events contemporary to the audience to reinforce a collective historical identity. Arauco domado by Pedro de Oña, born in Angol (modern Chile), reiterates these traditional expectations with its protagonist, characters, setting, and latter theatrical representations within the viceregal context. The poem was made possible by the sponsorship of García Hurtado de Mendoza y Manrique, IV Marquis of Cañete and Viceroy of Peru. If the title of “espíritu cesarino novelo” [Caesar’s new spirit] (V.76.3) corresponds to the patron, Pedro de …

El Negro Y El Haitiano En La Literatura Dominicana De La Diáspora, Juan Nicolás Tineo

Dissertations, Theses, and Capstone Projects

This thesis analyzes the diverse representations of blackness and Haitian culture in the literary works of the Dominican diaspora. First, the texts of the Dominican diaspora that highlight Africa are analyzed in order to determine to what extent these works represent real historical and social phenomena accurately, and in what ways these texts question or present other realities that have not been studied by the critics. It may be said that the writers of the diaspora allude to their African heritage because it was in the United States that they discovered their true racial identities. It is because of this …

Tracing Dominican Attitudes Towards Race: A Historical Analysis, Marcos Polonia

Dissertations, Theses, and Capstone Projects

The common misconception is that all Dominicans are racist – that Dominicans live in a Fanonesque reality where we believe we are white, but we clearly inhabit black bodies. These attitudes permeate Dominican society from the highest echelons of power to the everyday experiences of Dominicans on the street. The notion that Dominicans are racist is widespread among Latinos and African-Americans as well. Recently, global attention was focused on the Dominican Republic as the country changed its constitution in order to prevent Dominicans of Haitian descent from becoming Dominican citizens. But, where do these notions of race come from? This …

The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo

Dissertations, Theses, and Capstone Projects

The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various cultural representations …

Segunda Parte De La Historia General Llamada Índica (1572) De Pedro Sarmiento De Gamboa. Estudio Y Edición Anotada., Aleksín H. Ortega

Dissertations, Theses, and Capstone Projects

Pedro Sarmiento de Gamboa’s History of the Incas (1572). A Critical Study and Annotated Edition.

by Aleksín H. Ortega

Pedro Sarmiento de Gamboa wrote his polemic and undoubtedly political History of the Incas at the request of Francisco de Toledo (Viceroy of Peru, 1569-1581). Toledo wanted to deliver to the Spanish King a version of Incan history which could subsequently be used as an ideological tool in the search of legal and moral arguments to defend the Andean colonization by the Spanish monarchy. Since his arrival to the Peruvian territories, Toledo embarked on a long personal visit to …

La Nación Está En Otra Parte: Cultura Y Neoliberalismo En México (1977-1996), Rafael Lemus

Dissertations, Theses, and Capstone Projects

This dissertation studies a series of cultural products and practices that, between 1977 and 1996, either contributed to the formation and propagation of a neoliberal rationality in Mexico or opposed it. By analyzing objects as diverse as cultural magazines, art exhibitions, literary polemics and social movements, it addresses the reconfiguration of the Mexican cultural field triggered by the neoliberal turn in the 1980s as well as the construction of a new national narrative intended to displace the old revolutionary tale and to rationalize and facilitate the insertion of the country into the global economy.

The first chapter focuses on the …

Desire, Curiosity, And The Search For Truth In Proust, Moreno, And Bechdel, Santiago Parga Linares

Dissertations, Theses, and Capstone Projects

Marcel Proust’s influence on twentieth century literature is broad and has been well documented. This dissertation attempts a comparative reading of À la recherche du temps perdu that places it in contrast with Colombian writer Marvel Moreno’s 1987 novel, En diciembre llegaban las brisas, and Alison Bechdel’s 2006 comic memoir, Fun Home. Starting from a Deleuzian reading of the Recherche, this dissertation proposes the notion of the “proustian truth seeker”, a thematic and stylistic phenomenon which can be traced in all three writers. The characteristics of the truth seeker can be used to understand the ways in …