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Articles 1 - 10 of 10

Full-Text Articles in Other Italian Language and Literature

Review Of The Life And Legend Of Catterina Vizzani: Sexual Identity, Science And Sensationalism In Eighteenth-Century Italy And England, By Clorinda Donato, Ula E. Lukszo Klein Dec 2022

Review Of The Life And Legend Of Catterina Vizzani: Sexual Identity, Science And Sensationalism In Eighteenth-Century Italy And England, By Clorinda Donato, Ula E. Lukszo Klein

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8


Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann Dec 2019

Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann

Artl@s Bulletin

Was the first documenta really beyond nationalism? documenta 1955 has been widely regarded as conciliation for the fascist legacy of the exhibition “Degenerate Art” (1937), and as an attempt to reintegrate Germany into the international arts community. This article employs published and archival sources in order to understand if and how documenta was impacted by the legacy of nationalism in post-fascist Germany. A biographic sketch of Antonio Corpora (1909-2004) shows how the purportedly “universalist” selection criteria employed by documenta erased cultural specificity and solidified nationalist conceptions of center and periphery.


The Italians: Communicating In A Discourse Community, Madeline Dziak Aug 2018

The Italians: Communicating In A Discourse Community, Madeline Dziak

WRIT: Journal of First-Year Writing

For a discourse community assignment, I decided that I would write about something that I am proud to be called: an Italian. Being only part Italian, I grew up on many different aspects and traditions that I still use in my lifetime, whether it would be food, art, or how I celebrate the holidays. It is a big part of my culture that I am proud to write about.


Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione Sep 2016

Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione

The Quiet Corner Interdisciplinary Journal

Novelist and professor Amara Lakhous lives in the United States, where he has begun his third life—a new phase after his Algerian beginnings and subsequent Italian “adoption,” as he says. After having completed a degree in philosophy from the University of Algiers, Lakhous immigrated to Italy as a political refugee. In Italy, Lakhous would earn a doctorate in anthropology from La Sapienza, Rome. These days, Amara Lakhous lives in New York City and has been a visiting professor at the University of Connecticut. He is often invited by prestigious universities in the United States to discuss social and political …


Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan Feb 2015

Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan

Artl@s Bulletin

The painter Emilio Pettoruti (1892-1971) was born to Italian parents in the Argentine province of La Plata. In 1913, he sailed to Florence for artistic training and remained in Europe for eleven years. This article focuses on this formative stint, during which Pettoruti studied Quattrocento masters, conferred with Italian Futurists, and met French Cubists. Ultimately, the painter became a paragon of civiltá italiana, a cosmopolitan culture born in Italy but meant for global dissemination. Upon returning to Buenos Aires in 1924, he exposing the Argentine public to this culture, strengthening the already robust bond between the two countries.


On Translating Burns: A Heavenly Paradise And Two Versions Of "A Red, Red, Rose", Marco Fazzini Aug 2012

On Translating Burns: A Heavenly Paradise And Two Versions Of "A Red, Red, Rose", Marco Fazzini

Studies in Scottish Literature

Discusses, and prints, two different verse-translations from Scots into Italian of Robert Burns's well-known song "O, My Luve is Like a Red, Red, Rose," with brief comment on earlier Italian Burns translations. .


Stratégies De Légitimation Et Modalités De Réception Des Littératures Francophones En Italie, Cristina Minelle, Lucie Picard Dec 2003

Stratégies De Légitimation Et Modalités De Réception Des Littératures Francophones En Italie, Cristina Minelle, Lucie Picard

Présence Francophone: Revue internationale de langue et de littérature

This paper offers an overview of a broad research project concerned with the current diffusion of Francophone Literatures in Italy. The study comprises several components: a review of the academic literature; a survey of relevant websites; the analysis of publisher’s catalogues; archival analysis and face-to-face research at Universities and other Francophone cultural centres. Through a multi-disciplinary approach, the study offers an articulate though lively account of the state of Francophone Literatures in Italy.


"Cenni Biografici Del Maestro Di Musica Giuseppe Verdi" (Part 3), Giuseppe Demaldè, Mary Jane Phillips-Matz, Ernesto Macchidani Jun 1977

"Cenni Biografici Del Maestro Di Musica Giuseppe Verdi" (Part 3), Giuseppe Demaldè, Mary Jane Phillips-Matz, Ernesto Macchidani

Verdi Forum

No abstract provided.


"Cenni Biografici Del Maestro Di Musica Giuseppe Verdi" (Part 2), Giuseppe Demaldè, Mary Jane Phillips-Matz Dec 1976

"Cenni Biografici Del Maestro Di Musica Giuseppe Verdi" (Part 2), Giuseppe Demaldè, Mary Jane Phillips-Matz

Verdi Forum

No abstract provided.


"Cenni Biografici Del Maestro Di Musica Giuseppe Verdi" (Part 1), Giuseppe Demaldè, Mary Jane Phillips Matz, Gino Macchidani May 1976

"Cenni Biografici Del Maestro Di Musica Giuseppe Verdi" (Part 1), Giuseppe Demaldè, Mary Jane Phillips Matz, Gino Macchidani

Verdi Forum

No abstract provided.