Other Italian Language and Literature Commons^™

Review Of The Life And Legend Of Catterina Vizzani: Sexual Identity, Science And Sensationalism In Eighteenth-Century Italy And England, By Clorinda Donato, Ula E. Lukszo Klein

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8

A Tale Of Two Biennales: How Contemporary Art In Italy Reflects Current European Politics, Hannah Rosabel Capucilli-Shatan

CISLA Senior Integrative Projects

No abstract provided.

Fake Italian: An 83% True Autobiography With Pseudonyms And Some Tall Tales, Marc Dipaolo

Faculty Books & Book Chapters

In a city torn apart by racial tension, Damien Cavalieri is an adolescent without a tribe. His mother -who pines for the 1950s Brooklyn Italian community she grew up in- fears he lacks commitment to his heritage. Damien’s fellow Staten Islanders agree, dubbing him a “fake Italian” and bullying him for being artistic. Complicating matters, his efforts to make friends and date girls outside of the Italian community are thwarted time and again by circumstances beyond his control. When a tragic accident shakes Damien to his core, he begins a journey of self-discovery that will lead him to Italy, where …

Scrivere Di Islam. Raccontare La Diaspora, Simone Brioni Dr., Shirin Ramzanali Fazel

Department of English Faculty Publications

Scrivere di Islam. Raccontare la diaspora (Writing About Islam. Narrating a Diaspora) is a meditation on our multireligious, multicultural, and multilingual reality. It is the result of a personal and collaborative exploration of the necessity to rethink national culture and identity in a more diverse, inclusive, and anti-racist way. The central part of this volume – both symbolically and physically – includes Shirin Ramzanali Fazel’s reflections on the discrimination of Muslims, and especially Muslim women, in Italy and the UK. Looking at school textbooks, newspapers, TV programs, and sharing her own personal experience, this section invites us to change the …

La Strada, Federico Pacchioni

World Languages and Cultures Faculty Books and Book Chapters

"Released in 1954, La strada was the third solo directorial work of Federico Fellini and followed the critical and commercial success of I vitelloni (1953). Together with the films that preceded La dolce vita (1960), La strada represented a more traditional narrative and sober visual style that contrasted with Fellini's later experimental work. It is also an important film for understanding Fellini's reputation and evolution as an auteur director, especially in the light of the debate that it triggered among the Italian and French critics of the time regarding the true 'calling' of Italian neorealism. The idea for La strada …

The Rise Of The Far-Right In Italy, Justin Lewis

Capstone Showcase

The rising influence of far-right extremism in mainstream politics has been an issue the world over. From the U.S. to Brazil, this phenomenon is causing a shift in the ways in which governments are run. There may not be a better example than in Italy, where far-right parties have come to power democratically and continue to gain popularity. This thesis aims to explore and explain the underlying reasons behind the surge of the far-right to power in Italy. An emphasis is placed on going beyond superficial reasons such as rising levels of immigration to give a more complete story.

Beyond Nationalism? Blank Spaces At The Documenta 1955 – The Legacy Of An Exhibition Between Old Europe And New World Order, Mirl Redmann

Artl@s Bulletin

Was the first documenta really beyond nationalism? documenta 1955 has been widely regarded as conciliation for the fascist legacy of the exhibition “Degenerate Art” (1937), and as an attempt to reintegrate Germany into the international arts community. This article employs published and archival sources in order to understand if and how documenta was impacted by the legacy of nationalism in post-fascist Germany. A biographic sketch of Antonio Corpora (1909-2004) shows how the purportedly “universalist” selection criteria employed by documenta erased cultural specificity and solidified nationalist conceptions of center and periphery.

Faking The News: Antiwar Activists, The Italo-Ethiopian War, And The Practice Of Human Rights, Caroline Waldron Merithew

Conference: The Social Practice of Human Rights

In “Faking the News,” I bring past and present together to underscore lessons already learned by antifascist antiwar activists from the 1930s. These activists used, what they termed, "Authentic News," to combat the propaganda Benito Mussolini's regime was making up about the Italo-Ethiopian war. How might knowing about how people faked the news,and faked out fascism, in the past shape current and future human rights actions and help us go against the grain today for a better world tomorrow?

Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula

Dissertations, Theses, and Capstone Projects

The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …

Advanced Italian Grammar, Corinna M. Kociuba

Open Educational Resources

Syllabus on Advanced Italian Grammar

The Italians: Communicating In A Discourse Community, Madeline Dziak

WRIT: Journal of First-Year Writing

For a discourse community assignment, I decided that I would write about something that I am proud to be called: an Italian. Being only part Italian, I grew up on many different aspects and traditions that I still use in my lifetime, whether it would be food, art, or how I celebrate the holidays. It is a big part of my culture that I am proud to write about.

The Vanishing Line, Jacopo Mazzoni

Graduate School of Art Theses

This thesis is an exploratory effort to bridge the rift that political and monetary powers created between art and technology. In my practice, these socio-political motivations are exposed through the creation of non-utilitarian inventions that use different technologies as charged metaphors. I research mass media language and construct interactive pieces while borrowing strategies from the entertainment industry to make environmental, social, and political issues more palatable than documentary films or raw data could. In my work, technology is regarded as a semidivine entity with supernatural powers that can both elevate and reduce the human experience. My work functions differently according …

In-Between: The Spaces Of Modernity, Elisa Fabris Valenti

LSU Master's Theses

During the past three years as a graduate student, I have experienced loneliness. Having recently emigrated from Italy, I have often asked myself why I am experiencing such hard times adjusting to a different country. My thesis explores this question. Referring to Marc Augé’s idea of non-place, I have chosen a geographical and spatial starting point to approach my work. Italian cities are built around the central piazza where social, political, and economic life revolves. In my thesis, I depict American spaces that lack specific location and create solitude within the urban corridors. Private feelings, such as loneliness, are paradoxes …

Signor Mio Carissimo: A Theatrical Analysis And Translation Of Michelangelo’S Love Letters To Tommaso Dei Cavalieri, Miles Edmonds Messinger

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts and The Division of Languages and Literature of Bard College.

Naming Rape: The Social Practice Of Power, Agency, And Victimization In The Italo-Ethiopian War, 1936-1940, Caroline Waldron Merithew

Conference: The Social Practice of Human Rights

This paper, “Naming Rape,” shows how and when rape got named as part of the movement against the Italian invasion of Ethiopia in 1936. I show that activists used the term strategically at certain points and specific places of the struggle to sway opinion and move the international community to challenge fascist violence and expansionism. Naming rape was something new for antiwar activists at this time.

Not My Queer: Queer Representation In Contemporary Italian Serial Television, Julia Heim

Dissertations, Theses, and Capstone Projects

Contemporary Italian television, like many national televisions, has entered a period in which the relationships the producers and consumers of televisual content are increasingly indistinguishable. In this age of media convergence the new participants of this medium work across platforms to actively engage, consume, create, and recreate both televisual content and our understanding of the medium. These new relationships require a new understanding of the semiotic and discursive changes taking place in television so that we may reconceptualize the contemporary interplay between media and society.

This dissertation maps out a new understanding of the televisual economy through an elaboration of …

La Divisione Fra I Divisionisti, Meijing He

Senior Theses and Projects

My thesis explores the philosophical and ideological divergence among the artists of the Italian Divisionism. Divisionism is a distinctive artistic phenomenon that had a short lifespan of twenty years from 1890 to 1910. Like the French Pointilism, it absorbed the influence of contemporary scientific theories on optical perception in relation to colors. Instead of blending colors in a traditional way, the artists of this style juxtaposed individual, broken strokes in primary colors to achieve the effect of maximum luminosity. Unlike the French neo-impressionists, however, their subject matter featured a strong involvement in social and political issues, idealized depiction of nature, …

La Violenza Della Violenza, Babette Babich

Articles and Chapters in Academic Book Collections

Günther Anders, al pari di Hannah Arendt, fu un teorico del potere che sviluppò un’esplicita riflessione filosofica sulla violenza. Tuttavia, anche gli esperti delle sue opere trovano solitamente che le riflessioni di Anders sul potere (in tedesco Macht) implichino una certa difficoltà interpretativa, specialmente perché la sua scrittura è stilisticamente impegnativa, ma anche perché, in modo più decisivo, Anders scrisse sulla natura della tecnica, argomento inusuale per la maggior parte dei teorici della politica e dei filosofi. Questo interesse può essere riscontrato a cominciare dalle primissime riflessioni del filosofo tedesco sulla musica, e in tutti i suoi studi sull’essere umano …

Forget Me Not: Exploring The Rise Of The Anti Immigrant Right Through The Lens Of Historical Amnesia, Eliana Lucia Koenig Accomazzi

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies of Bard College.

Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione

The Quiet Corner Interdisciplinary Journal

Novelist and professor Amara Lakhous lives in the United States, where he has begun his third life—a new phase after his Algerian beginnings and subsequent Italian “adoption,” as he says. After having completed a degree in philosophy from the University of Algiers, Lakhous immigrated to Italy as a political refugee. In Italy, Lakhous would earn a doctorate in anthropology from La Sapienza, Rome. These days, Amara Lakhous lives in New York City and has been a visiting professor at the University of Connecticut. He is often invited by prestigious universities in the United States to discuss social and political …