Italian Linguistics Commons^™

Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii

Dissertations, Theses, and Capstone Projects

This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …

L’Espresso: Uno Stimolante, Una Bevanda, E Un Pilastro Dell'italianità, Salvatore Joseph Lupo

French and Italian Undergraduate Senior Theses

No abstract provided.

Made In Italy: Gli Effetti Della Musica Italiana (T)Rap Sulla Società E Sulla Lingua, Paraskevi Z. Gkana-Alberico

Theses and Dissertations

This paper explores the history of Italian (t)rap music, and uses the lyrics of famous songs in an attempt to examine the effects the sometimes vulgar and explicit themes, which are usually accompanied by the use of foreign languages, could have on society and the Italian language.

The Languages Of Italy: An Examination Of The Vitality Of Standard Italian And Dialects In Contemporary Italy, And The Role Of Dialect Speakers In The United States, Juliana Maria Esoldi

Senior Theses

In this thesis paper, I address the question of linguistic shift in the context of Southern Italian dialectology. I break this study up into two parts. First, I discuss the decline in usage of regional dialects in contemporary Southern Italy, particularly the regions of Calabria, Campania, and Sicily, and provide an assessment of their current vitalities and popularities. Then, I address the role of Italian dialect speakers abroad, specifically in the Italian American context, in this dynamic of linguistic evolution, extinction, and survival. Along with factual data and statistics describing the vitalities of the dialects in Italy, a selection of …

Brown's Stages Of Morphosyntactic Development Applied To The Typical Development Of Italian, Marie Laiche

LSU Master's Theses

Background: In A First Language (1973), Roger Brown called for an increase in crosslinguistic data and analysis of morphosyntax across languages as more research in this field is crucial for working out the overarching determinants of language acquisition order and for the ability to accurately compare child language acquisition across different languages. An increase in this research would benefit linguistic researchers and speech-language-pathologists offering services to or evaluating children speaking a different language or more than one language. The current study seeks to add to the field of crosslinguistic research by adapting Brown’s guidelines of English language acquisition to the …

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

Narrating Intensity: History And Emotions In Elsa Morante, Goliarda Sapienza And Elena Ferrante, Stefania Porcelli

Dissertations, Theses, and Capstone Projects

This dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). However, rather than remaining centered on these works’ emotive landscapes alone, I seek instead to trace the continuities that link these two “historical” novels of the past to Ferrante’s successful and more recent tetralogy. I look at the representation of emotions and at what I call “moments of intensity” – …

Paese Di Accoglienza: Il Successo Di Un Modello Innovativo Di Accoglienza Dei Richiedenti Asilo In Italia, Isabela Arena Secanechia

Senior Capstone Theses

This work discusses Italy's migrant reception system including its flaws and their effects. Furthermore, this work explores an alternative, sustainable model of migrant reception created in Riace, Calabria, that has been successful in varying towns across Italy. Ultimately, this work argues that this system, which is beneficial to both Italians and incoming migrants — specifically asylum seekers — can and should be implemented nationally to counter the current flawed system.

Gestures As Mimetic Forms Of Identity In Post-Secondary Italian As A Foreign Language Classrooms: A Sociocultural Perspective, Ilaria Nardotto Peltier

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study investigates the use of mimetic gestures of identity by foreign language teachers of Italian and their students in college classes as a form of meaning-making. All four of the teachers were found to use a variety of Italian gestures as a regular aspect of their teaching and presentation of self. Students and teachers also were found to mirror each other’s gestures. None of the teachers had been video-recorded before the study and all were surprised to see the degree to which they appeared to be Italian, although at the same time all believed this to be an important …

Pasqualino Settebellezze: Italian Identity Through Holocaust Tragedy, Michael Di Geronimo

Senior Honors Projects

No abstract provided.

Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

The operatic tenor voice has evolved from a variety of influences. This document identifies four influences involved in the development of the operatic tenor voice and describes their impact on performance practices including the chest voice high C (C5). Modern tenors’ performance practices originate in the nineteenth century ascendance of an Italian singing technique. This particular singing technique achieved popularity when Gilbert Duprez sang the role of Arnold in Rossini’s Guillaume Tell with a do di petto (i.e. from-the-chest) production of sound rather than the mix of falsetto and head voice that was traditional at the time. The role of …