Italian Linguistics Commons^™

The Languages Of Italy: An Examination Of The Vitality Of Standard Italian And Dialects In Contemporary Italy, And The Role Of Dialect Speakers In The United States, Juliana Maria Esoldi

Senior Theses

In this thesis paper, I address the question of linguistic shift in the context of Southern Italian dialectology. I break this study up into two parts. First, I discuss the decline in usage of regional dialects in contemporary Southern Italy, particularly the regions of Calabria, Campania, and Sicily, and provide an assessment of their current vitalities and popularities. Then, I address the role of Italian dialect speakers abroad, specifically in the Italian American context, in this dynamic of linguistic evolution, extinction, and survival. Along with factual data and statistics describing the vitalities of the dialects in Italy, a selection of …

Brown's Stages Of Morphosyntactic Development Applied To The Typical Development Of Italian, Marie Laiche

LSU Master's Theses

Background: In A First Language (1973), Roger Brown called for an increase in crosslinguistic data and analysis of morphosyntax across languages as more research in this field is crucial for working out the overarching determinants of language acquisition order and for the ability to accurately compare child language acquisition across different languages. An increase in this research would benefit linguistic researchers and speech-language-pathologists offering services to or evaluating children speaking a different language or more than one language. The current study seeks to add to the field of crosslinguistic research by adapting Brown’s guidelines of English language acquisition to the …

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

The Communicative Function Of Gender In Italian, Joseph C. M. Davis

Publications and Research

An analysis of gender in modern literary Italianbased on attested examples from various genres. The evidence-based hypothesis, thoroughly noncanonical, proposes a system of morphologically signaled meanings, and these are not the traditional categories “feminine” and “masculine.” Even the familiar and misleading term “gender” is replaced. The analysis concerns primarily what is typically called “gram­matical gender,” although it stands to inform too the use of Italian in communication having to do with human cultural gender. The analysis concerns primarily what is called here “variable gender” (essentially, adjectives) although it stands to inform too the problem of “invariable gender” (essentially, nouns).

Narrating Intensity: History And Emotions In Elsa Morante, Goliarda Sapienza And Elena Ferrante, Stefania Porcelli

Dissertations, Theses, and Capstone Projects

This dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). However, rather than remaining centered on these works’ emotive landscapes alone, I seek instead to trace the continuities that link these two “historical” novels of the past to Ferrante’s successful and more recent tetralogy. I look at the representation of emotions and at what I call “moments of intensity” – …

Interview Of Rosanna Mastrangelo, Rosanna Mastrangelo, Juliana Mastrangelo

All Oral Histories

The Interviewee:

Rosanna Mastrangelo was born in February 1964, in South Philadelphia. Her parents, along with the rest of her family, were Italian immigrants who had come to America after the end of World War II in hopes of rebuilding a better life for themselves. Raised in a tight-knit Italian neighborhood and surrounded by Old World traditions, Rosanna quickly realized the importance of remaining close to one’s roots, especially in forming her unique sense of identity. But as she went to school and became acquainted with people of other backgrounds and experiences, it became ever more clear that her sense …

Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione

The Quiet Corner Interdisciplinary Journal

Novelist and professor Amara Lakhous lives in the United States, where he has begun his third life—a new phase after his Algerian beginnings and subsequent Italian “adoption,” as he says. After having completed a degree in philosophy from the University of Algiers, Lakhous immigrated to Italy as a political refugee. In Italy, Lakhous would earn a doctorate in anthropology from La Sapienza, Rome. These days, Amara Lakhous lives in New York City and has been a visiting professor at the University of Connecticut. He is often invited by prestigious universities in the United States to discuss social and political …

Production, Consumption, And Marketing Italian Wine Culture, Shannon Farrell

Senior Theses and Projects

Wine has been produced and consumed for centuries and, therefore, reflects wide ranging social and cultural practices. In my study, I recount the story of wine in Italy, from the Greek influence on southern Italian viticulture to the present. I mainly consider modern production, the market for wine, government regulations, and the publication of popular wine "guides". Using Italian wine guides, we can track the developments in production and consumption over the last twenty years, when Italian wines began to enjoy greater international favor. By focusing also on recent marketing of different regional wines, we can also see how both …

La Letteratura In Gioco, Barbara Dell`Abate Çelebi

Zea E-Books Collection

Un approccio ludico alla didattica della letteratura nella classe di lingua

In questo scritto si intende rivalutare l’impiego del testo letterario nell’insegnamento delle lingue straniere attraverso l’utilizzo di attività ludiche che permettano una piena ed attiva partecipazione del soggetto al processo glottodidattico. Il libro è diviso in due parti: una parte teorica (capitoli 1-2-3) e una parte operativa (capitoli 4-5). La parte teorica introduce il tema della didattica della letteratura da un punto di vista storico e metodologico. Nel primo capitolo si definisce il termine letteratura tracciando un breve quadro storico delle metodologie utilizzate da inizio secolo ad oggi nel …

Facilitating Lexical Acquisition In Beginner Learners Of Italian Through Task-Induced Involvement Load, Vanessa J. Natale Rukholm

The Coastal Review: An Online Peer-reviewed Journal

This empirical study explores the facilitation of lexical acquisition and retention through an incidental experiment examining the effect of Involvement Load on Italian vocabulary growth among beginner learners. The experiment, with a pre-test/post-test design investigates the facilitative effects of elaborate processing on L2 lexical acquisition and retention. Participants in sections of the same first-year Italian course were divided into one of five groups consisting of a Control Group and four Treatment groups. Treatment groups were divided based on level of Involvement (Laufer & Hulstijn, 2001) such that some groups processed target words elaborately (Craik, 2002; Lockhart, 2002) through vocabulary exercises …

"Sometimes The Perspective Changes": Reflections On A Photography Workshop With Multicultural Students In Italy, Robin L. Danzak

Communication Disorders Faculty Publications

This article describes and evaluates an 8-week photography workshop, FotoLab, conducted in Italy at an afterschool-tutoring program for students acquiring Italian as an additional language. Seventeen students, age 8-17 and originating from 9 countries, participated. Co-facilitated by three international educator-researchers, FotoLab's purpose was to promote self-expression, collaboration, and visual literacy. Through a qualitative inquiry of the FotoLab curriculum, photographs and videos, field notes, and student questionnaires, this article reflects on themes of multiculturalism and multilingualism, collaboration, and visual literacy within a sociocultural animation framework. While expressions of cultural and linguistic identity emerged, findings emphasize the challenges and benefits of teamwork …

Gestures As Mimetic Forms Of Identity In Post-Secondary Italian As A Foreign Language Classrooms: A Sociocultural Perspective, Ilaria Nardotto Peltier

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study investigates the use of mimetic gestures of identity by foreign language teachers of Italian and their students in college classes as a form of meaning-making. All four of the teachers were found to use a variety of Italian gestures as a regular aspect of their teaching and presentation of self. Students and teachers also were found to mirror each other’s gestures. None of the teachers had been video-recorded before the study and all were surprised to see the degree to which they appeared to be Italian, although at the same time all believed this to be an important …

Pasqualino Settebellezze: Italian Identity Through Holocaust Tragedy, Michael Di Geronimo

Senior Honors Projects

No abstract provided.

Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.

UNLV Theses, Dissertations, Professional Papers, and Capstones

The operatic tenor voice has evolved from a variety of influences. This document identifies four influences involved in the development of the operatic tenor voice and describes their impact on performance practices including the chest voice high C (C5). Modern tenors’ performance practices originate in the nineteenth century ascendance of an Italian singing technique. This particular singing technique achieved popularity when Gilbert Duprez sang the role of Arnold in Rossini’s Guillaume Tell with a do di petto (i.e. from-the-chest) production of sound rather than the mix of falsetto and head voice that was traditional at the time. The role of …