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Articles 1 - 4 of 4
Full-Text Articles in Italian Linguistics
Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii
Singing Petrarch In The Cinquecento: Embodied Reading And The Italian Madrigal, Thomas A. Hedrick Iii
Dissertations, Theses, and Capstone Projects
This dissertation examines how composers of sixteenth-century Italian madrigals highlighted poetic line rhythm, repeated vowel sounds (or assonance), and word repetition in figures of speech—all elements of the verse that have been previously overlooked by scholars, who have traditionally focused on musical depictions of the text’s semantics. The analysis in chapters 2, 3, and 4 shows that composers used a consistent set of techniques from the madrigals of Arcadelt to those of Monteverdi, and musical examples draw from large collection of madrigals on Petrarch sonnets. The analytical methodology is built on the premise that Cinquecento encounters with poetry can be …
Collective Memory, Culinary Continuity, And Solemn Repasts: Lagana, Itria And The History Of Pasta In Southern Italy, Anthony F. Buccini
Collective Memory, Culinary Continuity, And Solemn Repasts: Lagana, Itria And The History Of Pasta In Southern Italy, Anthony F. Buccini
Dublin Gastronomy Symposium
Though today it is communis opinio that the Arabs introduced pasta, especially dried pasta, to Sicily and from there it spread to the continent, there is no evidence to support this theory (Buccini 2013, 2015b, 2024). There is, however, ample evidence both textual and linguistic that this food has been known in southern Italy at least since classical times. Here I argue that an examination of holiday foods, especially those of what I call “solemn holidays,” provides further evidence that pasta has been an integral part of southern Italian cuisine for a very long time.
Pasqualino Settebellezze: Italian Identity Through Holocaust Tragedy, Michael Di Geronimo
Pasqualino Settebellezze: Italian Identity Through Holocaust Tragedy, Michael Di Geronimo
Senior Honors Projects
No abstract provided.
Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.
Adolphe Nourrit, Gilbert Duprez, And The High C: The Influences Of Operatic Plots, Culture, Language, Theater Design, And Growth Of Orchestral Forces On The Development Of The Operatic Tenor Vocal Production, Micheal Lee Smith Jr.
UNLV Theses, Dissertations, Professional Papers, and Capstones
The operatic tenor voice has evolved from a variety of influences. This document identifies four influences involved in the development of the operatic tenor voice and describes their impact on performance practices including the chest voice high C (C5). Modern tenors’ performance practices originate in the nineteenth century ascendance of an Italian singing technique. This particular singing technique achieved popularity when Gilbert Duprez sang the role of Arnold in Rossini’s Guillaume Tell with a do di petto (i.e. from-the-chest) production of sound rather than the mix of falsetto and head voice that was traditional at the time. The role of …